UPC · Release
Ensemble Reconsil, Roland Freisitzer
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The UPC for “Exploring the World” by Ensemble Reconsil, Roland Freisitzer is 9120040730383. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-02-05. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Driving Westward | — | ||
| 2 | Music for Eight Players | — | ||
| 3 | Tilim‐e‐Masud instrumental fragment | — | ||
| 4 | Routine Investigations | — | ||
| 5 | Tituba | — | ||
| 2-1 | Song‐Line (Lied Ohne Worte Nr. 2) | — | ||
| 2-2 | DRYSPELL…DELUGE | — | ||
| 2-3 | The Heart’s Ear | — | ||
| 2-4 | Narwala Gabarnmang | — | ||
| 2-5 | Gruppen im Dialog | — | ||
| 2-6 | Strange Attractions | — | ||
| 3-1 | blombos messages | — | ||
| 3-2 | Piano Concerto no. 2 “Boschpoort”: I. | — | ||
| 3-3 | Piano Concerto no. 2 “Boschpoort”: II. | — | ||
| 3-4 | Eight Plus One | — | ||
| 3-5 | ubu.ntu | — | ||
| 3-6 | Your Mother’s Molecules | — | ||
| 3-7 | Drei Fantasiebilder - Südafrika | — | ||
| 4-1 | D.I.E. | — | ||
| 4-2 | überflogen. | — | ||
| 4-3 | Cinco piezas métricas: Patterns | — | ||
| 4-4 | Cinco piezas métricas: Sancta Maria | — | ||
| 4-5 | Cinco piezas métricas: Metric Modulation | — | ||
| 4-6 | Cinco piezas métricas: Lento | — | ||
| 4-7 | Cinco piezas métricas: Hoquetus | — | ||
| 4-8 | Quandil | — | ||
| 4-9 | »..disparates y embelecos..« | — | ||
| 4-10 | Mokusei Gardens - A Viennese Notebook: Poco lento e calmo | — | ||
| 4-11 | Mokusei Gardens - A Viennese Notebook: Poco tranquillo ma scherzando | — | ||
| 4-12 | Mokusei Gardens - A Viennese Notebook: Con moto | — | ||
| 4-13 | Mokusei Gardens - A Viennese Notebook: Calmo | — | ||
| 4-14 | Mokusei Gardens - A Viennese Notebook: Vivo | — | ||
| 5-1 | 9pm Oxford Time | — | ||
| 5-2 | Hommash. Caprice (V) anglois - assez vicieux | — | ||
| 5-3 | Wenke | — | ||
| 5-4 | The Unrest‐Cure | — | ||
| 5-5 | all fall down | — | ||
| 5-6 | CRAAFFT | — | ||
| 6-1 | Nowhere, but now here | — | ||
| 6-2 | bar4974472code | — | ||
| 6-3 | Klar und unverhüllt liegt alles vor uns offen da | — | ||
| 6-4 | time unlocked | — | ||
| 6-5 | Invisible Curve | — | ||
| 6-6 | KODAMA | — | ||
| 7-1 | Envolturas | — | ||
| 7-2 | as if it were gravity / fish-babble (Müll I) | — | ||
| 7-3 | IMAGINE YOURSELF BEING PART OF THIS ENSEMBLE | — | ||
| 7-4 | Tu boz sta escura ... (Splitter für Ensemble): I. in tu candor - | — | ||
| 7-5 | Tu boz sta escura ... (Splitter für Ensemble): II. Tu boz sta escura ... | — | ||
| 7-6 | Tu boz sta escura ... (Splitter für Ensemble): III. nil' amaniana aviarta | — | ||
| 7-7 | Tu boz sta escura ... (Splitter für Ensemble): IV. tu piede pisa la nochi ... | — | ||
| 7-8 | Granite Lip | — | ||
| 7-9 | Iridescente | — | ||
| 8-1 | ISLANDS (may contain traces of kiwi bird) | — | ||
| 8-2 | waves and waves and ... | — | ||
| 8-3 | Dumb Objects | — | ||
| 8-4 | Gyri | — | ||
| 8-5 | Folds and Cases | — | ||
| 8-6 | Antipoden for Trombone and Ensemble | — | ||
| 9-1 | Zeitpfeil Nr. 2 (version February 2013) | — | ||
| 9-2 | Henderson Waves | — | ||
| 9-3 | Reconsil: Parts / Yuan | — | ||
| 9-4 | Fingerprints | — | ||
| 9-5 | Monk in Singapore | — | ||
| 9-6 | Singapore Sling - Music for Flute, Trombone and Six Musicians | — | ||
| 10-1 | DRUDENFUSS | — | ||
| 10-2 | Lasse’s Dream | — | ||
| 10-3 | Ouverture till Jan Louissa Quist: I. | — | ||
| 10-4 | Ouverture till Jan Louissa Quist: II. | — | ||
| 10-5 | Ouverture till Jan Louissa Quist: III. | — | ||
| 10-6 | Severina (oder das Seeungeheuer) | — | ||
| 10-7 | Red Antelopes | — | ||
| 10-8 | Rapiditá (Nr. 2 from “6 Proposte”) | — | ||
| 11-1 | Voice-colored dance | — | ||
| 11-2 | a Traum | — | ||
| 11-3 | 樂 絲 silk, 木 wood | — | ||
| 11-4 | Schwebend schweben | — | ||
| 11-5 | Falling Petals | — | ||
| 11-6 | SNOWDEN IN HONGKONG | — | ||
| 12-1 | Fluxus | — | ||
| 12-2 | Amasb. Fragment für acht Instrumente | — | ||
| 12-3 | Cubist Dances | — | ||
| 12-4 | Frende (revelações do príncipe do fogo) | — | ||
| 12-5 | Tempi Intermedi II | — | ||
| 12-6 | Paul | — | ||
| 13-1 | ... Das Licht scheint auf den Weg IV ... | — | ||
| 13-2 | Kompa | — | ||
| 13-3 | Wolkenspiel | — | ||
| 13-4 | Rejected Score for 38° | — | ||
| 13-5 | Entwürfe ... Skizzen ... | — | ||
| 13-6 | Shake It!! | — | ||
| 14-1 | RANKO(A)SIS II: TOP 10 songs I've never written | — | ||
| 14-2 | PARAMIRABO | — | ||
| 14-3 | Rondeau | — | ||
| 14-4 | mourning monarchs: I. Psyche (Feuerfalter) | — | ||
| 14-5 | mourning monarchs: II. A Praise of Sleep (Every Exit is an Entrance) | — | ||
| 14-6 | szenen für cello & ensemble | — | ||
| 14-7 | Immutable Dreams: I. "I feel the air of other planets ..." | — | ||
| 14-8 | Immutable Dreams: II. Microconcerto (in memoriam György Ligeti) | — | ||
| 14-9 | Immutable Dreams: III. Husks | — |
Creative Contributors (ISNI)
Credits Graph
9120040730383 is a Universal Product Code (UPC) assigned to Exploring the World by Ensemble Reconsil, Roland Freisitzer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Exploring the World” by Ensemble Reconsil, Roland Freisitzer is 9120040730383. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-02-05. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Driving Westward | — | ||
| 2 | Music for Eight Players | — | ||
| 3 | Tilim‐e‐Masud instrumental fragment | — | ||
| 4 | Routine Investigations | — | ||
| 5 | Tituba | — | ||
| 2-1 | Song‐Line (Lied Ohne Worte Nr. 2) | — | ||
| 2-2 | DRYSPELL…DELUGE | — | ||
| 2-3 | The Heart’s Ear | — | ||
| 2-4 | Narwala Gabarnmang | — | ||
| 2-5 | Gruppen im Dialog | — | ||
| 2-6 | Strange Attractions | — | ||
| 3-1 | blombos messages | — | ||
| 3-2 | Piano Concerto no. 2 “Boschpoort”: I. | — | ||
| 3-3 | Piano Concerto no. 2 “Boschpoort”: II. | — | ||
| 3-4 | Eight Plus One | — | ||
| 3-5 | ubu.ntu | — | ||
| 3-6 | Your Mother’s Molecules | — | ||
| 3-7 | Drei Fantasiebilder - Südafrika | — | ||
| 4-1 | D.I.E. | — | ||
| 4-2 | überflogen. | — | ||
| 4-3 | Cinco piezas métricas: Patterns | — | ||
| 4-4 | Cinco piezas métricas: Sancta Maria | — | ||
| 4-5 | Cinco piezas métricas: Metric Modulation | — | ||
| 4-6 | Cinco piezas métricas: Lento | — | ||
| 4-7 | Cinco piezas métricas: Hoquetus | — | ||
| 4-8 | Quandil | — | ||
| 4-9 | »..disparates y embelecos..« | — | ||
| 4-10 | Mokusei Gardens - A Viennese Notebook: Poco lento e calmo | — | ||
| 4-11 | Mokusei Gardens - A Viennese Notebook: Poco tranquillo ma scherzando | — | ||
| 4-12 | Mokusei Gardens - A Viennese Notebook: Con moto | — | ||
| 4-13 | Mokusei Gardens - A Viennese Notebook: Calmo | — | ||
| 4-14 | Mokusei Gardens - A Viennese Notebook: Vivo | — | ||
| 5-1 | 9pm Oxford Time | — | ||
| 5-2 | Hommash. Caprice (V) anglois - assez vicieux | — | ||
| 5-3 | Wenke | — | ||
| 5-4 | The Unrest‐Cure | — | ||
| 5-5 | all fall down | — | ||
| 5-6 | CRAAFFT | — | ||
| 6-1 | Nowhere, but now here | — | ||
| 6-2 | bar4974472code | — | ||
| 6-3 | Klar und unverhüllt liegt alles vor uns offen da | — | ||
| 6-4 | time unlocked | — | ||
| 6-5 | Invisible Curve | — | ||
| 6-6 | KODAMA | — | ||
| 7-1 | Envolturas | — | ||
| 7-2 | as if it were gravity / fish-babble (Müll I) | — | ||
| 7-3 | IMAGINE YOURSELF BEING PART OF THIS ENSEMBLE | — | ||
| 7-4 | Tu boz sta escura ... (Splitter für Ensemble): I. in tu candor - | — | ||
| 7-5 | Tu boz sta escura ... (Splitter für Ensemble): II. Tu boz sta escura ... | — | ||
| 7-6 | Tu boz sta escura ... (Splitter für Ensemble): III. nil' amaniana aviarta | — | ||
| 7-7 | Tu boz sta escura ... (Splitter für Ensemble): IV. tu piede pisa la nochi ... | — | ||
| 7-8 | Granite Lip | — | ||
| 7-9 | Iridescente | — | ||
| 8-1 | ISLANDS (may contain traces of kiwi bird) | — | ||
| 8-2 | waves and waves and ... | — | ||
| 8-3 | Dumb Objects | — | ||
| 8-4 | Gyri | — | ||
| 8-5 | Folds and Cases | — | ||
| 8-6 | Antipoden for Trombone and Ensemble | — | ||
| 9-1 | Zeitpfeil Nr. 2 (version February 2013) | — | ||
| 9-2 | Henderson Waves | — | ||
| 9-3 | Reconsil: Parts / Yuan | — | ||
| 9-4 | Fingerprints | — | ||
| 9-5 | Monk in Singapore | — | ||
| 9-6 | Singapore Sling - Music for Flute, Trombone and Six Musicians | — | ||
| 10-1 | DRUDENFUSS | — | ||
| 10-2 | Lasse’s Dream | — | ||
| 10-3 | Ouverture till Jan Louissa Quist: I. | — | ||
| 10-4 | Ouverture till Jan Louissa Quist: II. | — | ||
| 10-5 | Ouverture till Jan Louissa Quist: III. | — | ||
| 10-6 | Severina (oder das Seeungeheuer) | — | ||
| 10-7 | Red Antelopes | — | ||
| 10-8 | Rapiditá (Nr. 2 from “6 Proposte”) | — | ||
| 11-1 | Voice-colored dance | — | ||
| 11-2 | a Traum | — | ||
| 11-3 | 樂 絲 silk, 木 wood | — | ||
| 11-4 | Schwebend schweben | — | ||
| 11-5 | Falling Petals | — | ||
| 11-6 | SNOWDEN IN HONGKONG | — | ||
| 12-1 | Fluxus | — | ||
| 12-2 | Amasb. Fragment für acht Instrumente | — | ||
| 12-3 | Cubist Dances | — | ||
| 12-4 | Frende (revelações do príncipe do fogo) | — | ||
| 12-5 | Tempi Intermedi II | — | ||
| 12-6 | Paul | — | ||
| 13-1 | ... Das Licht scheint auf den Weg IV ... | — | ||
| 13-2 | Kompa | — | ||
| 13-3 | Wolkenspiel | — | ||
| 13-4 | Rejected Score for 38° | — | ||
| 13-5 | Entwürfe ... Skizzen ... | — | ||
| 13-6 | Shake It!! | — | ||
| 14-1 | RANKO(A)SIS II: TOP 10 songs I've never written | — | ||
| 14-2 | PARAMIRABO | — | ||
| 14-3 | Rondeau | — | ||
| 14-4 | mourning monarchs: I. Psyche (Feuerfalter) | — | ||
| 14-5 | mourning monarchs: II. A Praise of Sleep (Every Exit is an Entrance) | — | ||
| 14-6 | szenen für cello & ensemble | — | ||
| 14-7 | Immutable Dreams: I. "I feel the air of other planets ..." | — | ||
| 14-8 | Immutable Dreams: II. Microconcerto (in memoriam György Ligeti) | — | ||
| 14-9 | Immutable Dreams: III. Husks | — |
