UPC · Release
Olli Mustonen: The RCA Recordings
Beethoven, Bach, Shostakovich, Olli Mustonen
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889854655723 is the Universal Product Code (UPC barcode) for the release “Olli Mustonen: The RCA Recordings” by Beethoven, Bach, Shostakovich, Olli Mustonen. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata No. 30 in E Major, Op. 109: I. Vivace, ma non troppo | — | ||
| 2 | Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo | — | ||
| 3 | Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | — | ||
| 4 | Variations on Folksongs, Op. 107: No. 1, I bin a Tiroler Bua (Air tirolien) | — | ||
| 5 | Variations on Folksongs, Op. 107: No. 2, Bonny Laddie, Highland Laddie (Air écossais) | — | ||
| 6 | Variations on Folksongs, Op. 107: No. 3, Volkslied aus Kleinrußland (Air de la petite Russie) | — | ||
| 7 | Variations on Folksongs, Op. 107: No. 4, St. Patricks's Day (Air écossais) | — | ||
| 8 | Variations on Folksongs, Op. 107: No. 5, A Madel, ja a Madel (Air tirolien) | — | ||
| 9 | Variations on Folksongs, Op. 107: No. 6, Peggy's Daughter (Air écossais) | — | ||
| 10 | Variations on Folksongs, Op. 107: No. 7, Schöne Minka (Air russe) | — | ||
| 11 | Variations on Folksongs, Op. 107: No. 8, O Mary, at the Window Be (Air écossais) | — | ||
| 12 | Variations on Folksongs, Op. 107: No. 9, Oh, Thou Are the Lad of My Heart (Air écossais) | — | ||
| 13 | Variations on Folksongs, Op. 107: No. 10, The Highland Watch (Air écossais) | — | ||
| 2-1 | Diabelli Variations: Theme | — | ||
| 2-2 | Diabelli Variations: Variation 1: Alla marcia maestoso | — | ||
| 2-3 | Diabelli Variations: Variation 2: Poco allegro | — | ||
| 2-4 | Diabelli Variations: Variation 3: L'istesso tempo | — | ||
| 2-5 | Diabelli Variations: Variation 4: Un poco più vivace | — | ||
| 2-6 | Diabelli Variations: Variation 5: Allegro vivace | — | ||
| 2-7 | Diabelli Variations: Variation 6: Allegro ma non troppo e serioso | — | ||
| 2-8 | Diabelli Variations: Variation 7: Un poco più allegro | — | ||
| 2-9 | Diabelli Variations: Variation 8: Poco vivace | — | ||
| 2-10 | Diabelli Variations: Variation 9: Allegro pesante e risoluto | — | ||
| 2-11 | Diabelli Variations: Variation 10: Presto | — | ||
| 2-12 | Diabelli Variations: Variation 11: Allegretto | — | ||
| 2-13 | Diabelli Variations: Variation 12: Un poco più moto | — | ||
| 2-14 | Diabelli Variations: Variation 13: Vivace | — | ||
| 2-15 | Diabelli Variations: Variation 14: Grave e maestoso | — | ||
| 2-16 | Diabelli Variations: Variation 15: Presto scherzando | — | ||
| 2-17 | Diabelli Variations: Variation 16: Allegro | — | ||
| 2-18 | Diabelli Variations: Variation 17: Allegro | — | ||
| 2-19 | Diabelli Variations: Variation 18: Poco moderato | — | ||
| 2-20 | Diabelli Variations: Variation 19: Presto | — | ||
| 2-21 | Diabelli Variations: Variation 20: Andante | — | ||
| 2-22 | Diabelli Variations: Variation 21: Allegro con brio - meno allegro | — | ||
| 2-23 | Diabelli Variations: Variation 22: Allegro molto (alla "Notte e giorno faticar" di Mozart) | — | ||
| 2-24 | Diabelli Variations: Variation 23: Allegro assai | — | ||
| 2-25 | Diabelli Variations: Variation 24: Fughetta (Andante) | — | ||
| 2-26 | Diabelli Variations: Variation 25: Allegro | — | ||
| 2-27 | Diabelli Variations: Variation 26: (Piacevole) | — | ||
| 2-28 | Diabelli Variations: Variation 27: Vivace | — | ||
| 2-29 | Diabelli Variations: Variation 28: Allegro | — | ||
| 2-30 | Diabelli Variations: Variation 29: Adagio ma non troppo | — | ||
| 2-31 | Diabelli Variations: Variation 30: Andante, sempre cantabile | — | ||
| 2-32 | Diabelli Variations: Variation 31: Largo, molto espressivo | — | ||
| 2-33 | Diabelli Variations: Variation 32: Fuga: Allegro | — | ||
| 2-34 | Diabelli Variations: Variation 33: Tempo di minuetto Moderato | — | ||
| 2-35 | String Quintet in C major, WoO 62 (fragment) Piano version, Hess 41 | — | ||
| 2-36 | Allegretto for Piano in C Minor, Woo 53 | — | ||
| 2-37 | Bagatelle for Piano in C Minor, Woo 52 | — | ||
| 2-38 | Allegretto for piano in C minor, Hess 69 | — | ||
| 2-39 | Piece for piano in C major C minor (Lustig - traurig), WoO 54 | — | ||
| 3-1 | Prelude No. 1 in C Major, BWV 846 | — | ||
| 3-2 | Fugue No. 1 in C Major, BWV 846 | — | ||
| 3-3 | Prelude No. 20 in C Minor, Op. 87, No. 20 | — | ||
| 3-4 | Fugue No. 20 in C Minor, Op. 87, No. 20 | — | ||
| 3-5 | Prelude No. 15 in D-Flat Major, Op, 87, No. 15 | — | ||
| 3-6 | Fugue No. 15 in D-Flat Major, Op. 87, No. 15 | — | ||
| 3-7 | Prelude No. 10 in C-Sharp Minor, Op. 87, No. 10 | — | ||
| 3-8 | Fugue No. 10 in C-Sharp Minor, Op. 87, No. 10 | — | ||
| 3-9 | Prelude No. 5 in D Major, BWV 850 | — | ||
| 3-10 | Fugue No. 5 in D Major, BWV 850 | — | ||
| 3-11 | Prelude No. 6 in D Minor, BWV 851 | — | ||
| 3-12 | Fugue No. 6 in D Minor, BWV 851 | — | ||
| 3-13 | Prelude No. 7 in E-Flat Major, BWV 852 | — | ||
| 3-14 | Fugue No. 7 in E-Flat Major, BWV 852 | — | ||
| 3-15 | Prelude No. 14 in E-Flat Minor, Op. 87, No. 14 | — | ||
| 3-16 | Fugue No. 14 in E-Flat Minor, Op. 87, No. 14 | — | ||
| 3-17 | Prelude No. 9 in E Major, Op, 87, No. 9 | — | ||
| 3-18 | Fugue No. 9 in E Major, Op. 87, No. 9 | — | ||
| 3-19 | Prelude No. 4 in E Minor, Op. 87, No. 4 | — | ||
| 3-20 | Fugue No. 4 in E Minor, Op. 87, No. 4 | — | ||
| 3-21 | Prelude No. 11 in F Major, BWV 856 | — | ||
| 3-22 | Fugue No. 11 in F Major, BWV 856 | — | ||
| 3-23 | Prelude No. 12 in F Minor, BWV 857 | — | ||
| 3-24 | Fugue No. 12 in F Minor, BWV 857 | — | ||
| 4-1 | Prelude No. 13 in F-Sharp Major, BWV 858 | — | ||
| 4-2 | Fugue No. 13 in F-Sharp Major, BWV 858 | — | ||
| 4-3 | Prelude No. 8 in F-Sharp Minor, Op. 87, No. 8 | — | ||
| 4-4 | Fugue No. 8 in F-Sharp Minor, Op. 87, No. 8 | — | ||
| 4-5 | Prelude No. 3 in G Major, Op. 87, No. 3 | — | ||
| 4-6 | Fugue No. 3 in G Major, Op. 87, No. 3 | — | ||
| 4-7 | Prelude No. 22 in G Minor, Op. 87, No. 22 | — | ||
| 4-8 | Fugue No. 22 in G Minor, Op. 87, No. 22 | — | ||
| 4-9 | Prelude No. 17 in A-Flat Major, BWV 862 | — | ||
| 4-10 | Fugue No. 17 in A-Flat Major, BWV 862 | — | ||
| 4-11 | Prelude No. 18 in G-Sharp Minor, BWV 863 | — | ||
| 4-12 | Fugue No. 18 in G-Sharp Minor, BWV 863 | — | ||
| 4-13 | Prelude No. 19 in A Major, BWV 864 | — | ||
| 4-14 | Fugue No. 19 in A Major, BWV 864 | — | ||
| 4-15 | Prelude No. 2 in A Minor, Op. 87, No. 2 | — | ||
| 4-16 | Fugue No. 2 in A Minor, Op. 87, No. 2 | — | ||
| 4-17 | Prelude No. 21 in B-Flat Major, Op. 87, No. 21 | — | ||
| 4-18 | Fugue No. 21 in B-Flat Major, Op. 87, No. 21 | — | ||
| 4-19 | Prelude No. 16 in B-Flat Minor, Op. 87, No. 16 | — | ||
| 4-20 | Fugue No. 16 in B-Flat Minor, Op. 87, No. 16 | — | ||
| 4-21 | Prelude No. 23 in B Major, BWV 868 | — | ||
| 4-22 | Fugue No. 23 in B Major, BWV 868 | — | ||
| 4-23 | Prelude No. 24 in B Minor, BWV 869 | — | ||
| 4-24 | Fugue No. 24 in B Minor, BWV 869 | — |
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Musical Works (ISWC)
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What is UPC 889854655723?
889854655723 is a Universal Product Code (UPC) assigned to Olli Mustonen: The RCA Recordings by Beethoven, Bach, Shostakovich, Olli Mustonen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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