UPC · Release
Rudolf Serkin
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The UPC for “The Complete Columbia Album Collection” by Rudolf Serkin is 889854040628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Sony Classical. This release contains 559 tracks, each with its own ISRC. Tracks include USSM11700477, USSM11700478, USSM11700479.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / I. Maestoso | — | ||
| 2 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / II. Adagio | — | ||
| 3 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / III. Rondo. Allegro non troppo | — | ||
| 2-1 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / I. Adagio sostenuto | — | ||
| 2-2 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / II. Allegretto | — | ||
| 2-3 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / III. Presto agitato | — | ||
| 2-4 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / I. Grave - Allegro di molto et con brio | — | ||
| 2-5 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / II. Adagio cantabile | — | ||
| 2-6 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / III. Rondo. Allegro | — | ||
| 3-1 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / I. Allegro | — | ||
| 3-2 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / II. Adagio un poco moto | — | ||
| 3-3 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / III. Rondo. Allegro | — | ||
| 4-1 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Adagio sostenuto, Presto | — | ||
| 4-2 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Tema. Andante | — | ||
| 4-3 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation I | — | ||
| 4-4 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation II | — | ||
| 4-5 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation III | — | ||
| 4-6 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation IV | — | ||
| 4-7 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Presto | — | ||
| 4-8 | Piano Quintet in E-Flat Major, Op.44 / I. Allegro brillante | — | ||
| 4-9 | Piano Quintet in E-Flat Major, Op.44 / II. In modo d'una marcia | — | ||
| 4-10 | Piano Quintet in E-Flat Major, Op.44 / III. Scherzo. Molto vivace | — | ||
| 4-11 | Piano Quintet in E-Flat Major, Op.44 / IV. Allegro ma non troppo | — | ||
| 5-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / I. Allegro non troppo | — | ||
| 5-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / II. Allegro appassionato | — | ||
| 5-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / III. Andante | — | ||
| 5-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / IV. Allegretto grazioso | — | ||
| 6-1 | Concerto for Piano and Orchestra in A Minor, Op. 54 / I. Allegro affettuoso | — | ||
| 6-2 | Concerto for Piano and Orchestra in A Minor, Op. 54 / II. Intermezzo. Andantino grazioso | — | ||
| 6-3 | Concerto for Piano and Orchestra in A Minor, Op. 54 / III. Allegro vivace | — | ||
| 7-1 | Trio No. 4 in D Major, Op. 70 "Ghost" / I. Allegro vivace e con brio | — | ||
| 7-2 | Trio No. 4 in D Major, Op. 70 "Ghost" / II. Largo assai ed espressivo | — | ||
| 7-3 | Trio No. 4 in D Major, Op. 70 "Ghost" / III. Presto | — | ||
| 7-4 | Fantasie in G Minor, Op. 77 | — | ||
| 7-5 | Sonata No. 24 in F-Sharp Major, Op. 78 / I. Adagio cantabile: Allegro ma non troppo | — | ||
| 7-6 | Sonata No. 24 in F-Sharp Major, Op. 78 / II. Allegro vivace | — | ||
| 7-7 | Songs Without Words, Op. 62, No. 1 - "May Breezes" | — | ||
| 8-1 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / I. Allegro | — | ||
| 8-2 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / II. Adagio un poco moto | — | ||
| 8-3 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / III. Rondo. Allegro | — | ||
| 9-1 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Pau Casals, Paul Baumgartner | — | |
| 9-2 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Pau Casals, Paul Baumgartner | — | |
| 9-3 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Pau Casals, Paul Baumgartner | — | |
| 9-4 | Chromatic Fantasia and Fugue in D minor BWV 903: I. Fantasia | Rudolf Serkin | — | |
| 9-5 | Chromatic Fantasia and Fugue in D minor BWV 903: II. Fugue | Rudolf Serkin | — | |
| 9-6 | Italian Concerto in F major BWV 971: I. (Allegro) | Rudolf Serkin | T-312.198.890-3 | |
| 9-7 | Italian Concerto in F major BWV 971: II. Andante | Rudolf Serkin | T-312.198.890-3 | |
| 9-8 | Italian Concerto in F major BWV 971: III. Presto | Rudolf Serkin | — | |
| 9-9 | Cappricio in B-Flat Major, BWV 992 "On the departure of his most beloved brother" | — | ||
| 9-10 | Toccata in E Minor, BWV 914 | — | ||
| 10-1 | Piano Concerto No. 20 in D minor, K466: Allegro | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-2 | Piano Concerto No. 20 in D minor, K466: Romance | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Piano Concerto No. 20 in D minor, K466: Rondo: Allegro Assai | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-4 | Piano Concerto No. 22 in E flat major, K482: Allegro | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 10-5 | Piano Concerto No. 22 in E flat major, K482: Andante | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 10-6 | Piano Concerto No. 22 in E flat major, K482: Allegro | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 11-1 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / I. Adagio sostenuto | — | ||
| 11-2 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / II. Allegretto | — | ||
| 11-3 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / III. Presto agitato | — | ||
| 11-4 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / I. Les Adieux. Adagio - Allegro | — | ||
| 11-5 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / II. L'absence. Andante espressivo | — | ||
| 11-6 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / III. Le retour. Vivacissimamente | — | ||
| 11-7 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / I. Allegro assai | — | ||
| 11-8 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / II. Andante con moto | — | ||
| 11-9 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / III. Allegro ma non troppo - Presto | — | ||
| 12-1 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / I. Allegro con brio | Rudolf Serkin | — | |
| 12-2 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / II. Introduzione. Adagio molto | Rudolf Serkin | — | |
| 12-3 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / III. Rondo. Allegretto moderato | Rudolf Serkin | — | |
| 12-4 | Sonata No. 30 in E Major for Piano, Op. 109 / I. Vivace, ma non troppo | — | ||
| 12-5 | Sonata No. 30 in E Major for Piano, Op. 109 / II. Prestissimo | — | ||
| 12-6 | Sonata No. 30 in E Major for Piano, Op. 109 / III. Gesangvoll, mit innigser Empfindung. Andante molto cantabile ed espressivo | — | ||
| 13-1 | Piano Trio in E-Flat Major, D. 929 (Op.100) / I. Allegro | — | ||
| 13-2 | Piano Trio in E-Flat Major, D. 929 (Op.100) / II. Andante con moto | — | ||
| 13-3 | Piano Trio in E-Flat Major, D. 929 (Op.100) / III. Scherzo - Allegro moderato | — | ||
| 13-4 | Piano Trio in E-Flat Major, D. 929 (Op.100) / IV. Allegro moderato | — | ||
| 13-5 | Trio in C Major, Op. 87 / I. Allegro | — | ||
| 13-6 | Trio in C Major, Op. 87 / II. Andante con moto | — | ||
| 13-7 | Trio in C Major, Op. 87 / III. Scherzo. Presto | — | ||
| 13-8 | Trio in C Major, Op. 87 / IV. Finale. Allegro giocoso | — | ||
| 14-1 | Piano Concerto No. 3 in C Minor, Op. 37 / I. Allegro con brio | — | ||
| 14-2 | Piano Concerto No. 3 in C Minor, Op. 37 / II. Largo | — | ||
| 14-3 | Piano Concerto No. 3 in C Minor, Op. 37 / III. Rondo - Allegro | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato - Tempo I | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 15-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 15-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 16-1 | Quintet in E-Flat Major for Piano and Winds, K. 452 / I. Largo - Allegro moderato | — | ||
| 16-2 | Quintet in E-Flat Major for Piano and Winds, K. 452 / II. Larghetto | — | ||
| 16-3 | Quintet in E-Flat Major for Piano and Winds, K. 452 / III. Rondo. Allegretto | — | ||
| 16-4 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / I. Grave - Allegro ma non troppo | — | ||
| 16-5 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / II. Andante cantabile | — | ||
| 16-6 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / III. Rondo. Allegro ma non troppo | — | ||
| 17-1 | Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto - Allegro - Adagio - Presto | — | ||
| 17-2 | Sonata No. 1 in F Major, Op. 5, No. 1: II. Rondo, Allegro vivace | — | ||
| 17-3 | Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio | — | ||
| 17-4 | Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 17-5 | Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro - Allegro fugato | — | ||
| 18-1 | Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo / Allegro molto più tosto presto | — | ||
| 18-2 | Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo, Allegro | — | ||
| 18-3 | 7 Variations on "Bei Männern, welche Liebe fühlen" (From "Mozart's Die Zauberflöte, WoO.46") | — | ||
| 18-4 | 12 Variations on "Ein Mädchen oder Weibchen" (From "Mozart's Die Zauberflöte, WoO.66") | — | ||
| 18-5 | 12 Variations in G Major on "See, the Conquering Hero Comes" from Handel's Judas Maccabaeus for Cello and Piano, WoO 45 | — | ||
| 19-1 | Sonata No. 3 in A Major, Op. 69 / I. Allegro ma non troppo | — | ||
| 19-2 | Sonata No. 3 in A Major, Op. 69 / II. Scherzo, Allegro molto | — | ||
| 19-3 | Sonata No. 3 in A Major, Op. 69 / III. Adagio cantabile - Allegro vivace | — | ||
| 19-4 | Sonata No. 4 in C Major, Op. 102, No. 1 / I. Andante - Allegro vivace | — | ||
| 19-5 | Sonata No. 4 in C Major, Op. 102, No. 1 / II. Adagio - Allegro vivace | — | ||
| 20-1 | Piano Concerto No. 1 in C Major, Op. 15 / I. Allegro con brio | — | ||
| 20-2 | Piano Concerto No. 1 in C Major, Op. 15 / II. Largo | — | ||
| 20-3 | Piano Concerto No. 1 in C Major, Op. 15 / III. Rondo: Allegro scherzando | — | ||
| 21-1 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / I. Allegro moderato | — | ||
| 21-2 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / II. Andante con moto | — | ||
| 21-3 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / III. Rondo: Vivace | — | ||
| 21-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / I. Allegro con brio | — | ||
| 21-5 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / II. Adagio | — | ||
| 21-6 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / III. Rondo: Molto allegro | — | ||
| 22-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / I. Allegro non troppo | — | ||
| 22-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / II. Allegro appassionato | — | ||
| 22-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / III. Andante | — | ||
| 22-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / IV. Allegretto grazioso | — | ||
| 23-1 | Concerto in A minor for Piano and Orchestra, Op. 54 / I. Allegro affettuoso | — | ||
| 23-2 | Concerto in A minor for Piano and Orchestra, Op. 54 / II. Intermezzo. Andantino grazioso | — | ||
| 23-3 | Concerto in A minor for Piano and Orchestra, Op. 54 / III. Allegro vivace | — | ||
| 23-4 | Burlesque in D Minor for Piano and Orchestra, Op. 11 | — | ||
| 24-1 | Piano Concerto No. 21 in C Major, K. 467 / I. Allegro maestoso | — | ||
| 24-2 | Piano Concerto No. 21 in C Major, K. 467 / II. Andante | — | ||
| 24-3 | Piano Concerto No. 21 in C Major, K. 467 / III. Allegro vivace assai | — | ||
| 24-4 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / I. Allegro | — | ||
| 24-5 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / II. Larghetto | — | ||
| 24-6 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / III. Allegro | — | ||
| 25-1 | Moments musicaux, D. 780, Op. 94 / No. 1 in C Major | — | ||
| 25-2 | Moments musicaux, D. 780, Op. 94 / No. 2 in A-Flat Major | — | ||
| 25-3 | Moments musicaux, D. 780, Op. 94 / No. 3 in F Minor | — | ||
| 25-4 | Moments musicaux, D. 780, Op. 94 / No. 4 in C-Sharp Minor | — | ||
| 25-5 | Moments musicaux, D. 780, Op. 94 / No. 5 in F Minor | — | ||
| 25-6 | Moments musicaux, D. 780, Op. 94 / No. 6 in A-Flat Major | — | ||
| 25-7 | Piano Sonata No.15 in C Major, D. 840 / I. Moderato | — | ||
| 25-8 | Piano Sonata No.15 in C Major, D. 840 / II. Andante | — | ||
| 26-1 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-2 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-312.542.566-9 | |
| 26-3 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-312.542.566-9 | |
| 26-4 | Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-5 | Concerto for Piano No. 25 in C major, K. 503: II. Andante | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-6 | Concerto for Piano No. 25 in C major, K. 503: III. Allegretto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 27-1 | Piano Concerto No. 9 in E-Flat Major, K. 271 / I. Allegro | — | ||
| 27-2 | Piano Concerto No. 9 in E-Flat Major, K. 271 / II. Andantino | — | ||
| 27-3 | Piano Concerto No. 9 in E-Flat Major, K. 271 / III. Rondeau. Presto | — | ||
| 27-4 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / I. Allegro | — | ||
| 27-5 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / II. Andante | — | ||
| 27-6 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / III. Rondeau. Allegretto | — | ||
| 28-1 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Tema. Vivace | — | ||
| 28-2 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 1 Alla Marcia maestoso | — | ||
| 28-3 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 2 Poco allegro | — | ||
| 28-4 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 3 L'istesso tempo | — | ||
| 28-5 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 4 Un poco piu vivace | — | ||
| 28-6 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 5 Allegro vivace | — | ||
| 28-7 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 6 Allegro ma non troppo e serioso | — | ||
| 28-8 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 7 Un poco piu allegro | — | ||
| 28-9 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 8 Piu vivace | — | ||
| 28-10 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 9 Allegro pesante e risoluto | — | ||
| 28-11 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 10 Presto | — | ||
| 28-12 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 11 Allegretto | — | ||
| 28-13 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 12 Un poco piu moto | — | ||
| 28-14 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 13 Vivace | — | ||
| 28-15 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 14 Grave e maestoso | — | ||
| 28-16 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 15 Presto scherzando | — | ||
| 28-17 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 16 Allegro | — | ||
| 28-18 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 17 (without tempo indication) | — | ||
| 28-19 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 18 Poco moderato | — | ||
| 28-20 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 19 Presto | — | ||
| 28-21 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 20 Andante | — | ||
| 28-22 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 21 Allegro con brio | — | ||
| 28-23 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 22 Allegro molto ( alla "Notte e giorno faticar" di Mozart) | — | ||
| 28-24 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 23 Allegro assai | — | ||
| 28-25 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 24 Fughetta. Andante | — | ||
| 28-26 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 25 Allegro | — | ||
| 28-27 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 26 | — | ||
| 28-28 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 27 Vivace | — | ||
| 28-29 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 28 Allegro | — | ||
| 28-30 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 29 Adagio ma non troppo | — | ||
| 28-31 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 30 Andante, sempre cantabile | — | ||
| 28-32 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 31 Largo, molto espressivo | — | ||
| 28-33 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 32 Fuga. Allegro | — | ||
| 28-34 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Variation 33 - Tempo di Menuetto moderato | — | ||
| 29-1 | Piano Concerto No. 23 in A Major, K. 488 / I. Allegro | — | ||
| 29-2 | Piano Concerto No. 23 in A Major, K. 488 / II. Adagio | — | ||
| 29-3 | Piano Concerto No. 23 in A Major, K. 488 / III. Allegro assai | — | ||
| 29-4 | Piano Concerto No. 16 in D Major, K. 451 / I. Allegro assai | — | ||
| 29-5 | Piano Concerto No. 16 in D Major, K. 451 / II. Andante | — | ||
| 29-6 | Piano Concerto No. 16 in D Major, K. 451 / III. Allegro di molto | — | ||
| 29-7 | Concert Rondo in D Major for Piano and Orchestra, KV. 382 / Allegretto grazioso | — | ||
| 30-1 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / I. Allegro | — | ||
| 30-2 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / II. Romance | — | ||
| 30-3 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / III. Allegro assai | — | ||
| 30-4 | Piano Concerto No. 11 in F Major, K. 413 / I. Allegro | — | ||
| 30-5 | Piano Concerto No. 11 in F Major, K. 413 / II. Larghetto | — | ||
| 30-6 | Piano Concerto No. 11 in F Major, K. 413 / III. Tempo di Menuetto | — | ||
| 31-1 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / I. Molto allegro con fuoco | — | ||
| 31-2 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / II. Andante | — | ||
| 31-3 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / III. Presto - Molto allegro e vivace | — | ||
| 31-4 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / I. Allegro appassionato | — | ||
| 31-5 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / II. Adagio - Molto sostenuto | — | ||
| 31-6 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / III. Finale. Presto scherzando | — | ||
| 32-1 | Piano Concerto in B-Flat Major, Op. 83 / I. Allegro non troppo | — | ||
| 32-2 | Piano Concerto in B-Flat Major, Op. 83 / II. Allegro appassionato | — | ||
| 32-3 | Piano Concerto in B-Flat Major, Op. 83 / III. Andante | — | ||
| 32-4 | Piano Concerto in B-Flat Major, Op. 83 / IV. Allegretto grazioso | — | ||
| 33-1 | Piano Concerto in F Minor, Op. 114 / I. Allegro Moderato | — | ||
| 33-2 | Piano Concerto in F Minor, Op. 114 / II. Largo con gran espressione | — | ||
| 33-3 | Piano Concerto in F Minor, Op. 114 / III. Allegretto con spirito | — | ||
| 34-1 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / I. Andante | — | ||
| 34-2 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / II. Scherzo. Allegro | — | ||
| 34-3 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / III. Adagio mesto | — | ||
| 34-4 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / IV. Finale. Allegro con brio | — | ||
| 34-5 | Auf dem Strom, D. 943, Op. 119 | — | ||
| 35-1 | Liebeslieder, Walzer Op. 52 / Nr 1. Rede, Madchen, allzu liebes | — | ||
| 35-2 | Liebeslieder, Walzer Op. 52 / Nr. 2. Am Gesteine rauscht die Flut | — | ||
| 35-3 | Liebeslieder, Walzer Op. 52 / Nr. 3. O die Frauen (Tenor und Bass) | — | ||
| 35-4 | Liebeslieder, Walzer Op. 52 / Nr. 4. Wie des Abends schone Rote (Sopran und Alt) | — | ||
| 35-5 | Liebeslieder, Walzer Op. 52 / Nr. 5. Die grune Hopfenranke | — | ||
| 35-6 | Liebeslieder, Walzer Op. 52 / Nr. 6. Ein kleiner hubscher Vogel | — | ||
| 35-7 | Liebeslieder, Walzer Op. 52 / Nr. 7. Wohl schon bewandt war es (Soprano oder Alt) | — | ||
| 35-8 | Liebeslieder, Walzer Op. 52 / Nr. 8. Wenn so lind dein Auge mir | — | ||
| 35-9 | Liebeslieder, Walzer Op. 52 / Nr. 9. Am Donaustrande | — | ||
| 35-10 | Liebeslieder, Walzer Op. 52 / Nr. 10. O wie sanft die Quelle | — | ||
| 35-11 | Liebeslieder, Walzer Op. 52 / Nr. 11. Nein, es ist nicht auszukommen | — | ||
| 35-12 | Liebeslieder, Walzer Op. 52 / Nr. 12. Schlosser auf, und mache Schlosser | — | ||
| 35-13 | Liebeslieder, Walzer Op. 52 / Nr. 13. Vogelein durchrauscht die Luft (Spran und Alt) | — | ||
| 35-14 | Liebeslieder, Walzer Op. 52 / Nr. 14. Sieh, wei ist die Welle klar (Tenor und Bass) | — | ||
| 35-15 | Liebeslieder, Walzer Op. 52 / Nr. 15. Nachtigall, sei singt so schon | — | ||
| 35-16 | Liebeslieder, Walzer Op. 52 / Nr. 16. Ein dunkeler Schacht ist Liebe | — | ||
| 35-17 | Liebeslieder, Walzer Op. 52 / Nr. 17. Nicht wandle, mein Licht (Tenor) | — | ||
| 35-18 | Liebeslieder, Walzer Op. 52 / Nr. 18. Es bebet das Gestrauche | — | ||
| 35-19 | Der Hirt auf dem Felsen, D. 965, Op. 129 | — | ||
| 36-1 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 36-2 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 36-3 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 37-1 | Piano Concerto no. 1, BB 91: I. Allegro moderato | — | ||
| 37-2 | Piano Concerto no. 1, BB 91: II. Andante | — | ||
| 37-3 | Piano Concerto no. 1, BB 91: III. Allegro molto | — | ||
| 37-4 | Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace | — | ||
| 37-5 | Piano Concerto no. 4 in B-flat major, op. 53: II. Andante | — | ||
| 37-6 | Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato | — | ||
| 37-7 | Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace | — | ||
| 38-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Rudolf Serkin | — | |
| 38-2 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Rudolf Serkin | — | |
| 38-3 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Rudolf Serkin | — | |
| 38-4 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Rudolf Serkin | T-915.723.669-6 | |
| 38-5 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Rudolf Serkin | T-001.397.158-8 | |
| 38-6 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Rudolf Serkin | — | |
| 38-7 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Rudolf Serkin | — | |
| 38-8 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Rudolf Serkin | — | |
| 38-9 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo. Presto | Rudolf Serkin | — | |
| 38-10 | Songs without Words, Op. 62 No 1 in G Major "May Breezes" | — | ||
| 38-11 | Songs without Words, Op. 67 No. 4 "Spinning Song" | — | ||
| 39-1 | Concerto for Piano no. 19 in F major, K. 459: I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-909.264.262-1 | |
| 39-2 | Concerto for Piano no. 19 in F major, K. 459: II. Allegretto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-3 | Concerto for Piano no. 19 in F major, K. 459: III. Allegro assai | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-4 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-5 | Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 40-1 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / I. Allegro | — | ||
| 40-2 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / II. Largo | — | ||
| 40-3 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / III. Rondo alla Polacca | — | ||
| 41-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-4 | Choral Fantasy for Piano, Chorus and Orchestra, Op. 80 / I. Adagio | — | ||
| 41-5 | Choral Fantasy for Piano, Chorus and Orchestra, Op. 80 / II. Finale: Allegro; Meno Allegro; Allegretto ma non troppo, quasi Andante con moto | — | ||
| 42-1 | Piano Quintet in F Minor, Op. 34 / I. Allegro non troppo | — | ||
| 42-2 | Piano Quintet in F Minor, Op. 34 / II. Andante un poco adagio | — | ||
| 42-3 | Piano Quintet in F Minor, Op. 34 / III. Scherzo. Allegro | — | ||
| 42-4 | Piano Quintet in F Minor, Op. 34 / IV. Finale. Poco sostenuto | — | ||
| 42-5 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / I. Allegro brillante | — | ||
| 42-6 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / II. In modo d'una marcia | — | ||
| 42-7 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / III. Scherzo. Molto vivace | — | ||
| 42-8 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / IV. Allegro ma non troppo | — | ||
| 43-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - Attacca | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-4 | Konzerstück in G major, op. 92 - Introduction und Allegro appassionato | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 44-1 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / I. Allegro moderato | — | ||
| 44-2 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / II. Andante con moto | — | ||
| 44-3 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / III. Rondo. Vivace | — | ||
| 44-4 | Am Tage Aller Seelen | — | ||
| 44-5 | Israel in Egypt, HWV 54: "Dank sei Dir Herr!" (Arioso) | — | ||
| 45-1 | Piano Concerto No. 4 in G Major, Op. 58 / I. Allegro moderato | — | ||
| 45-2 | Piano Concerto No. 4 in G Major, Op. 58 / II. Andante con moto | — | ||
| 45-3 | Piano Concerto No. 4 in G Major, Op. 58 / III. Rondo. Vivace | — | ||
| 46-1 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / I. Allegro con brio | — | ||
| 46-2 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / II. Largo | — | ||
| 46-3 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / III. Rondo: Allegro scherzando | — | ||
| 46-4 | Eleven Bagatelles, Op. 119 | — | ||
| 47-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / I. Allegro con brio | — | ||
| 47-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / II. Adagio | — | ||
| 47-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / III. Rondo - Molto allegro | — | ||
| 47-4 | Piano Concerto No. 27 in B-Flat Major, K. 595 / I. Allegro | — | ||
| 47-5 | Piano Concerto No. 27 in B-Flat Major, K. 595 / II. Larghetto | — | ||
| 47-6 | Piano Concerto No. 27 in B-Flat Major, K. 595 / III. Allegro | — | ||
| 48-1 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / I. Allegro | — | ||
| 48-2 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / II. Alla Siciliana | — | ||
| 48-3 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / III. Allegro | — | ||
| 48-4 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / I. Allegro | — | ||
| 48-5 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / II. Adagio | — | ||
| 48-6 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / III. Allegro | — | ||
| 48-7 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / I. Allegro | — | ||
| 48-8 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / II. Andante | — | ||
| 48-9 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / III. Rondo. Allegro | — | ||
| 49-1 | Sonata in A Major for Piano, Op. Posth. (D. 959) / I. Allegro | — | ||
| 49-2 | Sonata in A Major for Piano, Op. Posth. (D. 959) / II. Andantino | — | ||
| 49-3 | Sonata in A Major for Piano, Op. Posth. (D. 959) / III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 49-4 | Sonata in A Major for Piano, Op. Posth. (D. 959) / IV. Rondo - Allegretto | — | ||
| 50-1 | Piano Concerto No. 14 in E-Flat Major, K. 449 / I. Allegro vivace | — | ||
| 50-2 | Piano Concerto No. 14 in E-Flat Major, K. 449 / II. Andantino | — | ||
| 50-3 | Piano Concerto No. 14 in E-Flat Major, K. 449 / III. Allegro ma non troppo | — | ||
| 50-4 | Piano Concerto No. 17 in G Major, K. 453 / I. Allegro | — | ||
| 50-5 | Piano Concerto No. 17 in G Major, K. 453 / II. Andante | — | ||
| 50-6 | Piano Concerto No. 17 in G Major, K. 453 / III. Allegretto | — | ||
| 51-1 | Piano Concerto No 1 in D Minor, Op. 15 / I. Maestoso | — | ||
| 51-2 | Piano Concerto No 1 in D Minor, Op. 15 / II. Adagio | — | ||
| 51-3 | Piano Concerto No 1 in D Minor, Op. 15 / III. Rondo. Allegro non troppo | — | ||
| 52-1 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / I. Allegro | — | ||
| 52-2 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / II. Adagio, III. Allegro | — | ||
| 52-3 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / IV. Menuetto - Trio I - Polacca - Trio II | — | ||
| 52-4 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / I. Allegro | — | ||
| 52-5 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / II. Andante | — | ||
| 52-6 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / III. Presto | — | ||
| 52-7 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / I. Allegro | — | ||
| 52-8 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / II. Affettuoso | — | ||
| 52-9 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / III. Allegro | — | ||
| 53-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.446.876-8 | |
| 53-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.446.817-7 | |
| 53-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.449.900-3 | |
| 53-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 54-1 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / I. Allegro vivace | — | ||
| 54-2 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / II. Andante | — | ||
| 54-3 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / III. Scherzo - Presto - Trio | — | ||
| 54-4 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / IV. Theme & Variations - Andantino | — | ||
| 54-5 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / V. Finale - Allegro giusto | — | ||
| 55-1 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: I. Maestoso | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 55-2 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: II. Adagio | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 55-3 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: III. Rondo: Allegro non troppo | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 56-1 | Capriccio Brillante for Piano and Orchestra, Op. 22 | — | ||
| 56-2 | Introduction and Concert Allegro for Piano and Orchestra, Op. 134 | — | ||
| 56-3 | Burleske in D Minor for Piano and Orchestra, Op. 11 | — | ||
| 57-1 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / I. Allegro | — | ||
| 57-2 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / II. Scherzo. Assai vivace | — | ||
| 57-3 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / III. Adagio sostenuto | — | ||
| 57-4 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / IV. Largo - Allegro - Allegro risoluto | — | ||
| 58-1 | Sonata No. 28 in A Major for Piano, Op. 101 / I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 58-2 | Sonata No. 28 in A Major for Piano, Op. 101 / II. Lebhaft. March mässig (Vivace alla Marcia) | — | ||
| 58-3 | Sonata No. 28 in A Major for Piano, Op. 101 / III.Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto), Geschwind doch nicht zu sehr und mit Entschlossenheit (Allegro) | — | ||
| 58-4 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / I. Moderato cantabile molto espressivo | — | ||
| 58-5 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / II. Allegro molto | — | ||
| 58-6 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / III. Adagio ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 59-1 | Piano Concerto No. 12 in A Major, K. 414 / I. Allegro | — | ||
| 59-2 | Piano Concerto No. 12 in A Major, K. 414 / II. Andante | — | ||
| 59-3 | Piano Concerto No. 12 in A Major, K. 414 / III. Rondeau. Allegretto | — | ||
| 59-4 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / I. Allegro | — | ||
| 59-5 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / II. Larghetto | — | ||
| 59-6 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / III. Allegretto | — | ||
| 60-1 | Violin Sonata No.9, Op.139 / I. Con passione | — | ||
| 60-2 | Violin Sonata No.9, Op.139 / II. Largo | — | ||
| 60-3 | Violin Sonata No.9, Op.139 / III. Vivace | — | ||
| 60-4 | Violin Sonata No.9, Op.139 / IV. Andantino con variazioni | — | ||
| 60-5 | Cello Sonata No.4, Op. 116 / I. Allegro moderato | — | ||
| 60-6 | Cello Sonata No.4, Op. 116 / II. Presto | — | ||
| 60-7 | Cello Sonata No.4, Op. 116 / III. Largo | — | ||
| 60-8 | Cello Sonata No.4, Op. 116 / IV. Allegretto con grazia | — | ||
| 61-1 | Sonata No. 11 in B-Flat Major, Op. 22 / I. Allegro con brio | — | ||
| 61-2 | Sonata No. 11 in B-Flat Major, Op. 22 / II. Adagio con molta espressione | — | ||
| 61-3 | Sonata No. 11 in B-Flat Major, Op. 22 / III. Menuetto | — | ||
| 61-4 | Sonata No. 11 in B-Flat Major, Op. 22 / IV. Rondo. Allegretto | — | ||
| 61-5 | Fantasie in G Minor, Op. 77 | — | ||
| 61-6 | Sonata No. 24 in F-Sharp Major, Op. 78 / I. Adagio cantabile. Allegro ma non troppo | — | ||
| 61-7 | Sonata No. 24 in F-Sharp Major, Op. 78 / II. Allegro vivace | — | ||
| 62-1 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / I. Molto moderato | — | ||
| 62-2 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / II. Andante sostenuto | — | ||
| 62-3 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / III. Scherzo - Allegro vivace con delicatezza - Trio | — | ||
| 62-4 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / IV. Allegro, ma non troppo | — | ||
| 63-1 | Violin Sonata in E Major, BWV 1016 / I. Adagio | — | ||
| 63-2 | Violin Sonata in E Major, BWV 1016 / II. Allegro | — | ||
| 63-3 | Violin Sonata in E Major, BWV 1016 / III. Adagio ma non tanto | — | ||
| 63-4 | Violin Sonata in E Major, BWV 1016 / IV. Allegro | — | ||
| 63-5 | Violin Sonata No.8, Op.30 No.3 / I. Allegro assai | — | ||
| 63-6 | Violin Sonata No.8, Op.30 No.3 / II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 63-7 | Violin Sonata No.8, Op.30 No.3 / III. Allegro vivace | — | ||
| 63-8 | Violin Sonata No.1, Op.12 No.1 / I. Allegro con brio | — | ||
| 63-9 | Violin Sonata No.1, Op.12 No.1 / II. Andante con moto (Tema con variazioni) | — | ||
| 63-10 | Violin Sonata No.1, Op.12 No.1 / III. Rondo. Allegro | — | ||
| 64-1 | Violin Sonata No.1 in A Minor, Op.105 / I. Mit leidenschaftlichem Ausdruck | — | ||
| 64-2 | Violin Sonata No.1 in A Minor, Op.105 / II. Allegretto | — | ||
| 64-3 | Violin Sonata No.1 in A Minor, Op.105 / III. Lebhaft | — | ||
| 64-4 | Violin Sonata No.2 in D Minor, Op.121 / I. Ziemlich langsam, kurz und energisch | — | ||
| 64-5 | Violin Sonata No.2 in D Minor, Op.121 / II. Sehr lebhaft | — | ||
| 64-6 | Violin Sonata No.2 in D Minor, Op.121 / III. Leise, einfach | — | ||
| 64-7 | Violin Sonata No.2 in D Minor, Op.121 / IV. Bewegt | — | ||
| 64-8 | Violin Sonata No.10 in G Major, Op.96 / I. Allegro moderato | — | ||
| 64-9 | Violin Sonata No.10 in G Major, Op.96 / II. Adagio espressivo | — | ||
| 64-10 | Violin Sonata No.10 in G Major, Op.96 / III. Scherzo. Allegro | — | ||
| 64-11 | Violin Sonata No.10 in G Major, Op.96 / IV. Poco allegretto - Adagio espressivo - Allegro | — | ||
| 65-1 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / I. Allegro | — | ||
| 65-2 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / II. Adagio e cantabile | — | ||
| 65-3 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / III. Finale - Tempo di Menuet | — | ||
| 65-4 | Rondo in A Minor for Piano, K. 511 | — | ||
| 65-5 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Rudolf Serkin | — | |
| 65-6 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Rudolf Serkin | — | |
| 65-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Rudolf Serkin | — | |
| 66-1 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / I. Molto moderato | — | ||
| 66-2 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / II. Andante sostenuto | — | ||
| 66-3 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / III. Scherzo - Allegro vivace con delicatezza - Trio | — | ||
| 66-4 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / IV. Allegro, ma non troppo | — | ||
| 67-1 | Variations and Fugue on a Theme by Handel, Op. 24 / Aria | — | ||
| 67-2 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. I. Piu Vivo | — | ||
| 67-3 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. II | — | ||
| 67-4 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. III | — | ||
| 67-5 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. IV | — | ||
| 67-6 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. V | — | ||
| 67-7 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VI | — | ||
| 67-8 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VII | — | ||
| 67-9 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VIII | — | ||
| 67-10 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. IX | — | ||
| 67-11 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. X. Allegro | — | ||
| 67-12 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XI. Moderato | — | ||
| 67-13 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XII. L'istesso tempo | — | ||
| 67-14 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIII. Largamente, ma non troppo | — | ||
| 67-15 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIV | — | ||
| 67-16 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XV | — | ||
| 67-17 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVI | — | ||
| 67-18 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVII | — | ||
| 67-19 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVIII | — | ||
| 67-20 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIX | — | ||
| 67-21 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XX. Andante | — | ||
| 67-22 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXI. Vivace | — | ||
| 67-23 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXII. Alla Musette | — | ||
| 67-24 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXIII. Vivace | — | ||
| 67-25 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXIV | — | ||
| 67-26 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXV | — | ||
| 67-27 | Variations and Fugue on a Theme by Handel, Op. 24 / Fuga. Moderato | — | ||
| 67-28 | Intermezzo in B Minor, Op. 119, No. 1 | — | ||
| 67-29 | Intermezzo in E Minor, Op. 119, No. 2 | — | ||
| 67-30 | Intermezzo in C Major, Op. 119, No. 3 | — | ||
| 67-31 | Rhapsody in E-Flat Major, Op. 119, No. 4 | — | ||
| 68-1 | 4 Impromptus, D.935, Op. 142 / Impromptu No. 1 in F Minor | — | ||
| 68-2 | 4 Impromptus, D.935, Op. 142 / Impromtu No. 2 in A-Flat Major | — | ||
| 68-3 | 4 Impromptus, D.935, Op. 142 / Impromptu No. in 3 B-Flat Major | — | ||
| 68-4 | 4 Impromptus, D.935, Op. 142 / Impromptu No. 4 in F Minor | — | ||
| 69-1 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Thema: Andante (quasi adagio) | — | ||
| 69-2 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation I: Andante (quasi adagio) | — | ||
| 69-3 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation II: (Sempre espressivo ed assai legato) | — | ||
| 69-4 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation III: Grave assai | — | ||
| 69-5 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation IV: Vivace | — | ||
| 69-6 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation V: Vivace | — | ||
| 69-7 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VI: Allegro moderato | — | ||
| 69-8 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VII: Adagio | — | ||
| 69-9 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VIII: Vivace | — | ||
| 69-10 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation IX: Grave e sempre molto espressivo | — | ||
| 69-11 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation X: Poco vivace | — | ||
| 69-12 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XI: Allegro agitato | — | ||
| 69-13 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XII: Andante sostenuto | — | ||
| 69-14 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XIII: Vivace | — | ||
| 69-15 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XIV: Con moto | — | ||
| 69-16 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Fuge: Sostenuto | — | ||
| 69-17 | Sonata for Piano in C Major, HOB. XVI:50 / I. Allegro | — | ||
| 69-18 | Sonata for Piano in C Major, HOB. XVI:50 / II. Adagio | — | ||
| 69-19 | Sonata for Piano in C Major, HOB. XVI:50 / III. Allegro molto | — | ||
| 69-20 | 14 Canons, BWV 1087 / Thema (Aria from The Goldberg Variations) | — | ||
| 69-21 | 14 Canons, BWV 1087 / Canon I | — | ||
| 69-22 | 14 Canons, BWV 1087 / Canon II | — | ||
| 69-23 | 14 Canons, BWV 1087 / Canon III | — | ||
| 69-24 | 14 Canons, BWV 1087 / Canon IV | — | ||
| 69-25 | 14 Canons, BWV 1087 / Canon V | — | ||
| 69-26 | 14 Canons, BWV 1087 / Canon VI | — | ||
| 69-27 | 14 Canons, BWV 1087 / Canon VII | — | ||
| 69-28 | 14 Canons, BWV 1087 / Canon VIII | — | ||
| 69-29 | 14 Canons, BWV 1087 / Canon IX | — | ||
| 69-30 | 14 Canons, BWV 1087 / Canon X | — | ||
| 69-31 | 14 Canons, BWV 1087 / Canon XI | — | ||
| 69-32 | 14 Canons, BWV 1087 / Canon XII | — | ||
| 69-33 | 14 Canons, BWV 1087 / Canon XIII | — | ||
| 69-34 | 14 Canons, BWV 1087 / Canon XIV | — | ||
| 69-35 | 14 Canons, BWV 1087 / Thema da capo (Aria from The Goldberg Variations) | — | ||
| 70-1 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / I. Allegro con brio | — | ||
| 70-2 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / II. Adagio | — | ||
| 70-3 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / III. Tema "Pria ch'io l'impegno" | — | ||
| 70-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / I. Grave - Allegro ma non troppo | — | ||
| 70-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / II. Andante cantabile | — | ||
| 70-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / III. Rondo - Allegro ma non troppo | — | ||
| 70-7 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Introduzione. Adagio assai; | — | ||
| 70-8 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Tema | — | ||
| 70-9 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation I | — | ||
| 70-10 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation II | — | ||
| 70-11 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation III | — | ||
| 70-12 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation IV | — | ||
| 70-13 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation V | — | ||
| 70-14 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VI | — | ||
| 70-15 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VII | — | ||
| 70-16 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VIII | — | ||
| 70-17 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation IX | — | ||
| 70-18 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation X | — | ||
| 70-19 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Allegretto | — | ||
| 71-1 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / I. Allegro | — | ||
| 71-2 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / II. Adagio | — | ||
| 71-3 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / III. Menuetto. Allegretto | — | ||
| 71-4 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / IV. Prestissimo | — | ||
| 71-5 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / I. Allegro | — | ||
| 71-6 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / II. Allegretto | — | ||
| 71-7 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / III. Presto | — | ||
| 71-8 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / I. Andante con Variazoni | — | ||
| 71-9 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / II. Scherzo. Allegro molto | — | ||
| 71-10 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / III. Marcia funebre sulla morte d'un Eroe | — | ||
| 71-11 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / IV. Allegro | — | ||
| 72-1 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / I. Andante - Allegro - Tempo I - attacca: | — | ||
| 72-2 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / II. Allegro molto e vivace - attacca: | — | ||
| 72-3 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / III. Adagio con espressione - attacca: | — | ||
| 72-4 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / IV. Allegro vivace | — | ||
| 72-5 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / I. Allegro vivace | — | ||
| 72-6 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / II. Adagio grazioso | — | ||
| 72-7 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / III. Rondo. Allegretto | — | ||
| 72-8 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / I. Allegro con brio | — | ||
| 72-9 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / II. Introduzione. Adagio molto | — | ||
| 72-10 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / III. Rondo. Allegretto moderato | — | ||
| 73-1 | Piano Sonata No. 30 in E Major, Op. 109 / I. Vivace, ma non troppo | — | ||
| 73-2 | Piano Sonata No. 30 in E Major, Op. 109 / II. Prestissimo | — | ||
| 73-3 | Piano Sonata No. 30 in E Major, Op. 109 / III. Gesangvoll, mit innigser Empfindung. Andante molto cantabile ed espressivo | — | ||
| 73-4 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / I. Moderato cantabile molto espressivo | — | ||
| 73-5 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / II. Allegro molto | — | ||
| 73-6 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | — | ||
| 73-7 | Piano Sonata No. 32 in C Minor, Op. 111 / I. Maestoso - Allegro con brio ed appassionato | — | ||
| 73-8 | Piano Sonata No. 32 in C Minor, Op. 111 / II. Arietta. Adagio molto semplice e cantabile | — | ||
| 74-1 | Piano Concerto No. 4 in G Major, Op. 58 / I. Allegro moderato | — | ||
| 74-2 | Piano Concerto No. 4 in G Major, Op. 58 / II. Andante con moto | — | ||
| 74-3 | Piano Concerto No. 4 in G Major, Op. 58 / III. Rondo - Vivace | — | ||
| 74-4 | Choral Fantasy in C Minor for Piano, Chorus & Orchestra, Op. 80 (1808) | — | ||
| 75-1 | 24 Préludes, Op. 28 / No. 1 in C Major. Agitato | — | ||
| 75-2 | 24 Préludes, Op. 28 / No. 2 in A Minor. Lento | — | ||
| 75-3 | 24 Préludes, Op. 28 / No. 3 in G Major. Vivace | — | ||
| 75-4 | 24 Préludes, Op. 28 / No. 4 in E Minor, Largo | — | ||
| 75-5 | 24 Préludes, Op. 28 / No. 5 in D Major. Allegro molto | — | ||
| 75-6 | 24 Préludes, Op. 28 / No. 6 in B Minor. Lento assai | — | ||
| 75-7 | 24 Préludes, Op. 28 / No. 7 in A Major, Andantino | — | ||
| 75-8 | 24 Préludes, Op. 28 / No. 8 in F-Sharp Minor. Molto agitato | — | ||
| 75-9 | 24 Préludes, Op. 28 / No. 9 in E Major. Largo | — | ||
| 75-10 | 24 Préludes, Op. 28 / No. 10 in C-Sharp Minor. Allegro molto | — | ||
| 75-11 | 24 Préludes, Op. 28 / No. 11 in B Major. Vivace | — | ||
| 75-12 | 24 Préludes, Op. 28 / No. 12 in G-Sharp Minor. Presto | — | ||
| 75-13 | 24 Préludes, Op. 28 / No. 13 in F-Sharp Major. Lento | — | ||
| 75-14 | 24 Préludes, Op. 28 / No. 14 in E-Flat Minor. Allegro | — | ||
| 75-15 | 24 Préludes, Op. 28 / No. 15 in D-Flat Major. Sostenuto | — | ||
| 75-16 | 24 Préludes, Op. 28 / No. 16 in B-Flat Minor. Presto con fuoco | — | ||
| 75-17 | 24 Préludes, Op. 28 / No. 17 in A-Flat Major. Allegretto | — | ||
| 75-18 | 24 Préludes, Op. 28 / No. 18 in F Minor. Allegro molto | — | ||
| 75-19 | 24 Préludes, Op. 28 / No. 19 in E-Flat Major. Vivace | — | ||
| 75-20 | 24 Préludes, Op. 28 / No. 20 in C Minor, Largo | — | ||
| 75-21 | 24 Préludes, Op. 28 / No. 21 in B-Flat Major. Cantabile | — | ||
| 75-22 | 24 Préludes, Op. 28 / No. 22 in G Minor. Molto agitato | — | ||
| 75-23 | 24 Préludes, Op. 28 / No. 23 in F Major. Moderato | — | ||
| 75-24 | 24 Préludes, Op. 28 / No. 24 in D Minor. Allegro appassionato | — | ||
| 75-25 | Prelude and Fugue, Op. 35, No. 1 / Prelude | — | ||
| 75-26 | Prelude and Fugue, Op. 35, No. 1 / Fugue | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
889854040628 is a Universal Product Code (UPC) assigned to The Complete Columbia Album Collection by Rudolf Serkin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 559 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Creative Contributors (ISNI)
The UPC for “The Complete Columbia Album Collection” by Rudolf Serkin is 889854040628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Sony Classical. This release contains 559 tracks, each with its own ISRC. Tracks include USSM11700477, USSM11700478, USSM11700479.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / I. Maestoso | — | ||
| 2 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / II. Adagio | — | ||
| 3 | Concerto No. 1 in D Minor for Piano and Orchestra, Op. 15 / III. Rondo. Allegro non troppo | — | ||
| 2-1 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / I. Adagio sostenuto | — | ||
| 2-2 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / II. Allegretto | — | ||
| 2-3 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / III. Presto agitato | — | ||
| 2-4 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / I. Grave - Allegro di molto et con brio | — | ||
| 2-5 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / II. Adagio cantabile | — | ||
| 2-6 | Sonata No. 8 in C Minor for Piano, Op. 13 "Pathétque" / III. Rondo. Allegro | — | ||
| 3-1 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / I. Allegro | — | ||
| 3-2 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / II. Adagio un poco moto | — | ||
| 3-3 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / III. Rondo. Allegro | — | ||
| 4-1 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Adagio sostenuto, Presto | — | ||
| 4-2 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Tema. Andante | — | ||
| 4-3 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation I | — | ||
| 4-4 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation II | — | ||
| 4-5 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation III | — | ||
| 4-6 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Variation IV | — | ||
| 4-7 | Violin Sonata No.9 in A Major, Op. 47 "Kreutzer" / Presto | — | ||
| 4-8 | Piano Quintet in E-Flat Major, Op.44 / I. Allegro brillante | — | ||
| 4-9 | Piano Quintet in E-Flat Major, Op.44 / II. In modo d'una marcia | — | ||
| 4-10 | Piano Quintet in E-Flat Major, Op.44 / III. Scherzo. Molto vivace | — | ||
| 4-11 | Piano Quintet in E-Flat Major, Op.44 / IV. Allegro ma non troppo | — | ||
| 5-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / I. Allegro non troppo | — | ||
| 5-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / II. Allegro appassionato | — | ||
| 5-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / III. Andante | — | ||
| 5-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / IV. Allegretto grazioso | — | ||
| 6-1 | Concerto for Piano and Orchestra in A Minor, Op. 54 / I. Allegro affettuoso | — | ||
| 6-2 | Concerto for Piano and Orchestra in A Minor, Op. 54 / II. Intermezzo. Andantino grazioso | — | ||
| 6-3 | Concerto for Piano and Orchestra in A Minor, Op. 54 / III. Allegro vivace | — | ||
| 7-1 | Trio No. 4 in D Major, Op. 70 "Ghost" / I. Allegro vivace e con brio | — | ||
| 7-2 | Trio No. 4 in D Major, Op. 70 "Ghost" / II. Largo assai ed espressivo | — | ||
| 7-3 | Trio No. 4 in D Major, Op. 70 "Ghost" / III. Presto | — | ||
| 7-4 | Fantasie in G Minor, Op. 77 | — | ||
| 7-5 | Sonata No. 24 in F-Sharp Major, Op. 78 / I. Adagio cantabile: Allegro ma non troppo | — | ||
| 7-6 | Sonata No. 24 in F-Sharp Major, Op. 78 / II. Allegro vivace | — | ||
| 7-7 | Songs Without Words, Op. 62, No. 1 - "May Breezes" | — | ||
| 8-1 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / I. Allegro | — | ||
| 8-2 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / II. Adagio un poco moto | — | ||
| 8-3 | Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73 "Emperor" / III. Rondo. Allegro | — | ||
| 9-1 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | Pau Casals, Paul Baumgartner | — | |
| 9-2 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | Pau Casals, Paul Baumgartner | — | |
| 9-3 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | Pau Casals, Paul Baumgartner | — | |
| 9-4 | Chromatic Fantasia and Fugue in D minor BWV 903: I. Fantasia | Rudolf Serkin | — | |
| 9-5 | Chromatic Fantasia and Fugue in D minor BWV 903: II. Fugue | Rudolf Serkin | — | |
| 9-6 | Italian Concerto in F major BWV 971: I. (Allegro) | Rudolf Serkin | T-312.198.890-3 | |
| 9-7 | Italian Concerto in F major BWV 971: II. Andante | Rudolf Serkin | T-312.198.890-3 | |
| 9-8 | Italian Concerto in F major BWV 971: III. Presto | Rudolf Serkin | — | |
| 9-9 | Cappricio in B-Flat Major, BWV 992 "On the departure of his most beloved brother" | — | ||
| 9-10 | Toccata in E Minor, BWV 914 | — | ||
| 10-1 | Piano Concerto No. 20 in D minor, K466: Allegro | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-2 | Piano Concerto No. 20 in D minor, K466: Romance | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Piano Concerto No. 20 in D minor, K466: Rondo: Allegro Assai | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-4 | Piano Concerto No. 22 in E flat major, K482: Allegro | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 10-5 | Piano Concerto No. 22 in E flat major, K482: Andante | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 10-6 | Piano Concerto No. 22 in E flat major, K482: Allegro | Rudolf Serkin, Perpignan Festival Orchestra, Pau Casals | — | |
| 11-1 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / I. Adagio sostenuto | — | ||
| 11-2 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / II. Allegretto | — | ||
| 11-3 | Sonata No. 14 in C-Sharp Minor for Piano, Op. 27, No. 2 "Moonlight" / III. Presto agitato | — | ||
| 11-4 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / I. Les Adieux. Adagio - Allegro | — | ||
| 11-5 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / II. L'absence. Andante espressivo | — | ||
| 11-6 | Sonata No. 26 in E-Flat Major for Piano, Op. 81a "Les Adieux" / III. Le retour. Vivacissimamente | — | ||
| 11-7 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / I. Allegro assai | — | ||
| 11-8 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / II. Andante con moto | — | ||
| 11-9 | Sonata No. 23 in F Minor for Piano, Op. 57 "Appassionata" / III. Allegro ma non troppo - Presto | — | ||
| 12-1 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / I. Allegro con brio | Rudolf Serkin | — | |
| 12-2 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / II. Introduzione. Adagio molto | Rudolf Serkin | — | |
| 12-3 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / III. Rondo. Allegretto moderato | Rudolf Serkin | — | |
| 12-4 | Sonata No. 30 in E Major for Piano, Op. 109 / I. Vivace, ma non troppo | — | ||
| 12-5 | Sonata No. 30 in E Major for Piano, Op. 109 / II. Prestissimo | — | ||
| 12-6 | Sonata No. 30 in E Major for Piano, Op. 109 / III. Gesangvoll, mit innigser Empfindung. Andante molto cantabile ed espressivo | — | ||
| 13-1 | Piano Trio in E-Flat Major, D. 929 (Op.100) / I. Allegro | — | ||
| 13-2 | Piano Trio in E-Flat Major, D. 929 (Op.100) / II. Andante con moto | — | ||
| 13-3 | Piano Trio in E-Flat Major, D. 929 (Op.100) / III. Scherzo - Allegro moderato | — | ||
| 13-4 | Piano Trio in E-Flat Major, D. 929 (Op.100) / IV. Allegro moderato | — | ||
| 13-5 | Trio in C Major, Op. 87 / I. Allegro | — | ||
| 13-6 | Trio in C Major, Op. 87 / II. Andante con moto | — | ||
| 13-7 | Trio in C Major, Op. 87 / III. Scherzo. Presto | — | ||
| 13-8 | Trio in C Major, Op. 87 / IV. Finale. Allegro giocoso | — | ||
| 14-1 | Piano Concerto No. 3 in C Minor, Op. 37 / I. Allegro con brio | — | ||
| 14-2 | Piano Concerto No. 3 in C Minor, Op. 37 / II. Largo | — | ||
| 14-3 | Piano Concerto No. 3 in C Minor, Op. 37 / III. Rondo - Allegro | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato - Tempo I | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 15-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 15-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Rudolf Serkin, Cleveland Orchestra, George Szell | — | |
| 16-1 | Quintet in E-Flat Major for Piano and Winds, K. 452 / I. Largo - Allegro moderato | — | ||
| 16-2 | Quintet in E-Flat Major for Piano and Winds, K. 452 / II. Larghetto | — | ||
| 16-3 | Quintet in E-Flat Major for Piano and Winds, K. 452 / III. Rondo. Allegretto | — | ||
| 16-4 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / I. Grave - Allegro ma non troppo | — | ||
| 16-5 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / II. Andante cantabile | — | ||
| 16-6 | Quintet for Piano and Winds in E-Flat Major, Op. 16 / III. Rondo. Allegro ma non troppo | — | ||
| 17-1 | Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto - Allegro - Adagio - Presto | — | ||
| 17-2 | Sonata No. 1 in F Major, Op. 5, No. 1: II. Rondo, Allegro vivace | — | ||
| 17-3 | Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio | — | ||
| 17-4 | Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 17-5 | Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro - Allegro fugato | — | ||
| 18-1 | Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo / Allegro molto più tosto presto | — | ||
| 18-2 | Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo, Allegro | — | ||
| 18-3 | 7 Variations on "Bei Männern, welche Liebe fühlen" (From "Mozart's Die Zauberflöte, WoO.46") | — | ||
| 18-4 | 12 Variations on "Ein Mädchen oder Weibchen" (From "Mozart's Die Zauberflöte, WoO.66") | — | ||
| 18-5 | 12 Variations in G Major on "See, the Conquering Hero Comes" from Handel's Judas Maccabaeus for Cello and Piano, WoO 45 | — | ||
| 19-1 | Sonata No. 3 in A Major, Op. 69 / I. Allegro ma non troppo | — | ||
| 19-2 | Sonata No. 3 in A Major, Op. 69 / II. Scherzo, Allegro molto | — | ||
| 19-3 | Sonata No. 3 in A Major, Op. 69 / III. Adagio cantabile - Allegro vivace | — | ||
| 19-4 | Sonata No. 4 in C Major, Op. 102, No. 1 / I. Andante - Allegro vivace | — | ||
| 19-5 | Sonata No. 4 in C Major, Op. 102, No. 1 / II. Adagio - Allegro vivace | — | ||
| 20-1 | Piano Concerto No. 1 in C Major, Op. 15 / I. Allegro con brio | — | ||
| 20-2 | Piano Concerto No. 1 in C Major, Op. 15 / II. Largo | — | ||
| 20-3 | Piano Concerto No. 1 in C Major, Op. 15 / III. Rondo: Allegro scherzando | — | ||
| 21-1 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / I. Allegro moderato | — | ||
| 21-2 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / II. Andante con moto | — | ||
| 21-3 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / III. Rondo: Vivace | — | ||
| 21-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / I. Allegro con brio | — | ||
| 21-5 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / II. Adagio | — | ||
| 21-6 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / III. Rondo: Molto allegro | — | ||
| 22-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / I. Allegro non troppo | — | ||
| 22-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / II. Allegro appassionato | — | ||
| 22-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / III. Andante | — | ||
| 22-4 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 83 / IV. Allegretto grazioso | — | ||
| 23-1 | Concerto in A minor for Piano and Orchestra, Op. 54 / I. Allegro affettuoso | — | ||
| 23-2 | Concerto in A minor for Piano and Orchestra, Op. 54 / II. Intermezzo. Andantino grazioso | — | ||
| 23-3 | Concerto in A minor for Piano and Orchestra, Op. 54 / III. Allegro vivace | — | ||
| 23-4 | Burlesque in D Minor for Piano and Orchestra, Op. 11 | — | ||
| 24-1 | Piano Concerto No. 21 in C Major, K. 467 / I. Allegro maestoso | — | ||
| 24-2 | Piano Concerto No. 21 in C Major, K. 467 / II. Andante | — | ||
| 24-3 | Piano Concerto No. 21 in C Major, K. 467 / III. Allegro vivace assai | — | ||
| 24-4 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / I. Allegro | — | ||
| 24-5 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / II. Larghetto | — | ||
| 24-6 | Concerto No. 27 in B-Flat Major for Piano and Orchestra, K. 595 / III. Allegro | — | ||
| 25-1 | Moments musicaux, D. 780, Op. 94 / No. 1 in C Major | — | ||
| 25-2 | Moments musicaux, D. 780, Op. 94 / No. 2 in A-Flat Major | — | ||
| 25-3 | Moments musicaux, D. 780, Op. 94 / No. 3 in F Minor | — | ||
| 25-4 | Moments musicaux, D. 780, Op. 94 / No. 4 in C-Sharp Minor | — | ||
| 25-5 | Moments musicaux, D. 780, Op. 94 / No. 5 in F Minor | — | ||
| 25-6 | Moments musicaux, D. 780, Op. 94 / No. 6 in A-Flat Major | — | ||
| 25-7 | Piano Sonata No.15 in C Major, D. 840 / I. Moderato | — | ||
| 25-8 | Piano Sonata No.15 in C Major, D. 840 / II. Andante | — | ||
| 26-1 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-2 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-312.542.566-9 | |
| 26-3 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-312.542.566-9 | |
| 26-4 | Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-5 | Concerto for Piano No. 25 in C major, K. 503: II. Andante | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 26-6 | Concerto for Piano No. 25 in C major, K. 503: III. Allegretto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 27-1 | Piano Concerto No. 9 in E-Flat Major, K. 271 / I. Allegro | — | ||
| 27-2 | Piano Concerto No. 9 in E-Flat Major, K. 271 / II. Andantino | — | ||
| 27-3 | Piano Concerto No. 9 in E-Flat Major, K. 271 / III. Rondeau. Presto | — | ||
| 27-4 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / I. Allegro | — | ||
| 27-5 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / II. Andante | — | ||
| 27-6 | Concerto No. 12 in A Major for Piano and Orchestra, K. 414 / III. Rondeau. Allegretto | — | ||
| 28-1 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Tema. Vivace | — | ||
| 28-2 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 1 Alla Marcia maestoso | — | ||
| 28-3 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 2 Poco allegro | — | ||
| 28-4 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 3 L'istesso tempo | — | ||
| 28-5 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 4 Un poco piu vivace | — | ||
| 28-6 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 5 Allegro vivace | — | ||
| 28-7 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 6 Allegro ma non troppo e serioso | — | ||
| 28-8 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 7 Un poco piu allegro | — | ||
| 28-9 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 8 Piu vivace | — | ||
| 28-10 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 9 Allegro pesante e risoluto | — | ||
| 28-11 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 10 Presto | — | ||
| 28-12 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 11 Allegretto | — | ||
| 28-13 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 12 Un poco piu moto | — | ||
| 28-14 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 13 Vivace | — | ||
| 28-15 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 14 Grave e maestoso | — | ||
| 28-16 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 15 Presto scherzando | — | ||
| 28-17 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 16 Allegro | — | ||
| 28-18 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 17 (without tempo indication) | — | ||
| 28-19 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 18 Poco moderato | — | ||
| 28-20 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 19 Presto | — | ||
| 28-21 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 20 Andante | — | ||
| 28-22 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 21 Allegro con brio | — | ||
| 28-23 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 22 Allegro molto ( alla "Notte e giorno faticar" di Mozart) | — | ||
| 28-24 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 23 Allegro assai | — | ||
| 28-25 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 24 Fughetta. Andante | — | ||
| 28-26 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 25 Allegro | — | ||
| 28-27 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 26 | — | ||
| 28-28 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 27 Vivace | — | ||
| 28-29 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 28 Allegro | — | ||
| 28-30 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 29 Adagio ma non troppo | — | ||
| 28-31 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 30 Andante, sempre cantabile | — | ||
| 28-32 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 31 Largo, molto espressivo | — | ||
| 28-33 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Var. 32 Fuga. Allegro | — | ||
| 28-34 | 33 Variations on a Waltz by Anton Diabelli, Op. 120 / Variation 33 - Tempo di Menuetto moderato | — | ||
| 29-1 | Piano Concerto No. 23 in A Major, K. 488 / I. Allegro | — | ||
| 29-2 | Piano Concerto No. 23 in A Major, K. 488 / II. Adagio | — | ||
| 29-3 | Piano Concerto No. 23 in A Major, K. 488 / III. Allegro assai | — | ||
| 29-4 | Piano Concerto No. 16 in D Major, K. 451 / I. Allegro assai | — | ||
| 29-5 | Piano Concerto No. 16 in D Major, K. 451 / II. Andante | — | ||
| 29-6 | Piano Concerto No. 16 in D Major, K. 451 / III. Allegro di molto | — | ||
| 29-7 | Concert Rondo in D Major for Piano and Orchestra, KV. 382 / Allegretto grazioso | — | ||
| 30-1 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / I. Allegro | — | ||
| 30-2 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / II. Romance | — | ||
| 30-3 | Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 / III. Allegro assai | — | ||
| 30-4 | Piano Concerto No. 11 in F Major, K. 413 / I. Allegro | — | ||
| 30-5 | Piano Concerto No. 11 in F Major, K. 413 / II. Larghetto | — | ||
| 30-6 | Piano Concerto No. 11 in F Major, K. 413 / III. Tempo di Menuetto | — | ||
| 31-1 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / I. Molto allegro con fuoco | — | ||
| 31-2 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / II. Andante | — | ||
| 31-3 | Concerto No. 1 in G minor for Piano and Orchestra, Op. 25 / III. Presto - Molto allegro e vivace | — | ||
| 31-4 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / I. Allegro appassionato | — | ||
| 31-5 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / II. Adagio - Molto sostenuto | — | ||
| 31-6 | Concerto No. 2 in D minor for Piano and Orchestra, Op. 40 / III. Finale. Presto scherzando | — | ||
| 32-1 | Piano Concerto in B-Flat Major, Op. 83 / I. Allegro non troppo | — | ||
| 32-2 | Piano Concerto in B-Flat Major, Op. 83 / II. Allegro appassionato | — | ||
| 32-3 | Piano Concerto in B-Flat Major, Op. 83 / III. Andante | — | ||
| 32-4 | Piano Concerto in B-Flat Major, Op. 83 / IV. Allegretto grazioso | — | ||
| 33-1 | Piano Concerto in F Minor, Op. 114 / I. Allegro Moderato | — | ||
| 33-2 | Piano Concerto in F Minor, Op. 114 / II. Largo con gran espressione | — | ||
| 33-3 | Piano Concerto in F Minor, Op. 114 / III. Allegretto con spirito | — | ||
| 34-1 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / I. Andante | — | ||
| 34-2 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / II. Scherzo. Allegro | — | ||
| 34-3 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / III. Adagio mesto | — | ||
| 34-4 | Trio in E-flat Major for Horn, Violin and Piano, Op. 40 / IV. Finale. Allegro con brio | — | ||
| 34-5 | Auf dem Strom, D. 943, Op. 119 | — | ||
| 35-1 | Liebeslieder, Walzer Op. 52 / Nr 1. Rede, Madchen, allzu liebes | — | ||
| 35-2 | Liebeslieder, Walzer Op. 52 / Nr. 2. Am Gesteine rauscht die Flut | — | ||
| 35-3 | Liebeslieder, Walzer Op. 52 / Nr. 3. O die Frauen (Tenor und Bass) | — | ||
| 35-4 | Liebeslieder, Walzer Op. 52 / Nr. 4. Wie des Abends schone Rote (Sopran und Alt) | — | ||
| 35-5 | Liebeslieder, Walzer Op. 52 / Nr. 5. Die grune Hopfenranke | — | ||
| 35-6 | Liebeslieder, Walzer Op. 52 / Nr. 6. Ein kleiner hubscher Vogel | — | ||
| 35-7 | Liebeslieder, Walzer Op. 52 / Nr. 7. Wohl schon bewandt war es (Soprano oder Alt) | — | ||
| 35-8 | Liebeslieder, Walzer Op. 52 / Nr. 8. Wenn so lind dein Auge mir | — | ||
| 35-9 | Liebeslieder, Walzer Op. 52 / Nr. 9. Am Donaustrande | — | ||
| 35-10 | Liebeslieder, Walzer Op. 52 / Nr. 10. O wie sanft die Quelle | — | ||
| 35-11 | Liebeslieder, Walzer Op. 52 / Nr. 11. Nein, es ist nicht auszukommen | — | ||
| 35-12 | Liebeslieder, Walzer Op. 52 / Nr. 12. Schlosser auf, und mache Schlosser | — | ||
| 35-13 | Liebeslieder, Walzer Op. 52 / Nr. 13. Vogelein durchrauscht die Luft (Spran und Alt) | — | ||
| 35-14 | Liebeslieder, Walzer Op. 52 / Nr. 14. Sieh, wei ist die Welle klar (Tenor und Bass) | — | ||
| 35-15 | Liebeslieder, Walzer Op. 52 / Nr. 15. Nachtigall, sei singt so schon | — | ||
| 35-16 | Liebeslieder, Walzer Op. 52 / Nr. 16. Ein dunkeler Schacht ist Liebe | — | ||
| 35-17 | Liebeslieder, Walzer Op. 52 / Nr. 17. Nicht wandle, mein Licht (Tenor) | — | ||
| 35-18 | Liebeslieder, Walzer Op. 52 / Nr. 18. Es bebet das Gestrauche | — | ||
| 35-19 | Der Hirt auf dem Felsen, D. 965, Op. 129 | — | ||
| 36-1 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 36-2 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | T-928.635.608-9 | |
| 36-3 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 37-1 | Piano Concerto no. 1, BB 91: I. Allegro moderato | — | ||
| 37-2 | Piano Concerto no. 1, BB 91: II. Andante | — | ||
| 37-3 | Piano Concerto no. 1, BB 91: III. Allegro molto | — | ||
| 37-4 | Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace | — | ||
| 37-5 | Piano Concerto no. 4 in B-flat major, op. 53: II. Andante | — | ||
| 37-6 | Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato | — | ||
| 37-7 | Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace | — | ||
| 38-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Rudolf Serkin | — | |
| 38-2 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Rudolf Serkin | — | |
| 38-3 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Rudolf Serkin | — | |
| 38-4 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Rudolf Serkin | T-915.723.669-6 | |
| 38-5 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Rudolf Serkin | T-001.397.158-8 | |
| 38-6 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Rudolf Serkin | — | |
| 38-7 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Rudolf Serkin | — | |
| 38-8 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Rudolf Serkin | — | |
| 38-9 | Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo. Presto | Rudolf Serkin | — | |
| 38-10 | Songs without Words, Op. 62 No 1 in G Major "May Breezes" | — | ||
| 38-11 | Songs without Words, Op. 67 No. 4 "Spinning Song" | — | ||
| 39-1 | Concerto for Piano no. 19 in F major, K. 459: I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | T-909.264.262-1 | |
| 39-2 | Concerto for Piano no. 19 in F major, K. 459: II. Allegretto | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-3 | Concerto for Piano no. 19 in F major, K. 459: III. Allegro assai | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-4 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-5 | Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 39-6 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Rudolf Serkin, Columbia Symphony Orchestra, George Szell | — | |
| 40-1 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / I. Allegro | — | ||
| 40-2 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / II. Largo | — | ||
| 40-3 | Concerto for Piano, Violin, Cello And Orchestra, Op. 56 "Triple Concerto" / III. Rondo alla Polacca | — | ||
| 41-1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | Rudolf Serkin, New York Philharmonic, Leonard Bernstein | — | |
| 41-4 | Choral Fantasy for Piano, Chorus and Orchestra, Op. 80 / I. Adagio | — | ||
| 41-5 | Choral Fantasy for Piano, Chorus and Orchestra, Op. 80 / II. Finale: Allegro; Meno Allegro; Allegretto ma non troppo, quasi Andante con moto | — | ||
| 42-1 | Piano Quintet in F Minor, Op. 34 / I. Allegro non troppo | — | ||
| 42-2 | Piano Quintet in F Minor, Op. 34 / II. Andante un poco adagio | — | ||
| 42-3 | Piano Quintet in F Minor, Op. 34 / III. Scherzo. Allegro | — | ||
| 42-4 | Piano Quintet in F Minor, Op. 34 / IV. Finale. Poco sostenuto | — | ||
| 42-5 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / I. Allegro brillante | — | ||
| 42-6 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / II. In modo d'una marcia | — | ||
| 42-7 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / III. Scherzo. Molto vivace | — | ||
| 42-8 | Quintet in E-Flat Major for Piano and Strings, Op. 44 / IV. Allegro ma non troppo | — | ||
| 43-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - Attacca | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-4 | Konzerstück in G major, op. 92 - Introduction und Allegro appassionato | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 44-1 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / I. Allegro moderato | — | ||
| 44-2 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / II. Andante con moto | — | ||
| 44-3 | Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 / III. Rondo. Vivace | — | ||
| 44-4 | Am Tage Aller Seelen | — | ||
| 44-5 | Israel in Egypt, HWV 54: "Dank sei Dir Herr!" (Arioso) | — | ||
| 45-1 | Piano Concerto No. 4 in G Major, Op. 58 / I. Allegro moderato | — | ||
| 45-2 | Piano Concerto No. 4 in G Major, Op. 58 / II. Andante con moto | — | ||
| 45-3 | Piano Concerto No. 4 in G Major, Op. 58 / III. Rondo. Vivace | — | ||
| 46-1 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / I. Allegro con brio | — | ||
| 46-2 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / II. Largo | — | ||
| 46-3 | Concerto No. 1 in C Major for Piano and Orchestra, Op. 15 / III. Rondo: Allegro scherzando | — | ||
| 46-4 | Eleven Bagatelles, Op. 119 | — | ||
| 47-1 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / I. Allegro con brio | — | ||
| 47-2 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / II. Adagio | — | ||
| 47-3 | Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19 / III. Rondo - Molto allegro | — | ||
| 47-4 | Piano Concerto No. 27 in B-Flat Major, K. 595 / I. Allegro | — | ||
| 47-5 | Piano Concerto No. 27 in B-Flat Major, K. 595 / II. Larghetto | — | ||
| 47-6 | Piano Concerto No. 27 in B-Flat Major, K. 595 / III. Allegro | — | ||
| 48-1 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / I. Allegro | — | ||
| 48-2 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / II. Alla Siciliana | — | ||
| 48-3 | Concerto No. 1 in D Minor for Three Pianos and String Orchestra, BWV 1063 / III. Allegro | — | ||
| 48-4 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / I. Allegro | — | ||
| 48-5 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / II. Adagio | — | ||
| 48-6 | Concerto No. 2 in C Major for Three Pianos and String Orchestra, BWV 1064 / III. Allegro | — | ||
| 48-7 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / I. Allegro | — | ||
| 48-8 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / II. Andante | — | ||
| 48-9 | Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365 / III. Rondo. Allegro | — | ||
| 49-1 | Sonata in A Major for Piano, Op. Posth. (D. 959) / I. Allegro | — | ||
| 49-2 | Sonata in A Major for Piano, Op. Posth. (D. 959) / II. Andantino | — | ||
| 49-3 | Sonata in A Major for Piano, Op. Posth. (D. 959) / III. Scherzo: Allegro vivace - Trio: Un poco più lento | — | ||
| 49-4 | Sonata in A Major for Piano, Op. Posth. (D. 959) / IV. Rondo - Allegretto | — | ||
| 50-1 | Piano Concerto No. 14 in E-Flat Major, K. 449 / I. Allegro vivace | — | ||
| 50-2 | Piano Concerto No. 14 in E-Flat Major, K. 449 / II. Andantino | — | ||
| 50-3 | Piano Concerto No. 14 in E-Flat Major, K. 449 / III. Allegro ma non troppo | — | ||
| 50-4 | Piano Concerto No. 17 in G Major, K. 453 / I. Allegro | — | ||
| 50-5 | Piano Concerto No. 17 in G Major, K. 453 / II. Andante | — | ||
| 50-6 | Piano Concerto No. 17 in G Major, K. 453 / III. Allegretto | — | ||
| 51-1 | Piano Concerto No 1 in D Minor, Op. 15 / I. Maestoso | — | ||
| 51-2 | Piano Concerto No 1 in D Minor, Op. 15 / II. Adagio | — | ||
| 51-3 | Piano Concerto No 1 in D Minor, Op. 15 / III. Rondo. Allegro non troppo | — | ||
| 52-1 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / I. Allegro | — | ||
| 52-2 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / II. Adagio, III. Allegro | — | ||
| 52-3 | Brandenburg Concerto No. 1 in F Major, BWV 1046 / IV. Menuetto - Trio I - Polacca - Trio II | — | ||
| 52-4 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / I. Allegro | — | ||
| 52-5 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / II. Andante | — | ||
| 52-6 | Brandenburg Concerto No. 4 in G Major, BWV 1049 / III. Presto | — | ||
| 52-7 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / I. Allegro | — | ||
| 52-8 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / II. Affettuoso | — | ||
| 52-9 | Brandenburg Concerto No. 5 in D Major, BWV 1050 / III. Allegro | — | ||
| 53-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.446.876-8 | |
| 53-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.446.817-7 | |
| 53-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | Rudolf Serkin, The Cleveland Orchestra, George Szell | T-322.449.900-3 | |
| 53-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 54-1 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / I. Allegro vivace | — | ||
| 54-2 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / II. Andante | — | ||
| 54-3 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / III. Scherzo - Presto - Trio | — | ||
| 54-4 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / IV. Theme & Variations - Andantino | — | ||
| 54-5 | Quintet in A Major for Piano and Strings, D. 667 (Op. 114) "The Trout" / V. Finale - Allegro giusto | — | ||
| 55-1 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: I. Maestoso | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 55-2 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: II. Adagio | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 55-3 | Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: III. Rondo: Allegro non troppo | Rudolf Serkin, The Cleveland Orchestra, George Szell | — | |
| 56-1 | Capriccio Brillante for Piano and Orchestra, Op. 22 | — | ||
| 56-2 | Introduction and Concert Allegro for Piano and Orchestra, Op. 134 | — | ||
| 56-3 | Burleske in D Minor for Piano and Orchestra, Op. 11 | — | ||
| 57-1 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / I. Allegro | — | ||
| 57-2 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / II. Scherzo. Assai vivace | — | ||
| 57-3 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / III. Adagio sostenuto | — | ||
| 57-4 | Piano Sonata No. 29 in B-flat Major, Op. 106 "Hammerklavier" / IV. Largo - Allegro - Allegro risoluto | — | ||
| 58-1 | Sonata No. 28 in A Major for Piano, Op. 101 / I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 58-2 | Sonata No. 28 in A Major for Piano, Op. 101 / II. Lebhaft. March mässig (Vivace alla Marcia) | — | ||
| 58-3 | Sonata No. 28 in A Major for Piano, Op. 101 / III.Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto), Geschwind doch nicht zu sehr und mit Entschlossenheit (Allegro) | — | ||
| 58-4 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / I. Moderato cantabile molto espressivo | — | ||
| 58-5 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / II. Allegro molto | — | ||
| 58-6 | Sonata No. 31 in A-Flat Major for Piano, Op. 110 / III. Adagio ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 59-1 | Piano Concerto No. 12 in A Major, K. 414 / I. Allegro | — | ||
| 59-2 | Piano Concerto No. 12 in A Major, K. 414 / II. Andante | — | ||
| 59-3 | Piano Concerto No. 12 in A Major, K. 414 / III. Rondeau. Allegretto | — | ||
| 59-4 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / I. Allegro | — | ||
| 59-5 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / II. Larghetto | — | ||
| 59-6 | Trio for Piano, Violin and Cello, K. 502 in B-Flat Major / III. Allegretto | — | ||
| 60-1 | Violin Sonata No.9, Op.139 / I. Con passione | — | ||
| 60-2 | Violin Sonata No.9, Op.139 / II. Largo | — | ||
| 60-3 | Violin Sonata No.9, Op.139 / III. Vivace | — | ||
| 60-4 | Violin Sonata No.9, Op.139 / IV. Andantino con variazioni | — | ||
| 60-5 | Cello Sonata No.4, Op. 116 / I. Allegro moderato | — | ||
| 60-6 | Cello Sonata No.4, Op. 116 / II. Presto | — | ||
| 60-7 | Cello Sonata No.4, Op. 116 / III. Largo | — | ||
| 60-8 | Cello Sonata No.4, Op. 116 / IV. Allegretto con grazia | — | ||
| 61-1 | Sonata No. 11 in B-Flat Major, Op. 22 / I. Allegro con brio | — | ||
| 61-2 | Sonata No. 11 in B-Flat Major, Op. 22 / II. Adagio con molta espressione | — | ||
| 61-3 | Sonata No. 11 in B-Flat Major, Op. 22 / III. Menuetto | — | ||
| 61-4 | Sonata No. 11 in B-Flat Major, Op. 22 / IV. Rondo. Allegretto | — | ||
| 61-5 | Fantasie in G Minor, Op. 77 | — | ||
| 61-6 | Sonata No. 24 in F-Sharp Major, Op. 78 / I. Adagio cantabile. Allegro ma non troppo | — | ||
| 61-7 | Sonata No. 24 in F-Sharp Major, Op. 78 / II. Allegro vivace | — | ||
| 62-1 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / I. Molto moderato | — | ||
| 62-2 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / II. Andante sostenuto | — | ||
| 62-3 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / III. Scherzo - Allegro vivace con delicatezza - Trio | — | ||
| 62-4 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / IV. Allegro, ma non troppo | — | ||
| 63-1 | Violin Sonata in E Major, BWV 1016 / I. Adagio | — | ||
| 63-2 | Violin Sonata in E Major, BWV 1016 / II. Allegro | — | ||
| 63-3 | Violin Sonata in E Major, BWV 1016 / III. Adagio ma non tanto | — | ||
| 63-4 | Violin Sonata in E Major, BWV 1016 / IV. Allegro | — | ||
| 63-5 | Violin Sonata No.8, Op.30 No.3 / I. Allegro assai | — | ||
| 63-6 | Violin Sonata No.8, Op.30 No.3 / II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 63-7 | Violin Sonata No.8, Op.30 No.3 / III. Allegro vivace | — | ||
| 63-8 | Violin Sonata No.1, Op.12 No.1 / I. Allegro con brio | — | ||
| 63-9 | Violin Sonata No.1, Op.12 No.1 / II. Andante con moto (Tema con variazioni) | — | ||
| 63-10 | Violin Sonata No.1, Op.12 No.1 / III. Rondo. Allegro | — | ||
| 64-1 | Violin Sonata No.1 in A Minor, Op.105 / I. Mit leidenschaftlichem Ausdruck | — | ||
| 64-2 | Violin Sonata No.1 in A Minor, Op.105 / II. Allegretto | — | ||
| 64-3 | Violin Sonata No.1 in A Minor, Op.105 / III. Lebhaft | — | ||
| 64-4 | Violin Sonata No.2 in D Minor, Op.121 / I. Ziemlich langsam, kurz und energisch | — | ||
| 64-5 | Violin Sonata No.2 in D Minor, Op.121 / II. Sehr lebhaft | — | ||
| 64-6 | Violin Sonata No.2 in D Minor, Op.121 / III. Leise, einfach | — | ||
| 64-7 | Violin Sonata No.2 in D Minor, Op.121 / IV. Bewegt | — | ||
| 64-8 | Violin Sonata No.10 in G Major, Op.96 / I. Allegro moderato | — | ||
| 64-9 | Violin Sonata No.10 in G Major, Op.96 / II. Adagio espressivo | — | ||
| 64-10 | Violin Sonata No.10 in G Major, Op.96 / III. Scherzo. Allegro | — | ||
| 64-11 | Violin Sonata No.10 in G Major, Op.96 / IV. Poco allegretto - Adagio espressivo - Allegro | — | ||
| 65-1 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / I. Allegro | — | ||
| 65-2 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / II. Adagio e cantabile | — | ||
| 65-3 | Sonata in E-Flat Major, Hob. XVI:49, Op.69 / III. Finale - Tempo di Menuet | — | ||
| 65-4 | Rondo in A Minor for Piano, K. 511 | — | ||
| 65-5 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Rudolf Serkin | — | |
| 65-6 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Rudolf Serkin | — | |
| 65-7 | Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Rudolf Serkin | — | |
| 66-1 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / I. Molto moderato | — | ||
| 66-2 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / II. Andante sostenuto | — | ||
| 66-3 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / III. Scherzo - Allegro vivace con delicatezza - Trio | — | ||
| 66-4 | Piano Sonata in B-Flat Major, D.960 (Op.posth.) / IV. Allegro, ma non troppo | — | ||
| 67-1 | Variations and Fugue on a Theme by Handel, Op. 24 / Aria | — | ||
| 67-2 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. I. Piu Vivo | — | ||
| 67-3 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. II | — | ||
| 67-4 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. III | — | ||
| 67-5 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. IV | — | ||
| 67-6 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. V | — | ||
| 67-7 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VI | — | ||
| 67-8 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VII | — | ||
| 67-9 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. VIII | — | ||
| 67-10 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. IX | — | ||
| 67-11 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. X. Allegro | — | ||
| 67-12 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XI. Moderato | — | ||
| 67-13 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XII. L'istesso tempo | — | ||
| 67-14 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIII. Largamente, ma non troppo | — | ||
| 67-15 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIV | — | ||
| 67-16 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XV | — | ||
| 67-17 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVI | — | ||
| 67-18 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVII | — | ||
| 67-19 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XVIII | — | ||
| 67-20 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XIX | — | ||
| 67-21 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XX. Andante | — | ||
| 67-22 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXI. Vivace | — | ||
| 67-23 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXII. Alla Musette | — | ||
| 67-24 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXIII. Vivace | — | ||
| 67-25 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXIV | — | ||
| 67-26 | Variations and Fugue on a Theme by Handel, Op. 24 / Var. XXV | — | ||
| 67-27 | Variations and Fugue on a Theme by Handel, Op. 24 / Fuga. Moderato | — | ||
| 67-28 | Intermezzo in B Minor, Op. 119, No. 1 | — | ||
| 67-29 | Intermezzo in E Minor, Op. 119, No. 2 | — | ||
| 67-30 | Intermezzo in C Major, Op. 119, No. 3 | — | ||
| 67-31 | Rhapsody in E-Flat Major, Op. 119, No. 4 | — | ||
| 68-1 | 4 Impromptus, D.935, Op. 142 / Impromptu No. 1 in F Minor | — | ||
| 68-2 | 4 Impromptus, D.935, Op. 142 / Impromtu No. 2 in A-Flat Major | — | ||
| 68-3 | 4 Impromptus, D.935, Op. 142 / Impromptu No. in 3 B-Flat Major | — | ||
| 68-4 | 4 Impromptus, D.935, Op. 142 / Impromptu No. 4 in F Minor | — | ||
| 69-1 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Thema: Andante (quasi adagio) | — | ||
| 69-2 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation I: Andante (quasi adagio) | — | ||
| 69-3 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation II: (Sempre espressivo ed assai legato) | — | ||
| 69-4 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation III: Grave assai | — | ||
| 69-5 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation IV: Vivace | — | ||
| 69-6 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation V: Vivace | — | ||
| 69-7 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VI: Allegro moderato | — | ||
| 69-8 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VII: Adagio | — | ||
| 69-9 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation VIII: Vivace | — | ||
| 69-10 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation IX: Grave e sempre molto espressivo | — | ||
| 69-11 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation X: Poco vivace | — | ||
| 69-12 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XI: Allegro agitato | — | ||
| 69-13 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XII: Andante sostenuto | — | ||
| 69-14 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XIII: Vivace | — | ||
| 69-15 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Variation XIV: Con moto | — | ||
| 69-16 | Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904) / Fuge: Sostenuto | — | ||
| 69-17 | Sonata for Piano in C Major, HOB. XVI:50 / I. Allegro | — | ||
| 69-18 | Sonata for Piano in C Major, HOB. XVI:50 / II. Adagio | — | ||
| 69-19 | Sonata for Piano in C Major, HOB. XVI:50 / III. Allegro molto | — | ||
| 69-20 | 14 Canons, BWV 1087 / Thema (Aria from The Goldberg Variations) | — | ||
| 69-21 | 14 Canons, BWV 1087 / Canon I | — | ||
| 69-22 | 14 Canons, BWV 1087 / Canon II | — | ||
| 69-23 | 14 Canons, BWV 1087 / Canon III | — | ||
| 69-24 | 14 Canons, BWV 1087 / Canon IV | — | ||
| 69-25 | 14 Canons, BWV 1087 / Canon V | — | ||
| 69-26 | 14 Canons, BWV 1087 / Canon VI | — | ||
| 69-27 | 14 Canons, BWV 1087 / Canon VII | — | ||
| 69-28 | 14 Canons, BWV 1087 / Canon VIII | — | ||
| 69-29 | 14 Canons, BWV 1087 / Canon IX | — | ||
| 69-30 | 14 Canons, BWV 1087 / Canon X | — | ||
| 69-31 | 14 Canons, BWV 1087 / Canon XI | — | ||
| 69-32 | 14 Canons, BWV 1087 / Canon XII | — | ||
| 69-33 | 14 Canons, BWV 1087 / Canon XIII | — | ||
| 69-34 | 14 Canons, BWV 1087 / Canon XIV | — | ||
| 69-35 | 14 Canons, BWV 1087 / Thema da capo (Aria from The Goldberg Variations) | — | ||
| 70-1 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / I. Allegro con brio | — | ||
| 70-2 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / II. Adagio | — | ||
| 70-3 | Trio for Piano, Clarinet and Cello in B-Flat Major, Op. 11 / III. Tema "Pria ch'io l'impegno" | — | ||
| 70-4 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / I. Grave - Allegro ma non troppo | — | ||
| 70-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / II. Andante cantabile | — | ||
| 70-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-Flat Major, Op. 16 / III. Rondo - Allegro ma non troppo | — | ||
| 70-7 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Introduzione. Adagio assai; | — | ||
| 70-8 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Tema | — | ||
| 70-9 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation I | — | ||
| 70-10 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation II | — | ||
| 70-11 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation III | — | ||
| 70-12 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation IV | — | ||
| 70-13 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation V | — | ||
| 70-14 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VI | — | ||
| 70-15 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VII | — | ||
| 70-16 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation VIII | — | ||
| 70-17 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation IX | — | ||
| 70-18 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Variation X | — | ||
| 70-19 | Variations On Wenzel Muller's Lied "Ich Bin Der Schneider Kakadu" For Piano, Violin, & Cello in G Major, Op. 121a / Allegretto | — | ||
| 71-1 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / I. Allegro | — | ||
| 71-2 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / II. Adagio | — | ||
| 71-3 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / III. Menuetto. Allegretto | — | ||
| 71-4 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1 / IV. Prestissimo | — | ||
| 71-5 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / I. Allegro | — | ||
| 71-6 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / II. Allegretto | — | ||
| 71-7 | Piano Sonata No. 6 in F Major, Op. 10, No. 2 / III. Presto | — | ||
| 71-8 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / I. Andante con Variazoni | — | ||
| 71-9 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / II. Scherzo. Allegro molto | — | ||
| 71-10 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / III. Marcia funebre sulla morte d'un Eroe | — | ||
| 71-11 | Piano Sonata No. 12 in A-Flat Major, Op. 26 / IV. Allegro | — | ||
| 72-1 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / I. Andante - Allegro - Tempo I - attacca: | — | ||
| 72-2 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / II. Allegro molto e vivace - attacca: | — | ||
| 72-3 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / III. Adagio con espressione - attacca: | — | ||
| 72-4 | Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 "Sonata quasi una fantasia" / IV. Allegro vivace | — | ||
| 72-5 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / I. Allegro vivace | — | ||
| 72-6 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / II. Adagio grazioso | — | ||
| 72-7 | Piano Sonata No. 16 in G Major, Op. 31, No. 1 / III. Rondo. Allegretto | — | ||
| 72-8 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / I. Allegro con brio | — | ||
| 72-9 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / II. Introduzione. Adagio molto | — | ||
| 72-10 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein Sonata" / III. Rondo. Allegretto moderato | — | ||
| 73-1 | Piano Sonata No. 30 in E Major, Op. 109 / I. Vivace, ma non troppo | — | ||
| 73-2 | Piano Sonata No. 30 in E Major, Op. 109 / II. Prestissimo | — | ||
| 73-3 | Piano Sonata No. 30 in E Major, Op. 109 / III. Gesangvoll, mit innigser Empfindung. Andante molto cantabile ed espressivo | — | ||
| 73-4 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / I. Moderato cantabile molto espressivo | — | ||
| 73-5 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / II. Allegro molto | — | ||
| 73-6 | Piano Sonata No. 31 in A-Flat Major, Op. 110 / III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | — | ||
| 73-7 | Piano Sonata No. 32 in C Minor, Op. 111 / I. Maestoso - Allegro con brio ed appassionato | — | ||
| 73-8 | Piano Sonata No. 32 in C Minor, Op. 111 / II. Arietta. Adagio molto semplice e cantabile | — | ||
| 74-1 | Piano Concerto No. 4 in G Major, Op. 58 / I. Allegro moderato | — | ||
| 74-2 | Piano Concerto No. 4 in G Major, Op. 58 / II. Andante con moto | — | ||
| 74-3 | Piano Concerto No. 4 in G Major, Op. 58 / III. Rondo - Vivace | — | ||
| 74-4 | Choral Fantasy in C Minor for Piano, Chorus & Orchestra, Op. 80 (1808) | — | ||
| 75-1 | 24 Préludes, Op. 28 / No. 1 in C Major. Agitato | — | ||
| 75-2 | 24 Préludes, Op. 28 / No. 2 in A Minor. Lento | — | ||
| 75-3 | 24 Préludes, Op. 28 / No. 3 in G Major. Vivace | — | ||
| 75-4 | 24 Préludes, Op. 28 / No. 4 in E Minor, Largo | — | ||
| 75-5 | 24 Préludes, Op. 28 / No. 5 in D Major. Allegro molto | — | ||
| 75-6 | 24 Préludes, Op. 28 / No. 6 in B Minor. Lento assai | — | ||
| 75-7 | 24 Préludes, Op. 28 / No. 7 in A Major, Andantino | — | ||
| 75-8 | 24 Préludes, Op. 28 / No. 8 in F-Sharp Minor. Molto agitato | — | ||
| 75-9 | 24 Préludes, Op. 28 / No. 9 in E Major. Largo | — | ||
| 75-10 | 24 Préludes, Op. 28 / No. 10 in C-Sharp Minor. Allegro molto | — | ||
| 75-11 | 24 Préludes, Op. 28 / No. 11 in B Major. Vivace | — | ||
| 75-12 | 24 Préludes, Op. 28 / No. 12 in G-Sharp Minor. Presto | — | ||
| 75-13 | 24 Préludes, Op. 28 / No. 13 in F-Sharp Major. Lento | — | ||
| 75-14 | 24 Préludes, Op. 28 / No. 14 in E-Flat Minor. Allegro | — | ||
| 75-15 | 24 Préludes, Op. 28 / No. 15 in D-Flat Major. Sostenuto | — | ||
| 75-16 | 24 Préludes, Op. 28 / No. 16 in B-Flat Minor. Presto con fuoco | — | ||
| 75-17 | 24 Préludes, Op. 28 / No. 17 in A-Flat Major. Allegretto | — | ||
| 75-18 | 24 Préludes, Op. 28 / No. 18 in F Minor. Allegro molto | — | ||
| 75-19 | 24 Préludes, Op. 28 / No. 19 in E-Flat Major. Vivace | — | ||
| 75-20 | 24 Préludes, Op. 28 / No. 20 in C Minor, Largo | — | ||
| 75-21 | 24 Préludes, Op. 28 / No. 21 in B-Flat Major. Cantabile | — | ||
| 75-22 | 24 Préludes, Op. 28 / No. 22 in G Minor. Molto agitato | — | ||
| 75-23 | 24 Préludes, Op. 28 / No. 23 in F Major. Moderato | — | ||
| 75-24 | 24 Préludes, Op. 28 / No. 24 in D Minor. Allegro appassionato | — | ||
| 75-25 | Prelude and Fugue, Op. 35, No. 1 / Prelude | — | ||
| 75-26 | Prelude and Fugue, Op. 35, No. 1 / Fugue | — |
