UPC · Release
Arturo Toscanini
Last verified:
The UPC for “The Essential Recordings” by Arturo Toscanini is 889853760428. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: RCA Red Seal. This release contains 271 tracks, each with its own ISRC. Tracks include USBC14500100, USBC14500101, USBC14500102.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 98 in B-flat major: I. Adagio – Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 2 | Symphony no. 98 in B-flat major: II. Adagio cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 3 | Symphony no. 98 in B-flat major: III. Menuetto. Allegro – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4 | Symphony no. 98 in B-flat major: IV. Finale. Presto | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5 | Symphony no. 101 in D major, Hob.I:101: I. Adagio – Presto | New York Philharmonic, Arturo Toscanini | — | |
| 6 | Symphony no. 101 in D major, Hob.I:101: II. Andante | New York Philharmonic, Arturo Toscanini | — | |
| 7 | Symphony no. 101 in D major, Hob.I:101: III. Menuet. Allegretto – Trio | New York Philharmonic, Arturo Toscanini | — | |
| 8 | Symphony no. 101 in D major, Hob.I:101: IV. Finale – Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 2-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 2-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 2-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto – Trio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 2-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 2-5 | Symphony no. 35 in D major, K. 385 I. Allegro con spirito | New York Philharmonic, Arturo Toscanini | — | |
| 2-6 | Symphony no. 35 in D major, K. 385 II. Andante | New York Philharmonic, Arturo Toscanini | — | |
| 2-7 | Symphony no. 35 in D major, K. 385 III. Menuetto – Trio | New York Philharmonic, Arturo Toscanini | — | |
| 2-8 | Symphony no. 35 in D major, K. 385 IV. Finale – Presto | New York Philharmonic, Arturo Toscanini | — | |
| 2-9 | Symphony no. 7 in A major, op. 92 I. Poco sostenuto – Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 2-10 | Symphony no. 7 in A major, op. 92 II. Allegretto | New York Philharmonic, Arturo Toscanini | — | |
| 2-11 | Symphony no. 7 in A major, op. 92 III. Presto | New York Philharmonic, Arturo Toscanini | — | |
| 2-12 | Symphony no. 7 in A major, op. 92 IV. Allegro con brio | New York Philharmonic, Arturo Toscanini | — | |
| 3-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-001.444.317-4 | |
| 3-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 3-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 3-7 | Symphony no. 5 in C minor, op. 67: III. Allegro – attacca | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 3-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4-1 | Symphony No. 9, D944 "Die Große/The Great": I. Andante; I. Allegro ma non troppo | The Philadelphia Orchestra, Arturo Toscanini | T-031.682.208-8 | |
| 4-2 | Symphony No. 9, D944 "Die Große/The Great": II. Andante con moto | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 4-3 | Symphony No. 9, D944 "Die Große/The Great": III. Scherzo: Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 4-4 | Symphony No. 9, D944 "Die Große/The Great": IV. Allegro vivace | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 4-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4-6 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo. Sehr mäßig | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4-7 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4-8 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 4-9 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-1 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-2 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-3 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-4 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-5 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-6 | Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-7 | Der Freischütz: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-8 | Euryanthe: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-9 | Oberon: Overture | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-10 | Roméo et Juliette: La Reine Mab, ou la fée des songes. Scherzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 5-11 | La Damnation de Faust: Rákóczy March | NBC Symphony Orchestra, Arturo Toscanini | T-902.808.289-5 | |
| 6-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-902.764.002-4 | |
| 6-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | NBC Symphony Orchestra, Arturo Toscanini | T-329.366.758-6 | |
| 6-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 6-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | NBC Symphony Orchestra, Arturo Toscanini | T-327.681.352-2 | |
| 6-5 | Variations on a Theme by Haydn, op. 56a: IV. Andante con moto | Philharmonia Orchestra, Arturo Toscanini | — | |
| 6-6 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation I. Poco più animato | New York Philharmonic, Arturo Toscanini | — | |
| 6-7 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation II. Più vivace | New York Philharmonic, Arturo Toscanini | — | |
| 6-8 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation III. Con moto | New York Philharmonic, Arturo Toscanini | — | |
| 6-9 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation IV. Andante con moto | New York Philharmonic, Arturo Toscanini | — | |
| 6-10 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation V. Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 6-11 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VI. Vivace | New York Philharmonic, Arturo Toscanini | — | |
| 6-12 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VII. Grazioso | New York Philharmonic, Arturo Toscanini | — | |
| 6-13 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VIII. Presto non troppo | New York Philharmonic, Arturo Toscanini | — | |
| 6-14 | Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Finale. Andante | New York Philharmonic, Arturo Toscanini | — | |
| 7-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 7-5 | Kikimora, op. 63 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 8-1 | La Mer: De l'aube à midi sur la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-2 | La Mer: Jeux des vagues | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-3 | La Mer: Dialogue du vent et de la mer | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-4 | Ibéria (Images pour orchestre II): Par les rues et par les chemins | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-5 | Ibéria (Images pour orchestre II): Les parfums de la nuit | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-6 | Ibéria (Images pour orchestre II): Le matin d'un jour de fête | The Philadelphia Orchestra, Arturo Toscanini | — | |
| 8-7 | Daphnis et Chloé, suite n° 2 : Lever du jour | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 8-8 | Daphnis et Chloé, suite n° 2 : Pantomime | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 8-9 | Daphnis et Chloé, suite n° 2 : Danse générale | NBC Symphony Orchestra, Arturo Toscanini | T-004.014.574-1 | |
| 9-1 | Don Juan, op. 20 | NBC Symphony Orchestra, Arturo Toscanini | T-801.916.776-2 | |
| 9-2 | Salome: Tanz der sieben Schleier | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-3 | Tod und Verklärung, op. 24: Largo: Happy Memories of Childhood | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-4 | Tod und Verklärung, op. 24: Allegro molto agitato: Life and Death Battle | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-5 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve: Dreams of the Dying — Death | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-6 | Tod und Verklärung, op. 24: Moderato: Transfiguration | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-7 | Pohjola's Daughter, op. 49 | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 9-8 | The Swan of Tuonela | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-1 | Feste romane: Circenses | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 10-2 | Feste romane: Il giubileo | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 10-3 | Feste romane: L'Ottobrata | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 10-4 | Feste romane: La Befana | The Philadelphia Orchestra, Arturo Toscanini | T-309.480.518-8 | |
| 10-5 | Háry János — Concert Suite: Prelude: The Fairy Tale Begins | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-6 | Háry János — Concert Suite: Viennese Musical Clock | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-7 | Háry János — Concert Suite: Song | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-8 | Háry János — Concert Suite: The Battle and Defeat of Napoleon | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-9 | Háry János — Concert Suite: Intermezzo | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-10 | Háry János — Concert Suite: Entrance of the Emperor and His Court | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 10-11 | Adagio for Strings, op. 11 | NBC Symphony Orchestra, Arturo Toscanini | T-070.000.199-5 | |
| 11-1 | Orfeo ed Euridice: Act II: Scene 1: Orchestral Interlude: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-2 | Orfeo ed Euridice: Act II: Scene 1: Dance of a Fury | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-3 | Orfeo ed Euridice: Act II: Scene 1: Chi mai dell'Erebo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-4 | Orfeo ed Euridice: Act II: Scene 1: Deh! placatevi con me! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-5 | Orfeo ed Euridice: Act II: Scene 1: Misero giovane! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-6 | Orfeo ed Euridice: Act II: Scene 1: Mille pene, ombre sdegnose | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-7 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-8 | Orfeo ed Euridice: Act II: Scene 1: Men tiranne, ah, voi sareste | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-9 | Orfeo ed Euridice: Act II: Scene 1: Ah! quale incognito, affeto flebile | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-10 | Orfeo ed Euridice: Act II: Scene 1: Dance of the Furies | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-11 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-12 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Melody | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-13 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Air | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-14 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Questo asilo ameno e grato | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-15 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes and Heroines | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-16 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Che puro ciel! Che chiaro sol! | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-17 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Vieni ai regni del riposo | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-18 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Dance of the Heroes | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-19 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: O voi, ombre felici | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 11-20 | Orfeo ed Euridice: Act II: Scene 2: Dance of the Blessed Spirits: Torna, o bella, al tuo consorte | Ralph Hunter, Barbara Gibson, Nan Merriman, Robert Shaw Chorale, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-1 | L'italiana in Algeri: Overture | Arturo Toscanini | T-301.972.539-0 | |
| 12-2 | Rigoletto: Act IV: E l’ami? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-3 | Rigoletto: Act IV: La donna è mobile | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | T-912.866.624-0 | |
| 12-4 | Rigoletto: Act IV: Un dì, se ben rammentomi | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-5 | Rigoletto: Act IV: Bella figlia dell’amore (Quartet) | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-6 | Rigoletto: Act IV: M’odi! Ritorna a casa | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-7 | Rigoletto: Act IV: È amabile in vero cotal giovinotto! | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nan Merriman, Zinka Milanov, Nicola Moscona, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-8 | Rigoletto: Act IV: Della vendetta alfin | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Nicola Moscona, Jan Peerce, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-9 | Rigoletto: Act IV: Chi è mai? | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-10 | Rigoletto: Act IV: V’ho ingannato | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-11 | Rigoletto: Act IV: Lassû in cielo | Peter J. Wilhousky, All City High School Chorus and Glee Clubs, Zinka Milanov, Leonard Warren, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 12-12 | Semiramide: Overture | Arturo Toscanini | — | |
| 13-1 | Otello: Atto I. “Una vela!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.034-6 | |
| 13-2 | Otello: Atto I. “Esultate!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.085-7 | |
| 13-3 | Otello: Atto I. “Fuoco di gioia!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-4 | Otello: Atto I. “Roderigo, beviam!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-5 | Otello: Atto I. “Inaffia l'ugola!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-6 | Otello: Atto I. “Capitano, v'attende” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-7 | Otello: Atto I. “Olà! che avvien?” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-8 | Otello: Atto I. “Già nella notte” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-9 | Otello: Atto I. “Quando narravi” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-10 | Otello: Atto I. “Venga la morte!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-11 | Otello: Atto II. “Non ti crucciar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-12 | Otello: Atto II. “Credo in un Dio crudel” (Iago's Credo) | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-13 | Otello: Atto II. “Eccola” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-14 | Otello: Atto II. “Ciò m'accora” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-15 | Otello: Atto II. “Dove guardi splendono” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-16 | Otello: Atto II. “D'un uom che geme” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-17 | Otello: Atto II. “Desdemona rea!” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-18 | Otello: Atto II. “Ora e per sempre addio” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-19 | Otello: Atto II. “Era la notte” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 13-20 | Otello: Atto II. “Sì, pel ciel” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-1 | Otello: Atto III. Introduction | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-2 | Otello: Atto III. “La vedetta del porto” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-3 | Otello: Atto III. “Dio ti giocondi, o sposo” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-4 | Otello: Atto III. “Dio! mi potevi scagliar” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-5 | Otello: Atto III. “Vieni, l'aula è deserta” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-6 | Otello: Atto III. “Questa è una ragna” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-7 | Otello: Atto III. “Como la ucciderò?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-8 | Otello: Atto III. “Viva il Leon di San Marco!” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | T-703.714.040-4 | |
| 14-9 | Otello: Atto III. “A terra!... sì... nel livido fango” | Ramón Vinay, Herva Nelli, Giuseppe Valdengo, Virginio Assandri, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-10 | Otello: Atto IV. “Era più calmo?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-11 | Otello: Atto IV. “Mia madre aveva una povera ancella” (Willow Song) | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-12 | Otello: Atto IV. “Ave Maria” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-13 | Otello: Atto IV. “Chi è là?” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-14 | Otello: Atto IV. “Calma come la tomba” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nan Merriman, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 14-15 | Otello: Atto IV. “Niun mi tema” | Eduardo Petri, Peter J. Wilhousky, Virginio Assandri, Leslie Chabay, Nicola Moscona, NBC Symphony Chorus, Herva Nelli, Arthur Newman, Giuseppe Valdengo, Ramón Vinay, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-1 | Falstaff: Atto I, scena 1. “Falstaff!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-2 | Falstaff: Atto I, scena 1. “Ssss. Sei polli: sei scellini” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-3 | Falstaff: Atto I, scena 1. “So che se andiam” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-4 | Falstaff: Atto I, scena 1. “V'è noto un tal” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-5 | Falstaff: Atto I, scena 1. “L'onore! Ladri!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-6 | Falstaff: Atto I, scena 1. “Ma, per tornare a voi” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-7 | Falstaff: Atto I, scena 2. “Alice – Meg” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-8 | Falstaff: Atto I, scena 2. “Fulgida Alice! Amor t'offro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-9 | Falstaff: Atto I, scena 2. “Quell'otre! quel tino!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-10 | Falstaff: Atto I, scena 2. “È un ribaldo, un furbo, un ladro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-11 | Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-12 | Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-13 | Falstaff: Atto I, scena 2. “Torno all'assalto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-14 | Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-15 | Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-16 | Falstaff: Atto I, scena 2. “Qui più non si vagoli” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-17 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-18 | Falstaff: Atto II, scena 1. “Alice è mia!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-19 | Falstaff: Atto II, scena 1. “Padron; di là c'è un certo Mastro Fontana” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-20 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-21 | Falstaff: Atto II, scena 1. “Io l'amo e lei non m'ama” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-22 | Falstaff: Atto II, scena 1. “Il diavolo se lo porti all'inferno” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-23 | Falstaff: Atto II, scena 1. “È sogno? o realtà?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 15-24 | Falstaff: Atto II, scena 1. “Eccomi quà” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill, per una tassa” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-2 | Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-3 | Falstaff: Atto II, scena 2. “Nannetta, e tu non ridi?” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-4 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-5 | Falstaff: Atto II, scena 2. “Alfin t'ho colto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-6 | Falstaff: Atto II, scena 2. “Quand'ero paggio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-7 | Falstaff: Atto II, scena 2. “Mia signora!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-8 | Falstaff: Atto II, scena 2. “Il diavolo cavalca” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-9 | Falstaff: Atto II, scena 2. “Vien qua” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-10 | Falstaff: Atto II, scena 2. “Al ladro!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-11 | Falstaff: Atto II, scena 2. “Se t'agguanto!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-12 | Falstaff: Atto II, scena 2. “Ned! Will! Tom! Isaac!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-13 | Falstaff: Atto III, scena 1. “Ehi! Taverniere!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-14 | Falstaff: Atto III, scena 1. “Reverenza” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-15 | Falstaff: Atto III, scena 1. “Legge” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-16 | Falstaff: Atto III, scena 1. “Quando il rintocco” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-17 | Falstaff: Atto III, scena 1. “Provvedi le lanterne” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-18 | Falstaff: Atto III, scena 2. “Dal labbro il canto” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-19 | Falstaff: Atto III, scena 2. “Nossignore!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-20 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-21 | Falstaff: Atto III, scena 2. “Odo un soave passo!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-22 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi!” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-23 | Falstaff: Atto III, scena 2. “Sul fil d'un soffio estesio” | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-24 | Falstaff: Atto III, scena 2. “Alto là! – Chi va là? | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-25 | Falstaff: Atto III, scena 2. “Ruzzola, ruzzola | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-26 | Falstaff: Atto III, scena 2. “Naso vermiglio! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-27 | Falstaff: Atto III, scena 2. “Cavaliero – Reverenza | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-28 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-29 | Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah! | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 16-30 | Falstaff: Atto III, scena 2. “Tutto nel mondo è burla | Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 17-1 | Die Meistersinger von Nürnberg: Act I: Prelude | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 17-2 | Die Meistersinger von Nürnberg: Prelude Act III | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 17-3 | Lohengrin: Prelude Act I | Arturo Toscanini | — | |
| 17-4 | Lohengrin: Act III: Prelude | New York Philharmonic, Arturo Toscanini | — | |
| 17-5 | Siegfried Idyll | NBC Symphony Orchestra, Arturo Toscanini | T-917.531.075-5 | |
| 18-1 | Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt | Arturo Toscanini | — | |
| 18-2 | Götterdämmerung: Brünnhildes Schlussgesang: Starke Scheite schichtet mir dort | Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-3 | Götterdämmerung: Brünnhildes Schlussgesang: Wie Sonne lauter strahit mir sein Licht | Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-4 | Götterdämmerung: Brünnhildes Schlussgesang: Mein Erbe nun nehm’ ich zu eigen | Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-5 | Götterdämmerung: Brünnhildes Schlussgesang: Fliegt heim, ihr Raben! | Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-6 | Götterdämmerung: Brünnhildes Schlussgesang: Grane, mein Ross, sei mir gegrüßt! | Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-7 | Götterdämmerung: Siegfrieds Tod und Trauermarsch | NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-8 | Die Walküre: Act I: Scene 3: Ein Schwert verhieß mir der Vater | Helen Traubel, Lauritz Melchior, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-9 | Die Walküre: Act I: Scene 3: Der Männer Sippe | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-10 | Die Walküre: Act I: Scene 3: Winterstürme wichen dem Wonnemond | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-11 | Die Walküre: Act I: Scene 3: Du bist der Lenz | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-12 | Die Walküre: Act I: Scene 3: Ein Minnetraum | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 18-13 | Die Walküre: Act I: Scene 3: Siegmund heiß ich | Lauritz Melchior, Helen Traubel, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-1 | La bohème: Atto I. “Questo Mar Rosso” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-2 | La bohème: Atto I. “Nei cieli bigi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-3 | La bohème: Atto I. “Già dell’Apocalisse appariscono i segni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-4 | La bohème: Atto I. “Pensier profondo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-5 | La bohème: Atto I. “Legna! — Sigari! — Bordò!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-6 | La bohème: Atto I. “Si può? — Chi è là? — Benoît!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-7 | La bohème: Atto I. “Timido in gioventù” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-8 | La bohème: Atto I. “Chi è là — Scusi. — Una donna!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-9 | La bohème: Atto I. “Oh! sventata!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-10 | La bohème: Atto I. “Che gelida manina” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-11 | La bohème: Atto I. “Mi chiamano Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-12 | La bohème: Atto I. “Ehi! Rodolfo!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-13 | La bohème: Atto I. “O soave fanciulla” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-14 | La bohème: Atto II. “Aranci, ninnoli!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-15 | La bohème: Atto II. “Questa è Mimì” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-16 | La bohème: Atto II. “Una cuffietta a pizzi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-17 | La bohème: Atto II. “Oh! — Essa! — Musetta!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-18 | La bohème: Atto II. “Quando men vo” (Musetta’s Waltz Song) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-19 | La bohème: Atto II. “Gioventù mia — Sciogli, slaccia!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 19-20 | La bohème: Atto II. “Caro! — Fuori il danaro!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-1 | La bohème: Atto III. “Ohè, là, le guardie! Aprite!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-2 | La bohème: Atto III. “Chi nel ber trovò il piacer” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-3 | La bohème: Atto III. “Sa dirmi, scusi, qual’ è l’osteria” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-4 | La bohème: Atto III. “O buon Marcello, aiuto!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-5 | La bohème: Atto III. “Marcello, finalmente!” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-6 | La bohème: Atto III. “Mimì è una civetta” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-7 | La bohème: Atto III. “Addio, senza rancor!” (Mimi’s Farewell) | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-8 | La bohème: Atto III. “Che facevi, che dicevi” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-9 | La bohème: Atto IV. “In un coupé?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-10 | La bohème: Atto IV. “O Mimì, tu più non torni” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-11 | La bohème: Atto IV. “Eccoci. — Ebben?” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-12 | La bohème: Atto IV. “Vezzosa damigella” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-13 | La bohème: Atto IV. The Duel | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-14 | La bohème: Atto IV. “C’è Mimì che mi seque e che sta male” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-15 | La bohème: Atto IV. “Vecchia zimarra, senti” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-16 | La bohème: Atto IV. “Sono andanti? Fingevo di dormire” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — | |
| 20-17 | La bohème: Atto IV. “Che ha detto il medico” | Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini | — |
Identifier Graph
889853760428 is a Universal Product Code (UPC) assigned to The Essential Recordings by Arturo Toscanini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 271 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
The UPC for “The Essential Recordings” by Arturo Toscanini is 889853760428. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: RCA Red Seal. This release contains 271 tracks, each with its own ISRC. Tracks include USBC14500100, USBC14500101, USBC14500102.
