UPC · Release
www.tism.wanker.com
TISM
Last verified:
9346948050297 is the Universal Product Code (UPC barcode) for the release “www.tism.wanker.com” by TISM, released 2023-01-01 on Genre B.Goode. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include AUOYO1800375, AUOYO1800376, AUOYO1800377.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Un-X-Files | — | ||
| 1 | (There’s Gonna Be) Sex Tonite | TISM | T-060.332.998-1 | |
| 2 | Whatareya? | TISM | T-060.332.852-4 | |
| 3 | Dumb ’n’ Base | TISM | T-060.332.844-4 | |
| 4 | Thunderbirds Are Coming Out | TISM | T-060.336.567-8 | |
| 5 | Been Caught Wankin’ | TISM | T-060.332.848-8 | |
| 6 | Denial Works for Me | TISM | T-060.332.845-5 | |
| 7 | The Parable of Glenn McGrath’s Haircut | TISM | T-060.332.851-3 | |
| 8 | I Might Be a Cunt, but I’m Not a Fucking Cunt | TISM | T-060.332.850-2 | |
| 9 | Yob | TISM | T-060.330.462-6 | |
| 10 | Great Expectorations | TISM | T-060.332.846-6 | |
| 11 | A Hard‐Earned Thirst Needs a Big Cold Beer, but I Drink to Get Pissed | TISM | T-060.332.849-9 | |
| 12 | The Men's Room | TISM | T-060.332.847-7 | |
| 13 | Kate — Fischer of Men | TISM | — | |
| 14 | My Brilliant Huntington's Chorea | — | ||
| 15 | Julius Seizure (Act III, Scene II, Verses 73-118) | — | ||
| 16 | Neighbours – Everybody Loves Good Neighbours | — | ||
| 17 | Rebel Without a Paunch | — | ||
| 18 | The Only Thing Stopping Me From Being Happy Is That I'm Not More Depressed | — | ||
| 19 | I Might Be a Cunt, but I'm Not a Fucking Cunt | — | ||
| 20 | Album Talk | — | ||
| 2-1 | Describe the Worst Head Job I’ve Had? — Fantastic! | TISM | — | |
| 2-2 | The Last Australian Guitar Hero | TISM | — | |
| 2-3 | The Apology of the Thai Drug Runner | TISM | — | |
| 2-4 | Opposite Day | TISM | — | |
| 2-5 | I Go Off | — | ||
| 2-6 | Untz | — | ||
| 2-7 | Drop the 'Tude | TISM | — | |
| 2-8 | Choose Lose | — | ||
| 2-9 | If You're Ugly Forget It (1996 demo) | — | ||
| 2-10 | Australia, the World's Suburb (1996 demo) | — | ||
| 2-11 | All My Favourite Footballers Are Crims (demo) | — | ||
| 2-12 | I Abhor This Senseless Waste of Violence (demo) | — | ||
| 2-13 | Classic Rock (demo) | — | ||
| 2-15 | Bash It Up Your Ginger (Writing session) | — | ||
| 2-16 | The Song of the Fat Lady (It Ain't Over 'til) (demo) | — | ||
| 2-17 | Professor Derrida Deconstructs | — | ||
| 2-18 | Ya Gotta Love That | TISM | — | |
| 3-1 | Desperate Secrets | — | ||
| 3-3 | Shut Up - The Footy's on the Radio (radio edit) | — | ||
| 3-4 | Untz... Untz... Untz... Untz... Untz... Untz... Untz... Untz... Untz... | — | ||
| 3-8 | Choose Lose (early vocal take) | — | ||
| 3-16 | A Hard Earned Thirst Needs a Big Cold Beer, but I Drink to Get Pissed (early vocal take) | — | ||
| 3-17 | Denial Works for Me (alternative early vocal take edit) | — | ||
| 3-19 | The Men's Room (instrumental Coda) | — | ||
| 4-1 | Choose Lose (early take) | — | ||
| 4-1 | Been Caught Wankin' (Writing session edit 1) | — | ||
| 4-2 | The Parable of Glenn McGrath's Haircut (early vocal take) | — | ||
| 4-4 | Opposite Day (early vocal take) | — | ||
| 4-5 | I Might Be a Cunt, but I'm Not a Fucking Cunt (Writing session edit 1) | — | ||
| 4-6 | One in All In (demo 1 & 2 Edits) | — | ||
| 4-7 | Wicked Sick (demo edit) | — | ||
| 4-8 | (There's Gonna Be) Sex Tonite (Writing session edit 1) | — | ||
| 4-9 | The Apology of the Thai Drug Runner (early vocal take) | — | ||
| 4-11 | Who Should Compere Wheel of Fortune (demo) | — | ||
| 4-12 | Dumb 'n' Base (instrumental edit) | — | ||
| 4-13 | Bildungsroman by the Fishshop, Late Saturday Night (demo edit) | — | ||
| 4-14 | The Last Australian Guitar Hero (early vocal take) | — | ||
| 4-15 | Been Caught Wankin' (Writing session edit 2) | — | ||
| 4-16 | I Might Be a Cunt, but I'm Not a Fucking Cunt (Writing session edit 2) | — | ||
| 4-17 | (There's Gonna Be) Sex Tonite (Writing session edit 2) | — | ||
| 4-18 | Yob (Abandoned single edit) | — | ||
| 4-19 | Pox Vopili (demo) | — | ||
| 4-21 | Whatareya? (Writing session edit 1) | — | ||
| 4-22 | Denial Works for Me (demo) | — | ||
| 4-23 | Thunderbirds Are Coming Out (Writing session edit) | — | ||
| 4-24 | Let's Do George Costanza (demo edit) | — | ||
| 4-25 | (There's Gonna Be) Sex Tonite (Writing session edit 3) | — | ||
| 4-26 | Denial Works for Me (early vocal take) | — | ||
| 4-27 | (There's Gonna Be) Sex Tonite (Writing session edit 4) | — | ||
| 4-28 | Whatareya? (Writing session edit 2) | — | ||
| 4-29 | The Men's Room (early vocal take) | — | ||
| 4-31 | I Might Be a Cunt, but I'm Not a Fucking Cunt (Raw Run Through) | — | ||
| 4-32 | (There's Gonna Be) Sex Tonite (Writing session edit 5) | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Drop the 'Tude | TISM | — |
| I Might Be a Cunt, but I'm Not a Fucking Cunt (karaoke mix) | TISM | T-060.332.850-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 9346948050297?
9346948050297 is a Universal Product Code (UPC) assigned to www.tism.wanker.com by TISM. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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