UPC · Release
Stravinsky, Esa‐Pekka Salonen, Cole, von Otter, Estes, Sotin, Gedda, Paul Crossley, Philharmonia Orchestra
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The UPC for “Esa-Pekka Salonen conducts Stravinsky” by Stravinsky, Esa‐Pekka Salonen, Cole, von Otter, Estes, Sotin, Gedda, Paul Crossley, Philharmonia Orchestra is 889853695928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Sony Classical. This release contains 155 tracks, each with its own ISRC. Tracks include USSM18800354, USSM18800355, USSM18800356.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Petrouchka: Scene I. The Shrovetide Fair | — | ||
| 2 | Petrouchka: Scene I. Russian Dance | — | ||
| 3 | Petrouchka: Scene II. Petrushka | — | ||
| 4 | Petrouchka: Scene III. The Blackamoor | — | ||
| 5 | Petrouchka: Scene III. Waltz | — | ||
| 6 | Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening) | — | ||
| 7 | Petrouchka: Scene IV. Wet-Nurses' Dance | — | ||
| 8 | Petrouchka: Scene IV. Peasant with Bear | — | ||
| 9 | Petrouchka: Scene IV. Gypsies and a Rake Vendor | — | ||
| 10 | Petrouchka: Scene IV. Dance of the Coachmen | — | ||
| 11 | Petrouchka: Scene IV. Masqueraders | — | ||
| 12 | Petrouchka: Scene IV. The Scuffle | — | ||
| 13 | Petrouchka: Scene IV. Death of Petrushka | — | ||
| 14 | Petrouchka: Scene IV. Police and the Juggler | — | ||
| 15 | Petrouchka: Scene IV. Apparition of Petrushka's Double | — | ||
| 16 | Orpheus: Scene I. Orpheus | — | ||
| 17 | Orpheus: Scene I. Air de danse | — | ||
| 18 | Orpheus: Scene I. Dance of the Angel of Death | — | ||
| 19 | Orpheus: Scene I. Interlude | — | ||
| 20 | Orpheus: Scene II. Dance of the Furies | — | ||
| 21 | Orpheus: Scene II. Air de danse | — | ||
| 22 | Orpheus: Scene II. Interlude | — | ||
| 23 | Orpheus: Scene II. Air de danse | — | ||
| 24 | Orpheus: Scene II. Pas d'action | — | ||
| 25 | Orpheus: Scene II. Pas de deux | — | ||
| 26 | Orpheus: Scene II. Interlude | — | ||
| 27 | Orpheus: Scene II. Pas d'action | — | ||
| 28 | Orpheus: Scene III. Orpheus' Apotheosis | — | ||
| 2-1 | The Firebird: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-2 | The Firebird: Kashchei's Enchanted Garden | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-3 | The Firebird: The Firebird Appears, Pursued by Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-4 | The Firebird: Dance of the Firebird | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-5 | The Firebird: The Firebird Is Captured by Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-6 | The Firebird: The Firebird's Pleading | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-7 | The Firebird: Appearance of the Thirteen Enchanted Princesses | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-8 | The Firebird: The Princesses Play With the Golden Apples | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-9 | The Firebird: Prince Ivan Suddenly Appears | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-10 | The Firebird: Khorovod (Round dance) Of the Princesses | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-11 | The Firebird: Daybreak | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-12 | The Firebird: Prince Ivan Enters Kashchei's Palace | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-13 | The Firebird: Arrival of Kashchei the Immortal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-14 | The Firebird: Dialogue Between Kashchei and Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-15 | The Firebird: The Princesses' Intercede | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-16 | The Firebird: The Firebird Appears | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-17 | The Firebird: Dance of Kashchei's Court | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-18 | Ithe Firebird: Infernal Dance of Kashchei's Subjects | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-19 | The Firebird: Lullaby (The Firebird) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-20 | The Firebird: Kashchei Awakens | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-21 | The Firebird: Death of Kashchei | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-22 | The Firebird: The Palace and Creatures of Kashchei Disappear | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-23 | Jeu De Cartes: First Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-24 | Jeu De Cartes: Second Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-25 | Jeu De Cartes: Third Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-1 | Le Sacre du printemps: Part One: The Adoration of the Earth: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-2 | Le Sacre du printemps: Part One: The Adoration of the Earth: The Augurs of Spring (Dances of the Young Girls) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-3 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of Abduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-4 | Le Sacre du printemps: Part One: The Adoration of the Earth: Spring Khorovod (Round Dance) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-5 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of the Rival Tribes | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-6 | Le Sacre du printemps: Part One: The Adoration of the Earth: Procession of the Sage | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-7 | Le Sacre du printemps: Part One: The Adoration of the Earth: Adoration of the Earth (The Sage) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-8 | Le Sacre du printemps: Part One: The Adoration of the Earth: Dance of the Earth | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-9 | Le Sacre du printemps: Part Two: The Sacrifice: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-10 | Le Sacre du printemps: Part Two: The Sacrifice: Mystic Circles of the Young Girls | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-11 | Le Sacre du printemps: Part Two: The Sacrifice: Glorification of the Chosen One | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-12 | Le Sacre du printemps: Part Two: The Sacrifice: Evocation of the Ancestors | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-13 | Le Sacre du printemps: Part Two: The Sacrifice: Ritual Action of the Ancestors | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-14 | Le Sacre du printemps: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-15 | Symphony in Three Movements: I. ♩ = 160; ♩ = 80 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-16 | Symphony in Three Movements: II. Andante ♩ = 76 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-17 | Symphony in Three Movements: Interlude ♩ = 76 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-18 | Symphony in Three Movements: III. Con moto ♩ = 108 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 4-1 | Pulcinella: Overture. Allegro moderato | — | ||
| 4-2 | Pulcinella: Serenata. Largehtto "Mentre l'erbetta" | — | ||
| 4-3 | Pulcinella: Scherzino. Allegro | — | ||
| 4-4 | Pulcinella: Ancora poco meno "Contento forse vivere" | — | ||
| 4-5 | Pulcinella: Allegro assai - | — | ||
| 4-6 | Pulcinella: Allegro alla breve "Con queste paroline" | — | ||
| 4-7 | Pulcinella: Andante "Sento dire no'ncè pace" | — | ||
| 4-8 | Pulcinella: Presto "Una falan zemprece" | — | ||
| 4-9 | Pulcinella: Allegro alla breve | — | ||
| 4-10 | Pulcinella: Tarantella | — | ||
| 4-11 | Pulcinella: Andantino "Se tu m'ami" | — | ||
| 4-12 | Pulcinella: Allegro | — | ||
| 4-13 | Pulcinella: Gavotta con due variazioni | — | ||
| 4-14 | Pulcinella: Vivo | — | ||
| 4-15 | Pulcinella: Tempo di minuetto "Pupillette, fiammette d'amore" | — | ||
| 4-16 | Pulcinella: Finale. Allegro assai | — | ||
| 4-17 | Ragtime | — | ||
| 4-18 | Renard: Marche (Entrance of the Actors) | — | ||
| 4-19 | Renard: Allegro | — | ||
| 4-20 | Renard: Meno mosso (Rehearsal Mark No. 9) | — | ||
| 4-21 | Renard: Salto mortale (Rehearsal Mark No. 19) | — | ||
| 4-22 | Renard: Con brio | — | ||
| 4-23 | Renard: Meno mosso (Rehearsal Mark No. 41) | — | ||
| 4-24 | Renard: Colla parte (Rehearsal Mark No. 52) | — | ||
| 4-25 | Renard: Moderato | — | ||
| 4-26 | Renard: Scherzando | — | ||
| 4-27 | Renard: Poco meno mosso | — | ||
| 4-28 | Renard: Vivo | — | ||
| 4-29 | Renard: Marche (Departure of the Actors) | — | ||
| 4-30 | Octet for Wind Instruments: I. Sinfonia. Lento - Allegro moderato | — | ||
| 4-31 | Octet for Wind Instruments: II. Tema con variazioni. Andantino | — | ||
| 4-32 | Octet for Wind Instruments: III. Finale. Tempo giusto | — | ||
| 5-8 | Movements For Piano & Orchestra: I - ♪=110 | — | ||
| 5-9 | Movements For Piano & Orchestra: II - ♩=52 | — | ||
| 5-10 | Movements For Piano & Orchestra: III - ♪=72 | — | ||
| 5-11 | Movements For Piano & Orchestra: IV = ♪=80 | — | ||
| 5-12 | Movements For Piano & Orchestra: V - ♪=104 | — | ||
| 5-13 | Violin Concerto in D: I. Toccata | — | ||
| 5-14 | Violin Concerto in D: II. Aria 1 | — | ||
| 5-15 | Violin Concerto in D: III. Aria 2 | — | ||
| 5-16 | Violin Concerto in D: IV. Capriccio | — | ||
| 6-1 | Apollon musagète: Scene I. Prologue: Birth of Apollo | — | ||
| 6-2 | Apollon musagète: Scene II. Variation of Apollo | — | ||
| 6-3 | Apollon musagète: Scene II. Pas d'action | — | ||
| 6-4 | Apollon musagète: Scene II. Variation of Calliope | — | ||
| 6-5 | Apollon musagète: Scene II. Variation of Polyhymnia | — | ||
| 6-6 | Apollon musagète: Scene II. Variation of Terpsichore | — | ||
| 6-7 | Apollon musagète: Scene II. Variation of Apollo | — | ||
| 6-8 | Apollon musagète: Scene II. Pas de deux | — | ||
| 6-9 | Apollon musagète: Scene II. Coda | — | ||
| 6-10 | Apollon musagète: Scene II. Apotheosis | — | ||
| 6-11 | Concerto in D major for String Orchestra: I. Vivace | — | ||
| 6-12 | Concerto in D major for String Orchestra: II. Arioso: Andantino | — | ||
| 6-13 | Concerto in D major for String Orchestra: III. Rondo: Allegro | — | ||
| 6-14 | Cantata: A Lyke-Wake Dirge. Versus I. Prelude | — | ||
| 6-15 | Cantata: Ricercar I. The Maidens Came | — | ||
| 6-16 | Cantata: A Lyke-Wake Dirge. Versus II. First Interlude | — | ||
| 6-17 | Cantata: Ricercar II. Sacred History | — | ||
| 6-18 | Cantata: A Lyke-Wake Dirge. Versus III. Second Interlude | — | ||
| 6-19 | Cantata: Westron Wind | — | ||
| 6-20 | Cantata: A Lyke-Wake Dirge. Versus IV. Postlude | — | ||
| 7-2 | Oedipus Rex: Act I. "Caedit nos pestis" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-3 | Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator) | Vinson Cole, Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-4 | Oedipus Rex: Act I. "Respondit deus" (Creon) | Simon Estes, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-5 | Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus) | Vinson Cole, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-6 | Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-7 | Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus) | Vinson Cole, Hans Sotin, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-8 | Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus) | Vinson Cole, Hans Sotin, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-9 | Oedipus Rex: Act I. "Gloria!" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-10 | Oedipus Rex: Act II. "La dispute des princes attire Jocaste" (Narrator) | Patrice Chéreau | — | |
| 7-11 | Oedipus Rex: Act II. "Gloria!" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-12 | Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta) | Anne Sofie von Otter, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-13 | Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta) | Anne Sofie von Otter, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-14 | Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus) | Vinson Cole, Anne Sofie von Otter, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-15 | Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus) | Vinson Cole, Anne Sofie von Otter, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-16 | Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator) | Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-17 | Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger) | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-18 | Oedipus Rex: Act II. "Oportebat tacere" (Shepherd) | Nicolai Gedda, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-19 | Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus) | Vinson Cole, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-20 | Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger) | Nicolai Gedda, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-21 | Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus) | Vinson Cole, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-22 | Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator) | Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-23 | Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger) | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-24 | Oedipus Rex: Act II. "Ecce! Regem Oedipoda" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
889853695928 is a Universal Product Code (UPC) assigned to Esa-Pekka Salonen conducts Stravinsky by Stravinsky, Esa‐Pekka Salonen, Cole, von Otter, Estes, Sotin, Gedda, Paul Crossley, Philharmonia Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 155 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Esa-Pekka Salonen conducts Stravinsky” by Stravinsky, Esa‐Pekka Salonen, Cole, von Otter, Estes, Sotin, Gedda, Paul Crossley, Philharmonia Orchestra is 889853695928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Sony Classical. This release contains 155 tracks, each with its own ISRC. Tracks include USSM18800354, USSM18800355, USSM18800356.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Petrouchka: Scene I. The Shrovetide Fair | — | ||
| 2 | Petrouchka: Scene I. Russian Dance | — | ||
| 3 | Petrouchka: Scene II. Petrushka | — | ||
| 4 | Petrouchka: Scene III. The Blackamoor | — | ||
| 5 | Petrouchka: Scene III. Waltz | — | ||
| 6 | Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening) | — | ||
| 7 | Petrouchka: Scene IV. Wet-Nurses' Dance | — | ||
| 8 | Petrouchka: Scene IV. Peasant with Bear | — | ||
| 9 | Petrouchka: Scene IV. Gypsies and a Rake Vendor | — | ||
| 10 | Petrouchka: Scene IV. Dance of the Coachmen | — | ||
| 11 | Petrouchka: Scene IV. Masqueraders | — | ||
| 12 | Petrouchka: Scene IV. The Scuffle | — | ||
| 13 | Petrouchka: Scene IV. Death of Petrushka | — | ||
| 14 | Petrouchka: Scene IV. Police and the Juggler | — | ||
| 15 | Petrouchka: Scene IV. Apparition of Petrushka's Double | — | ||
| 16 | Orpheus: Scene I. Orpheus | — | ||
| 17 | Orpheus: Scene I. Air de danse | — | ||
| 18 | Orpheus: Scene I. Dance of the Angel of Death | — | ||
| 19 | Orpheus: Scene I. Interlude | — | ||
| 20 | Orpheus: Scene II. Dance of the Furies | — | ||
| 21 | Orpheus: Scene II. Air de danse | — | ||
| 22 | Orpheus: Scene II. Interlude | — | ||
| 23 | Orpheus: Scene II. Air de danse | — | ||
| 24 | Orpheus: Scene II. Pas d'action | — | ||
| 25 | Orpheus: Scene II. Pas de deux | — | ||
| 26 | Orpheus: Scene II. Interlude | — | ||
| 27 | Orpheus: Scene II. Pas d'action | — | ||
| 28 | Orpheus: Scene III. Orpheus' Apotheosis | — | ||
| 2-1 | The Firebird: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-2 | The Firebird: Kashchei's Enchanted Garden | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-3 | The Firebird: The Firebird Appears, Pursued by Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-4 | The Firebird: Dance of the Firebird | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-5 | The Firebird: The Firebird Is Captured by Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-6 | The Firebird: The Firebird's Pleading | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-7 | The Firebird: Appearance of the Thirteen Enchanted Princesses | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-8 | The Firebird: The Princesses Play With the Golden Apples | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-9 | The Firebird: Prince Ivan Suddenly Appears | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-10 | The Firebird: Khorovod (Round dance) Of the Princesses | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-11 | The Firebird: Daybreak | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-12 | The Firebird: Prince Ivan Enters Kashchei's Palace | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-13 | The Firebird: Arrival of Kashchei the Immortal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-14 | The Firebird: Dialogue Between Kashchei and Prince Ivan | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-15 | The Firebird: The Princesses' Intercede | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-16 | The Firebird: The Firebird Appears | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-17 | The Firebird: Dance of Kashchei's Court | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-18 | Ithe Firebird: Infernal Dance of Kashchei's Subjects | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-19 | The Firebird: Lullaby (The Firebird) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-20 | The Firebird: Kashchei Awakens | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-21 | The Firebird: Death of Kashchei | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-22 | The Firebird: The Palace and Creatures of Kashchei Disappear | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-23 | Jeu De Cartes: First Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-24 | Jeu De Cartes: Second Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 2-25 | Jeu De Cartes: Third Deal | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-1 | Le Sacre du printemps: Part One: The Adoration of the Earth: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-2 | Le Sacre du printemps: Part One: The Adoration of the Earth: The Augurs of Spring (Dances of the Young Girls) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-3 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of Abduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-4 | Le Sacre du printemps: Part One: The Adoration of the Earth: Spring Khorovod (Round Dance) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-5 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of the Rival Tribes | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-6 | Le Sacre du printemps: Part One: The Adoration of the Earth: Procession of the Sage | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-7 | Le Sacre du printemps: Part One: The Adoration of the Earth: Adoration of the Earth (The Sage) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-8 | Le Sacre du printemps: Part One: The Adoration of the Earth: Dance of the Earth | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-9 | Le Sacre du printemps: Part Two: The Sacrifice: Introduction | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-10 | Le Sacre du printemps: Part Two: The Sacrifice: Mystic Circles of the Young Girls | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-11 | Le Sacre du printemps: Part Two: The Sacrifice: Glorification of the Chosen One | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-12 | Le Sacre du printemps: Part Two: The Sacrifice: Evocation of the Ancestors | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-13 | Le Sacre du printemps: Part Two: The Sacrifice: Ritual Action of the Ancestors | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-14 | Le Sacre du printemps: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-15 | Symphony in Three Movements: I. ♩ = 160; ♩ = 80 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-16 | Symphony in Three Movements: II. Andante ♩ = 76 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-17 | Symphony in Three Movements: Interlude ♩ = 76 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 3-18 | Symphony in Three Movements: III. Con moto ♩ = 108 | Philharmonia Orchestra, Esa-Pekka Salonen | — | |
| 4-1 | Pulcinella: Overture. Allegro moderato | — | ||
| 4-2 | Pulcinella: Serenata. Largehtto "Mentre l'erbetta" | — | ||
| 4-3 | Pulcinella: Scherzino. Allegro | — | ||
| 4-4 | Pulcinella: Ancora poco meno "Contento forse vivere" | — | ||
| 4-5 | Pulcinella: Allegro assai - | — | ||
| 4-6 | Pulcinella: Allegro alla breve "Con queste paroline" | — | ||
| 4-7 | Pulcinella: Andante "Sento dire no'ncè pace" | — | ||
| 4-8 | Pulcinella: Presto "Una falan zemprece" | — | ||
| 4-9 | Pulcinella: Allegro alla breve | — | ||
| 4-10 | Pulcinella: Tarantella | — | ||
| 4-11 | Pulcinella: Andantino "Se tu m'ami" | — | ||
| 4-12 | Pulcinella: Allegro | — | ||
| 4-13 | Pulcinella: Gavotta con due variazioni | — | ||
| 4-14 | Pulcinella: Vivo | — | ||
| 4-15 | Pulcinella: Tempo di minuetto "Pupillette, fiammette d'amore" | — | ||
| 4-16 | Pulcinella: Finale. Allegro assai | — | ||
| 4-17 | Ragtime | — | ||
| 4-18 | Renard: Marche (Entrance of the Actors) | — | ||
| 4-19 | Renard: Allegro | — | ||
| 4-20 | Renard: Meno mosso (Rehearsal Mark No. 9) | — | ||
| 4-21 | Renard: Salto mortale (Rehearsal Mark No. 19) | — | ||
| 4-22 | Renard: Con brio | — | ||
| 4-23 | Renard: Meno mosso (Rehearsal Mark No. 41) | — | ||
| 4-24 | Renard: Colla parte (Rehearsal Mark No. 52) | — | ||
| 4-25 | Renard: Moderato | — | ||
| 4-26 | Renard: Scherzando | — | ||
| 4-27 | Renard: Poco meno mosso | — | ||
| 4-28 | Renard: Vivo | — | ||
| 4-29 | Renard: Marche (Departure of the Actors) | — | ||
| 4-30 | Octet for Wind Instruments: I. Sinfonia. Lento - Allegro moderato | — | ||
| 4-31 | Octet for Wind Instruments: II. Tema con variazioni. Andantino | — | ||
| 4-32 | Octet for Wind Instruments: III. Finale. Tempo giusto | — | ||
| 5-8 | Movements For Piano & Orchestra: I - ♪=110 | — | ||
| 5-9 | Movements For Piano & Orchestra: II - ♩=52 | — | ||
| 5-10 | Movements For Piano & Orchestra: III - ♪=72 | — | ||
| 5-11 | Movements For Piano & Orchestra: IV = ♪=80 | — | ||
| 5-12 | Movements For Piano & Orchestra: V - ♪=104 | — | ||
| 5-13 | Violin Concerto in D: I. Toccata | — | ||
| 5-14 | Violin Concerto in D: II. Aria 1 | — | ||
| 5-15 | Violin Concerto in D: III. Aria 2 | — | ||
| 5-16 | Violin Concerto in D: IV. Capriccio | — | ||
| 6-1 | Apollon musagète: Scene I. Prologue: Birth of Apollo | — | ||
| 6-2 | Apollon musagète: Scene II. Variation of Apollo | — | ||
| 6-3 | Apollon musagète: Scene II. Pas d'action | — | ||
| 6-4 | Apollon musagète: Scene II. Variation of Calliope | — | ||
| 6-5 | Apollon musagète: Scene II. Variation of Polyhymnia | — | ||
| 6-6 | Apollon musagète: Scene II. Variation of Terpsichore | — | ||
| 6-7 | Apollon musagète: Scene II. Variation of Apollo | — | ||
| 6-8 | Apollon musagète: Scene II. Pas de deux | — | ||
| 6-9 | Apollon musagète: Scene II. Coda | — | ||
| 6-10 | Apollon musagète: Scene II. Apotheosis | — | ||
| 6-11 | Concerto in D major for String Orchestra: I. Vivace | — | ||
| 6-12 | Concerto in D major for String Orchestra: II. Arioso: Andantino | — | ||
| 6-13 | Concerto in D major for String Orchestra: III. Rondo: Allegro | — | ||
| 6-14 | Cantata: A Lyke-Wake Dirge. Versus I. Prelude | — | ||
| 6-15 | Cantata: Ricercar I. The Maidens Came | — | ||
| 6-16 | Cantata: A Lyke-Wake Dirge. Versus II. First Interlude | — | ||
| 6-17 | Cantata: Ricercar II. Sacred History | — | ||
| 6-18 | Cantata: A Lyke-Wake Dirge. Versus III. Second Interlude | — | ||
| 6-19 | Cantata: Westron Wind | — | ||
| 6-20 | Cantata: A Lyke-Wake Dirge. Versus IV. Postlude | — | ||
| 7-2 | Oedipus Rex: Act I. "Caedit nos pestis" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-3 | Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator) | Vinson Cole, Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-4 | Oedipus Rex: Act I. "Respondit deus" (Creon) | Simon Estes, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-5 | Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus) | Vinson Cole, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-6 | Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-7 | Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus) | Vinson Cole, Hans Sotin, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-8 | Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus) | Vinson Cole, Hans Sotin, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-9 | Oedipus Rex: Act I. "Gloria!" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-10 | Oedipus Rex: Act II. "La dispute des princes attire Jocaste" (Narrator) | Patrice Chéreau | — | |
| 7-11 | Oedipus Rex: Act II. "Gloria!" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-12 | Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta) | Anne Sofie von Otter, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-13 | Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta) | Anne Sofie von Otter, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-14 | Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus) | Vinson Cole, Anne Sofie von Otter, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-15 | Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus) | Vinson Cole, Anne Sofie von Otter, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-16 | Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator) | Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-17 | Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger) | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-18 | Oedipus Rex: Act II. "Oportebat tacere" (Shepherd) | Nicolai Gedda, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-19 | Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus) | Vinson Cole, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-20 | Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger) | Nicolai Gedda, Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-21 | Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus) | Vinson Cole, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-22 | Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator) | Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-23 | Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger) | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 7-24 | Oedipus Rex: Act II. "Ecce! Regem Oedipoda" | Radiokören, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) | Radiokören, Patrice Chéreau, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — |
