UPC · Release
Various Artists
Last verified:
889854843120 is the Universal Product Code (UPC barcode) for the release “Jazz von A–Z: Die Michael Naura Jazzanthologie” by Various Artists, released 2017-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 360 tracks, each with its own ISRC. Tracks include USSM10009136, GB03A1600172, USBB19900322.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Louis Armstrong | — | ||
| 2 | I Got Rhythm | — | ||
| 3 | Dave Brubeck | — | ||
| 4 | Brandenburg Gate | — | ||
| 5 | John Coltrane | — | ||
| 6 | Ah-Leu-Cha | — | ||
| 7 | Miles Davis | — | ||
| 8 | Milestones | — | ||
| 9 | Duke Ellington | — | ||
| 10 | The Mooche | Duke Ellington and His Orchestra | T-071.066.536-3 | |
| 11 | Ella Fitzgerald | — | ||
| 12 | Lemon Drop | — | ||
| 2-1 | Stan Getz | — | ||
| 2-2 | Lush Life | — | ||
| 2-3 | Lionel Hampton | — | ||
| 2-4 | Toledo Blade | — | ||
| 2-5 | Abdullah Ibrahim | — | ||
| 2-6 | Next Stop Soweto | — | ||
| 2-7 | Keith Jarrett | — | ||
| 2-8 | There Is A Road (God's River) | — | ||
| 2-9 | Stan Kenton | — | ||
| 2-10 | Yesterdays | — | ||
| 2-11 | John Lewis | — | ||
| 2-12 | Django | — | ||
| 3-1 | Thelonius Monk | — | ||
| 3-2 | Hackensack | — | ||
| 3-3 | Oliver Nelson | — | ||
| 3-4 | 125th & 7th Avenue | Oliver Nelson | — | |
| 3-5 | Anita O'Day | — | ||
| 3-6 | Thanks For The Boogie Ride | — | ||
| 3-7 | Charlie Parker | — | ||
| 3-8 | Dewey Square | — | ||
| 3-9 | Django Reinhardt | — | ||
| 3-10 | Djangology | — | ||
| 3-11 | Sonny Rollins | — | ||
| 3-12 | God Bless the Child | Sonny Rollins | T-070.234.259-3 | |
| 3-13 | Bessie Smith | — | ||
| 3-14 | Nobody Knows You When You're Down And Out | — | ||
| 4-1 | Art Tatum | — | ||
| 4-2 | Tea for Two | Art Tatum | T-070.178.141-0 | |
| 4-3 | United Jazz + Rock Ensemble | — | ||
| 4-4 | Hey Day | United Jazz + Rock Ensemble | T-010.055.764-9 | |
| 4-5 | Vienna Art Orchestra | — | ||
| 4-6 | They Can't Take That Away From Me | — | ||
| 4-7 | Fats Waller | — | ||
| 4-8 | Two Sleepy People | — | ||
| 4-9 | John McLaughlin | — | ||
| 4-10 | Face To Face | — | ||
| 4-11 | Lester Young | — | ||
| 4-12 | She's Funny That Way | — | ||
| 4-13 | Joe Zawinul | — | ||
| 4-14 | Cannon Ball | Weather Report | T-070.237.721-6 | |
| 5-1 | St. Louis Blues | Louis Armstrong | T-802.458.253-5 | |
| 5-2 | Yellow Dog Blues | Louis Armstrong | — | |
| 5-3 | Loveless Love | Louis Armstrong | — | |
| 5-4 | Aunt Hagar’s Blues | Louis Armstrong | — | |
| 5-5 | Long Gone (From the Bowlin’ Green) | Louis Armstrong | T-914.726.479-7 | |
| 5-6 | The Memphis Blues (or Mister Crump) | Louis Armstrong | — | |
| 5-7 | Beale Street Blues | Louis Armstrong | T-801.402.890-2 | |
| 5-8 | Ole Miss Blues | Louis Armstrong | T-318.708.649-9 | |
| 5-9 | Chantez les bas (Sing ’Em Low) | Louis Armstrong | T-070.024.423-0 | |
| 5-10 | Hesitating Blues | Louis Armstrong | — | |
| 5-11 | Atlanta Blues (Make Me One Pallet on Your Floor) | Louis Armstrong | — | |
| 5-12 | George Avakian’s Interview With W.C. Handy | Louis Armstrong | — | |
| 5-13 | Loveless Love (rehearsal sequence) | Louis Armstrong | — | |
| 5-14 | Hesitating Blues (rehearsal sequence) | Louis Armstrong | — | |
| 5-15 | Alligator Story | Louis Armstrong | — | |
| 5-16 | Long Gone (From the Bowlin’ Green) (rehearsal sequence) | Louis Armstrong | — | |
| 6-1 | Blue Rondo à la Turk | The Dave Brubeck Quartet | T-700.004.033-7 | |
| 6-2 | Strange Meadow Lark | The Dave Brubeck Quartet | T-010.171.019-3 | |
| 6-3 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 6-4 | Three to Get Ready | The Dave Brubeck Quartet | T-700.004.074-6 | |
| 6-5 | Kathy’s Waltz | The Dave Brubeck Quartet | — | |
| 6-6 | Everybody’s Jumpin’ | The Dave Brubeck Quartet | — | |
| 6-7 | Pick Up Sticks | The Dave Brubeck Quartet | — | |
| 7-1 | Ah‐Leu‐Cha | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-010.320.310-6 | |
| 7-2 | Straight, No Chaser | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-700.067.566-3 | |
| 7-3 | Fran-Dance (Put Your Little Foot Right Out) | Miles Davis Sextet | T-073.092.745-3 | |
| 7-4 | Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — | |
| 7-5 | Bye Bye Blackbird | Miles Davis Sextet | T-070.013.021-7 | |
| 7-6 | Little Melonae | Miles Davis Quintet | — | |
| 7-7 | Budo | Miles Davis Quintet | T-070.880.948-6 | |
| 8-1 | Concierto de Aranjuez (adagio) | Miles Davis | — | |
| 8-2 | Will O’ the Wisp | Miles Davis | — | |
| 8-3 | The Pan Piper | Miles Davis | — | |
| 8-4 | Saeta | Miles Davis | T-070.940.107-9 | |
| 8-5 | Solea | Miles Davis | T-070.243.742-0 | |
| 8-6 | Song of Our Country | Miles Davis | — | |
| 8-7 | Concierto de Aranjuez (adagio) (part one, alternate take) | Miles Davis | T-041.489.061-1 | |
| 8-8 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 | |
| 9-1 | Skin Deep | Duke Ellington and His Orchestra | — | |
| 9-2 | The Mooche | Duke Ellington and His Orchestra | T-071.066.536-3 | |
| 9-3 | Take the “A” Train | Duke Ellington and His Orchestra | T-070.177.920-5 | |
| 9-4 | A Tone Parallel to Harlem (The Harlem Suite) | Duke Ellington & His Orchestra | — | |
| 9-5 | Perdido | Duke Ellington and His Orchestra | T-072.279.636-2 | |
| 9-6 | The Controversial Suite, Part 1: Before My Time | Duke Ellington & His Orchestra | — | |
| 9-7 | The Controversial Suite | Later (from ''Hi-Fi Ellington Uptown'' - 1956) | — | ||
| 9-8 | The Liberian Suite | I Like The Sunrise (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-9 | The Liberian Suite | Dance No. 1 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-10 | The Liberian Suite | Dance No. 2 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-11 | The Liberian Suite | Dance No. 3 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-12 | The Liberian Suite | Dance No. 4 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-13 | The Liberian Suite | Dance No. 5 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 10-1 | I’ve Gotta Be Me | — | ||
| 10-2 | Good Morning Heartache | — | ||
| 10-3 | Miss Otis Regrets (She’s Unable to Lunch Today) | — | ||
| 10-4 | Don’t Worry ’Bout Me / These Foolish Things (Remind Me of You) | — | ||
| 10-5 | Any Old Blues | Ella Fitzgerald | — | |
| 10-6 | A‐Tisket, A‐Tasket | — | ||
| 10-7 | Indian Summer | — | ||
| 10-8 | Smooth Sailing | Ella Fitzgerald | T-070.243.703-3 | |
| 10-9 | You Turned the Tables on Me | — | ||
| 10-10 | Nice Work If You Can Get It | — | ||
| 10-11 | I’ve Got a Crush on You | — | ||
| 10-12 | I Can’t Get Started / The Young Man With the Horn / ’Round Midnigh | — | ||
| 10-13 | Star Dust | — | ||
| 10-14 | “C” Jam Blues | — | ||
| 10-15 | Taking a Chance on Love / I’m in the Mood for Love | — | ||
| 10-16 | Lemon Drop | — | ||
| 10-17 | Some of These Days | — | ||
| 10-18 | People | — | ||
| 11-1 | La fiesta | — | ||
| 11-2 | Five Hundred Miles High | — | ||
| 11-3 | Captain Marvel | — | ||
| 11-4 | Times Lie | — | ||
| 11-5 | Lush Life | — | ||
| 11-6 | Day Waves | — | ||
| 11-7 | Crystal Silence | — | ||
| 12-1 | I've Got a Brand New Baby | — | ||
| 12-2 | Bop City Flamenco | — | ||
| 12-3 | Lovely Night in Spain | — | ||
| 12-4 | Spain | — | ||
| 12-5 | The Bullfighter From Madrid | — | ||
| 12-6 | Hamp's Jazz Flamenco | — | ||
| 12-7 | Tenderly | — | ||
| 12-8 | Hot Club of Madrid Serenade | — | ||
| 12-9 | Toledo Blade | — | ||
| 12-10 | Flamenco Soul | — | ||
| 13-1 | Next Stop Soweto | — | ||
| 13-2 | Tshona | — | ||
| 13-3 | Black and Brown Cherries | — | ||
| 13-4 | Tegeni | — | ||
| 13-5 | Msunduza | — | ||
| 13-6 | Mafutha | — | ||
| 14-1 | Vision | — | ||
| 14-2 | Common Mama | — | ||
| 14-3 | The Magician in You | — | ||
| 14-4 | Roussillon | — | ||
| 14-5 | Expectations | — | ||
| 14-6 | Take Me Back | — | ||
| 14-7 | The Circular Letter (For J.K.) | — | ||
| 14-8 | Nomads | — | ||
| 14-9 | Sundance | — | ||
| 14-10 | Bring Back the Time When (If) | — | ||
| 14-11 | There Is a Road (God's River) | — | ||
| 15-1 | Spirals | — | ||
| 15-2 | Ennui | — | ||
| 15-3 | In Veradero | — | ||
| 15-4 | Shelly Manne | — | ||
| 15-5 | Conté Candoli | — | ||
| 15-6 | Art Pepper | — | ||
| 15-7 | Improvisation | — | ||
| 15-8 | Love for Sale | — | ||
| 15-9 | Bob Cooper | — | ||
| 15-10 | Reflections | — | ||
| 16-1 | Milano | — | ||
| 16-2 | Django | — | ||
| 16-3 | Afternoon in Paris | — | ||
| 16-4 | I Didn't know What Time It Was | — | ||
| 16-5 | Plastic Dreams | — | ||
| 16-6 | Romance | — | ||
| 16-7 | Confirmation | — | ||
| 16-8 | 2° East 3° West | — | ||
| 16-9 | 'Round Midnight | — | ||
| 16-10 | Kilostone | — | ||
| 17-1 | Monk’s Dream | Thelonious Monk Quartet | T-700.044.713-4 | |
| 17-2 | Body and Soul | The Thelonious Monk Quartet | T-070.012.014-4 | |
| 17-3 | Bright Mississippi | The Thelonious Monk Quartet | T-070.235.450-4 | |
| 17-4 | Five Spot Blues | The Thelonious Monk Quartet | T-700.003.038-8 | |
| 17-5 | Ba‐lue Bolivar Ba‐lues‐Are | The Thelonious Monk Quartet | T-700.001.048-2 | |
| 17-6 | Just a Gigolo | Thelonious Monk | T-070.088.858-9 | |
| 17-7 | Bye‐Ya | Thelonious Monk Quartet | T-906.252.866-9 | |
| 17-8 | Sweet and Lovely | The Thelonious Monk Quartet | T-070.138.671-1 | |
| 17-9 | Monk’s Dream (take 3) | Thelonious Monk Quartet | T-700.044.713-4 | |
| 17-11 | Bright Mississippi (take 3) | Thelonious Monk Quartet | T-070.235.450-4 | |
| 17-12 | Blue Bolivar Blues (take 1) | Thelonious Monk Quartet | T-700.001.048-2 | |
| 18-1 | Skull Session | Oliver Nelson | T-321.982.055-6 | |
| 18-2 | Reuben’s Rondo | Oliver Nelson | — | |
| 18-3 | 125th & 7th Avenue | Oliver Nelson | — | |
| 18-4 | One for Duke | Oliver Nelson | — | |
| 18-5 | Dumpy Mama | Oliver Nelson | — | |
| 18-6 | Baja Bossa | Oliver Nelson | — | |
| 18-7 | In a Japanese Garden | Oliver Nelson | — | |
| 18-8 | Flight for Freedom | Oliver Nelson | — | |
| 19-1 | Opus One | Anita O’Day | T-073.008.302-9 | |
| 19-2 | Skylark | Anita O’Day | T-070.135.891-9 | |
| 19-3 | Stop! The Red Light's On | Anita O’Day | — | |
| 19-4 | Georgia on My Mind | Anita O’Day | T-072.412.184-9 | |
| 19-5 | Thanks for the Boogie Ride | Anita O’Day, Roy Eldridge | — | |
| 19-6 | Tea for Two | Anita O’Day | T-070.178.141-0 | |
| 19-7 | That's What You Think | Gene Krupa and His Orchestra | — | |
| 19-8 | Just a Little Bit South of North Carolina | Anita O’Day | — | |
| 19-9 | Barrelhouse Bessie From Basin Street | Anita O’Day | T-070.010.419-3 | |
| 19-10 | Green Eyes | Anita O’Day | T-011.109.661-7 | |
| 19-11 | Kick It! | Anita O’Day | — | |
| 19-12 | Slow Down | Anita O’Day | — | |
| 19-13 | Watch the Birdie | Gene Krupa and His Orchestra | T-901.129.315-5 | |
| 19-14 | Boogie Blues | Anita O’Day | — | |
| 19-15 | Bolero at the Savoy | Anita O’Day | — | |
| 19-16 | Massachusetts | Anita O’Day | T-070.108.611-4 | |
| 19-17 | Harlem on Parade | Anita O’Day | — | |
| 19-18 | Let Me Off Uptown | Anita O’Day, Roy Eldridge | T-914.809.673-5 | |
| 20-1 | My Old Flame | — | ||
| 20-2 | Air Conditioning (Drifting on a Reed) | — | ||
| 20-3 | Bongo Beep (Bird Feathers) | — | ||
| 20-4 | Dewey Square (Prezology) | — | ||
| 20-5 | Out of Nowhere | — | ||
| 20-6 | Hot Blues (Cool Blues) | — | ||
| 20-7 | Bird Feathers | Charlie Parker Quintet | T-071.496.717-5 | |
| 20-8 | Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — | |
| 20-9 | Lover Man (Oh Where Can you Be) | — | ||
| 20-10 | Be-Bop | — | ||
| 20-11 | Don't Blame Me | — | ||
| 20-12 | Scrapple from the Apple | — | ||
| 20-13 | How deep Isd the Ocean? | — | ||
| 20-14 | Blues (Bongo Bop) | — | ||
| 20-15 | Dark Shadows | — | ||
| 20-16 | Embraceable You | — | ||
| 21-1 | Swing From Paris | — | ||
| 21-2 | Ain’t Misbehavin’ | Quintette du Hot Club de France | T-071.056.299-4 | |
| 21-3 | Liza | — | ||
| 21-4 | Limehouse Blues | Quintette du Hot Club de France | T-801.390.590-4 | |
| 21-5 | Night and Day | — | ||
| 21-6 | Billets doux | Quintette du Hot Club de France | T-003.006.254-4 | |
| 21-7 | It Don’t Mean a Thing | Stéphane Grappelli and His Hot Four | T-071.064.010-0 | |
| 21-8 | Swing 39 | Quintette du Hot Club de France | — | |
| 21-9 | China Boy | Stéphane Grappelli and His Hot Four | — | |
| 21-10 | I Got Rhythm | Stéphane Grappelli and His Hot Four | T-010.860.260-3 | |
| 21-11 | Belleville | — | ||
| 21-12 | Them There Eyes | Quintette du Hot Club de France | T-071.189.808-6 | |
| 21-13 | St. Louis Blues | Quintette du Hot Club de France, Django Reinhardt, Stéphane Grappelli | T-802.458.253-5 | |
| 21-14 | I've Found a New Baby | — | ||
| 21-15 | Lambeth Walk | Quintette du Hot Club de France | T-900.300.632-4 | |
| 21-16 | Chasing Shadows | Django Reinhardt, Quintette du Hot Club de France, Stéphane Grappelli | T-070.024.514-2 | |
| 21-17 | You're Driving Me Crazy | — | ||
| 21-18 | Souvenirs | — | ||
| 21-19 | Daphne | — | ||
| 21-20 | Nocturne | — | ||
| 21-21 | Djangology | — | ||
| 21-22 | Ultrafox | — | ||
| 21-23 | Black and White | — | ||
| 21-24 | Nuages | — | ||
| 21-25 | Honeysuckle Rose | — | ||
| 21-26 | Sweet Georgia Brown | — | ||
| 22-1 | Without a Song | Sonny Rollins | T-070.200.572-8 | |
| 22-2 | Where Are You | Sonny Rollins | T-070.199.342-1 | |
| 22-3 | John S. | Sonny Rollins | T-904.654.723-3 | |
| 22-4 | The Bridge | Sonny Rollins | T-070.235.393-2 | |
| 22-5 | God Bless the Child | Sonny Rollins | T-070.234.259-3 | |
| 22-6 | You Do Something to Me | Sonny Rollins | T-070.210.524-5 | |
| 23-1 | Down Hearted Blues | Bessie Smith | — | |
| 23-2 | Gulf Coast Blues | Bessie Smith | — | |
| 23-3 | Aggravatin’ Papa | Bessie Smith and Her Down Home Trio | — | |
| 23-4 | Beale Street Mama | Bessie Smith | — | |
| 23-5 | Baby Won’t You Please Come Home Blues | Bessie Smith | T-914.986.189-2 | |
| 23-6 | Oh Daddy Blues | Bessie Smith | — | |
| 23-7 | ’Tain’t Nobody’s Business If I Do | Bessie Smith | — | |
| 23-8 | Keeps on a Rainin’ | Bessie Smith | T-070.268.179-5 | |
| 23-9 | Mama’s Got the Blues | Bessie Smith | — | |
| 23-10 | Outside of That | Bessie Smith | — | |
| 23-11 | Bleeding Hearted Blues | Bessie Smith | — | |
| 23-12 | Lady Luck Blues | Bessie Smith | — | |
| 23-13 | Yodling Blues | Bessie Smith | — | |
| 23-14 | Midnight Blues | Bessie Smith | T-010.651.594-9 | |
| 23-15 | If You Don’t I Know Who Will | Bessie Smith | — | |
| 23-16 | Nobody in Town Can Bake a Sweet Jelly Roll Like Mine | Bessie Smith | — | |
| 23-17 | Jail‐House Blues | Bessie Smith | T-070.088.151-1 | |
| 23-18 | St. Louis Gal | Bessie Smith | T-070.137.487-9 | |
| 23-19 | Sam Jones Blues | Bessie Smith | T-071.070.856-7 | |
| 24-1 | Tea for Two | Art Tatum | T-070.178.141-0 | |
| 24-2 | St. Louis Blues | Art Tatum | T-802.458.253-5 | |
| 24-3 | Tiger Rag | Art Tatum | — | |
| 24-4 | Sophisticated Lady | Art Tatum | T-071.070.417-8 | |
| 24-5 | How High the Moon | Art Tatum | T-070.074.622-0 | |
| 24-6 | Humoresque | Art Tatum | — | |
| 24-7 | Someone to Watch Over Me | Art Tatum | T-010.436.010-2 | |
| 24-8 | Yesterdays | Art Tatum | T-070.210.198-1 | |
| 24-9 | I Know That You Know | Art Tatum | T-800.311.600-6 | |
| 24-10 | Willow Weep for Me | Art Tatum | T-070.200.285-4 | |
| 24-11 | Tatum Pole Boogie | Art Tatum | — | |
| 24-12 | The Kerry Dance | Art Tatum | — | |
| 24-13 | The Man I Love | Art Tatum | T-011.191.232-3 | |
| 25-1 | Circus Gambet | United Jazz + Rock Ensemble | — | |
| 25-2 | Hey Day | United Jazz + Rock Ensemble | T-010.055.764-9 | |
| 25-3 | Steps of M. C. Escher | United Jazz + Rock Ensemble | — | |
| 25-4 | South Indian Line | United Jazz + Rock Ensemble | — | |
| 25-5 | Hypnotic Pignose | United Jazz + Rock Ensemble | — | |
| 25-6 | The Love That Cannot Speak It’s Name | United Jazz + Rock Ensemble | — | |
| 25-7 | Be-Bop Rock | United Jazz + Rock Ensemble | — | |
| 26-1 | Rhapsody in Blue | — | ||
| 26-2 | They Can't Take That Away From Me | — | ||
| 26-3 | But Not For Me | — | ||
| 26-4 | The Babbit and The Bromide | — | ||
| 26-5 | Soon | — | ||
| 26-6 | I Got Rhythm | — | ||
| 26-7 | My Man's Gone Now | — | ||
| 26-8 | Someone To Watch Over Me | — | ||
| 26-9 | Concerto in F - 1st movement | — | ||
| 27-1 | Honeysuckle Rose | — | ||
| 27-2 | Ain’t Misbehavin’ | Quintette du Hot Club de France | T-071.056.299-4 | |
| 27-3 | I Can’t Give You Anything but Love, Baby | — | ||
| 27-4 | Two Sleepy People | — | ||
| 27-5 | I’m Gonna Sit Right Down and Write Myself a Letter | — | ||
| 27-6 | It’s a Sin to Tell a Lie | — | ||
| 27-7 | The Minor Drag | Fats Waller and His Buddies | T-070.109.445-2 | |
| 27-8 | The Joint Is Jumping | — | ||
| 27-9 | Hold Tight (I Want Some Sea Food Mama) | — | ||
| 27-10 | Your Feet’s Too Big | — | ||
| 27-11 | Until the Real Thing Comes Along | — | ||
| 27-12 | Tea for Two | — | ||
| 28-1 | Guardian Angels | John McLaughlin, The One Truth Band | — | |
| 28-2 | Miles Davis | John McLaughlin, The One Truth Band | T-903.706.461-2 | |
| 28-3 | Electric Dreams, Electric Sighs | John McLaughlin, The One Truth Band | — | |
| 28-4 | Desire and the Comforter | John McLaughlin, The One Truth Band | — | |
| 28-5 | Love and Understanding | John McLaughlin, The One Truth Band | T-903.699.661-9 | |
| 28-6 | Singing Earth | John McLaughlin, The One Truth Band | — | |
| 28-7 | The Dark Prince | John McLaughlin, The One Truth Band | T-903.699.829-5 | |
| 28-8 | The Unknown Dissident | John McLaughlin, The One Truth Band | T-903.709.321-3 | |
| 29-1 | New Lester Leaps In | — | ||
| 29-2 | She's The Funny his Way | — | ||
| 29-3 | Lester's Be Bob Boogie | — | ||
| 29-4 | You're Driving Me Crazy | — | ||
| 29-5 | D.B. Blues | — | ||
| 29-6 | Lester Blows Again | — | ||
| 29-7 | The Sheik Of Araby | — | ||
| 29-8 | Something To Remember You By | — | ||
| 29-9 | Tea For Two | — | ||
| 29-10 | East Of The Sun | — | ||
| 29-11 | After You've Gone | — | ||
| 29-12 | I'm Confessin' (That I Love You) | — | ||
| 29-13 | Movin' With Lester | — | ||
| 29-14 | Easy Does It | — | ||
| 29-15 | One O'Clock Jump | — | ||
| 29-16 | Jumpin' At The Woodside | — | ||
| 29-17 | These Foolish Things | — | ||
| 29-18 | Jumpin' At Mesner's | — | ||
| 29-19 | Jumpin' With Symphony Sid | — | ||
| 29-20 | No Eyes Blues | — | ||
| 29-21 | Lester Smooths It Out | — | ||
| 29-22 | Just Cooling | — | ||
| 29-23 | Sunday | — | ||
| 29-24 | On The Sunny Side Of The Street | — | ||
| 30-1 | Milky Way | Weather Report | T-070.941.681-8 | |
| 30-2 | Umbrellas | Weather Report | T-801.926.198-5 | |
| 30-3 | Seventh Arrow | Weather Report | T-801.880.922-9 | |
| 30-4 | Orange Lady | Weather Report | — | |
| 30-5 | Morning Lake | Weather Report | T-801.880.931-0 | |
| 30-6 | Waterfall | Weather Report | T-070.933.407-5 | |
| 30-7 | Tears | Weather Report | — | |
| 30-8 | Eurydice | Weather Report | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Body and Soul (take 1) | Thelonious Monk Quartet | T-070.012.014-4 |
| 125th & 7th Avenue | Oliver Nelson | — |
| Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — |
| Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — |
| Down Hearted Blues | Bessie Smith | — |
| Down Hearted Blues | Bessie Smith | — |
| Tears | Weather Report | — |
| Orange Lady | Weather Report | — |
| ’Tain’t Nobody’s Business If I Do | Bessie Smith | — |
| Tiger Rag | Art Tatum | — |
| Skin Deep | Duke Ellington and His Orchestra | — |
| Yellow Dog Blues | Louis Armstrong | — |
| Little Melonae | Miles Davis Quintet | — |
| Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Kathy’s Waltz | The Dave Brubeck Quartet | — |
| Everybody’s Jumpin’ | The Dave Brubeck Quartet | — |
| Pick Up Sticks | The Dave Brubeck Quartet | — |
| Song of Our Country | Miles Davis | — |
| Will O’ the Wisp | Miles Davis | — |
| The Pan Piper | Miles Davis | — |
| Song of Our Country | Miles Davis | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
889854843120 is a Universal Product Code (UPC) assigned to Jazz von A–Z: Die Michael Naura Jazzanthologie by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 360 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
889854843120 is the Universal Product Code (UPC barcode) for the release “Jazz von A–Z: Die Michael Naura Jazzanthologie” by Various Artists, released 2017-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 360 tracks, each with its own ISRC. Tracks include USSM10009136, GB03A1600172, USBB19900322.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Louis Armstrong | — | ||
| 2 | I Got Rhythm | — | ||
| 3 | Dave Brubeck | — | ||
| 4 | Brandenburg Gate | — | ||
| 5 | John Coltrane | — | ||
| 6 | Ah-Leu-Cha | — | ||
| 7 | Miles Davis | — | ||
| 8 | Milestones | — | ||
| 9 | Duke Ellington | — | ||
| 10 | The Mooche | Duke Ellington and His Orchestra | T-071.066.536-3 | |
| 11 | Ella Fitzgerald | — | ||
| 12 | Lemon Drop | — | ||
| 2-1 | Stan Getz | — | ||
| 2-2 | Lush Life | — | ||
| 2-3 | Lionel Hampton | — | ||
| 2-4 | Toledo Blade | — | ||
| 2-5 | Abdullah Ibrahim | — | ||
| 2-6 | Next Stop Soweto | — | ||
| 2-7 | Keith Jarrett | — | ||
| 2-8 | There Is A Road (God's River) | — | ||
| 2-9 | Stan Kenton | — | ||
| 2-10 | Yesterdays | — | ||
| 2-11 | John Lewis | — | ||
| 2-12 | Django | — | ||
| 3-1 | Thelonius Monk | — | ||
| 3-2 | Hackensack | — | ||
| 3-3 | Oliver Nelson | — | ||
| 3-4 | 125th & 7th Avenue | Oliver Nelson | — | |
| 3-5 | Anita O'Day | — | ||
| 3-6 | Thanks For The Boogie Ride | — | ||
| 3-7 | Charlie Parker | — | ||
| 3-8 | Dewey Square | — | ||
| 3-9 | Django Reinhardt | — | ||
| 3-10 | Djangology | — | ||
| 3-11 | Sonny Rollins | — | ||
| 3-12 | God Bless the Child | Sonny Rollins | T-070.234.259-3 | |
| 3-13 | Bessie Smith | — | ||
| 3-14 | Nobody Knows You When You're Down And Out | — | ||
| 4-1 | Art Tatum | — | ||
| 4-2 | Tea for Two | Art Tatum | T-070.178.141-0 | |
| 4-3 | United Jazz + Rock Ensemble | — | ||
| 4-4 | Hey Day | United Jazz + Rock Ensemble | T-010.055.764-9 | |
| 4-5 | Vienna Art Orchestra | — | ||
| 4-6 | They Can't Take That Away From Me | — | ||
| 4-7 | Fats Waller | — | ||
| 4-8 | Two Sleepy People | — | ||
| 4-9 | John McLaughlin | — | ||
| 4-10 | Face To Face | — | ||
| 4-11 | Lester Young | — | ||
| 4-12 | She's Funny That Way | — | ||
| 4-13 | Joe Zawinul | — | ||
| 4-14 | Cannon Ball | Weather Report | T-070.237.721-6 | |
| 5-1 | St. Louis Blues | Louis Armstrong | T-802.458.253-5 | |
| 5-2 | Yellow Dog Blues | Louis Armstrong | — | |
| 5-3 | Loveless Love | Louis Armstrong | — | |
| 5-4 | Aunt Hagar’s Blues | Louis Armstrong | — | |
| 5-5 | Long Gone (From the Bowlin’ Green) | Louis Armstrong | T-914.726.479-7 | |
| 5-6 | The Memphis Blues (or Mister Crump) | Louis Armstrong | — | |
| 5-7 | Beale Street Blues | Louis Armstrong | T-801.402.890-2 | |
| 5-8 | Ole Miss Blues | Louis Armstrong | T-318.708.649-9 | |
| 5-9 | Chantez les bas (Sing ’Em Low) | Louis Armstrong | T-070.024.423-0 | |
| 5-10 | Hesitating Blues | Louis Armstrong | — | |
| 5-11 | Atlanta Blues (Make Me One Pallet on Your Floor) | Louis Armstrong | — | |
| 5-12 | George Avakian’s Interview With W.C. Handy | Louis Armstrong | — | |
| 5-13 | Loveless Love (rehearsal sequence) | Louis Armstrong | — | |
| 5-14 | Hesitating Blues (rehearsal sequence) | Louis Armstrong | — | |
| 5-15 | Alligator Story | Louis Armstrong | — | |
| 5-16 | Long Gone (From the Bowlin’ Green) (rehearsal sequence) | Louis Armstrong | — | |
| 6-1 | Blue Rondo à la Turk | The Dave Brubeck Quartet | T-700.004.033-7 | |
| 6-2 | Strange Meadow Lark | The Dave Brubeck Quartet | T-010.171.019-3 | |
| 6-3 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 6-4 | Three to Get Ready | The Dave Brubeck Quartet | T-700.004.074-6 | |
| 6-5 | Kathy’s Waltz | The Dave Brubeck Quartet | — | |
| 6-6 | Everybody’s Jumpin’ | The Dave Brubeck Quartet | — | |
| 6-7 | Pick Up Sticks | The Dave Brubeck Quartet | — | |
| 7-1 | Ah‐Leu‐Cha | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-010.320.310-6 | |
| 7-2 | Straight, No Chaser | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | T-700.067.566-3 | |
| 7-3 | Fran-Dance (Put Your Little Foot Right Out) | Miles Davis Sextet | T-073.092.745-3 | |
| 7-4 | Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — | |
| 7-5 | Bye Bye Blackbird | Miles Davis Sextet | T-070.013.021-7 | |
| 7-6 | Little Melonae | Miles Davis Quintet | — | |
| 7-7 | Budo | Miles Davis Quintet | T-070.880.948-6 | |
| 8-1 | Concierto de Aranjuez (adagio) | Miles Davis | — | |
| 8-2 | Will O’ the Wisp | Miles Davis | — | |
| 8-3 | The Pan Piper | Miles Davis | — | |
| 8-4 | Saeta | Miles Davis | T-070.940.107-9 | |
| 8-5 | Solea | Miles Davis | T-070.243.742-0 | |
| 8-6 | Song of Our Country | Miles Davis | — | |
| 8-7 | Concierto de Aranjuez (adagio) (part one, alternate take) | Miles Davis | T-041.489.061-1 | |
| 8-8 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 | |
| 9-1 | Skin Deep | Duke Ellington and His Orchestra | — | |
| 9-2 | The Mooche | Duke Ellington and His Orchestra | T-071.066.536-3 | |
| 9-3 | Take the “A” Train | Duke Ellington and His Orchestra | T-070.177.920-5 | |
| 9-4 | A Tone Parallel to Harlem (The Harlem Suite) | Duke Ellington & His Orchestra | — | |
| 9-5 | Perdido | Duke Ellington and His Orchestra | T-072.279.636-2 | |
| 9-6 | The Controversial Suite, Part 1: Before My Time | Duke Ellington & His Orchestra | — | |
| 9-7 | The Controversial Suite | Later (from ''Hi-Fi Ellington Uptown'' - 1956) | — | ||
| 9-8 | The Liberian Suite | I Like The Sunrise (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-9 | The Liberian Suite | Dance No. 1 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-10 | The Liberian Suite | Dance No. 2 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-11 | The Liberian Suite | Dance No. 3 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-12 | The Liberian Suite | Dance No. 4 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 9-13 | The Liberian Suite | Dance No. 5 (from ''Liberian Suite - Harlem Suite'' - 1956) | — | ||
| 10-1 | I’ve Gotta Be Me | — | ||
| 10-2 | Good Morning Heartache | — | ||
| 10-3 | Miss Otis Regrets (She’s Unable to Lunch Today) | — | ||
| 10-4 | Don’t Worry ’Bout Me / These Foolish Things (Remind Me of You) | — | ||
| 10-5 | Any Old Blues | Ella Fitzgerald | — | |
| 10-6 | A‐Tisket, A‐Tasket | — | ||
| 10-7 | Indian Summer | — | ||
| 10-8 | Smooth Sailing | Ella Fitzgerald | T-070.243.703-3 | |
| 10-9 | You Turned the Tables on Me | — | ||
| 10-10 | Nice Work If You Can Get It | — | ||
| 10-11 | I’ve Got a Crush on You | — | ||
| 10-12 | I Can’t Get Started / The Young Man With the Horn / ’Round Midnigh | — | ||
| 10-13 | Star Dust | — | ||
| 10-14 | “C” Jam Blues | — | ||
| 10-15 | Taking a Chance on Love / I’m in the Mood for Love | — | ||
| 10-16 | Lemon Drop | — | ||
| 10-17 | Some of These Days | — | ||
| 10-18 | People | — | ||
| 11-1 | La fiesta | — | ||
| 11-2 | Five Hundred Miles High | — | ||
| 11-3 | Captain Marvel | — | ||
| 11-4 | Times Lie | — | ||
| 11-5 | Lush Life | — | ||
| 11-6 | Day Waves | — | ||
| 11-7 | Crystal Silence | — | ||
| 12-1 | I've Got a Brand New Baby | — | ||
| 12-2 | Bop City Flamenco | — | ||
| 12-3 | Lovely Night in Spain | — | ||
| 12-4 | Spain | — | ||
| 12-5 | The Bullfighter From Madrid | — | ||
| 12-6 | Hamp's Jazz Flamenco | — | ||
| 12-7 | Tenderly | — | ||
| 12-8 | Hot Club of Madrid Serenade | — | ||
| 12-9 | Toledo Blade | — | ||
| 12-10 | Flamenco Soul | — | ||
| 13-1 | Next Stop Soweto | — | ||
| 13-2 | Tshona | — | ||
| 13-3 | Black and Brown Cherries | — | ||
| 13-4 | Tegeni | — | ||
| 13-5 | Msunduza | — | ||
| 13-6 | Mafutha | — | ||
| 14-1 | Vision | — | ||
| 14-2 | Common Mama | — | ||
| 14-3 | The Magician in You | — | ||
| 14-4 | Roussillon | — | ||
| 14-5 | Expectations | — | ||
| 14-6 | Take Me Back | — | ||
| 14-7 | The Circular Letter (For J.K.) | — | ||
| 14-8 | Nomads | — | ||
| 14-9 | Sundance | — | ||
| 14-10 | Bring Back the Time When (If) | — | ||
| 14-11 | There Is a Road (God's River) | — | ||
| 15-1 | Spirals | — | ||
| 15-2 | Ennui | — | ||
| 15-3 | In Veradero | — | ||
| 15-4 | Shelly Manne | — | ||
| 15-5 | Conté Candoli | — | ||
| 15-6 | Art Pepper | — | ||
| 15-7 | Improvisation | — | ||
| 15-8 | Love for Sale | — | ||
| 15-9 | Bob Cooper | — | ||
| 15-10 | Reflections | — | ||
| 16-1 | Milano | — | ||
| 16-2 | Django | — | ||
| 16-3 | Afternoon in Paris | — | ||
| 16-4 | I Didn't know What Time It Was | — | ||
| 16-5 | Plastic Dreams | — | ||
| 16-6 | Romance | — | ||
| 16-7 | Confirmation | — | ||
| 16-8 | 2° East 3° West | — | ||
| 16-9 | 'Round Midnight | — | ||
| 16-10 | Kilostone | — | ||
| 17-1 | Monk’s Dream | Thelonious Monk Quartet | T-700.044.713-4 | |
| 17-2 | Body and Soul | The Thelonious Monk Quartet | T-070.012.014-4 | |
| 17-3 | Bright Mississippi | The Thelonious Monk Quartet | T-070.235.450-4 | |
| 17-4 | Five Spot Blues | The Thelonious Monk Quartet | T-700.003.038-8 | |
| 17-5 | Ba‐lue Bolivar Ba‐lues‐Are | The Thelonious Monk Quartet | T-700.001.048-2 | |
| 17-6 | Just a Gigolo | Thelonious Monk | T-070.088.858-9 | |
| 17-7 | Bye‐Ya | Thelonious Monk Quartet | T-906.252.866-9 | |
| 17-8 | Sweet and Lovely | The Thelonious Monk Quartet | T-070.138.671-1 | |
| 17-9 | Monk’s Dream (take 3) | Thelonious Monk Quartet | T-700.044.713-4 | |
| 17-11 | Bright Mississippi (take 3) | Thelonious Monk Quartet | T-070.235.450-4 | |
| 17-12 | Blue Bolivar Blues (take 1) | Thelonious Monk Quartet | T-700.001.048-2 | |
| 18-1 | Skull Session | Oliver Nelson | T-321.982.055-6 | |
| 18-2 | Reuben’s Rondo | Oliver Nelson | — | |
| 18-3 | 125th & 7th Avenue | Oliver Nelson | — | |
| 18-4 | One for Duke | Oliver Nelson | — | |
| 18-5 | Dumpy Mama | Oliver Nelson | — | |
| 18-6 | Baja Bossa | Oliver Nelson | — | |
| 18-7 | In a Japanese Garden | Oliver Nelson | — | |
| 18-8 | Flight for Freedom | Oliver Nelson | — | |
| 19-1 | Opus One | Anita O’Day | T-073.008.302-9 | |
| 19-2 | Skylark | Anita O’Day | T-070.135.891-9 | |
| 19-3 | Stop! The Red Light's On | Anita O’Day | — | |
| 19-4 | Georgia on My Mind | Anita O’Day | T-072.412.184-9 | |
| 19-5 | Thanks for the Boogie Ride | Anita O’Day, Roy Eldridge | — | |
| 19-6 | Tea for Two | Anita O’Day | T-070.178.141-0 | |
| 19-7 | That's What You Think | Gene Krupa and His Orchestra | — | |
| 19-8 | Just a Little Bit South of North Carolina | Anita O’Day | — | |
| 19-9 | Barrelhouse Bessie From Basin Street | Anita O’Day | T-070.010.419-3 | |
| 19-10 | Green Eyes | Anita O’Day | T-011.109.661-7 | |
| 19-11 | Kick It! | Anita O’Day | — | |
| 19-12 | Slow Down | Anita O’Day | — | |
| 19-13 | Watch the Birdie | Gene Krupa and His Orchestra | T-901.129.315-5 | |
| 19-14 | Boogie Blues | Anita O’Day | — | |
| 19-15 | Bolero at the Savoy | Anita O’Day | — | |
| 19-16 | Massachusetts | Anita O’Day | T-070.108.611-4 | |
| 19-17 | Harlem on Parade | Anita O’Day | — | |
| 19-18 | Let Me Off Uptown | Anita O’Day, Roy Eldridge | T-914.809.673-5 | |
| 20-1 | My Old Flame | — | ||
| 20-2 | Air Conditioning (Drifting on a Reed) | — | ||
| 20-3 | Bongo Beep (Bird Feathers) | — | ||
| 20-4 | Dewey Square (Prezology) | — | ||
| 20-5 | Out of Nowhere | — | ||
| 20-6 | Hot Blues (Cool Blues) | — | ||
| 20-7 | Bird Feathers | Charlie Parker Quintet | T-071.496.717-5 | |
| 20-8 | Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — | |
| 20-9 | Lover Man (Oh Where Can you Be) | — | ||
| 20-10 | Be-Bop | — | ||
| 20-11 | Don't Blame Me | — | ||
| 20-12 | Scrapple from the Apple | — | ||
| 20-13 | How deep Isd the Ocean? | — | ||
| 20-14 | Blues (Bongo Bop) | — | ||
| 20-15 | Dark Shadows | — | ||
| 20-16 | Embraceable You | — | ||
| 21-1 | Swing From Paris | — | ||
| 21-2 | Ain’t Misbehavin’ | Quintette du Hot Club de France | T-071.056.299-4 | |
| 21-3 | Liza | — | ||
| 21-4 | Limehouse Blues | Quintette du Hot Club de France | T-801.390.590-4 | |
| 21-5 | Night and Day | — | ||
| 21-6 | Billets doux | Quintette du Hot Club de France | T-003.006.254-4 | |
| 21-7 | It Don’t Mean a Thing | Stéphane Grappelli and His Hot Four | T-071.064.010-0 | |
| 21-8 | Swing 39 | Quintette du Hot Club de France | — | |
| 21-9 | China Boy | Stéphane Grappelli and His Hot Four | — | |
| 21-10 | I Got Rhythm | Stéphane Grappelli and His Hot Four | T-010.860.260-3 | |
| 21-11 | Belleville | — | ||
| 21-12 | Them There Eyes | Quintette du Hot Club de France | T-071.189.808-6 | |
| 21-13 | St. Louis Blues | Quintette du Hot Club de France, Django Reinhardt, Stéphane Grappelli | T-802.458.253-5 | |
| 21-14 | I've Found a New Baby | — | ||
| 21-15 | Lambeth Walk | Quintette du Hot Club de France | T-900.300.632-4 | |
| 21-16 | Chasing Shadows | Django Reinhardt, Quintette du Hot Club de France, Stéphane Grappelli | T-070.024.514-2 | |
| 21-17 | You're Driving Me Crazy | — | ||
| 21-18 | Souvenirs | — | ||
| 21-19 | Daphne | — | ||
| 21-20 | Nocturne | — | ||
| 21-21 | Djangology | — | ||
| 21-22 | Ultrafox | — | ||
| 21-23 | Black and White | — | ||
| 21-24 | Nuages | — | ||
| 21-25 | Honeysuckle Rose | — | ||
| 21-26 | Sweet Georgia Brown | — | ||
| 22-1 | Without a Song | Sonny Rollins | T-070.200.572-8 | |
| 22-2 | Where Are You | Sonny Rollins | T-070.199.342-1 | |
| 22-3 | John S. | Sonny Rollins | T-904.654.723-3 | |
| 22-4 | The Bridge | Sonny Rollins | T-070.235.393-2 | |
| 22-5 | God Bless the Child | Sonny Rollins | T-070.234.259-3 | |
| 22-6 | You Do Something to Me | Sonny Rollins | T-070.210.524-5 | |
| 23-1 | Down Hearted Blues | Bessie Smith | — | |
| 23-2 | Gulf Coast Blues | Bessie Smith | — | |
| 23-3 | Aggravatin’ Papa | Bessie Smith and Her Down Home Trio | — | |
| 23-4 | Beale Street Mama | Bessie Smith | — | |
| 23-5 | Baby Won’t You Please Come Home Blues | Bessie Smith | T-914.986.189-2 | |
| 23-6 | Oh Daddy Blues | Bessie Smith | — | |
| 23-7 | ’Tain’t Nobody’s Business If I Do | Bessie Smith | — | |
| 23-8 | Keeps on a Rainin’ | Bessie Smith | T-070.268.179-5 | |
| 23-9 | Mama’s Got the Blues | Bessie Smith | — | |
| 23-10 | Outside of That | Bessie Smith | — | |
| 23-11 | Bleeding Hearted Blues | Bessie Smith | — | |
| 23-12 | Lady Luck Blues | Bessie Smith | — | |
| 23-13 | Yodling Blues | Bessie Smith | — | |
| 23-14 | Midnight Blues | Bessie Smith | T-010.651.594-9 | |
| 23-15 | If You Don’t I Know Who Will | Bessie Smith | — | |
| 23-16 | Nobody in Town Can Bake a Sweet Jelly Roll Like Mine | Bessie Smith | — | |
| 23-17 | Jail‐House Blues | Bessie Smith | T-070.088.151-1 | |
| 23-18 | St. Louis Gal | Bessie Smith | T-070.137.487-9 | |
| 23-19 | Sam Jones Blues | Bessie Smith | T-071.070.856-7 | |
| 24-1 | Tea for Two | Art Tatum | T-070.178.141-0 | |
| 24-2 | St. Louis Blues | Art Tatum | T-802.458.253-5 | |
| 24-3 | Tiger Rag | Art Tatum | — | |
| 24-4 | Sophisticated Lady | Art Tatum | T-071.070.417-8 | |
| 24-5 | How High the Moon | Art Tatum | T-070.074.622-0 | |
| 24-6 | Humoresque | Art Tatum | — | |
| 24-7 | Someone to Watch Over Me | Art Tatum | T-010.436.010-2 | |
| 24-8 | Yesterdays | Art Tatum | T-070.210.198-1 | |
| 24-9 | I Know That You Know | Art Tatum | T-800.311.600-6 | |
| 24-10 | Willow Weep for Me | Art Tatum | T-070.200.285-4 | |
| 24-11 | Tatum Pole Boogie | Art Tatum | — | |
| 24-12 | The Kerry Dance | Art Tatum | — | |
| 24-13 | The Man I Love | Art Tatum | T-011.191.232-3 | |
| 25-1 | Circus Gambet | United Jazz + Rock Ensemble | — | |
| 25-2 | Hey Day | United Jazz + Rock Ensemble | T-010.055.764-9 | |
| 25-3 | Steps of M. C. Escher | United Jazz + Rock Ensemble | — | |
| 25-4 | South Indian Line | United Jazz + Rock Ensemble | — | |
| 25-5 | Hypnotic Pignose | United Jazz + Rock Ensemble | — | |
| 25-6 | The Love That Cannot Speak It’s Name | United Jazz + Rock Ensemble | — | |
| 25-7 | Be-Bop Rock | United Jazz + Rock Ensemble | — | |
| 26-1 | Rhapsody in Blue | — | ||
| 26-2 | They Can't Take That Away From Me | — | ||
| 26-3 | But Not For Me | — | ||
| 26-4 | The Babbit and The Bromide | — | ||
| 26-5 | Soon | — | ||
| 26-6 | I Got Rhythm | — | ||
| 26-7 | My Man's Gone Now | — | ||
| 26-8 | Someone To Watch Over Me | — | ||
| 26-9 | Concerto in F - 1st movement | — | ||
| 27-1 | Honeysuckle Rose | — | ||
| 27-2 | Ain’t Misbehavin’ | Quintette du Hot Club de France | T-071.056.299-4 | |
| 27-3 | I Can’t Give You Anything but Love, Baby | — | ||
| 27-4 | Two Sleepy People | — | ||
| 27-5 | I’m Gonna Sit Right Down and Write Myself a Letter | — | ||
| 27-6 | It’s a Sin to Tell a Lie | — | ||
| 27-7 | The Minor Drag | Fats Waller and His Buddies | T-070.109.445-2 | |
| 27-8 | The Joint Is Jumping | — | ||
| 27-9 | Hold Tight (I Want Some Sea Food Mama) | — | ||
| 27-10 | Your Feet’s Too Big | — | ||
| 27-11 | Until the Real Thing Comes Along | — | ||
| 27-12 | Tea for Two | — | ||
| 28-1 | Guardian Angels | John McLaughlin, The One Truth Band | — | |
| 28-2 | Miles Davis | John McLaughlin, The One Truth Band | T-903.706.461-2 | |
| 28-3 | Electric Dreams, Electric Sighs | John McLaughlin, The One Truth Band | — | |
| 28-4 | Desire and the Comforter | John McLaughlin, The One Truth Band | — | |
| 28-5 | Love and Understanding | John McLaughlin, The One Truth Band | T-903.699.661-9 | |
| 28-6 | Singing Earth | John McLaughlin, The One Truth Band | — | |
| 28-7 | The Dark Prince | John McLaughlin, The One Truth Band | T-903.699.829-5 | |
| 28-8 | The Unknown Dissident | John McLaughlin, The One Truth Band | T-903.709.321-3 | |
| 29-1 | New Lester Leaps In | — | ||
| 29-2 | She's The Funny his Way | — | ||
| 29-3 | Lester's Be Bob Boogie | — | ||
| 29-4 | You're Driving Me Crazy | — | ||
| 29-5 | D.B. Blues | — | ||
| 29-6 | Lester Blows Again | — | ||
| 29-7 | The Sheik Of Araby | — | ||
| 29-8 | Something To Remember You By | — | ||
| 29-9 | Tea For Two | — | ||
| 29-10 | East Of The Sun | — | ||
| 29-11 | After You've Gone | — | ||
| 29-12 | I'm Confessin' (That I Love You) | — | ||
| 29-13 | Movin' With Lester | — | ||
| 29-14 | Easy Does It | — | ||
| 29-15 | One O'Clock Jump | — | ||
| 29-16 | Jumpin' At The Woodside | — | ||
| 29-17 | These Foolish Things | — | ||
| 29-18 | Jumpin' At Mesner's | — | ||
| 29-19 | Jumpin' With Symphony Sid | — | ||
| 29-20 | No Eyes Blues | — | ||
| 29-21 | Lester Smooths It Out | — | ||
| 29-22 | Just Cooling | — | ||
| 29-23 | Sunday | — | ||
| 29-24 | On The Sunny Side Of The Street | — | ||
| 30-1 | Milky Way | Weather Report | T-070.941.681-8 | |
| 30-2 | Umbrellas | Weather Report | T-801.926.198-5 | |
| 30-3 | Seventh Arrow | Weather Report | T-801.880.922-9 | |
| 30-4 | Orange Lady | Weather Report | — | |
| 30-5 | Morning Lake | Weather Report | T-801.880.931-0 | |
| 30-6 | Waterfall | Weather Report | T-070.933.407-5 | |
| 30-7 | Tears | Weather Report | — | |
| 30-8 | Eurydice | Weather Report | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Body and Soul (take 1) | Thelonious Monk Quartet | T-070.012.014-4 |
| 125th & 7th Avenue | Oliver Nelson | — |
| Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — |
| Diggin’ Diz | Dizzy Gillespie Jazzmen, Charlie Parker | — |
| Down Hearted Blues | Bessie Smith | — |
| Down Hearted Blues | Bessie Smith | — |
| Tears | Weather Report | — |
| Orange Lady | Weather Report | — |
| ’Tain’t Nobody’s Business If I Do | Bessie Smith | — |
| Tiger Rag | Art Tatum | — |
| Skin Deep | Duke Ellington and His Orchestra | — |
| Yellow Dog Blues | Louis Armstrong | — |
| Little Melonae | Miles Davis Quintet | — |
| Two Bass Hit | The Miles Davis Sextet, John Coltrane, “Cannonball” Adderley | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Kathy’s Waltz | The Dave Brubeck Quartet | — |
| Everybody’s Jumpin’ | The Dave Brubeck Quartet | — |
| Pick Up Sticks | The Dave Brubeck Quartet | — |
| Song of Our Country | Miles Davis | — |
| Will O’ the Wisp | Miles Davis | — |
| The Pan Piper | Miles Davis | — |
| Song of Our Country | Miles Davis | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
