UPC · Release
Schumann, Murray Perahia, Abbado, Berliner Philharmoniker, Pears
Last verified:
889853704026 is the Universal Product Code (UPC barcode) for the release “Murray Perahia Plays Schumann” by Schumann, Murray Perahia, Abbado, Berliner Philharmoniker, Pears, released 2017-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 2-1 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 2-2 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - II. Aria | — | ||
| 2-3 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 2-4 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - IV. Finale. Allegro un poco maestoso - Allegro più | — | ||
| 2-5 | Kreisleriana: Fantasien für Klavier, Op. 16 - I. Äußerst bewegt | — | ||
| 2-6 | Kreisleriana: Fantasien für Klavier, Op. 16 - II. Sehr innig und nicht zu rasch | — | ||
| 2-7 | Kreisleriana: Fantasien für Klavier, Op. 16 - III. Sehr aufgeregt | — | ||
| 2-8 | Kreisleriana: Fantasien für Klavier, Op. 16 - IV. Sehr langsam | — | ||
| 2-9 | Kreisleriana: Fantasien für Klavier, Op. 16 - V. Sehr lebhaft | — | ||
| 2-10 | Kreisleriana: Fantasien für Klavier, Op. 16 - VI. Sehr langsam | — | ||
| 2-11 | Kreisleriana: Fantasien für Klavier, Op. 16 - VII. Sehr rasch | — | ||
| 2-12 | Kreisleriana: Fantasien für Klavier, Op. 16 - VIII. Schnell und spielend | — | ||
| 3-1 | Piano Sonata No. 2 in G Minor, Op. 22: I. So rasch wie möglich | — | ||
| 3-2 | Piano Sonata No. 2 in G Minor, Op. 22: II. Andantino | — | ||
| 3-3 | Piano Sonata No. 2 in G Minor, Op. 22: III. Scherzo. Sehr rasch und markiert | — | ||
| 3-4 | Piano Sonata No. 2 in G Minor, Op. 22: IV. Rondo. Presto | — | ||
| 3-5 | Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes tempo | — | ||
| 3-6 | Fantasie in C Major, Op. 17: II. Mässig | — | ||
| 3-7 | Fantasie in C Major, Op. 17: III. Langsam getragen | — | ||
| 3-8 | Faschingsschwank aus Wien, Op. 26: I. Allegro | — | ||
| 3-9 | Faschingsschwank aus Wien, Op. 26: II Romance | — | ||
| 3-10 | Faschingsschwank aus Wien, Op. 26: III. Scherzino | — | ||
| 3-11 | Faschingsschwank aus Wien, Op. 26: IV. Intermezzo | — | ||
| 3-12 | Faschingsschwank aus Wien, Op. 26: V. Finale | — | ||
| 4-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 4-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 4-3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 4-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 4-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 4-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 4-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 4-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 4-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 4-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 4-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 4-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 4-13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 4-14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 4-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 4-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 4-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 4-18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 4-19 | Fantasiestücke, op. 12: I. Des Abends | — | ||
| 4-20 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 4-21 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 4-22 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 4-23 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 4-24 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 4-25 | Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 4-26 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 5-1 | Symphonic Etudes, Op. 13: Theme | — | ||
| 5-2 | Symphonic Etudes, Op. 13: Etude No. 1 | — | ||
| 5-3 | Symphonic Etudes, Op. 13: Etude No. 2 | — | ||
| 5-4 | Symphonic Etudes, Op. 13: Etude No. 3 | — | ||
| 5-5 | Symphonic Etudes, Op. 13: Etude No. 4 | — | ||
| 5-6 | Symphonic Etudes, Op. 13: Etude No. 5 | — | ||
| 5-7 | Symphonic Etudes, Op. 13: Etude No. 6 | — | ||
| 5-8 | Symphonic Etudes, Op. 13: Etude No. 7 | — | ||
| 5-9 | Symphonic Etudes, Op. 13: Etude No. 8 | — | ||
| 5-10 | Symphonic Etudes, Op. 13: Etude No. 9 | — | ||
| 5-11 | Symphonic Etudes, Op. 13: Etude No. 10 | — | ||
| 5-12 | Symphonic Etudes, Op. 13: Etude No. 11 | — | ||
| 5-13 | Symphonic Etudes, Op. 13: Etude No. 12 | — | ||
| 5-14 | Phosthumous Etudes: Variation No. 1 | — | ||
| 5-15 | Phosthumous Etudes: Variation No. 2 | — | ||
| 5-16 | Phosthumous Etudes: Variation No. 3 | — | ||
| 5-17 | Phosthumous Etudes: Variation No. 4 | — | ||
| 5-18 | Phosthumous Etudes: Variation No. 5 | — | ||
| 5-19 | Papillons, Op. 2: Introduzione | — | ||
| 5-20 | Papillons, Op. 2: No. 1 | — | ||
| 5-21 | Papillons, Op. 2: No. 2 | — | ||
| 5-22 | Papillons, Op. 2: No. 3 | — | ||
| 5-23 | Papillons, Op. 2: No. 4 | — | ||
| 5-24 | Papillons, Op. 2: No. 5 | — | ||
| 5-25 | Papillons, Op. 2: No. 6 | — | ||
| 5-26 | Papillons, Op. 2: No. 7 | — | ||
| 5-27 | Papillons, Op. 2: No. 8 | — | ||
| 5-28 | Papillons, Op. 2: No. 9 | — | ||
| 5-29 | Papillons, Op. 2: No. 10 | — | ||
| 5-30 | Papillons, Op. 2: No. 11 | — | ||
| 5-31 | Papillons, Op. 2: No. 12 (Finale) | — | ||
| 6-1 | Lieder, Op. 40: No. 1 Märzveilchen | — | ||
| 6-2 | Lieder, Op. 40: No. 2 Muttertraum | — | ||
| 6-3 | Lieder, Op. 40: No. 3 Der Soldat | — | ||
| 6-4 | Lieder, Op. 40: No. 4 Der Spielmann | — | ||
| 6-5 | Lieder, Op. 40: No. 5 Verratene Liebe | — | ||
| 6-6 | Six Poems and Requiem, Op. 90: No. 1 Lied eines Schmiedes | — | ||
| 6-7 | Six Poems and Requiem, Op. 90: No. 2 Meine Rose | — | ||
| 6-8 | Six Poems and Requiem, Op. 90: No. 3 Kommen und Scheiden | — | ||
| 6-9 | Six Poems and Requiem, Op. 90: No. 4 Die Sennin | — | ||
| 6-10 | Six Poems and Requiem, Op. 90: No. 5 Einsamkeit | — | ||
| 6-11 | Six Poems and Requiem, Op. 90: No. 6 Der schwere Abend | — | ||
| 6-12 | Six Poems and Requiem, Op. 90: No. 7 Requiem | — | ||
| 6-13 | Liederkreis, Op. 39: No. 1 In der Fremde | — | ||
| 6-14 | Liederkreis, Op. 39: No. 2 Intermezzo | — | ||
| 6-15 | Liederkreis, Op. 39: No. 3 Waldesgespräch | — | ||
| 6-16 | Liederkreis, Op. 39: No. 4 Die Stille | — | ||
| 6-17 | Liederkreis, Op. 39: No. 5 Mondnacht | — | ||
| 6-18 | Liederkreis, Op. 39: No. 6 Schöne Fremde | — | ||
| 6-19 | Liederkreis, Op. 39: No. 7 Auf eine Burg | — | ||
| 6-20 | Liederkreis, Op. 39: No. 8 In der Fremde | — | ||
| 6-21 | Liederkreis, Op. 39: No. 9 Wehmut | — | ||
| 6-22 | Liederkreis, Op. 39: No. 10 Zwielicht | — | ||
| 6-23 | Liederkreis, Op. 39: No. 11 Im Waldeg | — | ||
| 6-24 | Liederkreis, Op. 39: No. 12 Frühlingsnacht | — |
Creative Contributors (ISNI)
Credits Graph
889853704026 is a Universal Product Code (UPC) assigned to Murray Perahia Plays Schumann by Schumann, Murray Perahia, Abbado, Berliner Philharmoniker, Pears. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
889853704026 is the Universal Product Code (UPC barcode) for the release “Murray Perahia Plays Schumann” by Schumann, Murray Perahia, Abbado, Berliner Philharmoniker, Pears, released 2017-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 2 | Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 3 | Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | — | ||
| 4 | Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major | — | ||
| 5 | Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor | — | ||
| 2-1 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 2-2 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - II. Aria | — | ||
| 2-3 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 2-4 | Sonata for Piano No. 1 in F-sharp Minor, Op. 11 - IV. Finale. Allegro un poco maestoso - Allegro più | — | ||
| 2-5 | Kreisleriana: Fantasien für Klavier, Op. 16 - I. Äußerst bewegt | — | ||
| 2-6 | Kreisleriana: Fantasien für Klavier, Op. 16 - II. Sehr innig und nicht zu rasch | — | ||
| 2-7 | Kreisleriana: Fantasien für Klavier, Op. 16 - III. Sehr aufgeregt | — | ||
| 2-8 | Kreisleriana: Fantasien für Klavier, Op. 16 - IV. Sehr langsam | — | ||
| 2-9 | Kreisleriana: Fantasien für Klavier, Op. 16 - V. Sehr lebhaft | — | ||
| 2-10 | Kreisleriana: Fantasien für Klavier, Op. 16 - VI. Sehr langsam | — | ||
| 2-11 | Kreisleriana: Fantasien für Klavier, Op. 16 - VII. Sehr rasch | — | ||
| 2-12 | Kreisleriana: Fantasien für Klavier, Op. 16 - VIII. Schnell und spielend | — | ||
| 3-1 | Piano Sonata No. 2 in G Minor, Op. 22: I. So rasch wie möglich | — | ||
| 3-2 | Piano Sonata No. 2 in G Minor, Op. 22: II. Andantino | — | ||
| 3-3 | Piano Sonata No. 2 in G Minor, Op. 22: III. Scherzo. Sehr rasch und markiert | — | ||
| 3-4 | Piano Sonata No. 2 in G Minor, Op. 22: IV. Rondo. Presto | — | ||
| 3-5 | Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes tempo | — | ||
| 3-6 | Fantasie in C Major, Op. 17: II. Mässig | — | ||
| 3-7 | Fantasie in C Major, Op. 17: III. Langsam getragen | — | ||
| 3-8 | Faschingsschwank aus Wien, Op. 26: I. Allegro | — | ||
| 3-9 | Faschingsschwank aus Wien, Op. 26: II Romance | — | ||
| 3-10 | Faschingsschwank aus Wien, Op. 26: III. Scherzino | — | ||
| 3-11 | Faschingsschwank aus Wien, Op. 26: IV. Intermezzo | — | ||
| 3-12 | Faschingsschwank aus Wien, Op. 26: V. Finale | — | ||
| 4-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 4-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 4-3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 4-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 4-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 4-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 4-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 4-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 4-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 4-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 4-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 4-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 4-13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 4-14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 4-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 4-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 4-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 4-18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 4-19 | Fantasiestücke, op. 12: I. Des Abends | — | ||
| 4-20 | Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 4-21 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 4-22 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 4-23 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 4-24 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 4-25 | Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 4-26 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 5-1 | Symphonic Etudes, Op. 13: Theme | — | ||
| 5-2 | Symphonic Etudes, Op. 13: Etude No. 1 | — | ||
| 5-3 | Symphonic Etudes, Op. 13: Etude No. 2 | — | ||
| 5-4 | Symphonic Etudes, Op. 13: Etude No. 3 | — | ||
| 5-5 | Symphonic Etudes, Op. 13: Etude No. 4 | — | ||
| 5-6 | Symphonic Etudes, Op. 13: Etude No. 5 | — | ||
| 5-7 | Symphonic Etudes, Op. 13: Etude No. 6 | — | ||
| 5-8 | Symphonic Etudes, Op. 13: Etude No. 7 | — | ||
| 5-9 | Symphonic Etudes, Op. 13: Etude No. 8 | — | ||
| 5-10 | Symphonic Etudes, Op. 13: Etude No. 9 | — | ||
| 5-11 | Symphonic Etudes, Op. 13: Etude No. 10 | — | ||
| 5-12 | Symphonic Etudes, Op. 13: Etude No. 11 | — | ||
| 5-13 | Symphonic Etudes, Op. 13: Etude No. 12 | — | ||
| 5-14 | Phosthumous Etudes: Variation No. 1 | — | ||
| 5-15 | Phosthumous Etudes: Variation No. 2 | — | ||
| 5-16 | Phosthumous Etudes: Variation No. 3 | — | ||
| 5-17 | Phosthumous Etudes: Variation No. 4 | — | ||
| 5-18 | Phosthumous Etudes: Variation No. 5 | — | ||
| 5-19 | Papillons, Op. 2: Introduzione | — | ||
| 5-20 | Papillons, Op. 2: No. 1 | — | ||
| 5-21 | Papillons, Op. 2: No. 2 | — | ||
| 5-22 | Papillons, Op. 2: No. 3 | — | ||
| 5-23 | Papillons, Op. 2: No. 4 | — | ||
| 5-24 | Papillons, Op. 2: No. 5 | — | ||
| 5-25 | Papillons, Op. 2: No. 6 | — | ||
| 5-26 | Papillons, Op. 2: No. 7 | — | ||
| 5-27 | Papillons, Op. 2: No. 8 | — | ||
| 5-28 | Papillons, Op. 2: No. 9 | — | ||
| 5-29 | Papillons, Op. 2: No. 10 | — | ||
| 5-30 | Papillons, Op. 2: No. 11 | — | ||
| 5-31 | Papillons, Op. 2: No. 12 (Finale) | — | ||
| 6-1 | Lieder, Op. 40: No. 1 Märzveilchen | — | ||
| 6-2 | Lieder, Op. 40: No. 2 Muttertraum | — | ||
| 6-3 | Lieder, Op. 40: No. 3 Der Soldat | — | ||
| 6-4 | Lieder, Op. 40: No. 4 Der Spielmann | — | ||
| 6-5 | Lieder, Op. 40: No. 5 Verratene Liebe | — | ||
| 6-6 | Six Poems and Requiem, Op. 90: No. 1 Lied eines Schmiedes | — | ||
| 6-7 | Six Poems and Requiem, Op. 90: No. 2 Meine Rose | — | ||
| 6-8 | Six Poems and Requiem, Op. 90: No. 3 Kommen und Scheiden | — | ||
| 6-9 | Six Poems and Requiem, Op. 90: No. 4 Die Sennin | — | ||
| 6-10 | Six Poems and Requiem, Op. 90: No. 5 Einsamkeit | — | ||
| 6-11 | Six Poems and Requiem, Op. 90: No. 6 Der schwere Abend | — | ||
| 6-12 | Six Poems and Requiem, Op. 90: No. 7 Requiem | — | ||
| 6-13 | Liederkreis, Op. 39: No. 1 In der Fremde | — | ||
| 6-14 | Liederkreis, Op. 39: No. 2 Intermezzo | — | ||
| 6-15 | Liederkreis, Op. 39: No. 3 Waldesgespräch | — | ||
| 6-16 | Liederkreis, Op. 39: No. 4 Die Stille | — | ||
| 6-17 | Liederkreis, Op. 39: No. 5 Mondnacht | — | ||
| 6-18 | Liederkreis, Op. 39: No. 6 Schöne Fremde | — | ||
| 6-19 | Liederkreis, Op. 39: No. 7 Auf eine Burg | — | ||
| 6-20 | Liederkreis, Op. 39: No. 8 In der Fremde | — | ||
| 6-21 | Liederkreis, Op. 39: No. 9 Wehmut | — | ||
| 6-22 | Liederkreis, Op. 39: No. 10 Zwielicht | — | ||
| 6-23 | Liederkreis, Op. 39: No. 11 Im Waldeg | — | ||
| 6-24 | Liederkreis, Op. 39: No. 12 Frühlingsnacht | — |
