UPC · Release
Balthasar-Neumann-Ensemble, Balthasar-Neumann-Chor, Thomas Hengelbrock
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The UPC for “Balthasar‐Neumann‐Chor & Ensemble” by Balthasar-Neumann-Ensemble, Balthasar-Neumann-Chor, Thomas Hengelbrock is 889853450220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Deutsche Harmonia Mundi. This release contains 331 tracks, each with its own ISRC. Tracks include DEE479700131, DEE479700144, DEE479800573.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnificat in B-flat major: Magnificat anima mea | — | ||
| 2 | Magnificat in B-flat major: Et misericordia | — | ||
| 3 | Magnificat in B-flat major: Fecit potentiam | — | ||
| 4 | Magnificat in B-flat major: Deposuit potentes | — | ||
| 5 | Magnificat in B-flat major: Suscepit Israel | — | ||
| 6 | Magnificat in B-flat major: Sicut locutus est | — | ||
| 7 | Magnificat in B-flat major: Gloria Patri | — | ||
| 8 | Magnificat in B-flat major: Sicut erat in principio | — | ||
| 9 | Stabat Mater in C major: Stabat Mater | — | ||
| 10 | Stabat Mater in C major: O quam tristis | — | ||
| 11 | Stabat Mater in C major: Quis est homo | — | ||
| 12 | Stabat Mater in C major: Eja Mater | — | ||
| 13 | Stabat Mater in C major: Sancta Mater | — | ||
| 14 | Stabat Mater in C major: Fac me tecum | — | ||
| 15 | Stabat Mater in C major: Virgo virginum | — | ||
| 16 | Stabat Mater in C major: Fac me plagis | — | ||
| 17 | Stabat Mater in C major: Christe cum sit | — | ||
| 18 | Confitebor tibi Domine: Confitebor | — | ||
| 19 | Confitebor tibi Domine: Confessio | — | ||
| 20 | Confitebor tibi Domine: Fidelia omnia | — | ||
| 21 | Confitebor tibi Domine: Redemptionem misit | — | ||
| 22 | Confitebor tibi Domine: Sanctum et terribile | — | ||
| 23 | Confitebor tibi Domine: Intellectus bonus | — | ||
| 24 | Confitebor tibi Domine: Gloria patri | — | ||
| 25 | Confitebor tibi Domine: Sicut erat | — | ||
| 2-1 | Messe in H-Moll, BWV 232: Ia. Coro "Kyrie eleison" | — | ||
| 2-2 | Messe in H-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison" | — | ||
| 2-3 | Messe in H-Moll, BWV 232: Ic. Coro "Kyrie eleison" | — | ||
| 2-4 | Messe in H-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo" | — | ||
| 2-5 | Messe in H-Moll, BWV 232: IIb. Coro "Et in terra pax" | — | ||
| 2-6 | Messe in H-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te" | — | ||
| 2-7 | Messe in H-Moll, BWV 232: IId. Coro "Gratias agimus" | — | ||
| 2-8 | Messe in H-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus" | — | ||
| 2-9 | Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2-10 | Messe in H-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris" | — | ||
| 2-11 | Messe in H-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus" | — | ||
| 2-12 | Messe in H-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu" | — | ||
| 3-1 | Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum" | — | ||
| 3-2 | Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem" | — | ||
| 3-3 | Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" | — | ||
| 3-4 | Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est" | — | ||
| 3-5 | Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus" | — | ||
| 3-6 | Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit" | — | ||
| 3-7 | Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum" | — | ||
| 3-8 | Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma" | — | ||
| 3-9 | Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto" | — | ||
| 3-10 | Messe in H-Moll, BWV 232: IVa. Coro "Sanctus" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-11 | Messe in H-Moll, BWV 232: IVb. Coro "Hosanna" | — | ||
| 3-12 | Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus" | — | ||
| 3-13 | Messe in H-Moll, BWV 232: IVd. Coro "Hosanna" | — | ||
| 3-14 | Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" | — | ||
| 3-15 | Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem" | — | ||
| 4-1 | La Didone: Atto Primo: Prologue: Fortuna | — | ||
| 4-2 | La Didone: Atto Primo: Sinfonia | — | ||
| 4-3 | La Didone: Atto Primo: Scena Prima: Creuse, Enea, Ascanio | — | ||
| 4-4 | La Didone: Atto Primo: Scena Seconda: Cassandra, Pirro, Corebo | — | ||
| 4-5 | La Didone: Atto Primo: Scena Terza: Cassandra | — | ||
| 4-6 | La Didone: Atto Primo: Scena Quarta: Venere, Enea | — | ||
| 4-7 | La Didone: Atto Primo: Scena Quinta: Enea, Achise, Ascanio, Creusa | — | ||
| 4-8 | La Didone: Atto Primo: Scena Sesta: Ecuba, Cassandra | — | ||
| 4-9 | La Didone: Atto Primo: Scena Settima: Sinon | — | ||
| 4-10 | La Didone: Atto Primo: Scena Ottava: Enea, Ombra Di Ceusa | — | ||
| 4-11 | La Didone: Atto Primo: Scena Nona: Venere, Fortuna | — | ||
| 4-12 | La Didone: Atto Secondo: Scena Prima: Giunone, Eolo | — | ||
| 4-13 | La Didone: Atto Secondo: Scena Seconda: Nettuno, Choro Di Ninfe Marine | — | ||
| 4-14 | La Didone: Atto Secondo: Scena Terza: Iarba | — | ||
| 4-15 | La Didone: Atto Secondo: Scena Quarta: Didone, Iarba | — | ||
| 4-16 | La Didone: Atto Secondo: Scena Quinta: Didone, Anna | — | ||
| 4-17 | La Didone: Atto Secondo: Scena Sesta: Venere in Habito Di Ninfa, Amore | — | ||
| 4-18 | La Didone: Atto Secondo: Scena Settima: Enea | — | ||
| 5-1 | La Didone: Atto Secondo: Scena Ottava: Venere, Enea, Acate | — | ||
| 5-2 | La Didone: Atto Secondo: Scena Nona: Amore in Forma D’ascanio, Didone | — | ||
| 5-3 | La Didone: Atto Secondo: Scena Decima: Enea, Didone | — | ||
| 5-4 | La Didone: Atto Secondo: Scena Undecima: Tre Damigelle Di Corte | — | ||
| 5-5 | La Didone: Atto Secondo: Scena Duodecima: Iarba | — | ||
| 5-6 | La Didone: Atto Secondo: Scena Decimaterza: Iarba, Vecchio | — | ||
| 5-7 | La Didone: Atto Terzo: Scena Prima: Didone, Anna | — | ||
| 5-8 | La Didone: Atto Terzo: Scena Seconda: Iarba, Due Damigelle | — | ||
| 5-9 | La Didone: Atto Terzo: Scena Terza "La Caccia": Quatro Cacciatori | — | ||
| 5-10 | La Didone: Atto Terzo: Scena Quarta: Mercurio, Enea | — | ||
| 5-11 | La Didone: Atto Terzo: Scena Quinta: Enea, Choro de Troiani | — | ||
| 5-12 | La Didone: Atto Terzo: Scena Sesta: Didone, Enea | — | ||
| 5-13 | La Didone: Atto Terzo: Scena Settima: Sicheo in Ombra, Didone Tramortita | — | ||
| 5-14 | La Didone: Atto Terzo: Scena Ottava: Tre Damigelle Di Corte | — | ||
| 5-15 | La Didone: Atto Terzo: Scena Nona: Iarba, Mercurio | — | ||
| 5-16 | La Didone: Atto Terzo: Scena Decima: Didone | — | ||
| 5-17 | La Didone: Atto Terzo: Sinfonia | — | ||
| 6-1 | Requiem in F major: Requiem: Requiem Aeternam | — | ||
| 6-2 | Requiem in F major: Kyrie: Kyrie Eleison | — | ||
| 6-3 | Requiem in F major: Dies Irae: Dies Irae | — | ||
| 6-4 | Requiem in F major: Dies Irae: Quantus Tremor | — | ||
| 6-5 | Requiem in F major: Dies Irae: Tuba Mirum | — | ||
| 6-6 | Requiem in F major: Dies Irae: Mors Stupebit | — | ||
| 6-7 | Requiem in F major: Dies Irae: Liber Scriptus | — | ||
| 6-8 | Requiem in F major: Dies Irae: Judex Ergo | — | ||
| 6-9 | Requiem in F major: Dies Irae: Quid Sum Miser | — | ||
| 6-10 | Requiem in F major: Dies Irae: Rex Tremendae | — | ||
| 6-11 | Requiem in F major: Dies Irae: Recordare, Jesu Pie | — | ||
| 6-12 | Requiem in F major: Dies Irae: Quaerens Me | — | ||
| 6-13 | Requiem in F major: Dies Irae: Juste Judex | — | ||
| 6-14 | Requiem in F major: Dies Irae: Ingemisco Tamquam Reus | — | ||
| 6-15 | Requiem in F major: Dies Irae: Qui Mariam | — | ||
| 6-16 | Requiem in F major: Dies Irae: Preces Meae | — | ||
| 6-17 | Requiem in F major: Dies Irae: Inter Oves | — | ||
| 6-18 | Requiem in F major: Dies Irae: Confutatis Maledictis | — | ||
| 6-19 | Requiem in F major: Dies Irae: Oro Supplex | — | ||
| 6-20 | Requiem in F major: Dies Irae: Lacrimosa | — | ||
| 6-21 | Requiem in F major: Dies Irae: Judicandus | — | ||
| 6-22 | Requiem in F major: Offertorio: Domine Jesu Christe | — | ||
| 6-23 | Requiem in F major: Offertorio: Hostias Et Preces | — | ||
| 6-24 | Requiem in F major: Offertorio: Quam Olim | — | ||
| 6-25 | Miserere in D minor | — | ||
| 6-26 | Credo in F major: Credo | — | ||
| 6-27 | Credo: Crucifixus à 8 | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 6-28 | Credo in F major: Et Resurexit (Presto) | — | ||
| 6-29 | Credo in F major: Sanctus (Allegro) | — | ||
| 6-30 | Credo in F major: Et Vitam | — | ||
| 7-1 | Festa Riso (Mit verlängertem Nachspiel) | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-2 | La Divisione Del Mondo / Lumi Potet Piangere | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-3 | Questi Vaghi | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-4 | Canto D’amore | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-5 | Vorrei Baciarti | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-6 | Vorrei Baciarti | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-7 | Mascherata Della Malinconia & Allegrezza | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-8 | Damigella Tutta Bella O Rosetta, Che Rosetta | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-9 | Sonata a 2 Dialogo | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-10 | Sonata a 2 Dialogo | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-11 | Ciacona | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-12 | Sia Maledetto Amore.. | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-13 | Balletti a Cinque Voci / L’innamorato - Il Bell’humore - Amor Vittorioso | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-14 | Festa Riso | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 8-1 | Concerto Grosso in F minor: Grave | — | ||
| 8-2 | Concerto Grosso in F minor: Allegro | — | ||
| 8-3 | Concerto Grosso in F minor: Largo | — | ||
| 8-4 | Concerto Grosso in F minor: Allemande Allegro | — | ||
| 8-5 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 1: Tilge, Höchster, meine Sünden | — | ||
| 8-6 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 2: Ist mein Herz in Missetaten | — | ||
| 8-7 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 3: Missetaten, die mich drücken | — | ||
| 8-8 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 4: Dich erzürnt mein Tun | — | ||
| 8-9 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 5 & 6: Wer wird seine Schuld verneinen | — | ||
| 8-10 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 7: Sieh! Ich bin SÜND | — | ||
| 8-11 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 8: Sieh, Du willst die Wahrheit | — | ||
| 8-12 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 9: Wasche mich doch rein | — | ||
| 8-13 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 10: Lass mich Freud und Wonne | — | ||
| 8-14 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 11-15: Schaue nicht auf meine Sünden | — | ||
| 8-15 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 16: Öffne Lippen, Mund und Seele | — | ||
| 8-16 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 17 & 18: Denn Du willst kein Opfer haben | — | ||
| 8-17 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 19 & 20: Lass Dein Zion blühend dauern | — | ||
| 8-18 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 21: Amen | — | ||
| 8-19 | Concerto Per Archi G minor: Affettuoso-Presto | — | ||
| 8-20 | Concerto Per Archi G minor: Largo Affettuoso | — | ||
| 8-21 | Concerto Per Archi G minor: Allegro | — | ||
| 9-1 | Dixit Dominus II | — | ||
| 9-2 | O Jesu Mi Dulcissime | — | ||
| 9-3 | Lauda Jerusalem | — | ||
| 9-4 | Canzon À 8 | — | ||
| 9-5 | Incipite Virgini | — | ||
| 9-6 | O Viri Veniti | — | ||
| 9-7 | Plorabo die ac nocte, Motet for 4 Voices | — | ||
| 9-8 | Sonata la Foscarina À 3 Con Il Tremolo | — | ||
| 9-9 | Gloria | — | ||
| 9-10 | In Convertendo | — | ||
| 9-11 | Canzon 18 à 5 | — | ||
| 9-12 | Canzon 23 à5 | — | ||
| 9-13 | Deus, Deus Meus, ad te | — | ||
| 9-14 | Magnificat | — | ||
| 10-1 | Die Schöpfung, Hob. XXI:2 Part I: Die Vorstellung des Chaos | — | ||
| 10-2 | Die Schöpfung, Hob. XXI:2 Part I: Im Anfange schuf Gott Himmel und Erde (Rec. Acc.) | — | ||
| 10-3 | Die Schöpfung, Hob. XXI:2 Part I: Nun schwanden vor dem heiligen Strahle (Aria) | — | ||
| 10-4 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott machte das Firmament (Rec.) | — | ||
| 10-5 | Die Schöpfung, Hob. XXI:2 Part I: Mit Staunen sieht das Wunderwerk | — | ||
| 10-6 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es sammle sich das Wasser (Rec.) | — | ||
| 10-7 | Die Schöpfung, Hob. XXI:2 Part I: Rollend in schäumenden Wellen (Aria) | — | ||
| 10-8 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es bringe die Erde Gras hervor (Rec.) | — | ||
| 10-9 | Die Schöpfung, Hob. XXI:2 Part I: Nun beut die Flur das frische GRÜN (Aria) | — | ||
| 10-10 | Die Schöpfung, Hob. XXI:2 Part I: Und die himmlischen Heerscharen verkündigten den dritten Tag (Rec.) | — | ||
| 10-11 | Die Schöpfung, Hob. XXI:2 Part I: Stimmt an die Saiten, ergreift die Leyer | — | ||
| 10-12 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es seyn Lichter an der Feste des Himmels (Rec.) | — | ||
| 10-13 | Die Schöpfung, Hob. XXI:2 Part I: In vollem Glanze steiget jetzt die Sonne strahlend auf (Rec. Acc.) | — | ||
| 10-14 | Die Schöpfung, Hob. XXI:2 Part I: Die Himmel erzählen die Ehre Gottes... Dem kommenden Tage sagt es der Tag | — | ||
| 10-15 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Rec. Acc.) | — | ||
| 10-16 | Die Schöpfung, Hob. XXI:2 Part II: Auf atarkem Fittiche schwinget sich (Aria) | — | ||
| 10-17 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott schuf große Walfische (Rec.) | — | ||
| 10-18 | Die Schöpfung, Hob. XXI:2 Part II: Und die Engel rührten ihr’ unsterblichen Harfen (Rec.) | — | ||
| 10-19 | Die Schöpfung, Hob. XXI:2 Part II: In holder Anmut steh’n, mit jungem GRÜN geschmückt... Der Herr ist groß in seiner Macht | — | ||
| 10-20 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sprach: Es bringe die Erde hervor (Rec.) | — | ||
| 10-21 | Die Schöpfung, Hob. XXI:2 Part II: Gleich öffnet sich der Erde Schoß (Rec. Acc.) | — | ||
| 10-22 | Die Schöpfung, Hob. XXI:2 Part II: Nun scheint in vollem Glanze der Himmel (Aria) | — | ||
| 10-23 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott schuf den Menschen nach seinem Ebenbilde (Rec.) | — | ||
| 10-24 | Die Schöpfung, Hob. XXI:2 Part II: Mit Würd’ und Hoheit angetan (Aria) | — | ||
| 10-25 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sah jedes Ding, was er gemacht hatte (Rec.) | — | ||
| 10-26 | Die Schöpfung, Hob. XXI:2 Part II: Vollendet ist das große Werk... Zu Dir, o Herr, blickt alles auf | — | ||
| 11-1 | Die Schöpfung, Hob. XXI:2 / Part III / Aus Rosenwolken Bricht, Geweckt Durch Süßen Klang (Rec. Acc.) | Steve Davislim, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-2 | Die Schöpfung, Hob. XXI:2 / Part III / Von Deiner Güt', O Herr Und Gott... Gesegnet Sei Des Herren Macht! | Balthasar-Neumann-Chor, Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-3 | Die Schöpfung, Hob. XXI:2 / Part III / Nun Ist Die Erste Pflicht Erfüllt (Rec.) | Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-4 | Die Schöpfung, Hob. XXI:2 / Part III / Holde Gattin! Dir Zur Seite (Duet) | Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-5 | Die Schöpfung, Hob. XXI:2 / Part III / O Glücklich Paar! Und Glücklich Immerfort! (Rec.) | Steve Davislim, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-6 | Die Schöpfung, Hob. XXI:2 / Part III / Singt Dem Herren, Alle Stimmen | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 12-1 | Missa Sapientiae: Kyrie: Kyrie eleison | — | ||
| 12-2 | Missa Sapientiae: Kyrie: Christe eleison | — | ||
| 12-3 | Missa Sapientiae: Kyrie: Kyrie eleison | — | ||
| 12-4 | Missa Sapientiae: Gloria: Gloria in excelsis | — | ||
| 12-5 | Missa Sapientiae: Gloria: Laudamus te | — | ||
| 12-6 | Missa Sapientiae: Gloria: Gratias agimus tibi | — | ||
| 12-7 | Missa Sapientiae: Gloria: Domine Deus, Rex coelestis | — | ||
| 12-8 | Missa Sapientiae: Gloria: Domine Fili | — | ||
| 12-9 | Missa Sapientiae: Gloria: Domine Deus, Agnus Dei | — | ||
| 12-10 | Missa Sapientiae: Gloria: Qui tollis peccata mundi | — | ||
| 12-11 | Missa Sapientiae: Gloria: Qui sedes | — | ||
| 12-12 | Missa Sapientiae: Gloria: Quoniam tu solus sanctus | — | ||
| 12-13 | Missa Sapientiae: Gloria: Cum Sancto Spiritu | — | ||
| 12-14 | Magnificat, BWV 243a: I. Magnificat anima mea | — | ||
| 12-15 | Magnificat, BWV 243a: II. Et exultavit | — | ||
| 12-16 | Magnificat, BWV 243a: III. Von Himmel hoch | — | ||
| 12-17 | Magnificat, BWV 243a: IV. Quia respexit | — | ||
| 12-18 | Magnificat, BWV 243a: V. Omnes generationes | — | ||
| 12-19 | Magnificat, BWV 243a: VI. Quia fecit | — | ||
| 12-20 | Magnificat, BWV 243a: VII. Freut euch und jubiliert | — | ||
| 12-21 | Magnificat, BWV 243a: VIII. Et misericordia eius | — | ||
| 12-22 | Magnificat, BWV 243a: IX. Fecit potentiam | — | ||
| 12-23 | Magnificat, BWV 243a: X. Gloria in excelsis | — | ||
| 12-24 | Magnificat, BWV 243a: XI. Deposuit potentes | — | ||
| 12-25 | Magnificat, BWV 243a: XII. Esurientes implevit | — | ||
| 12-26 | Magnificat, BWV 243a: XIII. Virga Jesse floruit | — | ||
| 12-27 | Magnificat, BWV 243a: XIV. Suscepit Israel | — | ||
| 12-28 | Magnificat, BWV 243a: XV. Sicut locutus est | — | ||
| 12-29 | Magnificat, BWV 243a: XVI. Gloria Patri et Filio | — | ||
| 13-1 | DIXIT DOMINUS (CORO) | Balthasar‐Neumann‐Chor, Balthasar‐Neumann‐Ensemble, Thomas Hengelbrock | — | |
| 13-2 | Dixit Dominus in G minor, HWV 232: Viragam virtutus tuae | — | ||
| 13-3 | Dixit Dominus in G minor, HWV 232: Tecum principium | — | ||
| 13-4 | Dixit Dominus in G minor, HWV 232: Juravit Dominus | — | ||
| 13-5 | Dixit Dominus in G minor, HWV 232: Tu es sacerdos in aetertum | — | ||
| 13-6 | Dixit Dominus in G minor, HWV 232: Dominus a dextris tuis | — | ||
| 13-7 | Dixit Dominus in G minor, HWV 232: De torrente in via bibet | — | ||
| 13-8 | Dixit Dominus in G minor, HWV 232: Gloria Patri, et Filio | — | ||
| 13-9 | Missa dolorosa: Kyrie Eleison | — | ||
| 13-10 | Missa dolorosa: Christe eleison | — | ||
| 13-11 | Missa dolorosa: Kyrie eleison | — | ||
| 13-12 | Missa dolorosa: Gloria in excelsis Deo | — | ||
| 13-13 | Missa dolorosa: Domine Deus | — | ||
| 13-14 | Missa dolorosa: Domine Fili | — | ||
| 13-15 | Missa dolorosa: Qui tollis peccata mundi | — | ||
| 13-16 | Missa dolorosa: Quoniam tu solus sanctus | — | ||
| 13-17 | Missa dolorosa: Cum Sancto Spiritu | — | ||
| 13-18 | Missa dolorosa: Credo in unum Deum | — | ||
| 13-19 | Missa dolorosa: Crucifixus | — | ||
| 13-20 | Missa dolorosa: Et resurrexit | — | ||
| 13-21 | Missa dolorosa: Et vitam venturi saeculi | — | ||
| 13-22 | Missa dolorosa: Sanctus | — | ||
| 13-23 | Missa dolorosa: Benedictus | — | ||
| 13-24 | Missa dolorosa: Agnus Dei | — | ||
| 13-25 | Missa dolorosa: Dona nobis pacem | — | ||
| 13-26 | Crucifixus a 16 | — | ||
| 14-1 | Anthem, Z. 50 "Remember not, Lord, our offences" | — | ||
| 14-2 | Funeral Music on the Death of Queen Mary: I. March, Z. 860 | — | ||
| 14-3 | Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 "Man that is born of a woman" | — | ||
| 14-4 | Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 | — | ||
| 14-5 | Funeral Music on the Death of Queen Mary: IV. Anthem, Z. 17 "In the midst of life" | — | ||
| 14-6 | Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 | — | ||
| 14-7 | Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" | — | ||
| 14-8 | Funeral Music on the Death of Queen Mary: VII. March, Z. 860 | — | ||
| 14-9 | Anthem, Z. 15 "Hear my prayer, o Lord" | — | ||
| 14-10 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Coro "Aus der Tiefen rufe ich, Herr, zu dir" | — | ||
| 14-11 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Basso) e choral (Soprano) "So du wilt, Herr, Sünde zurechnen" | — | ||
| 14-12 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn" | — | ||
| 14-13 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenore) e choral (Alto) "Meine Seele wartet auf den Herrn" | — | ||
| 14-14 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel, hoffe auf den Herrn" | — | ||
| 14-15 | Motette "Wir wissen, so unser irdisches Haus" | — | ||
| 14-16 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia | — | ||
| 14-17 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich" | — | ||
| 14-18 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria: "Doch bin und bleibe ich vergnügt" (Soprano) | — | ||
| 14-19 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich" | — | ||
| 14-20 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria: "Zedern müssen von den Winden" (Alto, Tenore, Basso) | — | ||
| 14-21 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets" | — | ||
| 14-22 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" | — | ||
| 15-1 | Miserere in C minor, ZWV 57:Misere I | — | ||
| 15-2 | Miserere in C minor, ZWV 57: Misere II | — | ||
| 15-3 | Miserere in C minor, ZWV 57: Gloria Patri I | — | ||
| 15-4 | Miserere in C minor, ZWV 57: Gloria Patri II | — | ||
| 15-5 | Miserere in C minor, ZWV 57: Sicut Erat | — | ||
| 15-6 | Miserere in C minor, ZWV 57: Misere III | — | ||
| 15-7 | Weinen, Klagen, Zittern, Zagen, BWV 12: Sinfonia | — | ||
| 15-8 | Weinen, Klagen, Zittern, Zagen, BWV 12: Weinen, Klagen, Zittern, Zagen | — | ||
| 15-9 | Weinen, Klagen, Zittern, Zagen, BWV 12: Wir müssen durch viel Trübsal (Rec.) | — | ||
| 15-10 | Weinen, Klagen, Zittern, Zagen, BWV 12: Kreuz und Kronen sind verbunden (Aria) | — | ||
| 15-11 | Weinen, Klagen, Zittern, Zagen, BWV 12: Ich folge Christum nach (Aria) | — | ||
| 15-12 | Weinen, Klagen, Zittern, Zagen, BWV 12: Sei getrost (Aria) | — | ||
| 15-13 | Weinen, Klagen, Zittern, Zagen, BWV 12: Was Gott tut, das ist wohlgetan (Choral) | — | ||
| 15-14 | Missa a Tre Cori: Kyrie I | — | ||
| 15-15 | Missa a Tre Cori: Christe | — | ||
| 15-16 | Missa a Tre Cori: Kyrie II | — | ||
| 15-17 | Missa a Tre Cori: Gloria | — | ||
| 15-18 | Missa a Tre Cori: Et in Terra Pax | — | ||
| 15-19 | Missa a Tre Cori: Laudamus Te | — | ||
| 15-20 | Missa a Tre Cori: Gratias Agimus Tibi | — | ||
| 15-21 | Missa a Tre Cori: Domine Deus | — | ||
| 15-22 | Missa a Tre Cori: Domine Filii | — | ||
| 15-23 | Missa a Tre Cori: Domine Deus, Agnus Dei | — | ||
| 15-24 | Missa a Tre Cori: Qui Tollis | — | ||
| 15-25 | Missa a Tre Cori: Qui Sedes | — | ||
| 15-26 | Missa a Tre Cori: Quoniam Tu Solus | — | ||
| 15-27 | Missa a Tre Cori: Cum Sanctu Spiritu | — | ||
| 16-1 | Mondnacht | — | ||
| 16-2 | Waldesnacht, Op. 62/3 | — | ||
| 16-3 | Die Nacht | — | ||
| 16-4 | Nachtwache I, Op. 104/1 | — | ||
| 16-5 | Nachtwache II, Op. 104/2 | — | ||
| 16-6 | An einem Wintermorgen | — | ||
| 16-7 | Pfingstlied aus "Peer Gynt" | — | ||
| 16-8 | Morgengebet, Op. 48/5 | — | ||
| 16-9 | Im Frühling | — | ||
| 16-10 | Abschied vom Walde, Op. 59/3 | — | ||
| 16-11 | Jagdlied, Op. 59/6 | — | ||
| 16-12 | Klage | — | ||
| 16-13 | O Herbst | — | ||
| 16-14 | Abendständchen, Op. 42/1 | — | ||
| 16-15 | Ein Jüngling liebt ein Mädchen | — | ||
| 16-16 | All meine Herzgedanken, Op. 62/5 | — | ||
| 16-17 | Zu Bacharach am Rheine | — | ||
| 16-18 | Meerfey, Op. 69/5 | — | ||
| 16-19 | Ein Weib | — | ||
| 16-20 | Lore Ley | — | ||
| 16-21 | Gondoliera | — | ||
| 16-22 | Sturm | — | ||
| 16-23 | Ungewisses Licht | — | ||
| 16-24 | Sonnenuntergang | — | ||
| 16-25 | An die Sterne, Op. 141/1 | — | ||
| 16-26 | Nachtlied: Die Nacht ist kommen, Op. 138/3 | — | ||
| 16-27 | Aus "Hymnen an die Nacht I" | — | ||
| 16-28 | Abendlied: Bleib bei uns, Op. 69/3 | — | ||
| 16-29 | Der Mond ist aufgegangen | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
889853450220 is a Universal Product Code (UPC) assigned to Balthasar‐Neumann‐Chor & Ensemble by Balthasar-Neumann-Ensemble, Balthasar-Neumann-Chor, Thomas Hengelbrock. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 331 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Balthasar‐Neumann‐Chor & Ensemble” by Balthasar-Neumann-Ensemble, Balthasar-Neumann-Chor, Thomas Hengelbrock is 889853450220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Deutsche Harmonia Mundi. This release contains 331 tracks, each with its own ISRC. Tracks include DEE479700131, DEE479700144, DEE479800573.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnificat in B-flat major: Magnificat anima mea | — | ||
| 2 | Magnificat in B-flat major: Et misericordia | — | ||
| 3 | Magnificat in B-flat major: Fecit potentiam | — | ||
| 4 | Magnificat in B-flat major: Deposuit potentes | — | ||
| 5 | Magnificat in B-flat major: Suscepit Israel | — | ||
| 6 | Magnificat in B-flat major: Sicut locutus est | — | ||
| 7 | Magnificat in B-flat major: Gloria Patri | — | ||
| 8 | Magnificat in B-flat major: Sicut erat in principio | — | ||
| 9 | Stabat Mater in C major: Stabat Mater | — | ||
| 10 | Stabat Mater in C major: O quam tristis | — | ||
| 11 | Stabat Mater in C major: Quis est homo | — | ||
| 12 | Stabat Mater in C major: Eja Mater | — | ||
| 13 | Stabat Mater in C major: Sancta Mater | — | ||
| 14 | Stabat Mater in C major: Fac me tecum | — | ||
| 15 | Stabat Mater in C major: Virgo virginum | — | ||
| 16 | Stabat Mater in C major: Fac me plagis | — | ||
| 17 | Stabat Mater in C major: Christe cum sit | — | ||
| 18 | Confitebor tibi Domine: Confitebor | — | ||
| 19 | Confitebor tibi Domine: Confessio | — | ||
| 20 | Confitebor tibi Domine: Fidelia omnia | — | ||
| 21 | Confitebor tibi Domine: Redemptionem misit | — | ||
| 22 | Confitebor tibi Domine: Sanctum et terribile | — | ||
| 23 | Confitebor tibi Domine: Intellectus bonus | — | ||
| 24 | Confitebor tibi Domine: Gloria patri | — | ||
| 25 | Confitebor tibi Domine: Sicut erat | — | ||
| 2-1 | Messe in H-Moll, BWV 232: Ia. Coro "Kyrie eleison" | — | ||
| 2-2 | Messe in H-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison" | — | ||
| 2-3 | Messe in H-Moll, BWV 232: Ic. Coro "Kyrie eleison" | — | ||
| 2-4 | Messe in H-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo" | — | ||
| 2-5 | Messe in H-Moll, BWV 232: IIb. Coro "Et in terra pax" | — | ||
| 2-6 | Messe in H-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te" | — | ||
| 2-7 | Messe in H-Moll, BWV 232: IId. Coro "Gratias agimus" | — | ||
| 2-8 | Messe in H-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus" | — | ||
| 2-9 | Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2-10 | Messe in H-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris" | — | ||
| 2-11 | Messe in H-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus" | — | ||
| 2-12 | Messe in H-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu" | — | ||
| 3-1 | Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum" | — | ||
| 3-2 | Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem" | — | ||
| 3-3 | Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" | — | ||
| 3-4 | Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est" | — | ||
| 3-5 | Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus" | — | ||
| 3-6 | Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit" | — | ||
| 3-7 | Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum" | — | ||
| 3-8 | Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma" | — | ||
| 3-9 | Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto" | — | ||
| 3-10 | Messe in H-Moll, BWV 232: IVa. Coro "Sanctus" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 3-11 | Messe in H-Moll, BWV 232: IVb. Coro "Hosanna" | — | ||
| 3-12 | Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus" | — | ||
| 3-13 | Messe in H-Moll, BWV 232: IVd. Coro "Hosanna" | — | ||
| 3-14 | Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" | — | ||
| 3-15 | Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem" | — | ||
| 4-1 | La Didone: Atto Primo: Prologue: Fortuna | — | ||
| 4-2 | La Didone: Atto Primo: Sinfonia | — | ||
| 4-3 | La Didone: Atto Primo: Scena Prima: Creuse, Enea, Ascanio | — | ||
| 4-4 | La Didone: Atto Primo: Scena Seconda: Cassandra, Pirro, Corebo | — | ||
| 4-5 | La Didone: Atto Primo: Scena Terza: Cassandra | — | ||
| 4-6 | La Didone: Atto Primo: Scena Quarta: Venere, Enea | — | ||
| 4-7 | La Didone: Atto Primo: Scena Quinta: Enea, Achise, Ascanio, Creusa | — | ||
| 4-8 | La Didone: Atto Primo: Scena Sesta: Ecuba, Cassandra | — | ||
| 4-9 | La Didone: Atto Primo: Scena Settima: Sinon | — | ||
| 4-10 | La Didone: Atto Primo: Scena Ottava: Enea, Ombra Di Ceusa | — | ||
| 4-11 | La Didone: Atto Primo: Scena Nona: Venere, Fortuna | — | ||
| 4-12 | La Didone: Atto Secondo: Scena Prima: Giunone, Eolo | — | ||
| 4-13 | La Didone: Atto Secondo: Scena Seconda: Nettuno, Choro Di Ninfe Marine | — | ||
| 4-14 | La Didone: Atto Secondo: Scena Terza: Iarba | — | ||
| 4-15 | La Didone: Atto Secondo: Scena Quarta: Didone, Iarba | — | ||
| 4-16 | La Didone: Atto Secondo: Scena Quinta: Didone, Anna | — | ||
| 4-17 | La Didone: Atto Secondo: Scena Sesta: Venere in Habito Di Ninfa, Amore | — | ||
| 4-18 | La Didone: Atto Secondo: Scena Settima: Enea | — | ||
| 5-1 | La Didone: Atto Secondo: Scena Ottava: Venere, Enea, Acate | — | ||
| 5-2 | La Didone: Atto Secondo: Scena Nona: Amore in Forma D’ascanio, Didone | — | ||
| 5-3 | La Didone: Atto Secondo: Scena Decima: Enea, Didone | — | ||
| 5-4 | La Didone: Atto Secondo: Scena Undecima: Tre Damigelle Di Corte | — | ||
| 5-5 | La Didone: Atto Secondo: Scena Duodecima: Iarba | — | ||
| 5-6 | La Didone: Atto Secondo: Scena Decimaterza: Iarba, Vecchio | — | ||
| 5-7 | La Didone: Atto Terzo: Scena Prima: Didone, Anna | — | ||
| 5-8 | La Didone: Atto Terzo: Scena Seconda: Iarba, Due Damigelle | — | ||
| 5-9 | La Didone: Atto Terzo: Scena Terza "La Caccia": Quatro Cacciatori | — | ||
| 5-10 | La Didone: Atto Terzo: Scena Quarta: Mercurio, Enea | — | ||
| 5-11 | La Didone: Atto Terzo: Scena Quinta: Enea, Choro de Troiani | — | ||
| 5-12 | La Didone: Atto Terzo: Scena Sesta: Didone, Enea | — | ||
| 5-13 | La Didone: Atto Terzo: Scena Settima: Sicheo in Ombra, Didone Tramortita | — | ||
| 5-14 | La Didone: Atto Terzo: Scena Ottava: Tre Damigelle Di Corte | — | ||
| 5-15 | La Didone: Atto Terzo: Scena Nona: Iarba, Mercurio | — | ||
| 5-16 | La Didone: Atto Terzo: Scena Decima: Didone | — | ||
| 5-17 | La Didone: Atto Terzo: Sinfonia | — | ||
| 6-1 | Requiem in F major: Requiem: Requiem Aeternam | — | ||
| 6-2 | Requiem in F major: Kyrie: Kyrie Eleison | — | ||
| 6-3 | Requiem in F major: Dies Irae: Dies Irae | — | ||
| 6-4 | Requiem in F major: Dies Irae: Quantus Tremor | — | ||
| 6-5 | Requiem in F major: Dies Irae: Tuba Mirum | — | ||
| 6-6 | Requiem in F major: Dies Irae: Mors Stupebit | — | ||
| 6-7 | Requiem in F major: Dies Irae: Liber Scriptus | — | ||
| 6-8 | Requiem in F major: Dies Irae: Judex Ergo | — | ||
| 6-9 | Requiem in F major: Dies Irae: Quid Sum Miser | — | ||
| 6-10 | Requiem in F major: Dies Irae: Rex Tremendae | — | ||
| 6-11 | Requiem in F major: Dies Irae: Recordare, Jesu Pie | — | ||
| 6-12 | Requiem in F major: Dies Irae: Quaerens Me | — | ||
| 6-13 | Requiem in F major: Dies Irae: Juste Judex | — | ||
| 6-14 | Requiem in F major: Dies Irae: Ingemisco Tamquam Reus | — | ||
| 6-15 | Requiem in F major: Dies Irae: Qui Mariam | — | ||
| 6-16 | Requiem in F major: Dies Irae: Preces Meae | — | ||
| 6-17 | Requiem in F major: Dies Irae: Inter Oves | — | ||
| 6-18 | Requiem in F major: Dies Irae: Confutatis Maledictis | — | ||
| 6-19 | Requiem in F major: Dies Irae: Oro Supplex | — | ||
| 6-20 | Requiem in F major: Dies Irae: Lacrimosa | — | ||
| 6-21 | Requiem in F major: Dies Irae: Judicandus | — | ||
| 6-22 | Requiem in F major: Offertorio: Domine Jesu Christe | — | ||
| 6-23 | Requiem in F major: Offertorio: Hostias Et Preces | — | ||
| 6-24 | Requiem in F major: Offertorio: Quam Olim | — | ||
| 6-25 | Miserere in D minor | — | ||
| 6-26 | Credo in F major: Credo | — | ||
| 6-27 | Credo: Crucifixus à 8 | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 6-28 | Credo in F major: Et Resurexit (Presto) | — | ||
| 6-29 | Credo in F major: Sanctus (Allegro) | — | ||
| 6-30 | Credo in F major: Et Vitam | — | ||
| 7-1 | Festa Riso (Mit verlängertem Nachspiel) | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-2 | La Divisione Del Mondo / Lumi Potet Piangere | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-3 | Questi Vaghi | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-4 | Canto D’amore | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-5 | Vorrei Baciarti | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-6 | Vorrei Baciarti | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-7 | Mascherata Della Malinconia & Allegrezza | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-8 | Damigella Tutta Bella O Rosetta, Che Rosetta | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-9 | Sonata a 2 Dialogo | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-10 | Sonata a 2 Dialogo | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-11 | Ciacona | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-12 | Sia Maledetto Amore.. | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-13 | Balletti a Cinque Voci / L’innamorato - Il Bell’humore - Amor Vittorioso | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 7-14 | Festa Riso | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 8-1 | Concerto Grosso in F minor: Grave | — | ||
| 8-2 | Concerto Grosso in F minor: Allegro | — | ||
| 8-3 | Concerto Grosso in F minor: Largo | — | ||
| 8-4 | Concerto Grosso in F minor: Allemande Allegro | — | ||
| 8-5 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 1: Tilge, Höchster, meine Sünden | — | ||
| 8-6 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 2: Ist mein Herz in Missetaten | — | ||
| 8-7 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 3: Missetaten, die mich drücken | — | ||
| 8-8 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 4: Dich erzürnt mein Tun | — | ||
| 8-9 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 5 & 6: Wer wird seine Schuld verneinen | — | ||
| 8-10 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 7: Sieh! Ich bin SÜND | — | ||
| 8-11 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 8: Sieh, Du willst die Wahrheit | — | ||
| 8-12 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 9: Wasche mich doch rein | — | ||
| 8-13 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 10: Lass mich Freud und Wonne | — | ||
| 8-14 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 11-15: Schaue nicht auf meine Sünden | — | ||
| 8-15 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 16: Öffne Lippen, Mund und Seele | — | ||
| 8-16 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 17 & 18: Denn Du willst kein Opfer haben | — | ||
| 8-17 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 19 & 20: Lass Dein Zion blühend dauern | — | ||
| 8-18 | Psalm 51 "Tilge, Höchster, Meine Sünden", BWV 1083: Versus 21: Amen | — | ||
| 8-19 | Concerto Per Archi G minor: Affettuoso-Presto | — | ||
| 8-20 | Concerto Per Archi G minor: Largo Affettuoso | — | ||
| 8-21 | Concerto Per Archi G minor: Allegro | — | ||
| 9-1 | Dixit Dominus II | — | ||
| 9-2 | O Jesu Mi Dulcissime | — | ||
| 9-3 | Lauda Jerusalem | — | ||
| 9-4 | Canzon À 8 | — | ||
| 9-5 | Incipite Virgini | — | ||
| 9-6 | O Viri Veniti | — | ||
| 9-7 | Plorabo die ac nocte, Motet for 4 Voices | — | ||
| 9-8 | Sonata la Foscarina À 3 Con Il Tremolo | — | ||
| 9-9 | Gloria | — | ||
| 9-10 | In Convertendo | — | ||
| 9-11 | Canzon 18 à 5 | — | ||
| 9-12 | Canzon 23 à5 | — | ||
| 9-13 | Deus, Deus Meus, ad te | — | ||
| 9-14 | Magnificat | — | ||
| 10-1 | Die Schöpfung, Hob. XXI:2 Part I: Die Vorstellung des Chaos | — | ||
| 10-2 | Die Schöpfung, Hob. XXI:2 Part I: Im Anfange schuf Gott Himmel und Erde (Rec. Acc.) | — | ||
| 10-3 | Die Schöpfung, Hob. XXI:2 Part I: Nun schwanden vor dem heiligen Strahle (Aria) | — | ||
| 10-4 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott machte das Firmament (Rec.) | — | ||
| 10-5 | Die Schöpfung, Hob. XXI:2 Part I: Mit Staunen sieht das Wunderwerk | — | ||
| 10-6 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es sammle sich das Wasser (Rec.) | — | ||
| 10-7 | Die Schöpfung, Hob. XXI:2 Part I: Rollend in schäumenden Wellen (Aria) | — | ||
| 10-8 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es bringe die Erde Gras hervor (Rec.) | — | ||
| 10-9 | Die Schöpfung, Hob. XXI:2 Part I: Nun beut die Flur das frische GRÜN (Aria) | — | ||
| 10-10 | Die Schöpfung, Hob. XXI:2 Part I: Und die himmlischen Heerscharen verkündigten den dritten Tag (Rec.) | — | ||
| 10-11 | Die Schöpfung, Hob. XXI:2 Part I: Stimmt an die Saiten, ergreift die Leyer | — | ||
| 10-12 | Die Schöpfung, Hob. XXI:2 Part I: Und Gott sprach: Es seyn Lichter an der Feste des Himmels (Rec.) | — | ||
| 10-13 | Die Schöpfung, Hob. XXI:2 Part I: In vollem Glanze steiget jetzt die Sonne strahlend auf (Rec. Acc.) | — | ||
| 10-14 | Die Schöpfung, Hob. XXI:2 Part I: Die Himmel erzählen die Ehre Gottes... Dem kommenden Tage sagt es der Tag | — | ||
| 10-15 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Rec. Acc.) | — | ||
| 10-16 | Die Schöpfung, Hob. XXI:2 Part II: Auf atarkem Fittiche schwinget sich (Aria) | — | ||
| 10-17 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott schuf große Walfische (Rec.) | — | ||
| 10-18 | Die Schöpfung, Hob. XXI:2 Part II: Und die Engel rührten ihr’ unsterblichen Harfen (Rec.) | — | ||
| 10-19 | Die Schöpfung, Hob. XXI:2 Part II: In holder Anmut steh’n, mit jungem GRÜN geschmückt... Der Herr ist groß in seiner Macht | — | ||
| 10-20 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sprach: Es bringe die Erde hervor (Rec.) | — | ||
| 10-21 | Die Schöpfung, Hob. XXI:2 Part II: Gleich öffnet sich der Erde Schoß (Rec. Acc.) | — | ||
| 10-22 | Die Schöpfung, Hob. XXI:2 Part II: Nun scheint in vollem Glanze der Himmel (Aria) | — | ||
| 10-23 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott schuf den Menschen nach seinem Ebenbilde (Rec.) | — | ||
| 10-24 | Die Schöpfung, Hob. XXI:2 Part II: Mit Würd’ und Hoheit angetan (Aria) | — | ||
| 10-25 | Die Schöpfung, Hob. XXI:2 Part II: Und Gott sah jedes Ding, was er gemacht hatte (Rec.) | — | ||
| 10-26 | Die Schöpfung, Hob. XXI:2 Part II: Vollendet ist das große Werk... Zu Dir, o Herr, blickt alles auf | — | ||
| 11-1 | Die Schöpfung, Hob. XXI:2 / Part III / Aus Rosenwolken Bricht, Geweckt Durch Süßen Klang (Rec. Acc.) | Steve Davislim, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-2 | Die Schöpfung, Hob. XXI:2 / Part III / Von Deiner Güt', O Herr Und Gott... Gesegnet Sei Des Herren Macht! | Balthasar-Neumann-Chor, Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-3 | Die Schöpfung, Hob. XXI:2 / Part III / Nun Ist Die Erste Pflicht Erfüllt (Rec.) | Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-4 | Die Schöpfung, Hob. XXI:2 / Part III / Holde Gattin! Dir Zur Seite (Duet) | Locky Chung, Dorothee Mields, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-5 | Die Schöpfung, Hob. XXI:2 / Part III / O Glücklich Paar! Und Glücklich Immerfort! (Rec.) | Steve Davislim, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 11-6 | Die Schöpfung, Hob. XXI:2 / Part III / Singt Dem Herren, Alle Stimmen | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — | |
| 12-1 | Missa Sapientiae: Kyrie: Kyrie eleison | — | ||
| 12-2 | Missa Sapientiae: Kyrie: Christe eleison | — | ||
| 12-3 | Missa Sapientiae: Kyrie: Kyrie eleison | — | ||
| 12-4 | Missa Sapientiae: Gloria: Gloria in excelsis | — | ||
| 12-5 | Missa Sapientiae: Gloria: Laudamus te | — | ||
| 12-6 | Missa Sapientiae: Gloria: Gratias agimus tibi | — | ||
| 12-7 | Missa Sapientiae: Gloria: Domine Deus, Rex coelestis | — | ||
| 12-8 | Missa Sapientiae: Gloria: Domine Fili | — | ||
| 12-9 | Missa Sapientiae: Gloria: Domine Deus, Agnus Dei | — | ||
| 12-10 | Missa Sapientiae: Gloria: Qui tollis peccata mundi | — | ||
| 12-11 | Missa Sapientiae: Gloria: Qui sedes | — | ||
| 12-12 | Missa Sapientiae: Gloria: Quoniam tu solus sanctus | — | ||
| 12-13 | Missa Sapientiae: Gloria: Cum Sancto Spiritu | — | ||
| 12-14 | Magnificat, BWV 243a: I. Magnificat anima mea | — | ||
| 12-15 | Magnificat, BWV 243a: II. Et exultavit | — | ||
| 12-16 | Magnificat, BWV 243a: III. Von Himmel hoch | — | ||
| 12-17 | Magnificat, BWV 243a: IV. Quia respexit | — | ||
| 12-18 | Magnificat, BWV 243a: V. Omnes generationes | — | ||
| 12-19 | Magnificat, BWV 243a: VI. Quia fecit | — | ||
| 12-20 | Magnificat, BWV 243a: VII. Freut euch und jubiliert | — | ||
| 12-21 | Magnificat, BWV 243a: VIII. Et misericordia eius | — | ||
| 12-22 | Magnificat, BWV 243a: IX. Fecit potentiam | — | ||
| 12-23 | Magnificat, BWV 243a: X. Gloria in excelsis | — | ||
| 12-24 | Magnificat, BWV 243a: XI. Deposuit potentes | — | ||
| 12-25 | Magnificat, BWV 243a: XII. Esurientes implevit | — | ||
| 12-26 | Magnificat, BWV 243a: XIII. Virga Jesse floruit | — | ||
| 12-27 | Magnificat, BWV 243a: XIV. Suscepit Israel | — | ||
| 12-28 | Magnificat, BWV 243a: XV. Sicut locutus est | — | ||
| 12-29 | Magnificat, BWV 243a: XVI. Gloria Patri et Filio | — | ||
| 13-1 | DIXIT DOMINUS (CORO) | Balthasar‐Neumann‐Chor, Balthasar‐Neumann‐Ensemble, Thomas Hengelbrock | — | |
| 13-2 | Dixit Dominus in G minor, HWV 232: Viragam virtutus tuae | — | ||
| 13-3 | Dixit Dominus in G minor, HWV 232: Tecum principium | — | ||
| 13-4 | Dixit Dominus in G minor, HWV 232: Juravit Dominus | — | ||
| 13-5 | Dixit Dominus in G minor, HWV 232: Tu es sacerdos in aetertum | — | ||
| 13-6 | Dixit Dominus in G minor, HWV 232: Dominus a dextris tuis | — | ||
| 13-7 | Dixit Dominus in G minor, HWV 232: De torrente in via bibet | — | ||
| 13-8 | Dixit Dominus in G minor, HWV 232: Gloria Patri, et Filio | — | ||
| 13-9 | Missa dolorosa: Kyrie Eleison | — | ||
| 13-10 | Missa dolorosa: Christe eleison | — | ||
| 13-11 | Missa dolorosa: Kyrie eleison | — | ||
| 13-12 | Missa dolorosa: Gloria in excelsis Deo | — | ||
| 13-13 | Missa dolorosa: Domine Deus | — | ||
| 13-14 | Missa dolorosa: Domine Fili | — | ||
| 13-15 | Missa dolorosa: Qui tollis peccata mundi | — | ||
| 13-16 | Missa dolorosa: Quoniam tu solus sanctus | — | ||
| 13-17 | Missa dolorosa: Cum Sancto Spiritu | — | ||
| 13-18 | Missa dolorosa: Credo in unum Deum | — | ||
| 13-19 | Missa dolorosa: Crucifixus | — | ||
| 13-20 | Missa dolorosa: Et resurrexit | — | ||
| 13-21 | Missa dolorosa: Et vitam venturi saeculi | — | ||
| 13-22 | Missa dolorosa: Sanctus | — | ||
| 13-23 | Missa dolorosa: Benedictus | — | ||
| 13-24 | Missa dolorosa: Agnus Dei | — | ||
| 13-25 | Missa dolorosa: Dona nobis pacem | — | ||
| 13-26 | Crucifixus a 16 | — | ||
| 14-1 | Anthem, Z. 50 "Remember not, Lord, our offences" | — | ||
| 14-2 | Funeral Music on the Death of Queen Mary: I. March, Z. 860 | — | ||
| 14-3 | Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 "Man that is born of a woman" | — | ||
| 14-4 | Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 | — | ||
| 14-5 | Funeral Music on the Death of Queen Mary: IV. Anthem, Z. 17 "In the midst of life" | — | ||
| 14-6 | Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 | — | ||
| 14-7 | Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" | — | ||
| 14-8 | Funeral Music on the Death of Queen Mary: VII. March, Z. 860 | — | ||
| 14-9 | Anthem, Z. 15 "Hear my prayer, o Lord" | — | ||
| 14-10 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Coro "Aus der Tiefen rufe ich, Herr, zu dir" | — | ||
| 14-11 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Basso) e choral (Soprano) "So du wilt, Herr, Sünde zurechnen" | — | ||
| 14-12 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn" | — | ||
| 14-13 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenore) e choral (Alto) "Meine Seele wartet auf den Herrn" | — | ||
| 14-14 | Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel, hoffe auf den Herrn" | — | ||
| 14-15 | Motette "Wir wissen, so unser irdisches Haus" | — | ||
| 14-16 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia | — | ||
| 14-17 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich" | — | ||
| 14-18 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria: "Doch bin und bleibe ich vergnügt" (Soprano) | — | ||
| 14-19 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich" | — | ||
| 14-20 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria: "Zedern müssen von den Winden" (Alto, Tenore, Basso) | — | ||
| 14-21 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets" | — | ||
| 14-22 | Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" | — | ||
| 15-1 | Miserere in C minor, ZWV 57:Misere I | — | ||
| 15-2 | Miserere in C minor, ZWV 57: Misere II | — | ||
| 15-3 | Miserere in C minor, ZWV 57: Gloria Patri I | — | ||
| 15-4 | Miserere in C minor, ZWV 57: Gloria Patri II | — | ||
| 15-5 | Miserere in C minor, ZWV 57: Sicut Erat | — | ||
| 15-6 | Miserere in C minor, ZWV 57: Misere III | — | ||
| 15-7 | Weinen, Klagen, Zittern, Zagen, BWV 12: Sinfonia | — | ||
| 15-8 | Weinen, Klagen, Zittern, Zagen, BWV 12: Weinen, Klagen, Zittern, Zagen | — | ||
| 15-9 | Weinen, Klagen, Zittern, Zagen, BWV 12: Wir müssen durch viel Trübsal (Rec.) | — | ||
| 15-10 | Weinen, Klagen, Zittern, Zagen, BWV 12: Kreuz und Kronen sind verbunden (Aria) | — | ||
| 15-11 | Weinen, Klagen, Zittern, Zagen, BWV 12: Ich folge Christum nach (Aria) | — | ||
| 15-12 | Weinen, Klagen, Zittern, Zagen, BWV 12: Sei getrost (Aria) | — | ||
| 15-13 | Weinen, Klagen, Zittern, Zagen, BWV 12: Was Gott tut, das ist wohlgetan (Choral) | — | ||
| 15-14 | Missa a Tre Cori: Kyrie I | — | ||
| 15-15 | Missa a Tre Cori: Christe | — | ||
| 15-16 | Missa a Tre Cori: Kyrie II | — | ||
| 15-17 | Missa a Tre Cori: Gloria | — | ||
| 15-18 | Missa a Tre Cori: Et in Terra Pax | — | ||
| 15-19 | Missa a Tre Cori: Laudamus Te | — | ||
| 15-20 | Missa a Tre Cori: Gratias Agimus Tibi | — | ||
| 15-21 | Missa a Tre Cori: Domine Deus | — | ||
| 15-22 | Missa a Tre Cori: Domine Filii | — | ||
| 15-23 | Missa a Tre Cori: Domine Deus, Agnus Dei | — | ||
| 15-24 | Missa a Tre Cori: Qui Tollis | — | ||
| 15-25 | Missa a Tre Cori: Qui Sedes | — | ||
| 15-26 | Missa a Tre Cori: Quoniam Tu Solus | — | ||
| 15-27 | Missa a Tre Cori: Cum Sanctu Spiritu | — | ||
| 16-1 | Mondnacht | — | ||
| 16-2 | Waldesnacht, Op. 62/3 | — | ||
| 16-3 | Die Nacht | — | ||
| 16-4 | Nachtwache I, Op. 104/1 | — | ||
| 16-5 | Nachtwache II, Op. 104/2 | — | ||
| 16-6 | An einem Wintermorgen | — | ||
| 16-7 | Pfingstlied aus "Peer Gynt" | — | ||
| 16-8 | Morgengebet, Op. 48/5 | — | ||
| 16-9 | Im Frühling | — | ||
| 16-10 | Abschied vom Walde, Op. 59/3 | — | ||
| 16-11 | Jagdlied, Op. 59/6 | — | ||
| 16-12 | Klage | — | ||
| 16-13 | O Herbst | — | ||
| 16-14 | Abendständchen, Op. 42/1 | — | ||
| 16-15 | Ein Jüngling liebt ein Mädchen | — | ||
| 16-16 | All meine Herzgedanken, Op. 62/5 | — | ||
| 16-17 | Zu Bacharach am Rheine | — | ||
| 16-18 | Meerfey, Op. 69/5 | — | ||
| 16-19 | Ein Weib | — | ||
| 16-20 | Lore Ley | — | ||
| 16-21 | Gondoliera | — | ||
| 16-22 | Sturm | — | ||
| 16-23 | Ungewisses Licht | — | ||
| 16-24 | Sonnenuntergang | — | ||
| 16-25 | An die Sterne, Op. 141/1 | — | ||
| 16-26 | Nachtlied: Die Nacht ist kommen, Op. 138/3 | — | ||
| 16-27 | Aus "Hymnen an die Nacht I" | — | ||
| 16-28 | Abendlied: Bleib bei uns, Op. 69/3 | — | ||
| 16-29 | Der Mond ist aufgegangen | — |
