UPC · Release
The British Rock Explosion
Various Artists
Last verified:
9399279400620 is the Universal Product Code (UPC barcode) for the release “The British Rock Explosion” by Various Artists, released 1991-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYE0201642, GBF076520510, GBBBN6700001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’m a Tiger | — | ||
| 2 | I’m Into Something Good | Herman’s Hermits | T-070.919.023-7 | |
| 3 | Where Do You Go to My Lovely | — | ||
| 4 | How Do You Do It | — | ||
| 5 | You've Got Your Troubles | The Fortunes | T-010.433.488-4 | |
| 6 | That Same Old Feeling | — | ||
| 7 | Hippy Hippy Shake | — | ||
| 8 | I’m Telling You Now | — | ||
| 9 | Wild Thing | — | ||
| 10 | Silence Is Golden | — | ||
| 11 | Little Arrows | — | ||
| 12 | Tobacco Road | — | ||
| 13 | The Israelites | — | ||
| 14 | I Like It | — | ||
| 15 | Here It Comes Again | — | ||
| 16 | I Think of You | — | ||
| 17 | Good Golly Miss Molly | — | ||
| 18 | If You Gotta Make a Fool of Somebody | — | ||
| 19 | Everlasting Love | Love Affair | T-070.050.551-6 | |
| 20 | Jesamine | The Casuals | T-010.163.039-0 | |
| 21 | With a Girl Like You | The Troggs | T-010.138.806-0 | |
| 22 | Ferry Cross the Mersey | Gerry and the Pacemakers | — | |
| 23 | Terry | — | ||
| 24 | Out of Time | Chris Farlowe | T-010.065.905-9 | |
| 25 | Those Were the Days | Mary Hopkin | T-011.219.053-0 | |
| 2-1 | Yesterday’s Gone | — | ||
| 2-2 | Boom Bang‐A‐Bang | Lulu | T-010.433.550-3 | |
| 2-3 | Come Back and Shake Me | — | ||
| 2-4 | Ol La Di, Ob La Da | — | ||
| 2-5 | Rainbow | — | ||
| 2-6 | Juliette | — | ||
| 2-7 | Son of My Father | — | ||
| 2-8 | Winchester Cathedral (re‐recording) | New Vaudeville Band | T-010.162.632-7 | |
| 2-9 | Mirror, Mirror | — | ||
| 2-10 | You Were on My Mind | — | ||
| 2-11 | Pied Piper | — | ||
| 2-12 | Billy Don't Be a Hero | Paper Lace | T-010.173.826-4 | |
| 2-13 | The Night Chicago Died | Paper Lace | T-010.174.058-2 | |
| 2-14 | Early in the Morning | — | ||
| 2-15 | Hitchin’ a Ride | Vanity Fare | T-070.939.611-1 | |
| 2-16 | Do You Love Me | — | ||
| 2-17 | Someone Someone | — | ||
| 2-18 | Twist & Shout | — | ||
| 2-19 | Candy Man | — | ||
| 2-20 | Love Grows (Where My Rosemary Goes) | Edison Lighthouse | T-010.438.108-9 | |
| 2-21 | Just Like Eddie | Heinz | T-010.449.541-1 | |
| 2-22 | Ann’t Misbehavin’ | — | ||
| 2-23 | My Friend Jack | — | ||
| 2-24 | Baby, Now That I’ve Found You | The Foundations | T-010.435.093-7 | |
| 2-25 | Build Me Up, Buttercup | The Foundations | T-010.437.753-8 | |
| 3-1 | To Sir With Love | — | ||
| 3-2 | Silhouettes | — | ||
| 3-3 | The House of the Rising Sun | — | ||
| 3-4 | Three Cool Cats | — | ||
| 3-5 | Sorrow | — | ||
| 3-6 | You Don’t Have to Be a Baby to Cry | — | ||
| 3-7 | Yellow River | Christie | T-900.116.104-2 | |
| 3-8 | Walking Back to Happiness | — | ||
| 3-9 | Please Don’t Treat Me Like a Child | — | ||
| 3-10 | Tossin’ and Turnin’ | The Ivy League | T-900.010.005-0 | |
| 3-11 | Are You Sure | — | ||
| 3-12 | The Lament of the Cherokee Reservation Indian | — | ||
| 3-13 | Have I the Right? | — | ||
| 3-14 | Little Children | — | ||
| 3-15 | From a Window | — | ||
| 3-16 | Trains & Boats & Planes | — | ||
| 3-17 | Boys Cry | — | ||
| 3-18 | Angel Face | — | ||
| 3-19 | Goodbye My Love | — | ||
| 3-20 | Um Um Um Um Um | — | ||
| 3-21 | The Game of Love | — | ||
| 3-22 | Come on Home | — | ||
| 3-23 | Pamela Pamela | — | ||
| 3-24 | A Groovy Kind of Love | The Mindbenders | T-010.498.260-6 | |
| 3-25 | He’s in Town | — | ||
| 4-1 | Shout | — | ||
| 4-2 | Somewhere | — | ||
| 4-3 | Baby Come Back | — | ||
| 4-4 | Viva Bobby Joe | — | ||
| 4-5 | Sugar Baby Love | The Rubettes | T-010.013.173-4 | |
| 4-6 | Juke Box Jive | — | ||
| 4-7 | In the Summertime | Mungo Jerry | T-010.166.177-1 | |
| 4-8 | Baby Jump | Mungo Jerry | T-010.169.267-4 | |
| 4-9 | Lady Rose | — | ||
| 4-10 | Alright, Alright, Alright | — | ||
| 4-11 | Do You Want to Know a Secret | — | ||
| 4-12 | Bad to Me | — | ||
| 4-13 | I’ll Keep You Satisfied | — | ||
| 4-14 | Rainbow Valley | — | ||
| 4-15 | Maria | — | ||
| 4-16 | You’ll Never Walk Alone | — | ||
| 4-17 | Don’t Let Me Be Misunderstood | — | ||
| 4-18 | We Gotta Get Out of This Place | — | ||
| 4-19 | Money | — | ||
| 4-20 | There’s a Kind of Hush | Herman’s Hermits | T-010.093.072-0 | |
| 4-21 | Leaning on a Lamp Post | — | ||
| 4-22 | Tallahassie Lassie | — | ||
| 4-23 | Mrs Brown You’ve Got a Lovely Daughter | — | ||
| 4-24 | I’m Henry VIII I Am | — | ||
| 4-25 | Chaquita | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ferry Cross the Mersey | Gerry and the Pacemakers | T-900.009.506-7 |
| Ferry Cross the Mersey | Gerry and the Pacemakers | — |
| Ferry Cross the Mersey | Gerry and the Pacemakers | — |
| Baby Now That I’ve Found You | The Foundations | T-010.435.093-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+29 more
Identifier Graph
People also ask
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What is UPC 9399279400620?
9399279400620 is a Universal Product Code (UPC) assigned to The British Rock Explosion by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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