UPC · Release
Symphonies 1-9 / Adagio of No. 10
Gustav Mahler, Maurice Abravanel, Utah Symphony
894640001820
83 tracksReleased 2011-01-01Musical Concepts
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894640001820 is the Universal Product Code (UPC barcode) for the release “Symphonies 1-9 / Adagio of No. 10” by Gustav Mahler, Maurice Abravanel, Utah Symphony, released 2011-01-01 on Musical Concepts. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
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94640Manufacturer
00182Product
0Check digit
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Track List (83)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in D: 1. Langsam schleppend | — | ||
| 2 | Symphony No. 1 in D: 2. Kräftig bewegt, doch nicht zu Schnell | — | ||
| 3 | Symphony No. 1 in D: 3. Feierlich und gemessen, ohne zu Schleppen | — | ||
| 4 | Symphony No. 1 in D: 4. Stürmisch bewegt (beginning) | — | ||
| 5 | Symphony No. 1 in D: 4. Stürmisch bewegt (No. 21) | — | ||
| 6 | Symphony No. 1 in D: 4. Stürmisch bewegt (No. 42) | — | ||
| 2-1 | Symphony No. 2 in C Minor: 1. Allegro maestoso (beginning) | — | ||
| 2-2 | Symphony No. 2 in C Minor: 1. Allegro maestoso (No. 9) | — | ||
| 2-3 | Symphony No. 2 in C Minor: 1. Allegro maestoso (No. 20) | — | ||
| 2-4 | Symphony No. 2 in C Minor: 2. Andante moderato | — | ||
| 2-5 | Symphony No. 2 in C Minor: 3. In ruhig fliessender Bewegung | — | ||
| 2-6 | Symphony No. 2 in C Minor: 4. "Urlicht" | — | ||
| 2-7 | Symphony No. 2 in C Minor: 5. Im tempo des Scherzo's. Wild herausfahrend (beginning) | — | ||
| 2-8 | Symphony No. 2 in C Minor: 5. Wieder sehr breit (No. 10) | — | ||
| 2-9 | Symphony No. 2 in C Minor: 5. Wieder zurückhaltend (no. 21) | — | ||
| 2-10 | Symphony No. 2 in C Minor: 5. Langsam. Misterioso (No. 31) | — | ||
| 2-11 | Symphony No. 2 in C Minor: 5. Mit Aufschwung, aber nicht eilen (No. 44) | — | ||
| 3-1 | Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (beginning) | — | ||
| 3-2 | Symphony No. 3 in D Minor: 1. Kräfttg. Entschieden (No. 13) | — | ||
| 3-3 | Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 33) | — | ||
| 3-4 | Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 54) | — | ||
| 3-5 | Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 62) | — | ||
| 3-6 | Symphony No. 3 in D Minor: 2. Tempo di Menuetto. Sehr mässig | — | ||
| 3-7 | Symphony No. 3 in D Minor: 3. Comodo; Scherzando; Ohne Hast | — | ||
| 3-9 | Symphony No. 3 in D Minor: 4. Sehr langsam; Misterioso | — | ||
| 3-10 | Symphony No. 3 in D Minor: 5. Lustig im Tempo und keck im Ausdruck | — | ||
| 4-1 | Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (beginning) | — | ||
| 4-2 | Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (No. 9) | — | ||
| 4-3 | Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (No. 26) | — | ||
| 4-4 | Symphony No. 4 in G: 1. Bedächtig. nicht eilen | — | ||
| 4-5 | Symphony No. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-6 | Symphony No. 4 in G: 3. Ruhevoll (Poco adagio) | — | ||
| 4-7 | Symphony No. 4 in G: 4. Sehr behaglich | — | ||
| 5-1 | Symphony No. 5 in C# Minor: 1. Trauermarsch in gemessenem Schritt; Streng, wie ein Kondukt | — | ||
| 5-2 | Symphony No. 5 in C# Minor: 2. Stürmisch bewegt mit grösster Verhemenz | — | ||
| 5-3 | Symphony No. 5 in C# Minor: 3. Scherzo: Kräftig | — | ||
| 5-4 | Symphony No. 5 in C# Minor: 4. Adagietto: Sehr langsam | — | ||
| 5-5 | Symphony No. 5 in C# Minor: 5. Rondo–Finale: Allegro | — | ||
| 6-1 | Symphony No. 6 in A Minor: 1. Allegro energico, ma non troppo (beginning) | — | ||
| 6-2 | Symphony No. 6 in A Minor: 1. Allegro energico, ma non troppo (No.25) | — | ||
| 6-3 | Symphony No. 6 in A Minor: 2. Scherzo (Wuchtig) | — | ||
| 6-4 | Symphony No. 6 in A Minor: 3. Andante moderato | — | ||
| 6-5 | Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (beginning) | — | ||
| 6-6 | Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (No. 117, Sempre l'istesso Tempo) | — | ||
| 6-7 | Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (No. 129) | — | ||
| 6-8 | Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (no. 150) | — | ||
| 7-1 | Symphony No. 7 in E Minor: 1. Langsam | — | ||
| 7-2 | Symphony No. 7 in E Minor: 2. Nachtmusik I | — | ||
| 7-3 | Symphony No. 7 in E Minor: 3. Scherzo. Schattenhaft. Fliessend, aber nicht schnell | — | ||
| 7-4 | Symphony No. 7 in E Minor: 4. Nachtmusik II | — | ||
| 7-5 | Symphony No. 7 in E Minor: 5. Rondo - Finale. Allegro ordinario | — | ||
| 8-1 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Veni, Creator spiritus | — | ||
| 8-2 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Imple superna gratia | — | ||
| 8-3 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Infirma nostri corporis | — | ||
| 8-4 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Accende lumen sensibus | — | ||
| 8-5 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Tu septiformis munere | — | ||
| 8-6 | Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Gloria Patri Domino | — | ||
| 8-7 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": Introduction | — | ||
| 8-8 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Waldung, sie schwankt deran" | — | ||
| 8-9 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Ewiger wonnebrand" | — | ||
| 8-10 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Wie Felsenabgrund mir zu Füssen" | — | ||
| 8-11 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Gerettet is das edle Glied" | — | ||
| 8-12 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Una bleibt ein erdenrest" | — | ||
| 8-13 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Hier ist die Aussicht frei" | — | ||
| 8-14 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Hochste Herrscherin" | — | ||
| 8-15 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Die, der Unberührbaren" | — | ||
| 8-16 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Bei der Liebe, die den Füssen" | — | ||
| 8-17 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Neige, neige, Du Ohnegleiche" | — | ||
| 8-18 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Komm! Komm!" | — | ||
| 8-19 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Blicket auf" | — | ||
| 8-20 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": Orchestral interlude | — | ||
| 8-21 | Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Alle Vergängliche" | — | ||
| 9-1 | Symphony No. 9 in D: 1. Andante comodo (beginning) | — | ||
| 9-2 | Symphony No. 9 in D: 1. Andante comodo (bar 162) | — | ||
| 9-3 | Symphony No. 9 in D: 1. Andante comodo (bar 335) | — | ||
| 9-4 | Symphony No. 9 in D: 2. Im Tempo eines gemachlichen Landlers | — | ||
| 10-1 | Symphony No. 9 in D: 3. Rondo. Burleske. Allegro assai | — | ||
| 10-2 | Symphony No. 9 in D: 4. Adagio (beginning) | — | ||
| 10-3 | Symphony No. 9 in D: 4. (bar 64) | — | ||
| 10-4 | Symphony No. 9 in D: 4. Adagio (bar 126) | — | ||
| 10-5 | Symphony No. 10: 1. Adagio (beginning) | — | ||
| 10-6 | Symphony No. 10: 1. Adagio (continued) | — | ||
| 10-7 | Symphony No. 10: 1. Adagio (conclusion) | — |
Symphony No. 1 in D: 1. Langsam schleppend
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Symphony No. 1 in D: 2. Kräftig bewegt, doch nicht zu Schnell
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Symphony No. 1 in D: 3. Feierlich und gemessen, ohne zu Schleppen
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Symphony No. 1 in D: 4. Stürmisch bewegt (beginning)
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Symphony No. 1 in D: 4. Stürmisch bewegt (No. 21)
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Symphony No. 1 in D: 4. Stürmisch bewegt (No. 42)
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Symphony No. 2 in C Minor: 1. Allegro maestoso (beginning)
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Symphony No. 2 in C Minor: 1. Allegro maestoso (No. 9)
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Symphony No. 2 in C Minor: 1. Allegro maestoso (No. 20)
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Symphony No. 2 in C Minor: 2. Andante moderato
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Symphony No. 2 in C Minor: 3. In ruhig fliessender Bewegung
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Symphony No. 2 in C Minor: 4. "Urlicht"
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Symphony No. 2 in C Minor: 5. Im tempo des Scherzo's. Wild herausfahrend (beginning)
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Symphony No. 2 in C Minor: 5. Wieder sehr breit (No. 10)
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Symphony No. 2 in C Minor: 5. Wieder zurückhaltend (no. 21)
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Symphony No. 2 in C Minor: 5. Langsam. Misterioso (No. 31)
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Symphony No. 2 in C Minor: 5. Mit Aufschwung, aber nicht eilen (No. 44)
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Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (beginning)
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Symphony No. 3 in D Minor: 1. Kräfttg. Entschieden (No. 13)
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Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 33)
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Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 54)
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Symphony No. 3 in D Minor: 1. Kräftig. Entschieden (No. 62)
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Symphony No. 3 in D Minor: 2. Tempo di Menuetto. Sehr mässig
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Symphony No. 3 in D Minor: 3. Comodo; Scherzando; Ohne Hast
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Symphony No. 3 in D Minor: 4. Sehr langsam; Misterioso
—
Symphony No. 3 in D Minor: 5. Lustig im Tempo und keck im Ausdruck
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Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (beginning)
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Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (No. 9)
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Symphony No. 3 in D Minor: 6. Langsam. Ruhevoll. Empfunden (No. 26)
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Symphony No. 4 in G: 1. Bedächtig. nicht eilen
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Symphony No. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast
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Symphony No. 4 in G: 3. Ruhevoll (Poco adagio)
—
Symphony No. 4 in G: 4. Sehr behaglich
—
Symphony No. 5 in C# Minor: 1. Trauermarsch in gemessenem Schritt; Streng, wie ein Kondukt
—
Symphony No. 5 in C# Minor: 2. Stürmisch bewegt mit grösster Verhemenz
—
Symphony No. 5 in C# Minor: 3. Scherzo: Kräftig
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Symphony No. 5 in C# Minor: 4. Adagietto: Sehr langsam
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Symphony No. 5 in C# Minor: 5. Rondo–Finale: Allegro
—
Symphony No. 6 in A Minor: 1. Allegro energico, ma non troppo (beginning)
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Symphony No. 6 in A Minor: 1. Allegro energico, ma non troppo (No.25)
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Symphony No. 6 in A Minor: 2. Scherzo (Wuchtig)
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Symphony No. 6 in A Minor: 3. Andante moderato
—
Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (beginning)
—
Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (No. 117, Sempre l'istesso Tempo)
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Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (No. 129)
—
Symphony No. 6 in A Minor: 4. Finale. Allegro moderato (no. 150)
—
Symphony No. 7 in E Minor: 1. Langsam
—
Symphony No. 7 in E Minor: 2. Nachtmusik I
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Symphony No. 7 in E Minor: 3. Scherzo. Schattenhaft. Fliessend, aber nicht schnell
—
Symphony No. 7 in E Minor: 4. Nachtmusik II
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Symphony No. 7 in E Minor: 5. Rondo - Finale. Allegro ordinario
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Veni, Creator spiritus
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Imple superna gratia
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Infirma nostri corporis
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Accende lumen sensibus
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Tu septiformis munere
—
Symphony No. 8 in Eb, "Symphony of a Thousand": I. Hymnus "Veni, Creator spiritus": Gloria Patri Domino
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Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": Introduction
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Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Waldung, sie schwankt deran"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Ewiger wonnebrand"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Wie Felsenabgrund mir zu Füssen"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Gerettet is das edle Glied"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Una bleibt ein erdenrest"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Hier ist die Aussicht frei"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Hochste Herrscherin"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Die, der Unberührbaren"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Bei der Liebe, die den Füssen"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Neige, neige, Du Ohnegleiche"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Komm! Komm!"
—
Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Blicket auf"
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Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": Orchestral interlude
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Symphony No. 8 in Eb, "Symphony of a Thousand": II. The Closing Scene from "Faust": "Alle Vergängliche"
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Symphony No. 9 in D: 1. Andante comodo (beginning)
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Symphony No. 9 in D: 1. Andante comodo (bar 162)
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Symphony No. 9 in D: 1. Andante comodo (bar 335)
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Symphony No. 9 in D: 2. Im Tempo eines gemachlichen Landlers
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Symphony No. 9 in D: 3. Rondo. Burleske. Allegro assai
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Symphony No. 9 in D: 4. Adagio (beginning)
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Symphony No. 9 in D: 4. (bar 64)
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Symphony No. 9 in D: 4. Adagio (bar 126)
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Symphony No. 10: 1. Adagio (beginning)
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Symphony No. 10: 1. Adagio (continued)
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Symphony No. 10: 1. Adagio (conclusion)
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What is UPC 894640001820?
894640001820 is a Universal Product Code (UPC) assigned to Symphonies 1-9 / Adagio of No. 10 by Gustav Mahler, Maurice Abravanel, Utah Symphony. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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