UPC · Release
Various Artists
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The UPC for “Norton Recorded Anthology of Western Music, Concise Version” by Various Artists is 9740393100598. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. This release contains 248 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Epitaph of Seikilos | — | ||
| 2 | Mass for Christmas Day: Kyrie | — | ||
| 3 | Mass for Christmas Day: Agnus Dei | — | ||
| 4 | Office of Second Vespers, Nativity of Our Lord 1 | — | ||
| 5 | Office of Second Vespers, Nativity of Our Lord 2 | — | ||
| 6 | Sequence for the Solemn Mass of Easter Day: Victimae paschali laudes | — | ||
| 7 | Ordo virtutum: In principio omnes 1 | — | ||
| 8 | Ordo virtutum: In principio omnes 2 | — | ||
| 9 | Can vei la lauzeta mover | — | ||
| 10 | Organum: Alleluia Justus ut palma | — | ||
| 11 | Organum quadruplum: Sederunt (excerpt) 1 | — | ||
| 12 | Organum quadruplum: Sederunt (excerpt) 2 | — | ||
| 13 | Organum quadruplum: Sederunt (excerpt) 3 | — | ||
| 14 | Motet: Amours mi font/En mai/Flos Filius eius | — | ||
| 15 | Rondeau: Rose, liz, printemps, verdure 1 | — | ||
| 16 | Rondeau: Rose, liz, printemps, verdure 2 | — | ||
| 17 | Rondeau: Rose, liz, printemps, verdure 3 | — | ||
| 18 | Mass: Agnus Dei 1 | — | ||
| 19 | Mass: Agnus Dei 2 | — | ||
| 20 | Mass: Agnus Dei 3 | — | ||
| 21 | Ballata: Non avra ma' pieta 1 | — | ||
| 22 | Ballata: Non avra ma' pieta 2 | — | ||
| 23 | Ballata: Non avra ma' pieta 3 | — | ||
| 24 | Motet: Quam pulchra es | — | ||
| 25 | Ballade: Se la face ay pale | — | ||
| 26 | Missa Se la face ay pale 1 | — | ||
| 27 | Missa Se la face ay pale 2 | — | ||
| 28 | Missa Se la face ay pale 3 | — | ||
| 29 | Missa Se la face ay pale 4 | — | ||
| 30 | Missa Se la face ay pale 5 | — | ||
| 31 | Missa Se la face ay pale 6 | — | ||
| 32 | Rondeau: De plus en plus 1 | — | ||
| 33 | Rondeau: De plus en plus 2 | — | ||
| 34 | Missa Pange lingua: Kyrie 1 | — | ||
| 35 | Missa Pange lingua: Kyrie 2 | — | ||
| 36 | Missa Pange lingua: Kyrie 3 | — | ||
| 37 | Motet: De profundis clamavi ad te 1 | — | ||
| 38 | Motet: De profundis clamavi ad te 2 | — | ||
| 39 | Motet: De profundis clamavi ad te 3 | — | ||
| 40 | Motet: De profundis clamavi ad te 4 | — | ||
| 41 | Madrigal: Il bianco e dolce cigno 1 | — | ||
| 42 | Madrigal: Il bianco e dolce cigno 2 | — | ||
| 43 | Madrigal: Da le belle contrade d'oriente 1 | — | ||
| 44 | Madrigal: Da le belle contrade d'oriente 2 | — | ||
| 45 | Madrigal: Da le belle contrade d'oriente 3 | — | ||
| 46 | Chanson: Tant que vivray 1 | — | ||
| 47 | Chanson: Tant que vivray 2 | — | ||
| 48 | Madrigal: O Care, thou wilt despatch me 1 | — | ||
| 49 | Madrigal: O Care, thou wilt despatch me 2 | — | ||
| 50 | Madrigal: O Care, thou wilt despatch me 3 | — | ||
| 51 | Madrigal: O Care, thou wilt despatch me 4 | — | ||
| 52 | Air: Flow, my tears 1 | — | ||
| 53 | Air: Flow, my tears 2 | — | ||
| 54 | Air: Flow, my tears 3 | — | ||
| 55 | Danseries a 4 parties, Second Livre: Basse danse (No. 1) | — | ||
| 56 | Branle gay: Que je chatoulle ta fossette (No. 36) | — | ||
| 2-1 | Pavana Lachrymae 1 | — | ||
| 2-2 | Pavana Lachrymae 2 | — | ||
| 2-3 | Pavana Lachrymae 3 | — | ||
| 2-4 | Pope Marcellus Mass: Agnus Dei I | — | ||
| 2-5 | Motet: Tristis est anima mea 1 | — | ||
| 2-6 | Motet: Tristis est anima mea 2 | — | ||
| 2-7 | Motet: Tristis est anima mea 3 | — | ||
| 2-8 | Motet: Tristis est anima mea 4 | — | ||
| 2-9 | Full Anthem: Sing joyfully unto God 1 | — | ||
| 2-10 | Full Anthem: Sing joyfully unto God 2 | — | ||
| 2-11 | Full Anthem: Sing joyfully unto God 3 | — | ||
| 2-12 | Full Anthem: Sing joyfully unto God 4 | — | ||
| 2-13 | Madrigal: Cruda Amarilli 1 | — | ||
| 2-14 | Madrigal: Cruda Amarilli 2 | — | ||
| 2-15 | Madrigal: Cruda Amarilli 3 | — | ||
| 2-16 | Madrigal: Cruda Amarilli 4 | — | ||
| 2-17 | Madrigal: Cruda Amarilli 5 | — | ||
| 2-18 | L'Orfeo: Vi ricorda 1 | — | ||
| 2-19 | L'Orfeo: Vi ricorda 2 | — | ||
| 2-20 | L'Orfeo: In un fiorito prato 1 | — | ||
| 2-21 | L'Orfeo: In un fiorito prato 2 | — | ||
| 2-22 | L'Orfeo: In un fiorito prato 3 | — | ||
| 2-23 | L'Orfeo: In un fiorito prato 4 | — | ||
| 2-24 | L'Orfeo: In un fiorito prato 5 | — | ||
| 2-25 | L'Orfeo: In un fiorito prato 6 | — | ||
| 2-26 | L'Orfeo: In un fiorito prato 7 | — | ||
| 2-27 | Saul, was verfolgst du mich 1 | — | ||
| 2-28 | Saul, was verfolgst du mich 2 | — | ||
| 2-29 | Toccata No. 3 | — | ||
| 2-30 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 1 | — | ||
| 2-31 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 2 | — | ||
| 2-32 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 3 | — | ||
| 2-33 | Vingt-cinquieme ordre: No. 3 | — | ||
| 2-34 | Vingt-cinquieme ordre: No. 4 | — | ||
| 2-35 | Trio Sonata, Op. 3, No. 2: Third Movement | — | ||
| 2-36 | Trio Sonata, Op. 3, No. 2: Fourth Movement 1 | — | ||
| 2-37 | Trio Sonata, Op. 3, No. 2: Fourth Movement 2 | — | ||
| 2-38 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 1 | — | ||
| 2-39 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 2 | — | ||
| 2-40 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 3 | — | ||
| 2-41 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 4 | — | ||
| 2-42 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 5 | — | ||
| 2-43 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 6 | — | ||
| 2-44 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 7 | — | ||
| 2-45 | Hippolyte et Aricie: Act IV, Scene I: Ah! faut-il | — | ||
| 2-46 | Praeludium et Fuga in A Minor, BWV 543 1 | — | ||
| 2-47 | Praeludium et Fuga in A Minor, BWV 543 2 | — | ||
| 2-48 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 1 | — | ||
| 2-49 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 2 | — | ||
| 2-50 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 3 | — | ||
| 2-51 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 4 | — | ||
| 2-52 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 5 | — | ||
| 2-53 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 1 | — | ||
| 2-54 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 2 | — | ||
| 2-55 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 3 | — | ||
| 2-56 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 4 | — | ||
| 2-57 | Giulio Cesare: Act II, Scene 2: V'adoro pupille | — | ||
| 3-1 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 1 | — | ||
| 3-2 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 2 | — | ||
| 3-3 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 3 | — | ||
| 3-4 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 4 | — | ||
| 3-5 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 5 | — | ||
| 3-6 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 6 | — | ||
| 3-7 | Sonata in D Major, K. 119 1 | — | ||
| 3-8 | Sonata in D Major, K. 119 2 | — | ||
| 3-9 | Sonata in A Major, Wq. 55/4: Second Movement 1 | — | ||
| 3-10 | Sonata in A Major, Wq. 55/4: Second Movement 2 | — | ||
| 3-11 | Symphony No. 56 in C Major: First Movement 1 | — | ||
| 3-12 | Symphony No. 56 in C Major: First Movement 2 | — | ||
| 3-13 | Symphony No. 56 in C Major: First Movement 3 | — | ||
| 3-14 | Symphony No. 56 in C Major: First Movement 4 | — | ||
| 3-15 | Symphony No. 56 in C Major: First Movement 5 | — | ||
| 3-16 | Symphony No. 56 in C Major: First Movement 6 | — | ||
| 3-17 | Symphony No. 56 in C Major: First Movement 7 | — | ||
| 3-18 | String Quartet, Op. 33, No. 2: Finale 1 | — | ||
| 3-19 | String Quartet, Op. 33, No. 2: Finale 2 | — | ||
| 3-20 | String Quartet, Op. 33, No. 2: Finale 3 | — | ||
| 3-21 | String Quartet, Op. 33, No. 2: Finale 4 | — | ||
| 3-22 | String Quartet, Op. 33, No. 2: Finale 5 | — | ||
| 3-23 | String Quartet, Op. 33, No. 2: Finale 6 | — | ||
| 3-24 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 1 | — | ||
| 3-25 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 2 | — | ||
| 3-26 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 3 | — | ||
| 3-27 | Don Giovanni, Act I, Scene 5: Madamina! Il catalogo e questo 1 | — | ||
| 3-28 | Don Giovanni, Act I, Scene 5: Madamina! Il catalogo e questo 2 | — | ||
| 3-29 | Piano Sonata, Op. 13 (Pathetique): Third Movement 1 | — | ||
| 3-30 | Piano Sonata, Op. 13 (Pathetique): Third Movement 2 | — | ||
| 3-31 | Piano Sonata, Op. 13 (Pathetique): Third Movement 3 | — | ||
| 3-32 | Piano Sonata, Op. 13 (Pathetique): Third Movement 4 | — | ||
| 3-33 | Piano Sonata, Op. 13 (Pathetique): Third Movement 5 | — | ||
| 3-34 | Piano Sonata, Op. 13 (Pathetique): Third Movement 6 | — | ||
| 3-35 | Piano Sonata, Op. 13 (Pathetique): Third Movement 7 | — | ||
| 3-36 | Piano Sonata, Op. 13 (Pathetique): Third Movement 8 | — | ||
| 3-37 | Piano Sonata, Op. 13 (Pathetique): Third Movement 9 | — | ||
| 3-38 | Piano Sonata, Op. 13 (Pathetique): Third Movement 10 | — | ||
| 3-39 | String Quartet in C-sharp Minor, Op. 131: First Movement 1 | — | ||
| 3-40 | String Quartet in C-sharp Minor, Op. 131: First Movement 2 | — | ||
| 3-41 | String Quartet in C-sharp Minor, Op. 131: First Movement 3 | — | ||
| 3-42 | String Quartet in C-sharp Minor, Op. 131: Second Movement | — | ||
| 3-43 | Symphonie fantastique: Fourth Movement 1 | — | ||
| 3-44 | Symphonie fantastique: Fourth Movement 2 | — | ||
| 3-45 | Symphonie fantastique: Fourth Movement 3 | — | ||
| 3-46 | Symphonie fantastique: Fourth Movement 4 | — | ||
| 3-47 | Symphonie fantastique: Fourth Movement 5 | — | ||
| 3-48 | Symphonie fantastique: Fourth Movement 6 | — | ||
| 3-49 | Phantasiestucke, Op. 12: No. 4: Grillen 1 | — | ||
| 3-50 | Phantasiestucke, Op. 12: No. 4: Grillen 2 | — | ||
| 3-51 | Phantasiestucke, Op. 12: No. 4: Grillen 3 | — | ||
| 3-52 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 3-53 | Trois etudes de concert, No. 3: Un sospiro 1 | — | ||
| 3-54 | Trois etudes de concert, No. 3: Un sospiro 2 | — | ||
| 3-55 | Trois etudes de concert, No. 3: Un sospiro 3 | — | ||
| 3-56 | Trois etudes de concert, No. 3: Un sospiro 4 | — | ||
| 3-57 | Trois etudes de concert, No. 3: Un sospiro 5 | — | ||
| 3-58 | Lied: Gretchen am Spinnrade 1 | — | ||
| 3-59 | Lied: Gretchen am Spinnrade 2 | — | ||
| 3-60 | Lied: Gretchen am Spinnrade 3 | — | ||
| 3-61 | Lied: Gretchen am Spinnrade 4 | — | ||
| 3-62 | Lied: Gretchen am Spinnrade 5 | — | ||
| 3-63 | La traviata: Act III: Scena | — | ||
| 3-64 | La traviata: Act III: Duet 1 | — | ||
| 3-65 | La traviata: Act III: Duet 2 | — | ||
| 3-66 | La traviata: Act III: Duet 3 | — | ||
| 4-1 | Tristan und Isolde: Act I, Scene 5 (excerpt) 1 | — | ||
| 4-2 | Tristan und Isolde: Act I, Scene 5 (excerpt) 2 | — | ||
| 4-3 | Tristan und Isolde: Act I, Scene 5 (excerpt) 3 | — | ||
| 4-4 | Tristan und Isolde: Act I, Scene 5 (excerpt) 4 | — | ||
| 4-5 | Tristan und Isolde: Act I, Scene 5 (excerpt) 5 | — | ||
| 4-6 | Tristan und Isolde: Act I, Scene 5 (excerpt) 6 | — | ||
| 4-7 | Tristan und Isolde: Act I, Scene 5 (excerpt) 7 | — | ||
| 4-8 | Tristan und Isolde: Act I, Scene 5 (excerpt) 8 | — | ||
| 4-9 | Tristan und Isolde: Act I, Scene 5 (excerpt) 9 | — | ||
| 4-10 | Kindertotenlieder: No. 1: Nun will die Sonn' so hell aufgeh'n 1 | — | ||
| 4-11 | Kindertotenlieder: No. 1: Nun will die Sonn' so hell aufgeh'n 2 | — | ||
| 4-12 | Don Quixote: Theme and Variations I 1 | — | ||
| 4-13 | Don Quixote: Theme and Variations I 2 | — | ||
| 4-14 | Don Quixote: Theme and Variations I 3 | — | ||
| 4-15 | Don Quixote: Theme and Variations II 1 | — | ||
| 4-16 | Don Quixote: Theme and Variations II 2 | — | ||
| 4-17 | Don Quixote: Theme and Variations II 3 | — | ||
| 4-18 | Trois Nocturnes: Nuages 1 | — | ||
| 4-19 | Trois Nocturnes: Nuages 2 | — | ||
| 4-20 | Trois Nocturnes: Nuages 3 | — | ||
| 4-21 | Trois Nocturnes: Nuages 4 | — | ||
| 4-22 | Trois Nocturnes: Nuages 5 | — | ||
| 4-23 | Trois Nocturnes: Nuages 6 | — | ||
| 4-24 | Music for Strings, Percussion, and Celesta: Third Movement 1 | — | ||
| 4-25 | Music for Strings, Percussion, and Celesta: Third Movement 2 | — | ||
| 4-26 | Music for Strings, Percussion, and Celesta: Third Movement 3 | — | ||
| 4-27 | Music for Strings, Percussion, and Celesta: Third Movement 4 | — | ||
| 4-28 | Music for Strings, Percussion, and Celesta: Third Movement 5 | — | ||
| 4-29 | Music for Strings, Percussion, and Celesta: Third Movement 6 | — | ||
| 4-30 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 1 | — | ||
| 4-31 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 2 | — | ||
| 4-32 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 3 | — | ||
| 4-33 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 4 | — | ||
| 4-34 | Le Sacre du printemps: Danse des adolescentes 1 | — | ||
| 4-35 | Le Sacre du printemps: Danse des adolescentes 2 | — | ||
| 4-36 | Le Sacre du printemps: Danse des adolescentes 3 | — | ||
| 4-37 | Le Sacre du printemps: Danse des adolescentes 4 | — | ||
| 4-38 | Variationen fuer Orchester, Op. 31: Theme and Variation VI 1 | — | ||
| 4-39 | Variationen fuer Orchester, Op. 31: Theme and Variation VI 2 | — | ||
| 4-40 | Wozzeck: Act III, Scene 3 1 | — | ||
| 4-41 | Wozzeck: Act III, Scene 3 2 | — | ||
| 4-42 | Wozzeck: Act III, Scene 3 3 | — | ||
| 4-43 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 1 | — | ||
| 4-44 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 2 | — | ||
| 4-45 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 3 | — | ||
| 4-46 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 4 | — | ||
| 4-47 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 5 | — | ||
| 4-48 | They Are There! 1 | — | ||
| 4-49 | They Are There! 2 | — | ||
| 4-50 | They Are There! 3 | — | ||
| 4-51 | Appalachian Spring: excerpt 1 | — | ||
| 4-52 | Appalachian Spring: excerpt 2 | — | ||
| 4-53 | Appalachian Spring: excerpt 3 | — | ||
| 4-54 | Appalachian Spring: excerpt 4 | — | ||
| 4-55 | Appalachian Spring: excerpt 5 | — | ||
| 4-56 | Afro-American Symphony: Third Movement 1 | — | ||
| 4-57 | Afro-American Symphony: Third Movement 2 | — | ||
| 4-58 | Afro-American Symphony: Third Movement 3 | — | ||
| 4-59 | Philomel: Section I 1 | — | ||
| 4-60 | Philomel: Section I 2 | — | ||
| 4-61 | Philomel: Section I 3 | — | ||
| 4-62 | Philomel: Section I 4 | — | ||
| 4-63 | Philomel: Section I 5 | — | ||
| 4-64 | Phrygian Gates: measures 1-269 1 | — | ||
| 4-65 | Phrygian Gates: measures 1-269 2 | — | ||
| 4-66 | Phrygian Gates: measures 1-269 3 | — | ||
| 4-67 | Phrygian Gates: measures 1-269 4 | — | ||
| 4-68 | Phrygian Gates: measures 1-269 5 | — | ||
| 4-69 | Phrygian Gates: measures 1-269 6 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
9740393100598 is a Universal Product Code (UPC) assigned to Norton Recorded Anthology of Western Music, Concise Version by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 248 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Norton Recorded Anthology of Western Music, Concise Version” by Various Artists is 9740393100598. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. This release contains 248 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Epitaph of Seikilos | — | ||
| 2 | Mass for Christmas Day: Kyrie | — | ||
| 3 | Mass for Christmas Day: Agnus Dei | — | ||
| 4 | Office of Second Vespers, Nativity of Our Lord 1 | — | ||
| 5 | Office of Second Vespers, Nativity of Our Lord 2 | — | ||
| 6 | Sequence for the Solemn Mass of Easter Day: Victimae paschali laudes | — | ||
| 7 | Ordo virtutum: In principio omnes 1 | — | ||
| 8 | Ordo virtutum: In principio omnes 2 | — | ||
| 9 | Can vei la lauzeta mover | — | ||
| 10 | Organum: Alleluia Justus ut palma | — | ||
| 11 | Organum quadruplum: Sederunt (excerpt) 1 | — | ||
| 12 | Organum quadruplum: Sederunt (excerpt) 2 | — | ||
| 13 | Organum quadruplum: Sederunt (excerpt) 3 | — | ||
| 14 | Motet: Amours mi font/En mai/Flos Filius eius | — | ||
| 15 | Rondeau: Rose, liz, printemps, verdure 1 | — | ||
| 16 | Rondeau: Rose, liz, printemps, verdure 2 | — | ||
| 17 | Rondeau: Rose, liz, printemps, verdure 3 | — | ||
| 18 | Mass: Agnus Dei 1 | — | ||
| 19 | Mass: Agnus Dei 2 | — | ||
| 20 | Mass: Agnus Dei 3 | — | ||
| 21 | Ballata: Non avra ma' pieta 1 | — | ||
| 22 | Ballata: Non avra ma' pieta 2 | — | ||
| 23 | Ballata: Non avra ma' pieta 3 | — | ||
| 24 | Motet: Quam pulchra es | — | ||
| 25 | Ballade: Se la face ay pale | — | ||
| 26 | Missa Se la face ay pale 1 | — | ||
| 27 | Missa Se la face ay pale 2 | — | ||
| 28 | Missa Se la face ay pale 3 | — | ||
| 29 | Missa Se la face ay pale 4 | — | ||
| 30 | Missa Se la face ay pale 5 | — | ||
| 31 | Missa Se la face ay pale 6 | — | ||
| 32 | Rondeau: De plus en plus 1 | — | ||
| 33 | Rondeau: De plus en plus 2 | — | ||
| 34 | Missa Pange lingua: Kyrie 1 | — | ||
| 35 | Missa Pange lingua: Kyrie 2 | — | ||
| 36 | Missa Pange lingua: Kyrie 3 | — | ||
| 37 | Motet: De profundis clamavi ad te 1 | — | ||
| 38 | Motet: De profundis clamavi ad te 2 | — | ||
| 39 | Motet: De profundis clamavi ad te 3 | — | ||
| 40 | Motet: De profundis clamavi ad te 4 | — | ||
| 41 | Madrigal: Il bianco e dolce cigno 1 | — | ||
| 42 | Madrigal: Il bianco e dolce cigno 2 | — | ||
| 43 | Madrigal: Da le belle contrade d'oriente 1 | — | ||
| 44 | Madrigal: Da le belle contrade d'oriente 2 | — | ||
| 45 | Madrigal: Da le belle contrade d'oriente 3 | — | ||
| 46 | Chanson: Tant que vivray 1 | — | ||
| 47 | Chanson: Tant que vivray 2 | — | ||
| 48 | Madrigal: O Care, thou wilt despatch me 1 | — | ||
| 49 | Madrigal: O Care, thou wilt despatch me 2 | — | ||
| 50 | Madrigal: O Care, thou wilt despatch me 3 | — | ||
| 51 | Madrigal: O Care, thou wilt despatch me 4 | — | ||
| 52 | Air: Flow, my tears 1 | — | ||
| 53 | Air: Flow, my tears 2 | — | ||
| 54 | Air: Flow, my tears 3 | — | ||
| 55 | Danseries a 4 parties, Second Livre: Basse danse (No. 1) | — | ||
| 56 | Branle gay: Que je chatoulle ta fossette (No. 36) | — | ||
| 2-1 | Pavana Lachrymae 1 | — | ||
| 2-2 | Pavana Lachrymae 2 | — | ||
| 2-3 | Pavana Lachrymae 3 | — | ||
| 2-4 | Pope Marcellus Mass: Agnus Dei I | — | ||
| 2-5 | Motet: Tristis est anima mea 1 | — | ||
| 2-6 | Motet: Tristis est anima mea 2 | — | ||
| 2-7 | Motet: Tristis est anima mea 3 | — | ||
| 2-8 | Motet: Tristis est anima mea 4 | — | ||
| 2-9 | Full Anthem: Sing joyfully unto God 1 | — | ||
| 2-10 | Full Anthem: Sing joyfully unto God 2 | — | ||
| 2-11 | Full Anthem: Sing joyfully unto God 3 | — | ||
| 2-12 | Full Anthem: Sing joyfully unto God 4 | — | ||
| 2-13 | Madrigal: Cruda Amarilli 1 | — | ||
| 2-14 | Madrigal: Cruda Amarilli 2 | — | ||
| 2-15 | Madrigal: Cruda Amarilli 3 | — | ||
| 2-16 | Madrigal: Cruda Amarilli 4 | — | ||
| 2-17 | Madrigal: Cruda Amarilli 5 | — | ||
| 2-18 | L'Orfeo: Vi ricorda 1 | — | ||
| 2-19 | L'Orfeo: Vi ricorda 2 | — | ||
| 2-20 | L'Orfeo: In un fiorito prato 1 | — | ||
| 2-21 | L'Orfeo: In un fiorito prato 2 | — | ||
| 2-22 | L'Orfeo: In un fiorito prato 3 | — | ||
| 2-23 | L'Orfeo: In un fiorito prato 4 | — | ||
| 2-24 | L'Orfeo: In un fiorito prato 5 | — | ||
| 2-25 | L'Orfeo: In un fiorito prato 6 | — | ||
| 2-26 | L'Orfeo: In un fiorito prato 7 | — | ||
| 2-27 | Saul, was verfolgst du mich 1 | — | ||
| 2-28 | Saul, was verfolgst du mich 2 | — | ||
| 2-29 | Toccata No. 3 | — | ||
| 2-30 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 1 | — | ||
| 2-31 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 2 | — | ||
| 2-32 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda/When I am laid in earth 3 | — | ||
| 2-33 | Vingt-cinquieme ordre: No. 3 | — | ||
| 2-34 | Vingt-cinquieme ordre: No. 4 | — | ||
| 2-35 | Trio Sonata, Op. 3, No. 2: Third Movement | — | ||
| 2-36 | Trio Sonata, Op. 3, No. 2: Fourth Movement 1 | — | ||
| 2-37 | Trio Sonata, Op. 3, No. 2: Fourth Movement 2 | — | ||
| 2-38 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 1 | — | ||
| 2-39 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 2 | — | ||
| 2-40 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 3 | — | ||
| 2-41 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 4 | — | ||
| 2-42 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 5 | — | ||
| 2-43 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 6 | — | ||
| 2-44 | Concerto Grosso in G Minor, Op. 3, No. 2: Second Movement 7 | — | ||
| 2-45 | Hippolyte et Aricie: Act IV, Scene I: Ah! faut-il | — | ||
| 2-46 | Praeludium et Fuga in A Minor, BWV 543 1 | — | ||
| 2-47 | Praeludium et Fuga in A Minor, BWV 543 2 | — | ||
| 2-48 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 1 | — | ||
| 2-49 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 2 | — | ||
| 2-50 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 3 | — | ||
| 2-51 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 4 | — | ||
| 2-52 | Cantata: Wachet auf, ruft uns die Stimme, BWV 140: First Movement 5 | — | ||
| 2-53 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 1 | — | ||
| 2-54 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 2 | — | ||
| 2-55 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 3 | — | ||
| 2-56 | Giulio Cesare: Act II, Scene 2: V'adoro pupille 4 | — | ||
| 2-57 | Giulio Cesare: Act II, Scene 2: V'adoro pupille | — | ||
| 3-1 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 1 | — | ||
| 3-2 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 2 | — | ||
| 3-3 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 3 | — | ||
| 3-4 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 4 | — | ||
| 3-5 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 5 | — | ||
| 3-6 | La serva padrona: Ah quanto mi sta male/Son imbrogliato io 6 | — | ||
| 3-7 | Sonata in D Major, K. 119 1 | — | ||
| 3-8 | Sonata in D Major, K. 119 2 | — | ||
| 3-9 | Sonata in A Major, Wq. 55/4: Second Movement 1 | — | ||
| 3-10 | Sonata in A Major, Wq. 55/4: Second Movement 2 | — | ||
| 3-11 | Symphony No. 56 in C Major: First Movement 1 | — | ||
| 3-12 | Symphony No. 56 in C Major: First Movement 2 | — | ||
| 3-13 | Symphony No. 56 in C Major: First Movement 3 | — | ||
| 3-14 | Symphony No. 56 in C Major: First Movement 4 | — | ||
| 3-15 | Symphony No. 56 in C Major: First Movement 5 | — | ||
| 3-16 | Symphony No. 56 in C Major: First Movement 6 | — | ||
| 3-17 | Symphony No. 56 in C Major: First Movement 7 | — | ||
| 3-18 | String Quartet, Op. 33, No. 2: Finale 1 | — | ||
| 3-19 | String Quartet, Op. 33, No. 2: Finale 2 | — | ||
| 3-20 | String Quartet, Op. 33, No. 2: Finale 3 | — | ||
| 3-21 | String Quartet, Op. 33, No. 2: Finale 4 | — | ||
| 3-22 | String Quartet, Op. 33, No. 2: Finale 5 | — | ||
| 3-23 | String Quartet, Op. 33, No. 2: Finale 6 | — | ||
| 3-24 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 1 | — | ||
| 3-25 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 2 | — | ||
| 3-26 | Don Giovanni, Act I, Scene 5: A chi mi dice mai 3 | — | ||
| 3-27 | Don Giovanni, Act I, Scene 5: Madamina! Il catalogo e questo 1 | — | ||
| 3-28 | Don Giovanni, Act I, Scene 5: Madamina! Il catalogo e questo 2 | — | ||
| 3-29 | Piano Sonata, Op. 13 (Pathetique): Third Movement 1 | — | ||
| 3-30 | Piano Sonata, Op. 13 (Pathetique): Third Movement 2 | — | ||
| 3-31 | Piano Sonata, Op. 13 (Pathetique): Third Movement 3 | — | ||
| 3-32 | Piano Sonata, Op. 13 (Pathetique): Third Movement 4 | — | ||
| 3-33 | Piano Sonata, Op. 13 (Pathetique): Third Movement 5 | — | ||
| 3-34 | Piano Sonata, Op. 13 (Pathetique): Third Movement 6 | — | ||
| 3-35 | Piano Sonata, Op. 13 (Pathetique): Third Movement 7 | — | ||
| 3-36 | Piano Sonata, Op. 13 (Pathetique): Third Movement 8 | — | ||
| 3-37 | Piano Sonata, Op. 13 (Pathetique): Third Movement 9 | — | ||
| 3-38 | Piano Sonata, Op. 13 (Pathetique): Third Movement 10 | — | ||
| 3-39 | String Quartet in C-sharp Minor, Op. 131: First Movement 1 | — | ||
| 3-40 | String Quartet in C-sharp Minor, Op. 131: First Movement 2 | — | ||
| 3-41 | String Quartet in C-sharp Minor, Op. 131: First Movement 3 | — | ||
| 3-42 | String Quartet in C-sharp Minor, Op. 131: Second Movement | — | ||
| 3-43 | Symphonie fantastique: Fourth Movement 1 | — | ||
| 3-44 | Symphonie fantastique: Fourth Movement 2 | — | ||
| 3-45 | Symphonie fantastique: Fourth Movement 3 | — | ||
| 3-46 | Symphonie fantastique: Fourth Movement 4 | — | ||
| 3-47 | Symphonie fantastique: Fourth Movement 5 | — | ||
| 3-48 | Symphonie fantastique: Fourth Movement 6 | — | ||
| 3-49 | Phantasiestucke, Op. 12: No. 4: Grillen 1 | — | ||
| 3-50 | Phantasiestucke, Op. 12: No. 4: Grillen 2 | — | ||
| 3-51 | Phantasiestucke, Op. 12: No. 4: Grillen 3 | — | ||
| 3-52 | Nocturne in E-flat major, Op. 9 No. 2 | — | ||
| 3-53 | Trois etudes de concert, No. 3: Un sospiro 1 | — | ||
| 3-54 | Trois etudes de concert, No. 3: Un sospiro 2 | — | ||
| 3-55 | Trois etudes de concert, No. 3: Un sospiro 3 | — | ||
| 3-56 | Trois etudes de concert, No. 3: Un sospiro 4 | — | ||
| 3-57 | Trois etudes de concert, No. 3: Un sospiro 5 | — | ||
| 3-58 | Lied: Gretchen am Spinnrade 1 | — | ||
| 3-59 | Lied: Gretchen am Spinnrade 2 | — | ||
| 3-60 | Lied: Gretchen am Spinnrade 3 | — | ||
| 3-61 | Lied: Gretchen am Spinnrade 4 | — | ||
| 3-62 | Lied: Gretchen am Spinnrade 5 | — | ||
| 3-63 | La traviata: Act III: Scena | — | ||
| 3-64 | La traviata: Act III: Duet 1 | — | ||
| 3-65 | La traviata: Act III: Duet 2 | — | ||
| 3-66 | La traviata: Act III: Duet 3 | — | ||
| 4-1 | Tristan und Isolde: Act I, Scene 5 (excerpt) 1 | — | ||
| 4-2 | Tristan und Isolde: Act I, Scene 5 (excerpt) 2 | — | ||
| 4-3 | Tristan und Isolde: Act I, Scene 5 (excerpt) 3 | — | ||
| 4-4 | Tristan und Isolde: Act I, Scene 5 (excerpt) 4 | — | ||
| 4-5 | Tristan und Isolde: Act I, Scene 5 (excerpt) 5 | — | ||
| 4-6 | Tristan und Isolde: Act I, Scene 5 (excerpt) 6 | — | ||
| 4-7 | Tristan und Isolde: Act I, Scene 5 (excerpt) 7 | — | ||
| 4-8 | Tristan und Isolde: Act I, Scene 5 (excerpt) 8 | — | ||
| 4-9 | Tristan und Isolde: Act I, Scene 5 (excerpt) 9 | — | ||
| 4-10 | Kindertotenlieder: No. 1: Nun will die Sonn' so hell aufgeh'n 1 | — | ||
| 4-11 | Kindertotenlieder: No. 1: Nun will die Sonn' so hell aufgeh'n 2 | — | ||
| 4-12 | Don Quixote: Theme and Variations I 1 | — | ||
| 4-13 | Don Quixote: Theme and Variations I 2 | — | ||
| 4-14 | Don Quixote: Theme and Variations I 3 | — | ||
| 4-15 | Don Quixote: Theme and Variations II 1 | — | ||
| 4-16 | Don Quixote: Theme and Variations II 2 | — | ||
| 4-17 | Don Quixote: Theme and Variations II 3 | — | ||
| 4-18 | Trois Nocturnes: Nuages 1 | — | ||
| 4-19 | Trois Nocturnes: Nuages 2 | — | ||
| 4-20 | Trois Nocturnes: Nuages 3 | — | ||
| 4-21 | Trois Nocturnes: Nuages 4 | — | ||
| 4-22 | Trois Nocturnes: Nuages 5 | — | ||
| 4-23 | Trois Nocturnes: Nuages 6 | — | ||
| 4-24 | Music for Strings, Percussion, and Celesta: Third Movement 1 | — | ||
| 4-25 | Music for Strings, Percussion, and Celesta: Third Movement 2 | — | ||
| 4-26 | Music for Strings, Percussion, and Celesta: Third Movement 3 | — | ||
| 4-27 | Music for Strings, Percussion, and Celesta: Third Movement 4 | — | ||
| 4-28 | Music for Strings, Percussion, and Celesta: Third Movement 5 | — | ||
| 4-29 | Music for Strings, Percussion, and Celesta: Third Movement 6 | — | ||
| 4-30 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 1 | — | ||
| 4-31 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 2 | — | ||
| 4-32 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 3 | — | ||
| 4-33 | Rejoice! Sonata for Violin and Violoncello: Fifth Movement 4 | — | ||
| 4-34 | Le Sacre du printemps: Danse des adolescentes 1 | — | ||
| 4-35 | Le Sacre du printemps: Danse des adolescentes 2 | — | ||
| 4-36 | Le Sacre du printemps: Danse des adolescentes 3 | — | ||
| 4-37 | Le Sacre du printemps: Danse des adolescentes 4 | — | ||
| 4-38 | Variationen fuer Orchester, Op. 31: Theme and Variation VI 1 | — | ||
| 4-39 | Variationen fuer Orchester, Op. 31: Theme and Variation VI 2 | — | ||
| 4-40 | Wozzeck: Act III, Scene 3 1 | — | ||
| 4-41 | Wozzeck: Act III, Scene 3 2 | — | ||
| 4-42 | Wozzeck: Act III, Scene 3 3 | — | ||
| 4-43 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 1 | — | ||
| 4-44 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 2 | — | ||
| 4-45 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 3 | — | ||
| 4-46 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 4 | — | ||
| 4-47 | Meditations sur le mystere de la Sainte Trinite: Fourth Movement 5 | — | ||
| 4-48 | They Are There! 1 | — | ||
| 4-49 | They Are There! 2 | — | ||
| 4-50 | They Are There! 3 | — | ||
| 4-51 | Appalachian Spring: excerpt 1 | — | ||
| 4-52 | Appalachian Spring: excerpt 2 | — | ||
| 4-53 | Appalachian Spring: excerpt 3 | — | ||
| 4-54 | Appalachian Spring: excerpt 4 | — | ||
| 4-55 | Appalachian Spring: excerpt 5 | — | ||
| 4-56 | Afro-American Symphony: Third Movement 1 | — | ||
| 4-57 | Afro-American Symphony: Third Movement 2 | — | ||
| 4-58 | Afro-American Symphony: Third Movement 3 | — | ||
| 4-59 | Philomel: Section I 1 | — | ||
| 4-60 | Philomel: Section I 2 | — | ||
| 4-61 | Philomel: Section I 3 | — | ||
| 4-62 | Philomel: Section I 4 | — | ||
| 4-63 | Philomel: Section I 5 | — | ||
| 4-64 | Phrygian Gates: measures 1-269 1 | — | ||
| 4-65 | Phrygian Gates: measures 1-269 2 | — | ||
| 4-66 | Phrygian Gates: measures 1-269 3 | — | ||
| 4-67 | Phrygian Gates: measures 1-269 4 | — | ||
| 4-68 | Phrygian Gates: measures 1-269 5 | — | ||
| 4-69 | Phrygian Gates: measures 1-269 6 | — |
