UPC · Release
Piffaro, The Renaissance Band
Last verified:
The UPC for “Back Before Bach: Musical Journeys” by Piffaro, The Renaissance Band is 896931004060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include USPMZ1710601, USPMZ1710602, USPMZ1710603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Christ ist erstanden (Setting à 3) | Anonymous | T-802.317.971-8 | |
| 2 | Christ ist erstanden (Setting à 4) | Heinrich Isaac | — | |
| 3 | Christ ist erstanden (Setting à 5) | Heinrich Finck | — | |
| 4 | Christ ist erstanden (Setting à 5) | Stephan Mahu | — | |
| 5 | Christ ist erstanden "Auf Bergreihenweis" (Setting à 3) | Johann Walter | — | |
| 6 | Christ ist erstanden "Ad aequales" (Setting à 4) | Johann Walter | — | |
| 7 | Christ ist erstanden (Chorale à 4) | Michael Praetorius | — | |
| 8 | Christ ist erstanden, BWV 276 (Arr. for Chamber Ensemble) | Piffaro, The Renaissance Band | — | |
| 9 | Innsbruck, ich muess dich lassen "Instrumental Fantasy" (Arr. J. Kimball for Chamber Ensemble) | Anonymous | — | |
| 10 | Innsbruck, ich muess dich lassen "Canon in Tenor" (Arr. R. Wiemken for Chamber Ensemble) | Anonymous | — | |
| 11 | Innsbruck, ich muess dich lassen "Insprugk ick muss dich lassen" (Arr. for Chamber Ensemble) | Heinrich Isaac | — | |
| 12 | Innsbruck, ich muess dich lassen "Bruder conrads tantzmass und nachtan" | Anonymous | — | |
| 13 | A solis ortus cardine | Coelius Sedulius | — | |
| 14 | A solis ortus cardine | Anonymous | T-900.138.092-3 | |
| 15 | Christum wir sollen loben schon (Motet) | Johann Gottfried Walther | — | |
| 16 | Christum wir sollen loben schon (Hymnus) | Johann Gottfried Walther | — | |
| 17 | A solis ortus (Chorale) | Michael Praetorius | — | |
| 18 | A solis ortus (Motet) | Michael Praetorius | — | |
| 19 | A solis ortus (Canzona) | Samuel Scheidt | — | |
| 20 | Christum wir sollen loben schon, BWV 121 (Arr. for Chamber Ensemble) | Piffaro, The Renaissance Band | — | |
| 21 | Intrada | Johann Groh | T-001.145.743-4 | |
| 22 | Terpsichore: No. 283, Passameze in C Major | Michael Praetorius | — | |
| 23 | Allemande | Samuel Scheidt | — | |
| 24 | Terpsichore: No. 210, Volte in G Major | Michael Praetorius | T-050.374.283-3 | |
| 25 | Musica Dei donum optimi (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 26 | Prophetiae sibyllarum "Carmina chromatico": Prologue (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 27 | Mirabile mysterium (Arr. for Chamber Ensemble) | Jacobus Gallus | — | |
| 28 | Prophetiae sibyllarum "Carmina chromatico": No. 6, Sibylla Samia (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 29 | Da pacem, Domine (Arr. for Chamber Ensemble) | Melchior Franck | T-922.031.665-4 | |
| 30 | Melody "A Song from Andernach Along the Rhine" (Arr. J. Kimball for Chamber Ensemble) | Anonymous | — | |
| 31 | Tanndernac | Antoine Brumel | — | |
| 32 | Tandernaken op den Rijn | Anonymous, Pierre Alamire | — | |
| 33 | Harmonice musices odhecaton, Canti A: Nos. 75 & 76, Tandernaken (Arr. for Chamber Ensemble) | Jacob Obrecht | — | |
| 34 | Tandernack quinque | Ludwig Senfl | — | |
| 35 | Ballet des Aveugles, TMA 281 (Arr. J. Kimball for Chamber Ensemble) | Michael Praetorius | — | |
| 36 | Banchetto musicale: No. 22, Padouana à 4 | Johann Hermann Schein | — | |
| 37 | Terpsichore: No. 109, La rosette | Michael Praetorius | — | |
| 38 | Terpsichore: No. 2, Bransle simple de novelle, TMA 2 | Michael Praetorius | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
896931004060 is a Universal Product Code (UPC) assigned to Back Before Bach: Musical Journeys by Piffaro, The Renaissance Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Back Before Bach: Musical Journeys” by Piffaro, The Renaissance Band is 896931004060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include USPMZ1710601, USPMZ1710602, USPMZ1710603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Christ ist erstanden (Setting à 3) | Anonymous | T-802.317.971-8 | |
| 2 | Christ ist erstanden (Setting à 4) | Heinrich Isaac | — | |
| 3 | Christ ist erstanden (Setting à 5) | Heinrich Finck | — | |
| 4 | Christ ist erstanden (Setting à 5) | Stephan Mahu | — | |
| 5 | Christ ist erstanden "Auf Bergreihenweis" (Setting à 3) | Johann Walter | — | |
| 6 | Christ ist erstanden "Ad aequales" (Setting à 4) | Johann Walter | — | |
| 7 | Christ ist erstanden (Chorale à 4) | Michael Praetorius | — | |
| 8 | Christ ist erstanden, BWV 276 (Arr. for Chamber Ensemble) | Piffaro, The Renaissance Band | — | |
| 9 | Innsbruck, ich muess dich lassen "Instrumental Fantasy" (Arr. J. Kimball for Chamber Ensemble) | Anonymous | — | |
| 10 | Innsbruck, ich muess dich lassen "Canon in Tenor" (Arr. R. Wiemken for Chamber Ensemble) | Anonymous | — | |
| 11 | Innsbruck, ich muess dich lassen "Insprugk ick muss dich lassen" (Arr. for Chamber Ensemble) | Heinrich Isaac | — | |
| 12 | Innsbruck, ich muess dich lassen "Bruder conrads tantzmass und nachtan" | Anonymous | — | |
| 13 | A solis ortus cardine | Coelius Sedulius | — | |
| 14 | A solis ortus cardine | Anonymous | T-900.138.092-3 | |
| 15 | Christum wir sollen loben schon (Motet) | Johann Gottfried Walther | — | |
| 16 | Christum wir sollen loben schon (Hymnus) | Johann Gottfried Walther | — | |
| 17 | A solis ortus (Chorale) | Michael Praetorius | — | |
| 18 | A solis ortus (Motet) | Michael Praetorius | — | |
| 19 | A solis ortus (Canzona) | Samuel Scheidt | — | |
| 20 | Christum wir sollen loben schon, BWV 121 (Arr. for Chamber Ensemble) | Piffaro, The Renaissance Band | — | |
| 21 | Intrada | Johann Groh | T-001.145.743-4 | |
| 22 | Terpsichore: No. 283, Passameze in C Major | Michael Praetorius | — | |
| 23 | Allemande | Samuel Scheidt | — | |
| 24 | Terpsichore: No. 210, Volte in G Major | Michael Praetorius | T-050.374.283-3 | |
| 25 | Musica Dei donum optimi (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 26 | Prophetiae sibyllarum "Carmina chromatico": Prologue (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 27 | Mirabile mysterium (Arr. for Chamber Ensemble) | Jacobus Gallus | — | |
| 28 | Prophetiae sibyllarum "Carmina chromatico": No. 6, Sibylla Samia (Arr. for Chamber Ensemble) | Orlande de Lassus | — | |
| 29 | Da pacem, Domine (Arr. for Chamber Ensemble) | Melchior Franck | T-922.031.665-4 | |
| 30 | Melody "A Song from Andernach Along the Rhine" (Arr. J. Kimball for Chamber Ensemble) | Anonymous | — | |
| 31 | Tanndernac | Antoine Brumel | — | |
| 32 | Tandernaken op den Rijn | Anonymous, Pierre Alamire | — | |
| 33 | Harmonice musices odhecaton, Canti A: Nos. 75 & 76, Tandernaken (Arr. for Chamber Ensemble) | Jacob Obrecht | — | |
| 34 | Tandernack quinque | Ludwig Senfl | — | |
| 35 | Ballet des Aveugles, TMA 281 (Arr. J. Kimball for Chamber Ensemble) | Michael Praetorius | — | |
| 36 | Banchetto musicale: No. 22, Padouana à 4 | Johann Hermann Schein | — | |
| 37 | Terpsichore: No. 109, La rosette | Michael Praetorius | — | |
| 38 | Terpsichore: No. 2, Bransle simple de novelle, TMA 2 | Michael Praetorius | — |
