UPC · Release
Welcome to the Monkey House
Kurt Vonnegut, David Strathairn, Maria Tucci, Bill Irwin, Tony Roberts, Dylan Baker
9780062314369
94 tracksReleased 2013-01-01
Last verified:
9780062314369 is the Universal Product Code (UPC barcode) for the release “Welcome to the Monkey House” by Kurt Vonnegut, David Strathairn, Maria Tucci, Bill Irwin, Tony Roberts, Dylan Baker, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC.
Format
978GS1 prefix
0062Company prefix
31436Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCWelcome to the Monkey House
IPI1 songwriter
Track List (94)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Where I Live | — | ||
| 3 | Where I Live, Part 2 | — | ||
| 4 | Harrison Bergeron | — | ||
| 5 | Harrison Bergeron, Part 2 | — | ||
| 6 | Who Am I This Time? | — | ||
| 7 | Who Am I This Time? Part 2 | — | ||
| 8 | Who Am I This Time? Part 3 | — | ||
| 9 | Who Am I This Time? Part 4 | — | ||
| 10 | Who Am I This Time? Part 5 | — | ||
| 11 | Welcome to the Monkey House | — | ||
| 12 | Welcome to the Monkey House, Part 2 | — | ||
| 2-1 | Welcome to the Monkey House, Part 3 | — | ||
| 2-2 | Welcome to the Monkey House, Part 4 | — | ||
| 2-3 | Welcome to the Monkey House, Part 5 | — | ||
| 2-4 | Welcome to the Monkey House, Part 6 | — | ||
| 2-5 | Long Walk to Forever | — | ||
| 2-6 | Long Walk to Forever, Part 2 | — | ||
| 2-7 | Long Walk to Forever, Part 3 | — | ||
| 2-8 | The Foster Portfolio | — | ||
| 2-9 | The Foster Portfolio, Part 2 | — | ||
| 2-10 | The Foster Portfolio, Part 3 | — | ||
| 2-11 | The Foster Portfolio, Part 4 | — | ||
| 2-12 | Miss Temptation | — | ||
| 3-1 | Miss Temptation, Part 2 | — | ||
| 3-2 | Miss Temptation, Part 3 | — | ||
| 3-3 | Miss Temptation, Part 4 | — | ||
| 3-4 | Miss Temptation, Part 5 | — | ||
| 3-5 | All the King's Horses | — | ||
| 3-6 | All the King's Horses, Part 2 | — | ||
| 3-7 | All the King's Horses, Part 3 | — | ||
| 3-8 | All the King's Horses, Part 4 | — | ||
| 3-9 | All the King's Horses, Part 5 | — | ||
| 3-10 | All the King's Horses, Part 6 | — | ||
| 4-1 | Tom Edison's Shaggy Dog | — | ||
| 4-2 | Tom Edison's Shaggy Dog, Part 2 | — | ||
| 4-3 | New Dictionary | — | ||
| 4-4 | New Dictionary, Part 2 | — | ||
| 4-5 | Next Door | — | ||
| 4-6 | Next Door, Part 2 | — | ||
| 4-7 | Next Door, Part 3 | — | ||
| 4-8 | More Stately Mansions | — | ||
| 4-9 | More Stately Mansions, Part 2 | — | ||
| 4-10 | More Stately Mansions, Part 3 | — | ||
| 4-11 | More Stately Mansions, Part 4 | — | ||
| 4-12 | The Hyannis Port Story | — | ||
| 5-1 | The Hyannis Port Story, Part 2 | — | ||
| 5-2 | The Hyannis Port Story, Part 3 | — | ||
| 5-3 | The Hyannis Port Story, Part 4 | — | ||
| 5-4 | D.P. | — | ||
| 5-5 | D.P. Part 2 | — | ||
| 5-6 | D.P. Part 3 | — | ||
| 5-7 | D.P. Part 4 | — | ||
| 5-8 | Report on the Barnhouse Effect | — | ||
| 5-9 | Report on the Barnhouse Effect, Part 2 | — | ||
| 5-10 | Report on the Barnhouse Effect, Part 3 | — | ||
| 5-11 | Report on the Barnhouse Effect, Part 4 | — | ||
| 6-1 | The Euphio Question | — | ||
| 6-2 | The Euphio Question, Part 2 | — | ||
| 6-3 | The Euphio Question, Part 3 | — | ||
| 6-4 | The Euphio Question, Part 4 | — | ||
| 6-5 | The Euphio Question, Part 5 | — | ||
| 6-6 | Go Back to Your Precious Wife and Son | — | ||
| 6-7 | Go Back to Your Precious Wife and Son, Part 2 | — | ||
| 6-8 | Go Back to Your Precious Wife and Son, Part 3 | — | ||
| 6-9 | Deer in the Works | — | ||
| 6-10 | Deer in the Works, Part 2 | — | ||
| 7-1 | Deer in the Works, Part 3 | — | ||
| 7-2 | Deer in the Works, Part 4 | — | ||
| 7-3 | Deer in the Works, Part 5 | — | ||
| 7-4 | The Lie | — | ||
| 7-5 | The Lie, Part 2 | — | ||
| 7-6 | The Lie, Part 3 | — | ||
| 7-7 | The Lie, Part 4 | — | ||
| 7-8 | Unready to Wear | — | ||
| 7-9 | Unready to Wear, Part 2 | — | ||
| 8-1 | Unready to Wear, Part 3 | — | ||
| 8-2 | The Kid Nobody Could Handle | — | ||
| 8-3 | The Kid Nobody Could Handle, Part 2 | — | ||
| 8-4 | The Kid Nobody Could Handle, Part 3 | — | ||
| 8-5 | The Manned Missiles | — | ||
| 8-6 | The Manned Missiles, Part 2 | — | ||
| 8-7 | The Manned Missiles, Part 3 | — | ||
| 8-8 | The Manned Missiles, Part 4 | — | ||
| 8-9 | EPICAC | — | ||
| 9-1 | EPICAC, Part 2 | — | ||
| 9-2 | Adam | — | ||
| 9-3 | Adam, Part 2 | — | ||
| 9-4 | Adam, Part 3 | — | ||
| 9-5 | Tomorrow and Tomorrow and Tomorrow | — | ||
| 9-6 | Tomorrow and Tomorrow and Tomorrow, Part 2 | — | ||
| 9-7 | Tomorrow and Tomorrow and Tomorrow, Part 3 | — | ||
| 9-8 | Tomorrow and Tomorrow and Tomorrow, Part 4 | — | ||
| 9-9 | [Harper Audio promo] | — |
Introduction
—
Where I Live
—
Where I Live, Part 2
—
Harrison Bergeron
—
Harrison Bergeron, Part 2
—
Who Am I This Time?
—
Who Am I This Time? Part 2
—
Who Am I This Time? Part 3
—
Who Am I This Time? Part 4
—
Who Am I This Time? Part 5
—
Welcome to the Monkey House
—
Welcome to the Monkey House, Part 2
—
Welcome to the Monkey House, Part 3
—
Welcome to the Monkey House, Part 4
—
Welcome to the Monkey House, Part 5
—
Welcome to the Monkey House, Part 6
—
Long Walk to Forever
—
Long Walk to Forever, Part 2
—
Long Walk to Forever, Part 3
—
The Foster Portfolio
—
The Foster Portfolio, Part 2
—
The Foster Portfolio, Part 3
—
The Foster Portfolio, Part 4
—
Miss Temptation
—
Miss Temptation, Part 2
—
Miss Temptation, Part 3
—
Miss Temptation, Part 4
—
Miss Temptation, Part 5
—
All the King's Horses
—
All the King's Horses, Part 2
—
All the King's Horses, Part 3
—
All the King's Horses, Part 4
—
All the King's Horses, Part 5
—
All the King's Horses, Part 6
—
Tom Edison's Shaggy Dog
—
Tom Edison's Shaggy Dog, Part 2
—
New Dictionary
—
New Dictionary, Part 2
—
Next Door
—
Next Door, Part 2
—
Next Door, Part 3
—
More Stately Mansions
—
More Stately Mansions, Part 2
—
More Stately Mansions, Part 3
—
More Stately Mansions, Part 4
—
The Hyannis Port Story
—
The Hyannis Port Story, Part 2
—
The Hyannis Port Story, Part 3
—
The Hyannis Port Story, Part 4
—
D.P.
—
D.P. Part 2
—
D.P. Part 3
—
D.P. Part 4
—
Report on the Barnhouse Effect
—
Report on the Barnhouse Effect, Part 2
—
Report on the Barnhouse Effect, Part 3
—
Report on the Barnhouse Effect, Part 4
—
The Euphio Question
—
The Euphio Question, Part 2
—
The Euphio Question, Part 3
—
The Euphio Question, Part 4
—
The Euphio Question, Part 5
—
Go Back to Your Precious Wife and Son
—
Go Back to Your Precious Wife and Son, Part 2
—
Go Back to Your Precious Wife and Son, Part 3
—
Deer in the Works
—
Deer in the Works, Part 2
—
Deer in the Works, Part 3
—
Deer in the Works, Part 4
—
Deer in the Works, Part 5
—
The Lie
—
The Lie, Part 2
—
The Lie, Part 3
—
The Lie, Part 4
—
Unready to Wear
—
Unready to Wear, Part 2
—
Unready to Wear, Part 3
—
The Kid Nobody Could Handle
—
The Kid Nobody Could Handle, Part 2
—
The Kid Nobody Could Handle, Part 3
—
The Manned Missiles
—
The Manned Missiles, Part 2
—
The Manned Missiles, Part 3
—
The Manned Missiles, Part 4
—
EPICAC
—
EPICAC, Part 2
—
Adam
—
Adam, Part 2
—
Adam, Part 3
—
Tomorrow and Tomorrow and Tomorrow
—
Tomorrow and Tomorrow and Tomorrow, Part 2
—
Tomorrow and Tomorrow and Tomorrow, Part 3
—
Tomorrow and Tomorrow and Tomorrow, Part 4
—
[Harper Audio promo]
—
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What is UPC 9780062314369?
9780062314369 is a Universal Product Code (UPC) assigned to Welcome to the Monkey House by Kurt Vonnegut, David Strathairn, Maria Tucci, Bill Irwin, Tony Roberts, Dylan Baker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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