UPC · Release
By Request, Vol. 245
8-Bit Arcade
Last verified:
9358782749756 is the Universal Product Code (UPC barcode) for the release “By Request, Vol. 245” by 8-Bit Arcade, released 2024-02-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC. Tracks include AUXN22418389, AUXN22418390, AUXN22418391.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | act ii date @ 8 | 8-Bit Arcade | — | |
| 2 | AEIOU | 8-Bit Arcade | T-321.382.617-2 | |
| 3 | All Stand Together | 8-Bit Arcade | T-322.429.995-6 | |
| 4 | Aria 'Door' | 8-Bit Arcade | — | |
| 5 | B.O.M.B (Kaboom Ver.) | 8-Bit Arcade | T-321.304.371-7 | |
| 6 | Beautiful People (Stay High) | 8-Bit Arcade | T-323.136.253-7 | |
| 7 | Big Foot | 8-Bit Arcade | — | |
| 8 | Black Ice | 8-Bit Arcade | T-326.353.148-8 | |
| 9 | Blur | 8-Bit Arcade | T-325.316.341-2 | |
| 10 | Braveheart | 8-Bit Arcade | — | |
| 11 | Butterfly | 8-Bit Arcade | T-071.058.244-7 | |
| 12 | Carry Me Like Baby | 8-Bit Arcade | — | |
| 13 | Carry That Weight | 8-Bit Arcade | T-010.435.909-2 | |
| 14 | Come Together | 8-Bit Arcade | — | |
| 15 | Como Pancho Villa | 8-Bit Arcade | — | |
| 16 | Coulda Been Love | 8-Bit Arcade | — | |
| 17 | Days Can Turn Around | 8-Bit Arcade | — | |
| 18 | Dazzling | 8-Bit Arcade | T-321.819.290-2 | |
| 19 | Devil's Money | 8-Bit Arcade | T-323.875.333-4 | |
| 20 | Dramamine | 8-Bit Arcade | T-320.325.208-4 | |
| 21 | El Correcto | 8-Bit Arcade | T-323.818.924-3 | |
| 22 | Elevator Hum | 8-Bit Arcade | — | |
| 23 | Fighting My Demons | 8-Bit Arcade | — | |
| 24 | FIRST LOVE | 8-Bit Arcade | T-323.006.885-2 | |
| 25 | Friend of a Friend | 8-Bit Arcade | — | |
| 26 | Gimme That Garbage (Garbage Truck Song) | 8-Bit Arcade | — | |
| 27 | Higher | 8-Bit Arcade | T-915.679.573-2 | |
| 28 | Holy Ghost | 8-Bit Arcade | — | |
| 29 | Hurt Myself | 8-Bit Arcade | — | |
| 30 | I KNOW | 8-Bit Arcade | T-321.557.727-4 | |
| 31 | I Tried a Ring On | 8-Bit Arcade | — | |
| 32 | I'd Rather Overdose | 8-Bit Arcade | — | |
| 33 | IDGAF | 8-Bit Arcade | T-322.395.602-9 | |
| 34 | In My Head | 8-Bit Arcade | T-321.574.044-2 | |
| 35 | Jam of the Year | 8-Bit Arcade | — | |
| 36 | Japanese Cafe | 8-Bit Arcade | T-323.089.273-2 | |
| 37 | Joota Japani | 8-Bit Arcade | — | |
| 38 | Kalam Eineh | 8-Bit Arcade | — | |
| 39 | La La | 8-Bit Arcade | — | |
| 40 | Leave It Better Than You Found It | 8-Bit Arcade | — | |
| 41 | Let It Burn | 8-Bit Arcade | T-322.051.865-6 | |
| 42 | Let's Go | 8-Bit Arcade | — | |
| 43 | Lo Tienes Todo | 8-Bit Arcade | — | |
| 44 | LOU LOU | 8-Bit Arcade | — | |
| 45 | Love Wins All | 8-Bit Arcade | T-323.707.781-1 | |
| 46 | LoverFriend | 8-Bit Arcade | T-323.120.330-4 | |
| 47 | Mama's Boy | 8-Bit Arcade | — | |
| 48 | Million Cash | 8-Bit Arcade | — | |
| 49 | My Marmalade | 8-Bit Arcade | — | |
| 50 | Natalie | 8-Bit Arcade | T-909.547.632-7 | |
| 51 | Natural Magick | 8-Bit Arcade | T-319.020.146-4 | |
| 52 | NO MORE (MA BOY) | 8-Bit Arcade | — | |
| 53 | Northern Attitude | 8-Bit Arcade | T-312.806.881-1 | |
| 54 | Nothing to Declare | 8-Bit Arcade | T-323.366.784-6 | |
| 55 | Off Switch | 8-Bit Arcade | — | |
| 56 | Only Me | 8-Bit Arcade | — | |
| 57 | Open Scars | 8-Bit Arcade | — | |
| 58 | Osage Oil Boom (From "Killers of the Flower Moon") | 8-Bit Arcade | — | |
| 59 | Paper Right | 8-Bit Arcade | — | |
| 60 | Pickup Man | 8-Bit Arcade | — | |
| 61 | Pudiste Pero No Quisiste | 8-Bit Arcade | — | |
| 62 | Rain | 8-Bit Arcade | — | |
| 63 | Rajieen | 8-Bit Arcade | — | |
| 64 | Rein Raus | 8-Bit Arcade | T-800.574.974-7 | |
| 65 | Right Side of Wrong | 8-Bit Arcade | — | |
| 66 | Ron En El Piso | 8-Bit Arcade | — | |
| 67 | Run for Roses | 8-Bit Arcade | — | |
| 68 | Say Something | 8-Bit Arcade | T-315.374.295-7 | |
| 69 | Scared to Start | 8-Bit Arcade | — | |
| 70 | Selfish | 8-Bit Arcade | — | |
| 71 | Seven Minutes in Heaven | 8-Bit Arcade | — | |
| 72 | Sleepless Deathbed | 8-Bit Arcade | — | |
| 73 | Smack That | 8-Bit Arcade | T-073.025.329-8 | |
| 74 | Stumblin' In | 8-Bit Arcade | — | |
| 75 | SunSon | 8-Bit Arcade | T-324.185.596-5 | |
| 76 | Super Lady | 8-Bit Arcade | — | |
| 77 | Take Her Home | 8-Bit Arcade | — | |
| 78 | Te Mata | 8-Bit Arcade | T-321.998.265-3 | |
| 79 | The Hampster Dance Song | 8-Bit Arcade | — | |
| 80 | The People of the Dragon | 8-Bit Arcade | — | |
| 81 | There Will Come a Day | 8-Bit Arcade | T-322.162.832-2 | |
| 82 | There's Something in Roswell | 8-Bit Arcade | — | |
| 83 | These Four Walls | 8-Bit Arcade | — | |
| 84 | Thinking of Me | 8-Bit Arcade | — | |
| 85 | This Is the Thanks I Get (From "Wish") | 8-Bit Arcade | — | |
| 86 | Three Little Birds | 8-Bit Arcade | — | |
| 87 | TRUE (From "MY DEMON") | 8-Bit Arcade | — | |
| 88 | What Do I Got to Lose | 8-Bit Arcade | — | |
| 89 | wherever u r | 8-Bit Arcade | — | |
| 90 | Worldwide | 8-Bit Arcade | — | |
| 91 | WORTH IT | 8-Bit Arcade | — | |
| 92 | Yeah Right | 8-Bit Arcade | T-932.941.566-9 | |
| 93 | Yes or No | 8-Bit Arcade | T-323.355.801-1 | |
| 94 | Zhi Shi Tai Ai Ni | 8-Bit Arcade | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+22 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 9358782749756?
9358782749756 is a Universal Product Code (UPC) assigned to By Request, Vol. 245 by 8-Bit Arcade. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm