UPC · Release
Roger Kamien
Last verified:
9780072902044 is the Universal Product Code (UPC barcode) for the release “Music: An Appreciation, Seventh Edition” by Roger Kamien. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 480 tracks, each with its own ISRC. Tracks include GBBBA6150230, USSM10605680, GBF077230612.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lohengrin, Prelude to Act III - Part 1/4 | — | ||
| 2 | Lohengrin, Prelude to Act III - Part 2/4 | — | ||
| 3 | Lohengrin, Prelude to Act III - Part 3/4 | — | ||
| 4 | Lohengrin, Prelude to Act III - Part 4/4 | — | ||
| 5 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 1/3 | — | ||
| 6 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 2/3 | — | ||
| 7 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 3/3 | — | ||
| 8 | The Firebird, Finale - Part 1/2 | — | ||
| 9 | The Firebird, Finale - Part 2/2 | — | ||
| 10 | C-Jam Blues - Part 1/8 | — | ||
| 11 | C-Jam Blues - Part 2/8 | — | ||
| 12 | C-Jam Blues - Part 3/8 | — | ||
| 13 | C-Jam Blues - Part 4/8 | — | ||
| 14 | C-Jam Blues - Part 5/8 | — | ||
| 15 | C-Jam Blues - Part 6/8 | — | ||
| 16 | C-Jam Blues - Part 7/8 | — | ||
| 17 | C-Jam Blues - Part 8/8 | — | ||
| 18 | The Young Person's Guide to the Orchestra - Part 1/25 | — | ||
| 19 | The Young Person's Guide to the Orchestra - Part 2/25 | — | ||
| 20 | The Young Person's Guide to the Orchestra - Part 3/25 | — | ||
| 21 | The Young Person's Guide to the Orchestra - Part 4/25 | — | ||
| 22 | The Young Person's Guide to the Orchestra - Part 5/25 | — | ||
| 23 | The Young Person's Guide to the Orchestra - Part 6/25 | — | ||
| 24 | The Young Person's Guide to the Orchestra - Part 7/25 | — | ||
| 25 | The Young Person's Guide to the Orchestra - Part 8/25 | — | ||
| 26 | The Young Person's Guide to the Orchestra - Part 9/25 | — | ||
| 27 | The Young Person's Guide to the Orchestra - Part 10/25 | — | ||
| 28 | The Young Person's Guide to the Orchestra - Part 11/25 | — | ||
| 29 | The Young Person's Guide to the Orchestra - Part 12/25 | — | ||
| 30 | The Young Person's Guide to the Orchestra - Part 13/25 | — | ||
| 31 | The Young Person's Guide to the Orchestra - Part 14/25 | — | ||
| 32 | The Young Person's Guide to the Orchestra - Part 15/25 | — | ||
| 33 | The Young Person's Guide to the Orchestra - Part 16/25 | — | ||
| 34 | The Young Person's Guide to the Orchestra - Part 17/25 | — | ||
| 35 | The Young Person's Guide to the Orchestra - Part 18/25 | — | ||
| 36 | The Young Person's Guide to the Orchestra - Part 19/25 | — | ||
| 37 | The Young Person's Guide to the Orchestra - Part 20/25 | — | ||
| 38 | The Young Person's Guide to the Orchestra - Part 21/25 | — | ||
| 39 | The Young Person's Guide to the Orchestra - Part 22/25 | — | ||
| 40 | The Young Person's Guide to the Orchestra - Part 23/25 | — | ||
| 41 | The Young Person's Guide to the Orchestra - Part 24/25 | — | ||
| 42 | The Young Person's Guide to the Orchestra - Part 25/25 | — | ||
| 43 | The Star and Stripes Forever - Part 1/4 | — | ||
| 44 | The Star and Stripes Forever - Part 2/4 | — | ||
| 45 | The Star and Stripes Forever - Part 3/4 | — | ||
| 46 | The Star and Stripes Forever - Part 4/4 | — | ||
| 47 | I Got Rhythm (excerpt) - Part 1/1 | — | ||
| 48 | Unsquare Dance - Part 1/1 | — | ||
| 49 | Over the Rainbow - Part 1/3 | — | ||
| 50 | Over the Rainbow - Part 2/3 | — | ||
| 51 | Over the Rainbow - Part 3/3 | — | ||
| 52 | Prelude in E Minor, op. 28, no. 4 - Part 1/1 | — | ||
| 53 | L'Arlésienne, Suite No. 2: Farandole - Part 1/5 | — | ||
| 54 | L'Arlésienne, Suite No. 2: Farandole - Part 2/5 | — | ||
| 55 | L'Arlésienne, Suite No. 2: Farandole - Part 3/5 | — | ||
| 56 | L'Arlésienne, Suite No. 2: Farandole - Part 4/5 | — | ||
| 57 | L'Arlésienne, Suite No. 2: Farandole - Part 5/5 | — | ||
| 58 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 1/3 | — | ||
| 59 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 2/3 | — | ||
| 60 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 3/3 | — | ||
| 61 | Orchestral Suite no. 1 in C Major: Forlane - Part 1/2 | — | ||
| 62 | Orchestral Suite no. 1 in C Major: Forlane - Part 2/2 | — | ||
| 63 | Alleluia: Vidimus stellam - Part 1/3 | — | ||
| 64 | Alleluia: Vidimus stellam - Part 2/3 | — | ||
| 65 | Alleluia: Vidimus stellam - Part 3/3 | — | ||
| 66 | O successores - Part 1/1 | — | ||
| 67 | Estampie - Part 1/1 | — | ||
| 68 | Alleluia: Nativitas - Part 1/1 | — | ||
| 69 | Ecco la Primavera - Part 1/1 | — | ||
| 70 | Notre Dame Mass, Agnus Dei - Part 1/3 | — | ||
| 71 | Notre Dame Mass, Agnus Dei - Part 2/3 | — | ||
| 72 | Notre Dame Mass, Agnus Dei - Part 3/3 | — | ||
| 73 | Ave Maria . . . virgo serena - Part 1/3 | — | ||
| 74 | Ave Maria . . . virgo serena - Part 2/3 | — | ||
| 75 | Ave Maria . . . virgo serena - Part 3/3 | — | ||
| 76 | Pope Marcellus Mass, Kyrie - Part 1/3 | — | ||
| 77 | Pope Marcellus Mass, Kyrie - Part 2/3 | — | ||
| 78 | Pope Marcellus Mass, Kyrie - Part 3/3 | — | ||
| 79 | As Vesta Was Descending - Part 1/1 | — | ||
| 80 | Now Is the Month of Maying - Part 1/1 | — | ||
| 81 | Terpsichore: Passamezzo - Part 1/1 | — | ||
| 82 | Terpsichore: Galliard - Part 1/1 | — | ||
| 83 | Organ Fugue in G Minor: The Little - Part 1/3 | — | ||
| 84 | Organ Fugue in G Minor: The Little - Part 2/3 | — | ||
| 85 | Organ Fugue in G Minor: The Little - Part 3/3 | — | ||
| 2-1 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 1/5 | — | ||
| 2-2 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 2/5 | — | ||
| 2-3 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 3/5 | — | ||
| 2-4 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 4/5 | — | ||
| 2-5 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 5/5 | — | ||
| 2-6 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 1/5 | — | ||
| 2-7 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 2/5 | — | ||
| 2-8 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 3/5 | — | ||
| 2-9 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 4/5 | — | ||
| 2-10 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 5/5 | — | ||
| 2-11 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 1/3 | — | ||
| 2-12 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 2/3 | — | ||
| 2-13 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 3/3 | — | ||
| 2-14 | Tu se' morta - Part 1/1 | — | ||
| 2-15 | Dido's Lament - Part 1/2 | — | ||
| 2-16 | Dido and Aeneas: Dido’s Lament | Dame Janet Baker, English Chamber Orchestra, Sir Anthony Lewis | T-905.454.594-7 | |
| 2-17 | Spring - First Movement - Part 1/5 | — | ||
| 2-18 | Spring - First Movement - Part 2/5 | — | ||
| 2-19 | Spring - First Movement - Part 3/5 | — | ||
| 2-20 | Spring - First Movement - Part 4/5 | — | ||
| 2-21 | Spring - First Movement - Part 5/5 | — | ||
| 2-22 | Spring - Second Movement - Part 1/1 | — | ||
| 2-23 | Spring - Third Movement - Part 1/3 | — | ||
| 2-24 | Spring - Third Movement - Part 2/3 | — | ||
| 2-25 | Spring - Third Movement - Part 3/3 | — | ||
| 2-26 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 1/3 | — | ||
| 2-27 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 2/3 | — | ||
| 2-28 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 3/3 | — | ||
| 2-29 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 1/4 | — | ||
| 2-30 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 2/4 | — | ||
| 2-31 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 3/4 | — | ||
| 2-32 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 4/4 | — | ||
| 2-33 | Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 1/2 | — | ||
| 2-34 | Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 2/2 | — | ||
| 2-35 | Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 1/2 | — | ||
| 2-36 | Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 2/2 | — | ||
| 2-37 | Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 1/2 | — | ||
| 2-38 | Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 2/2 | — | ||
| 2-39 | Cantata no. 140 - First Movement - Part 1/3 | — | ||
| 2-40 | Cantata no. 140 - First Movement - Part 2/3 | — | ||
| 2-41 | Cantata no. 140 - First Movement - Part 3/3 | — | ||
| 2-42 | Cantata no. 140 - Fourth Movement - Part 1/3 | — | ||
| 2-43 | Cantata no. 140 - Fourth Movement - Part 2/3 | — | ||
| 2-44 | Cantata no. 140 - Fourth Movement - Part 3/3 | — | ||
| 2-45 | Cantata no. 140 - Seventh Movement - Part 1/1 | — | ||
| 2-46 | Messiah - Sinfonia - Part 1/2 | — | ||
| 2-47 | Messiah - Sinfonia - Part 2/2 | — | ||
| 2-48 | Messiah - Comfort Ye - Part 1/2 | — | ||
| 2-49 | Messiah - Comfort Ye - Part 2/2 | — | ||
| 2-50 | Messiah - Ev'ry Valley - Part 1/1 | — | ||
| 2-51 | Messiah - For Unto Us a Child Is Born - Part 1/3 | — | ||
| 2-52 | Messiah - For Unto Us a Child Is Born - Part 2/3 | — | ||
| 2-53 | Messiah - For Unto Us a Child Is Born - Part 3/3 | — | ||
| 2-54 | Messiah - Hallelujah - Part 1/6 | — | ||
| 2-55 | Messiah - Hallelujah - Part 2/6 | — | ||
| 2-56 | Messiah - Hallelujah - Part 3/6 | — | ||
| 2-57 | Messiah - Hallelujah - Part 4/6 | — | ||
| 2-58 | Messiah - Hallelujah - Part 5/6 | — | ||
| 2-59 | Messiah - Hallelujah - Part 6/6 | — | ||
| 3-1 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 1/9 | — | ||
| 3-2 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 2/9 | — | ||
| 3-3 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 3/9 | — | ||
| 3-4 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 4/9 | — | ||
| 3-5 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 5/9 | — | ||
| 3-6 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 6/9 | — | ||
| 3-7 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 7/9 | — | ||
| 3-8 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 8/9 | — | ||
| 3-9 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 9/9 | — | ||
| 3-10 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 1/3 | — | ||
| 3-11 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 2/3 | — | ||
| 3-12 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 3/3 | — | ||
| 3-13 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 1/3 | — | ||
| 3-14 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 2/3 | — | ||
| 3-15 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 3/3 | — | ||
| 3-16 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 1/7 | — | ||
| 3-17 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 2/7 | — | ||
| 3-18 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 3/7 | — | ||
| 3-19 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 4/7 | — | ||
| 3-20 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 5/7 | — | ||
| 3-21 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 6/7 | — | ||
| 3-22 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 7/7 | — | ||
| 3-23 | Symphony No. 94 in G Major, Surprise: First Movement - Part 1/8 | — | ||
| 3-24 | Symphony No. 94 in G Major, Surprise: First Movement - Part 2/8 | — | ||
| 3-25 | Symphony No. 94 in G Major, Surprise: First Movement - Part 3/8 | — | ||
| 3-26 | Symphony No. 94 in G Major, Surprise: First Movement - Part 4/8 | — | ||
| 3-27 | Symphony No. 94 in G Major, Surprise: First Movement - Part 5/8 | — | ||
| 3-28 | Symphony No. 94 in G Major, Surprise: First Movement - Part 6/8 | — | ||
| 3-29 | Symphony No. 94 in G Major, Surprise: First Movement - Part 7/8 | — | ||
| 3-30 | Symphony No. 94 in G Major, Surprise: First Movement - Part 8/8 | — | ||
| 3-31 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 1/6 | — | ||
| 3-32 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 2/6 | — | ||
| 3-33 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 3/6 | — | ||
| 3-34 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 4/6 | — | ||
| 3-35 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 5/6 | — | ||
| 3-36 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 6/6 | — | ||
| 3-37 | Eine kleine Nachtmusik, k. 525: III. - Part 1/3 | — | ||
| 3-38 | Eine kleine Nachtmusik, k. 525: III. - Part 2/3 | — | ||
| 3-39 | Eine kleine Nachtmusik, k. 525: III. - Part 3/3 | — | ||
| 3-40 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 1/4 | — | ||
| 3-41 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 2/4 | — | ||
| 3-42 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 3/4 | — | ||
| 3-43 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 4/4 | — | ||
| 3-44 | Trumpet Concerto in E Flat Major: III. - Part 1/7 | — | ||
| 3-45 | Trumpet Concerto in E Flat Major: III. - Part 2/7 | — | ||
| 3-46 | Trumpet Concerto in E Flat Major: III. - Part 3/7 | — | ||
| 3-47 | Trumpet Concerto in E Flat Major: III. - Part 4/7 | — | ||
| 3-48 | Trumpet Concerto in E Flat Major: III. - Part 5/7 | — | ||
| 3-49 | Trumpet Concerto in E Flat Major: III. - Part 6/7 | — | ||
| 3-50 | Trumpet Concerto in E Flat Major: III. - Part 7/7 | — | ||
| 3-51 | Don Giovanni, k. 527, Act I: Introduction - Part 1/4 | — | ||
| 3-52 | Don Giovanni, k. 527, Act I: Introduction - Part 2/4 | — | ||
| 3-53 | Don Giovanni, k. 527, Act I: Introduction - Part 3/4 | — | ||
| 3-54 | Don Giovanni, k. 527, Act I: Introduction - Part 4/4 | — | ||
| 3-55 | Don Giovanni, k. 527, Act I: Catalogue Aria - Part 1/2 | — | ||
| 3-56 | Don Giovanni, k. 527, Act I: Catalogue Aria - Part 2/2 | — | ||
| 3-57 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 1/4 | — | ||
| 3-58 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 2/4 | — | ||
| 3-59 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 3/4 | — | ||
| 3-60 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 4/4 | — | ||
| 3-61 | Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-1 | Piano Concerto in A Major, k. 488: I. - Part 1/7 | — | ||
| 4-2 | Piano Concerto in A Major, k. 488: I. - Part 2/7 | — | ||
| 4-3 | Piano Concerto in A Major, k. 488: I. - Part 3/7 | — | ||
| 4-4 | Piano Concerto in A Major, k. 488: I. - Part 4/7 | — | ||
| 4-5 | Piano Concerto in A Major, k. 488: I. - Part 5/7 | — | ||
| 4-6 | Piano Concerto in A Major, k. 488: I. - Part 6/7 | — | ||
| 4-7 | Piano Concerto in A Major, k. 488: I. - Part 7/7 | — | ||
| 4-8 | Piano Sonata in C Minor, op. 13: First Movement - Part 1/7 | — | ||
| 4-9 | Piano Sonata in C Minor, op. 13: First Movement - Part 2/7 | — | ||
| 4-10 | Piano Sonata in C Minor, op. 13: First Movement - Part 3/7 | — | ||
| 4-11 | Piano Sonata in C Minor, op. 13: First Movement - Part 4/7 | — | ||
| 4-12 | Piano Sonata in C Minor, op. 13: First Movement - Part 5/7 | — | ||
| 4-13 | Piano Sonata in C Minor, op. 13: First Movement - Part 6/7 | — | ||
| 4-14 | Piano Sonata in C Minor, op. 13: First Movement - Part 7/7 | — | ||
| 4-15 | Piano Sonata in C Minor, op. 13: Second Movement - Part 1/4 | — | ||
| 4-16 | Piano Sonata in C Minor, op. 13: Second Movement - Part 2/4 | — | ||
| 4-17 | Piano Sonata in C Minor, op. 13: Second Movement - Part 3/4 | — | ||
| 4-18 | Piano Sonata in C Minor, op. 13: Second Movement - Part 4/4 | — | ||
| 4-19 | Piano Sonata in C Minor, op. 13: Third Movement - Part 1/4 | — | ||
| 4-20 | Piano Sonata in C Minor, op. 13: Third Movement - Part 2/4 | — | ||
| 4-21 | Piano Sonata in C Minor, op. 13: Third Movement - Part 3/4 | — | ||
| 4-22 | Piano Sonata in C Minor, op. 13: Third Movement - Part 4/4 | — | ||
| 4-23 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 1/8 | — | ||
| 4-24 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 2/8 | — | ||
| 4-25 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 3/8 | — | ||
| 4-26 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 4/8 | — | ||
| 4-27 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 5/8 | — | ||
| 4-28 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 6/8 | — | ||
| 4-29 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 7/8 | — | ||
| 4-30 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 8/8 | — | ||
| 4-31 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 1/6 | — | ||
| 4-32 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 2/6 | — | ||
| 4-33 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 3/6 | — | ||
| 4-34 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 4/6 | — | ||
| 4-35 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 5/6 | — | ||
| 4-36 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 6/6 | — | ||
| 4-37 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 1/4 | — | ||
| 4-38 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 2/4 | — | ||
| 4-39 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 3/4 | — | ||
| 4-40 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 4/4 | — | ||
| 4-41 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 1/7 | — | ||
| 4-42 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 2/7 | — | ||
| 4-43 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 3/7 | — | ||
| 4-44 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 4/7 | — | ||
| 4-45 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 5/7 | — | ||
| 4-46 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 6/7 | — | ||
| 4-47 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 7/7 | — | ||
| 4-48 | Erlkönig - Part 1/6 | — | ||
| 4-49 | Erlkönig - Part 2/6 | — | ||
| 4-50 | Erlkönig - Part 3/6 | — | ||
| 4-51 | Erlkönig - Part 4/6 | — | ||
| 4-52 | Erlkönig - Part 5/6 | — | ||
| 4-53 | Erlkönig - Part 6/6 | — | ||
| 4-54 | Die Forelle - Part 1/2 | — | ||
| 4-55 | Die Forelle - Part 2/2 | — | ||
| 4-56 | Piano Quintet in A Major, d. 667: IV. - Part 1/7 | — | ||
| 4-57 | Piano Quintet in A Major, d. 667: IV. - Part 2/7 | — | ||
| 4-58 | Piano Quintet in A Major, d. 667: IV. - Part 3/7 | — | ||
| 4-59 | Piano Quintet in A Major, d. 667: IV. - Part 4/7 | — | ||
| 4-60 | Piano Quintet in A Major, d. 667: IV. - Part 5/7 | — | ||
| 4-61 | Piano Quintet in A Major, d. 667: IV. - Part 6/7 | — | ||
| 4-62 | Piano Quintet in A Major, d. 667: IV. - Part 7/7 | — | ||
| 4-63 | Nocturne in E Flat Major, op. 9, no. 2 - Part 1/3 | — | ||
| 4-64 | Nocturne in E Flat Major, op. 9, no. 2 - Part 2/3 | — | ||
| 4-65 | Nocturne in E Flat Major, op. 9, no. 2 - Part 3/3 | — | ||
| 5-1 | Carnaval, op.9: Chiarina - Part 1/2 | — | ||
| 5-2 | Carnaval, op.9: Chiarina - Part 2/2 | — | ||
| 5-3 | Carnaval, op.9: Chopin - Part 1/1 | — | ||
| 5-4 | Carnaval, op.9: Estrella - Part 1/2 | — | ||
| 5-5 | Carnaval, op.9: Estrella - Part 2/2 | — | ||
| 5-6 | Carnaval, op.9: Réconnaisance - Part 1/2 | — | ||
| 5-7 | Carnaval, op.9: Réconnaisance - Part 2/2 | — | ||
| 5-8 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 1/5 | — | ||
| 5-9 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 2/5 | — | ||
| 5-10 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 3/5 | — | ||
| 5-11 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 4/5 | — | ||
| 5-12 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 5/5 | — | ||
| 5-13 | Polonaise in A-flat, op. 53 - Part 1/4 | — | ||
| 5-14 | Polonaise in A-flat, op. 53 - Part 2/4 | — | ||
| 5-15 | Polonaise in A-flat, op. 53 - Part 3/4 | — | ||
| 5-16 | Polonaise in A-flat, op. 53 - Part 4/4 | — | ||
| 5-17 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 5-18 | Transcendental Etude no. 10 in F Minor - Part 1/6 | — | ||
| 5-19 | Transcendental Etude no. 10 in F Minor - Part 2/6 | — | ||
| 5-20 | Transcendental Etude no. 10 in F Minor - Part 3/6 | — | ||
| 5-21 | Transcendental Etude no. 10 in F Minor - Part 4/6 | — | ||
| 5-22 | Transcendental Etude no. 10 in F Minor - Part 5/6 | — | ||
| 5-23 | Transcendental Etude no. 10 in F Minor - Part 6/6 | — | ||
| 5-24 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 1/6 | — | ||
| 5-25 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 2/6 | — | ||
| 5-26 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 3/6 | — | ||
| 5-27 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 4/6 | — | ||
| 5-28 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 5/6 | — | ||
| 5-29 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 6/6 | — | ||
| 5-30 | Symphonie Fantastique: IV. March to the Scaffold - Part 1/4 | — | ||
| 5-31 | Symphonie Fantastique: IV. March to the Scaffold - Part 2/4 | — | ||
| 5-32 | Symphonie Fantastique: IV. March to the Scaffold - Part 3/4 | — | ||
| 5-33 | Symphonie Fantastique: IV. March to the Scaffold - Part 4/4 | — | ||
| 5-34 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 1/6 | — | ||
| 5-35 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 2/6 | — | ||
| 5-36 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 3/6 | — | ||
| 5-37 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 4/6 | — | ||
| 5-38 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 5/6 | — | ||
| 5-39 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 6/6 | — | ||
| 5-40 | The Great Gate at Kiev - Part 1/4 | — | ||
| 5-41 | The Great Gate at Kiev - Part 2/4 | — | ||
| 5-42 | The Great Gate at Kiev - Part 3/4 | — | ||
| 5-43 | The Great Gate at Kiev - Part 4/4 | — | ||
| 5-44 | Romeo and Juliet - Part 1/10 | — | ||
| 5-45 | Romeo and Juliet - Part 2/10 | — | ||
| 5-46 | Romeo and Juliet - Part 3/10 | — | ||
| 5-47 | Romeo and Juliet - Part 4/10 | — | ||
| 5-48 | Romeo and Juliet - Part 5/10 | — | ||
| 5-49 | Romeo and Juliet - Part 6/10 | — | ||
| 5-50 | Romeo and Juliet - Part 7/10 | — | ||
| 5-51 | Romeo and Juliet - Part 8/10 | — | ||
| 5-52 | Romeo and Juliet - Part 9/10 | — | ||
| 5-53 | Romeo and Juliet - Part 10/10 | — | ||
| 6-1 | The Moldau - Part 1/7 | — | ||
| 6-2 | The Moldau - Part 2/7 | — | ||
| 6-3 | The Moldau - Part 3/7 | — | ||
| 6-4 | The Moldau - Part 4/7 | — | ||
| 6-5 | The Moldau - Part 5/7 | — | ||
| 6-6 | The Moldau - Part 6/7 | — | ||
| 6-7 | The Moldau - Part 7/7 | — | ||
| 6-8 | Symphony no. 9 in E Minor, op. 95 - Part 1/7 | — | ||
| 6-9 | Symphony no. 9 in E Minor, op. 95 - Part 2/7 | — | ||
| 6-10 | Symphony no. 9 in E Minor, op. 95 - Part 3/7 | — | ||
| 6-11 | Symphony no. 9 in E Minor, op. 95 - Part 4/7 | — | ||
| 6-12 | Symphony no. 9 in E Minor, op. 95 - Part 5/7 | — | ||
| 6-13 | Symphony no. 9 in E Minor, op. 95 - Part 6/7 | — | ||
| 6-14 | Symphony no. 9 in E Minor, op. 95 - Part 7/7 | — | ||
| 6-15 | Symphony no. 4 in E Minor, op. 98: IV. - Part 1/4 | — | ||
| 6-16 | Symphony no. 4 in E Minor, op. 98: IV. - Part 2/4 | — | ||
| 6-17 | Symphony no. 4 in E Minor, op. 98: IV. - Part 3/4 | — | ||
| 6-18 | Symphony no. 4 in E Minor, op. 98: IV. - Part 4/4 | — | ||
| 6-19 | A German Requiem: IV. "How Lovely is Thy Dwelling Place" - Part 1/1 | — | ||
| 6-20 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 1/3 | — | ||
| 6-21 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 2/3 | — | ||
| 6-22 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 3/3 | — | ||
| 6-23 | La Bohème: Act I. (excerpt) - Part 1/4 | — | ||
| 6-24 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-25 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-26 | La Bohème: Act I. (excerpt) - Part 4/4 | — | ||
| 6-27 | Die Walküre: Act I. - Part 1/8 | — | ||
| 6-28 | Die Walküre: Act I. - Part 2/8 | — | ||
| 6-29 | Die Walküre: Act I. - Part 3/8 | — | ||
| 6-30 | Die Walküre: Act I. - Part 4/8 | — | ||
| 6-31 | Die Walküre: Act I. - Part 5/8 | — | ||
| 6-32 | Die Walküre: Act I. - Part 6/8 | — | ||
| 6-33 | Die Walküre: Act I. - Part 7/8 | — | ||
| 6-34 | Die Walküre: Act I. - Part 8/8 | — | ||
| 6-35 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 1/4 | — | ||
| 6-36 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 2/4 | — | ||
| 6-37 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 3/4 | — | ||
| 6-38 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 4/4 | — | ||
| 7-1 | Prélude à L'Après-midi d'un faune - Part 1/7 | — | ||
| 7-2 | Prélude à L'Après-midi d'un faune - Part 2/7 | — | ||
| 7-3 | Prélude à L'Après-midi d'un faune - Part 3/7 | — | ||
| 7-4 | Prélude à L'Après-midi d'un faune - Part 4/7 | — | ||
| 7-5 | Prélude à L'Après-midi d'un faune - Part 5/7 | — | ||
| 7-6 | Prélude à L'Après-midi d'un faune - Part 6/7 | — | ||
| 7-7 | Prélude à L'Après-midi d'un faune - Part 7/7 | — | ||
| 7-8 | Bolero - Part 1/7 | — | ||
| 7-9 | Bolero - Part 2/7 | — | ||
| 7-10 | Bolero - Part 3/7 | — | ||
| 7-11 | Bolero - Part 4/7 | — | ||
| 7-12 | Bolero - Part 5/7 | — | ||
| 7-13 | Bolero - Part 6/7 | — | ||
| 7-14 | Bolero - Part 7/7 | — | ||
| 7-15 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 1/8 | — | ||
| 7-16 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 2/8 | — | ||
| 7-17 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 3/8 | — | ||
| 7-18 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 4/8 | — | ||
| 7-19 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 5/8 | — | ||
| 7-20 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 6/8 | — | ||
| 7-21 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 7/8 | — | ||
| 7-22 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 8/8 | — | ||
| 7-23 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 1/3 | — | ||
| 7-24 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 2/3 | — | ||
| 7-25 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 3/3 | — | ||
| 7-26 | Symphony of Psalms: I. - Part 1/1 | — | ||
| 7-27 | Pierrot lunaire: "Mondestrunken" - Part 1/1 | — | ||
| 7-28 | A Survivor from Warsaw, op. 46 - Part 1/3 | — | ||
| 7-29 | A Survivor from Warsaw, op. 46 - Part 2/3 | — | ||
| 7-30 | A Survivor from Warsaw, op. 46 - Part 3/3 | — | ||
| 7-31 | Five Pieces for Orchestra, op. 10, 3: Very slow and extremely calm - Part 1/1 | — | ||
| 7-32 | Wozzeck: Act III. Scene IV-V - Part 1/5 | — | ||
| 7-33 | Wozzeck: Act III. Scene IV-V - Part 2/5 | — | ||
| 7-34 | Wozzeck: Act III. Scene IV-V - Part 3/5 | — | ||
| 7-35 | Wozzeck: Act III. Scene IV-V - Part 4/5 | — | ||
| 7-36 | Wozzeck: Act III. Scene IV-V - Part 5/5 | — | ||
| 7-37 | Concerto for Orchestra: First Movement. Introduction - Part 1/9 | — | ||
| 7-38 | Concerto for Orchestra: First Movement. Introduction - Part 2/9 | — | ||
| 7-39 | Concerto for Orchestra: First Movement. Introduction - Part 3/9 | — | ||
| 7-40 | Concerto for Orchestra: First Movement. Introduction - Part 4/9 | — | ||
| 7-41 | Concerto for Orchestra: First Movement. Introduction - Part 5/9 | — | ||
| 7-42 | Concerto for Orchestra: First Movement. Introduction - Part 6/9 | — | ||
| 7-43 | Concerto for Orchestra: First Movement. Introduction - Part 7/9 | — | ||
| 7-44 | Concerto for Orchestra: First Movement. Introduction - Part 8/9 | — | ||
| 7-45 | Concerto for Orchestra: First Movement. Introduction - Part 9/9 | — | ||
| 7-46 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 1/7 | — | ||
| 7-47 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 2/7 | — | ||
| 7-48 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 3/7 | — | ||
| 7-49 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 4/7 | — | ||
| 7-50 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 5/7 | — | ||
| 7-51 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 6/7 | — | ||
| 7-52 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 7/7 | — | ||
| 7-53 | Sonatas and Interludes for Prepared Piano: Sonata no. 2 - Part 1/2 | — | ||
| 7-54 | Sonatas and Interludes for Prepared Piano: Sonata no. 2 - Part 2/2 | — | ||
| 8-1 | Symhphony no. 5: II. - Part 1/6 | — | ||
| 8-2 | Symhphony no. 5: II. - Part 2/6 | — | ||
| 8-3 | Symhphony no. 5: II. - Part 3/6 | — | ||
| 8-4 | Symhphony no. 5: II. - Part 4/6 | — | ||
| 8-5 | Symhphony no. 5: II. - Part 5/6 | — | ||
| 8-6 | Symhphony no. 5: II. - Part 6/6 | — | ||
| 8-7 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 1/5 | — | ||
| 8-8 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 2/5 | — | ||
| 8-9 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 3/5 | — | ||
| 8-10 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 4/5 | — | ||
| 8-11 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 5/5 | — | ||
| 8-12 | Afro-American Symphony: III. - Part 1/5 | — | ||
| 8-13 | Afro-American Symphony: III. - Part 2/5 | — | ||
| 8-14 | Afro-American Symphony: III. - Part 3/5 | — | ||
| 8-15 | Afro-American Symphony: III. - Part 4/5 | — | ||
| 8-16 | Afro-American Symphony: III. - Part 5/5 | — | ||
| 8-17 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 1/6 | — | ||
| 8-18 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 2/6 | — | ||
| 8-19 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 3/6 | — | ||
| 8-20 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 4/6 | — | ||
| 8-21 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 5/6 | — | ||
| 8-22 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 6/6 | — | ||
| 8-23 | Semi-simple Variations - Part 1/6 | — | ||
| 8-24 | Semi-simple Variations - Part 2/6 | — | ||
| 8-25 | Semi-simple Variations - Part 3/6 | — | ||
| 8-26 | Semi-simple Variations - Part 4/6 | — | ||
| 8-27 | Semi-simple Variations - Part 5/6 | — | ||
| 8-28 | Semi-simple Variations - Part 6/6 | — | ||
| 8-29 | Poème électronique - Part 1/4 | — | ||
| 8-30 | Poème électronique - Part 2/4 | — | ||
| 8-31 | Poème électronique - Part 3/4 | — | ||
| 8-32 | Poème électronique - Part 4/4 | — | ||
| 8-33 | Ancient Voices of Children: "From Where Do You Come, My Love, My Child?" - Part 1/1 | — | ||
| 8-34 | Einstein on the Beach: Knee Play 1 - Part 1/2 | — | ||
| 8-35 | Einstein on the Beach: Knee Play 1 - Part 2/2 | — | ||
| 8-36 | Concerto Grosso 1985: I. - Part 1/2 | — | ||
| 8-37 | Concerto Grosso 1985: I. - Part 2/2 | — | ||
| 8-38 | A Short Ride in a Fast Machine - Part 1/4 | — | ||
| 8-39 | A Short Ride in a Fast Machine - Part 2/4 | — | ||
| 8-40 | A Short Ride in a Fast Machine - Part 3/4 | — | ||
| 8-41 | A Short Ride in a Fast Machine - Part 4/4 | — | ||
| 8-42 | Maple Leaf Rag - Part 1/4 | — | ||
| 8-43 | Maple Leaf Rag - Part 2/4 | — | ||
| 8-44 | Maple Leaf Rag - Part 3/4 | — | ||
| 8-45 | Maple Leaf Rag - Part 4/4 | — | ||
| 8-46 | Lost Your Head Blues - Part 1/1 | — | ||
| 8-47 | Dippermouth Blues - Part 1/1 | — | ||
| 8-48 | Hotter Than That - Part 1/6 | — | ||
| 8-49 | Hotter Than That - Part 2/6 | — | ||
| 8-50 | Hotter Than That - Part 3/6 | — | ||
| 8-51 | Hotter Than That - Part 4/6 | — | ||
| 8-52 | Hotter Than That - Part 5/6 | — | ||
| 8-53 | Hotter Than That - Part 6/6 | — | ||
| 8-54 | Bloomdido - Part 1/1 | — | ||
| 8-55 | Miles Runs the Voodo Down (excerpt) - Part 1/1 | — | ||
| 8-56 | My Fair Lady: "The Rain in Spain" - Part 1/1 | — | ||
| 8-57 | West Side Story: "Tonight" - Part 1/2 | — | ||
| 8-58 | West Side Story: "Tonight" - Part 2/2 | — | ||
| 8-59 | Song of Angola (Gangele Song) - Part 1/1 | — | ||
| 8-60 | Mitamba Yalagala - Part 1/1 | — | ||
| 8-61 | Hinganyengisa Masingita - Part 1/1 | — | ||
| 8-62 | Maru-Bihag - Part 1/1 | — | ||
| 8-63 | Godan Ginuta - Part 1/3 | — | ||
| 8-64 | Godan Ginuta - Part 2/3 | — | ||
| 8-65 | Godan Ginuta - Part 3/3 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
9780072902044 is a Universal Product Code (UPC) assigned to Music: An Appreciation, Seventh Edition by Roger Kamien. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 480 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
9780072902044 is the Universal Product Code (UPC barcode) for the release “Music: An Appreciation, Seventh Edition” by Roger Kamien. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 480 tracks, each with its own ISRC. Tracks include GBBBA6150230, USSM10605680, GBF077230612.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lohengrin, Prelude to Act III - Part 1/4 | — | ||
| 2 | Lohengrin, Prelude to Act III - Part 2/4 | — | ||
| 3 | Lohengrin, Prelude to Act III - Part 3/4 | — | ||
| 4 | Lohengrin, Prelude to Act III - Part 4/4 | — | ||
| 5 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 1/3 | — | ||
| 6 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 2/3 | — | ||
| 7 | Prelude in C Minor for Piano, op. 28, no. 20 - Part 3/3 | — | ||
| 8 | The Firebird, Finale - Part 1/2 | — | ||
| 9 | The Firebird, Finale - Part 2/2 | — | ||
| 10 | C-Jam Blues - Part 1/8 | — | ||
| 11 | C-Jam Blues - Part 2/8 | — | ||
| 12 | C-Jam Blues - Part 3/8 | — | ||
| 13 | C-Jam Blues - Part 4/8 | — | ||
| 14 | C-Jam Blues - Part 5/8 | — | ||
| 15 | C-Jam Blues - Part 6/8 | — | ||
| 16 | C-Jam Blues - Part 7/8 | — | ||
| 17 | C-Jam Blues - Part 8/8 | — | ||
| 18 | The Young Person's Guide to the Orchestra - Part 1/25 | — | ||
| 19 | The Young Person's Guide to the Orchestra - Part 2/25 | — | ||
| 20 | The Young Person's Guide to the Orchestra - Part 3/25 | — | ||
| 21 | The Young Person's Guide to the Orchestra - Part 4/25 | — | ||
| 22 | The Young Person's Guide to the Orchestra - Part 5/25 | — | ||
| 23 | The Young Person's Guide to the Orchestra - Part 6/25 | — | ||
| 24 | The Young Person's Guide to the Orchestra - Part 7/25 | — | ||
| 25 | The Young Person's Guide to the Orchestra - Part 8/25 | — | ||
| 26 | The Young Person's Guide to the Orchestra - Part 9/25 | — | ||
| 27 | The Young Person's Guide to the Orchestra - Part 10/25 | — | ||
| 28 | The Young Person's Guide to the Orchestra - Part 11/25 | — | ||
| 29 | The Young Person's Guide to the Orchestra - Part 12/25 | — | ||
| 30 | The Young Person's Guide to the Orchestra - Part 13/25 | — | ||
| 31 | The Young Person's Guide to the Orchestra - Part 14/25 | — | ||
| 32 | The Young Person's Guide to the Orchestra - Part 15/25 | — | ||
| 33 | The Young Person's Guide to the Orchestra - Part 16/25 | — | ||
| 34 | The Young Person's Guide to the Orchestra - Part 17/25 | — | ||
| 35 | The Young Person's Guide to the Orchestra - Part 18/25 | — | ||
| 36 | The Young Person's Guide to the Orchestra - Part 19/25 | — | ||
| 37 | The Young Person's Guide to the Orchestra - Part 20/25 | — | ||
| 38 | The Young Person's Guide to the Orchestra - Part 21/25 | — | ||
| 39 | The Young Person's Guide to the Orchestra - Part 22/25 | — | ||
| 40 | The Young Person's Guide to the Orchestra - Part 23/25 | — | ||
| 41 | The Young Person's Guide to the Orchestra - Part 24/25 | — | ||
| 42 | The Young Person's Guide to the Orchestra - Part 25/25 | — | ||
| 43 | The Star and Stripes Forever - Part 1/4 | — | ||
| 44 | The Star and Stripes Forever - Part 2/4 | — | ||
| 45 | The Star and Stripes Forever - Part 3/4 | — | ||
| 46 | The Star and Stripes Forever - Part 4/4 | — | ||
| 47 | I Got Rhythm (excerpt) - Part 1/1 | — | ||
| 48 | Unsquare Dance - Part 1/1 | — | ||
| 49 | Over the Rainbow - Part 1/3 | — | ||
| 50 | Over the Rainbow - Part 2/3 | — | ||
| 51 | Over the Rainbow - Part 3/3 | — | ||
| 52 | Prelude in E Minor, op. 28, no. 4 - Part 1/1 | — | ||
| 53 | L'Arlésienne, Suite No. 2: Farandole - Part 1/5 | — | ||
| 54 | L'Arlésienne, Suite No. 2: Farandole - Part 2/5 | — | ||
| 55 | L'Arlésienne, Suite No. 2: Farandole - Part 3/5 | — | ||
| 56 | L'Arlésienne, Suite No. 2: Farandole - Part 4/5 | — | ||
| 57 | L'Arlésienne, Suite No. 2: Farandole - Part 5/5 | — | ||
| 58 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 1/3 | — | ||
| 59 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 2/3 | — | ||
| 60 | Nutcracker Suite, op. 71a: Dance of the Reed Pipes - Part 3/3 | — | ||
| 61 | Orchestral Suite no. 1 in C Major: Forlane - Part 1/2 | — | ||
| 62 | Orchestral Suite no. 1 in C Major: Forlane - Part 2/2 | — | ||
| 63 | Alleluia: Vidimus stellam - Part 1/3 | — | ||
| 64 | Alleluia: Vidimus stellam - Part 2/3 | — | ||
| 65 | Alleluia: Vidimus stellam - Part 3/3 | — | ||
| 66 | O successores - Part 1/1 | — | ||
| 67 | Estampie - Part 1/1 | — | ||
| 68 | Alleluia: Nativitas - Part 1/1 | — | ||
| 69 | Ecco la Primavera - Part 1/1 | — | ||
| 70 | Notre Dame Mass, Agnus Dei - Part 1/3 | — | ||
| 71 | Notre Dame Mass, Agnus Dei - Part 2/3 | — | ||
| 72 | Notre Dame Mass, Agnus Dei - Part 3/3 | — | ||
| 73 | Ave Maria . . . virgo serena - Part 1/3 | — | ||
| 74 | Ave Maria . . . virgo serena - Part 2/3 | — | ||
| 75 | Ave Maria . . . virgo serena - Part 3/3 | — | ||
| 76 | Pope Marcellus Mass, Kyrie - Part 1/3 | — | ||
| 77 | Pope Marcellus Mass, Kyrie - Part 2/3 | — | ||
| 78 | Pope Marcellus Mass, Kyrie - Part 3/3 | — | ||
| 79 | As Vesta Was Descending - Part 1/1 | — | ||
| 80 | Now Is the Month of Maying - Part 1/1 | — | ||
| 81 | Terpsichore: Passamezzo - Part 1/1 | — | ||
| 82 | Terpsichore: Galliard - Part 1/1 | — | ||
| 83 | Organ Fugue in G Minor: The Little - Part 1/3 | — | ||
| 84 | Organ Fugue in G Minor: The Little - Part 2/3 | — | ||
| 85 | Organ Fugue in G Minor: The Little - Part 3/3 | — | ||
| 2-1 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 1/5 | — | ||
| 2-2 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 2/5 | — | ||
| 2-3 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 3/5 | — | ||
| 2-4 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 4/5 | — | ||
| 2-5 | Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 5/5 | — | ||
| 2-6 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 1/5 | — | ||
| 2-7 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 2/5 | — | ||
| 2-8 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 3/5 | — | ||
| 2-9 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 4/5 | — | ||
| 2-10 | Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 5/5 | — | ||
| 2-11 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 1/3 | — | ||
| 2-12 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 2/3 | — | ||
| 2-13 | Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 3/3 | — | ||
| 2-14 | Tu se' morta - Part 1/1 | — | ||
| 2-15 | Dido's Lament - Part 1/2 | — | ||
| 2-16 | Dido and Aeneas: Dido’s Lament | Dame Janet Baker, English Chamber Orchestra, Sir Anthony Lewis | T-905.454.594-7 | |
| 2-17 | Spring - First Movement - Part 1/5 | — | ||
| 2-18 | Spring - First Movement - Part 2/5 | — | ||
| 2-19 | Spring - First Movement - Part 3/5 | — | ||
| 2-20 | Spring - First Movement - Part 4/5 | — | ||
| 2-21 | Spring - First Movement - Part 5/5 | — | ||
| 2-22 | Spring - Second Movement - Part 1/1 | — | ||
| 2-23 | Spring - Third Movement - Part 1/3 | — | ||
| 2-24 | Spring - Third Movement - Part 2/3 | — | ||
| 2-25 | Spring - Third Movement - Part 3/3 | — | ||
| 2-26 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 1/3 | — | ||
| 2-27 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 2/3 | — | ||
| 2-28 | Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 3/3 | — | ||
| 2-29 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 1/4 | — | ||
| 2-30 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 2/4 | — | ||
| 2-31 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 3/4 | — | ||
| 2-32 | Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 4/4 | — | ||
| 2-33 | Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 1/2 | — | ||
| 2-34 | Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 2/2 | — | ||
| 2-35 | Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 1/2 | — | ||
| 2-36 | Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 2/2 | — | ||
| 2-37 | Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 1/2 | — | ||
| 2-38 | Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 2/2 | — | ||
| 2-39 | Cantata no. 140 - First Movement - Part 1/3 | — | ||
| 2-40 | Cantata no. 140 - First Movement - Part 2/3 | — | ||
| 2-41 | Cantata no. 140 - First Movement - Part 3/3 | — | ||
| 2-42 | Cantata no. 140 - Fourth Movement - Part 1/3 | — | ||
| 2-43 | Cantata no. 140 - Fourth Movement - Part 2/3 | — | ||
| 2-44 | Cantata no. 140 - Fourth Movement - Part 3/3 | — | ||
| 2-45 | Cantata no. 140 - Seventh Movement - Part 1/1 | — | ||
| 2-46 | Messiah - Sinfonia - Part 1/2 | — | ||
| 2-47 | Messiah - Sinfonia - Part 2/2 | — | ||
| 2-48 | Messiah - Comfort Ye - Part 1/2 | — | ||
| 2-49 | Messiah - Comfort Ye - Part 2/2 | — | ||
| 2-50 | Messiah - Ev'ry Valley - Part 1/1 | — | ||
| 2-51 | Messiah - For Unto Us a Child Is Born - Part 1/3 | — | ||
| 2-52 | Messiah - For Unto Us a Child Is Born - Part 2/3 | — | ||
| 2-53 | Messiah - For Unto Us a Child Is Born - Part 3/3 | — | ||
| 2-54 | Messiah - Hallelujah - Part 1/6 | — | ||
| 2-55 | Messiah - Hallelujah - Part 2/6 | — | ||
| 2-56 | Messiah - Hallelujah - Part 3/6 | — | ||
| 2-57 | Messiah - Hallelujah - Part 4/6 | — | ||
| 2-58 | Messiah - Hallelujah - Part 5/6 | — | ||
| 2-59 | Messiah - Hallelujah - Part 6/6 | — | ||
| 3-1 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 1/9 | — | ||
| 3-2 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 2/9 | — | ||
| 3-3 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 3/9 | — | ||
| 3-4 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 4/9 | — | ||
| 3-5 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 5/9 | — | ||
| 3-6 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 6/9 | — | ||
| 3-7 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 7/9 | — | ||
| 3-8 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 8/9 | — | ||
| 3-9 | Symphony no. 40 in G Minor, K. 550: First Movement - Part 9/9 | — | ||
| 3-10 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 1/3 | — | ||
| 3-11 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 2/3 | — | ||
| 3-12 | Symphony no. 40 in G Minor, K. 550: Second Movement - Part 3/3 | — | ||
| 3-13 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 1/3 | — | ||
| 3-14 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 2/3 | — | ||
| 3-15 | Symphony no. 40 in G Minor, K. 550: Third Movement - Part 3/3 | — | ||
| 3-16 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 1/7 | — | ||
| 3-17 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 2/7 | — | ||
| 3-18 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 3/7 | — | ||
| 3-19 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 4/7 | — | ||
| 3-20 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 5/7 | — | ||
| 3-21 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 6/7 | — | ||
| 3-22 | Symphony no. 40 in G Minor, K. 550: Fourth Movement - Part 7/7 | — | ||
| 3-23 | Symphony No. 94 in G Major, Surprise: First Movement - Part 1/8 | — | ||
| 3-24 | Symphony No. 94 in G Major, Surprise: First Movement - Part 2/8 | — | ||
| 3-25 | Symphony No. 94 in G Major, Surprise: First Movement - Part 3/8 | — | ||
| 3-26 | Symphony No. 94 in G Major, Surprise: First Movement - Part 4/8 | — | ||
| 3-27 | Symphony No. 94 in G Major, Surprise: First Movement - Part 5/8 | — | ||
| 3-28 | Symphony No. 94 in G Major, Surprise: First Movement - Part 6/8 | — | ||
| 3-29 | Symphony No. 94 in G Major, Surprise: First Movement - Part 7/8 | — | ||
| 3-30 | Symphony No. 94 in G Major, Surprise: First Movement - Part 8/8 | — | ||
| 3-31 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 1/6 | — | ||
| 3-32 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 2/6 | — | ||
| 3-33 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 3/6 | — | ||
| 3-34 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 4/6 | — | ||
| 3-35 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 5/6 | — | ||
| 3-36 | Symphony No. 94 in G Major, Surprise: Second Movement - Part 6/6 | — | ||
| 3-37 | Eine kleine Nachtmusik, k. 525: III. - Part 1/3 | — | ||
| 3-38 | Eine kleine Nachtmusik, k. 525: III. - Part 2/3 | — | ||
| 3-39 | Eine kleine Nachtmusik, k. 525: III. - Part 3/3 | — | ||
| 3-40 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 1/4 | — | ||
| 3-41 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 2/4 | — | ||
| 3-42 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 3/4 | — | ||
| 3-43 | String Quartet in C Minor, op. 18, no. 4: IV. - Part 4/4 | — | ||
| 3-44 | Trumpet Concerto in E Flat Major: III. - Part 1/7 | — | ||
| 3-45 | Trumpet Concerto in E Flat Major: III. - Part 2/7 | — | ||
| 3-46 | Trumpet Concerto in E Flat Major: III. - Part 3/7 | — | ||
| 3-47 | Trumpet Concerto in E Flat Major: III. - Part 4/7 | — | ||
| 3-48 | Trumpet Concerto in E Flat Major: III. - Part 5/7 | — | ||
| 3-49 | Trumpet Concerto in E Flat Major: III. - Part 6/7 | — | ||
| 3-50 | Trumpet Concerto in E Flat Major: III. - Part 7/7 | — | ||
| 3-51 | Don Giovanni, k. 527, Act I: Introduction - Part 1/4 | — | ||
| 3-52 | Don Giovanni, k. 527, Act I: Introduction - Part 2/4 | — | ||
| 3-53 | Don Giovanni, k. 527, Act I: Introduction - Part 3/4 | — | ||
| 3-54 | Don Giovanni, k. 527, Act I: Introduction - Part 4/4 | — | ||
| 3-55 | Don Giovanni, k. 527, Act I: Catalogue Aria - Part 1/2 | — | ||
| 3-56 | Don Giovanni, k. 527, Act I: Catalogue Aria - Part 2/2 | — | ||
| 3-57 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 1/4 | — | ||
| 3-58 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 2/4 | — | ||
| 3-59 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 3/4 | — | ||
| 3-60 | Don Giovanni, k. 527, Act I: La ci darem la mano - Part 4/4 | — | ||
| 3-61 | Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-1 | Piano Concerto in A Major, k. 488: I. - Part 1/7 | — | ||
| 4-2 | Piano Concerto in A Major, k. 488: I. - Part 2/7 | — | ||
| 4-3 | Piano Concerto in A Major, k. 488: I. - Part 3/7 | — | ||
| 4-4 | Piano Concerto in A Major, k. 488: I. - Part 4/7 | — | ||
| 4-5 | Piano Concerto in A Major, k. 488: I. - Part 5/7 | — | ||
| 4-6 | Piano Concerto in A Major, k. 488: I. - Part 6/7 | — | ||
| 4-7 | Piano Concerto in A Major, k. 488: I. - Part 7/7 | — | ||
| 4-8 | Piano Sonata in C Minor, op. 13: First Movement - Part 1/7 | — | ||
| 4-9 | Piano Sonata in C Minor, op. 13: First Movement - Part 2/7 | — | ||
| 4-10 | Piano Sonata in C Minor, op. 13: First Movement - Part 3/7 | — | ||
| 4-11 | Piano Sonata in C Minor, op. 13: First Movement - Part 4/7 | — | ||
| 4-12 | Piano Sonata in C Minor, op. 13: First Movement - Part 5/7 | — | ||
| 4-13 | Piano Sonata in C Minor, op. 13: First Movement - Part 6/7 | — | ||
| 4-14 | Piano Sonata in C Minor, op. 13: First Movement - Part 7/7 | — | ||
| 4-15 | Piano Sonata in C Minor, op. 13: Second Movement - Part 1/4 | — | ||
| 4-16 | Piano Sonata in C Minor, op. 13: Second Movement - Part 2/4 | — | ||
| 4-17 | Piano Sonata in C Minor, op. 13: Second Movement - Part 3/4 | — | ||
| 4-18 | Piano Sonata in C Minor, op. 13: Second Movement - Part 4/4 | — | ||
| 4-19 | Piano Sonata in C Minor, op. 13: Third Movement - Part 1/4 | — | ||
| 4-20 | Piano Sonata in C Minor, op. 13: Third Movement - Part 2/4 | — | ||
| 4-21 | Piano Sonata in C Minor, op. 13: Third Movement - Part 3/4 | — | ||
| 4-22 | Piano Sonata in C Minor, op. 13: Third Movement - Part 4/4 | — | ||
| 4-23 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 1/8 | — | ||
| 4-24 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 2/8 | — | ||
| 4-25 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 3/8 | — | ||
| 4-26 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 4/8 | — | ||
| 4-27 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 5/8 | — | ||
| 4-28 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 6/8 | — | ||
| 4-29 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 7/8 | — | ||
| 4-30 | Symphony no. 5 in C Minor, op. 67: First Movement - Part 8/8 | — | ||
| 4-31 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 1/6 | — | ||
| 4-32 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 2/6 | — | ||
| 4-33 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 3/6 | — | ||
| 4-34 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 4/6 | — | ||
| 4-35 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 5/6 | — | ||
| 4-36 | Symphony no. 5 in C Minor, op. 67: Second Movement - Part 6/6 | — | ||
| 4-37 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 1/4 | — | ||
| 4-38 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 2/4 | — | ||
| 4-39 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 3/4 | — | ||
| 4-40 | Symphony no. 5 in C Minor, op. 67: Third Movement - Part 4/4 | — | ||
| 4-41 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 1/7 | — | ||
| 4-42 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 2/7 | — | ||
| 4-43 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 3/7 | — | ||
| 4-44 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 4/7 | — | ||
| 4-45 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 5/7 | — | ||
| 4-46 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 6/7 | — | ||
| 4-47 | Symphony no. 5 in C Minor, op. 67: Fourth Movement - Part 7/7 | — | ||
| 4-48 | Erlkönig - Part 1/6 | — | ||
| 4-49 | Erlkönig - Part 2/6 | — | ||
| 4-50 | Erlkönig - Part 3/6 | — | ||
| 4-51 | Erlkönig - Part 4/6 | — | ||
| 4-52 | Erlkönig - Part 5/6 | — | ||
| 4-53 | Erlkönig - Part 6/6 | — | ||
| 4-54 | Die Forelle - Part 1/2 | — | ||
| 4-55 | Die Forelle - Part 2/2 | — | ||
| 4-56 | Piano Quintet in A Major, d. 667: IV. - Part 1/7 | — | ||
| 4-57 | Piano Quintet in A Major, d. 667: IV. - Part 2/7 | — | ||
| 4-58 | Piano Quintet in A Major, d. 667: IV. - Part 3/7 | — | ||
| 4-59 | Piano Quintet in A Major, d. 667: IV. - Part 4/7 | — | ||
| 4-60 | Piano Quintet in A Major, d. 667: IV. - Part 5/7 | — | ||
| 4-61 | Piano Quintet in A Major, d. 667: IV. - Part 6/7 | — | ||
| 4-62 | Piano Quintet in A Major, d. 667: IV. - Part 7/7 | — | ||
| 4-63 | Nocturne in E Flat Major, op. 9, no. 2 - Part 1/3 | — | ||
| 4-64 | Nocturne in E Flat Major, op. 9, no. 2 - Part 2/3 | — | ||
| 4-65 | Nocturne in E Flat Major, op. 9, no. 2 - Part 3/3 | — | ||
| 5-1 | Carnaval, op.9: Chiarina - Part 1/2 | — | ||
| 5-2 | Carnaval, op.9: Chiarina - Part 2/2 | — | ||
| 5-3 | Carnaval, op.9: Chopin - Part 1/1 | — | ||
| 5-4 | Carnaval, op.9: Estrella - Part 1/2 | — | ||
| 5-5 | Carnaval, op.9: Estrella - Part 2/2 | — | ||
| 5-6 | Carnaval, op.9: Réconnaisance - Part 1/2 | — | ||
| 5-7 | Carnaval, op.9: Réconnaisance - Part 2/2 | — | ||
| 5-8 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 1/5 | — | ||
| 5-9 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 2/5 | — | ||
| 5-10 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 3/5 | — | ||
| 5-11 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 4/5 | — | ||
| 5-12 | Romance in G Minor for Violin and Piano, op.22, no. 2 - Part 5/5 | — | ||
| 5-13 | Polonaise in A-flat, op. 53 - Part 1/4 | — | ||
| 5-14 | Polonaise in A-flat, op. 53 - Part 2/4 | — | ||
| 5-15 | Polonaise in A-flat, op. 53 - Part 3/4 | — | ||
| 5-16 | Polonaise in A-flat, op. 53 - Part 4/4 | — | ||
| 5-17 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 5-18 | Transcendental Etude no. 10 in F Minor - Part 1/6 | — | ||
| 5-19 | Transcendental Etude no. 10 in F Minor - Part 2/6 | — | ||
| 5-20 | Transcendental Etude no. 10 in F Minor - Part 3/6 | — | ||
| 5-21 | Transcendental Etude no. 10 in F Minor - Part 4/6 | — | ||
| 5-22 | Transcendental Etude no. 10 in F Minor - Part 5/6 | — | ||
| 5-23 | Transcendental Etude no. 10 in F Minor - Part 6/6 | — | ||
| 5-24 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 1/6 | — | ||
| 5-25 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 2/6 | — | ||
| 5-26 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 3/6 | — | ||
| 5-27 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 4/6 | — | ||
| 5-28 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 5/6 | — | ||
| 5-29 | Concerto for Violin and Orchestra in E Minor, op. 64: I. - Part 6/6 | — | ||
| 5-30 | Symphonie Fantastique: IV. March to the Scaffold - Part 1/4 | — | ||
| 5-31 | Symphonie Fantastique: IV. March to the Scaffold - Part 2/4 | — | ||
| 5-32 | Symphonie Fantastique: IV. March to the Scaffold - Part 3/4 | — | ||
| 5-33 | Symphonie Fantastique: IV. March to the Scaffold - Part 4/4 | — | ||
| 5-34 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 1/6 | — | ||
| 5-35 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 2/6 | — | ||
| 5-36 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 3/6 | — | ||
| 5-37 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 4/6 | — | ||
| 5-38 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 5/6 | — | ||
| 5-39 | Symphonie Fantastique: V. Dream of a Witches' Sabbath - Part 6/6 | — | ||
| 5-40 | The Great Gate at Kiev - Part 1/4 | — | ||
| 5-41 | The Great Gate at Kiev - Part 2/4 | — | ||
| 5-42 | The Great Gate at Kiev - Part 3/4 | — | ||
| 5-43 | The Great Gate at Kiev - Part 4/4 | — | ||
| 5-44 | Romeo and Juliet - Part 1/10 | — | ||
| 5-45 | Romeo and Juliet - Part 2/10 | — | ||
| 5-46 | Romeo and Juliet - Part 3/10 | — | ||
| 5-47 | Romeo and Juliet - Part 4/10 | — | ||
| 5-48 | Romeo and Juliet - Part 5/10 | — | ||
| 5-49 | Romeo and Juliet - Part 6/10 | — | ||
| 5-50 | Romeo and Juliet - Part 7/10 | — | ||
| 5-51 | Romeo and Juliet - Part 8/10 | — | ||
| 5-52 | Romeo and Juliet - Part 9/10 | — | ||
| 5-53 | Romeo and Juliet - Part 10/10 | — | ||
| 6-1 | The Moldau - Part 1/7 | — | ||
| 6-2 | The Moldau - Part 2/7 | — | ||
| 6-3 | The Moldau - Part 3/7 | — | ||
| 6-4 | The Moldau - Part 4/7 | — | ||
| 6-5 | The Moldau - Part 5/7 | — | ||
| 6-6 | The Moldau - Part 6/7 | — | ||
| 6-7 | The Moldau - Part 7/7 | — | ||
| 6-8 | Symphony no. 9 in E Minor, op. 95 - Part 1/7 | — | ||
| 6-9 | Symphony no. 9 in E Minor, op. 95 - Part 2/7 | — | ||
| 6-10 | Symphony no. 9 in E Minor, op. 95 - Part 3/7 | — | ||
| 6-11 | Symphony no. 9 in E Minor, op. 95 - Part 4/7 | — | ||
| 6-12 | Symphony no. 9 in E Minor, op. 95 - Part 5/7 | — | ||
| 6-13 | Symphony no. 9 in E Minor, op. 95 - Part 6/7 | — | ||
| 6-14 | Symphony no. 9 in E Minor, op. 95 - Part 7/7 | — | ||
| 6-15 | Symphony no. 4 in E Minor, op. 98: IV. - Part 1/4 | — | ||
| 6-16 | Symphony no. 4 in E Minor, op. 98: IV. - Part 2/4 | — | ||
| 6-17 | Symphony no. 4 in E Minor, op. 98: IV. - Part 3/4 | — | ||
| 6-18 | Symphony no. 4 in E Minor, op. 98: IV. - Part 4/4 | — | ||
| 6-19 | A German Requiem: IV. "How Lovely is Thy Dwelling Place" - Part 1/1 | — | ||
| 6-20 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 1/3 | — | ||
| 6-21 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 2/3 | — | ||
| 6-22 | Rigoletto: "La donna è mobile" / Quartet from Act III - Part 3/3 | — | ||
| 6-23 | La Bohème: Act I. (excerpt) - Part 1/4 | — | ||
| 6-24 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-25 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-26 | La Bohème: Act I. (excerpt) - Part 4/4 | — | ||
| 6-27 | Die Walküre: Act I. - Part 1/8 | — | ||
| 6-28 | Die Walküre: Act I. - Part 2/8 | — | ||
| 6-29 | Die Walküre: Act I. - Part 3/8 | — | ||
| 6-30 | Die Walküre: Act I. - Part 4/8 | — | ||
| 6-31 | Die Walküre: Act I. - Part 5/8 | — | ||
| 6-32 | Die Walküre: Act I. - Part 6/8 | — | ||
| 6-33 | Die Walküre: Act I. - Part 7/8 | — | ||
| 6-34 | Die Walküre: Act I. - Part 8/8 | — | ||
| 6-35 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 1/4 | — | ||
| 6-36 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 2/4 | — | ||
| 6-37 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 3/4 | — | ||
| 6-38 | Lieder eines fahrenden Gesellen: "Ging heut' Morgen übers Feld" - Part 4/4 | — | ||
| 7-1 | Prélude à L'Après-midi d'un faune - Part 1/7 | — | ||
| 7-2 | Prélude à L'Après-midi d'un faune - Part 2/7 | — | ||
| 7-3 | Prélude à L'Après-midi d'un faune - Part 3/7 | — | ||
| 7-4 | Prélude à L'Après-midi d'un faune - Part 4/7 | — | ||
| 7-5 | Prélude à L'Après-midi d'un faune - Part 5/7 | — | ||
| 7-6 | Prélude à L'Après-midi d'un faune - Part 6/7 | — | ||
| 7-7 | Prélude à L'Après-midi d'un faune - Part 7/7 | — | ||
| 7-8 | Bolero - Part 1/7 | — | ||
| 7-9 | Bolero - Part 2/7 | — | ||
| 7-10 | Bolero - Part 3/7 | — | ||
| 7-11 | Bolero - Part 4/7 | — | ||
| 7-12 | Bolero - Part 5/7 | — | ||
| 7-13 | Bolero - Part 6/7 | — | ||
| 7-14 | Bolero - Part 7/7 | — | ||
| 7-15 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 1/8 | — | ||
| 7-16 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 2/8 | — | ||
| 7-17 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 3/8 | — | ||
| 7-18 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 4/8 | — | ||
| 7-19 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 5/8 | — | ||
| 7-20 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 6/8 | — | ||
| 7-21 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 7/8 | — | ||
| 7-22 | Le Sacre du printemps: Part I. Introduction, Omens of Spring; Dances of the Youth and Maidens; Ritual of Abduction - Part 8/8 | — | ||
| 7-23 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 1/3 | — | ||
| 7-24 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 2/3 | — | ||
| 7-25 | Le Sacre du printemps: Part II. Sacrificial Dance - Part 3/3 | — | ||
| 7-26 | Symphony of Psalms: I. - Part 1/1 | — | ||
| 7-27 | Pierrot lunaire: "Mondestrunken" - Part 1/1 | — | ||
| 7-28 | A Survivor from Warsaw, op. 46 - Part 1/3 | — | ||
| 7-29 | A Survivor from Warsaw, op. 46 - Part 2/3 | — | ||
| 7-30 | A Survivor from Warsaw, op. 46 - Part 3/3 | — | ||
| 7-31 | Five Pieces for Orchestra, op. 10, 3: Very slow and extremely calm - Part 1/1 | — | ||
| 7-32 | Wozzeck: Act III. Scene IV-V - Part 1/5 | — | ||
| 7-33 | Wozzeck: Act III. Scene IV-V - Part 2/5 | — | ||
| 7-34 | Wozzeck: Act III. Scene IV-V - Part 3/5 | — | ||
| 7-35 | Wozzeck: Act III. Scene IV-V - Part 4/5 | — | ||
| 7-36 | Wozzeck: Act III. Scene IV-V - Part 5/5 | — | ||
| 7-37 | Concerto for Orchestra: First Movement. Introduction - Part 1/9 | — | ||
| 7-38 | Concerto for Orchestra: First Movement. Introduction - Part 2/9 | — | ||
| 7-39 | Concerto for Orchestra: First Movement. Introduction - Part 3/9 | — | ||
| 7-40 | Concerto for Orchestra: First Movement. Introduction - Part 4/9 | — | ||
| 7-41 | Concerto for Orchestra: First Movement. Introduction - Part 5/9 | — | ||
| 7-42 | Concerto for Orchestra: First Movement. Introduction - Part 6/9 | — | ||
| 7-43 | Concerto for Orchestra: First Movement. Introduction - Part 7/9 | — | ||
| 7-44 | Concerto for Orchestra: First Movement. Introduction - Part 8/9 | — | ||
| 7-45 | Concerto for Orchestra: First Movement. Introduction - Part 9/9 | — | ||
| 7-46 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 1/7 | — | ||
| 7-47 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 2/7 | — | ||
| 7-48 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 3/7 | — | ||
| 7-49 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 4/7 | — | ||
| 7-50 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 5/7 | — | ||
| 7-51 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 6/7 | — | ||
| 7-52 | Concerto for Orchestra: Second Movement. Game of Pairs - Part 7/7 | — | ||
| 7-53 | Sonatas and Interludes for Prepared Piano: Sonata no. 2 - Part 1/2 | — | ||
| 7-54 | Sonatas and Interludes for Prepared Piano: Sonata no. 2 - Part 2/2 | — | ||
| 8-1 | Symhphony no. 5: II. - Part 1/6 | — | ||
| 8-2 | Symhphony no. 5: II. - Part 2/6 | — | ||
| 8-3 | Symhphony no. 5: II. - Part 3/6 | — | ||
| 8-4 | Symhphony no. 5: II. - Part 4/6 | — | ||
| 8-5 | Symhphony no. 5: II. - Part 5/6 | — | ||
| 8-6 | Symhphony no. 5: II. - Part 6/6 | — | ||
| 8-7 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 1/5 | — | ||
| 8-8 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 2/5 | — | ||
| 8-9 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 3/5 | — | ||
| 8-10 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 4/5 | — | ||
| 8-11 | Three Places in England: Putnam's Camp, Redding, Connecticut - Part 5/5 | — | ||
| 8-12 | Afro-American Symphony: III. - Part 1/5 | — | ||
| 8-13 | Afro-American Symphony: III. - Part 2/5 | — | ||
| 8-14 | Afro-American Symphony: III. - Part 3/5 | — | ||
| 8-15 | Afro-American Symphony: III. - Part 4/5 | — | ||
| 8-16 | Afro-American Symphony: III. - Part 5/5 | — | ||
| 8-17 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 1/6 | — | ||
| 8-18 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 2/6 | — | ||
| 8-19 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 3/6 | — | ||
| 8-20 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 4/6 | — | ||
| 8-21 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 5/6 | — | ||
| 8-22 | Appalachian Spring: section 7. theme and variations on "Simple Gifts" - Part 6/6 | — | ||
| 8-23 | Semi-simple Variations - Part 1/6 | — | ||
| 8-24 | Semi-simple Variations - Part 2/6 | — | ||
| 8-25 | Semi-simple Variations - Part 3/6 | — | ||
| 8-26 | Semi-simple Variations - Part 4/6 | — | ||
| 8-27 | Semi-simple Variations - Part 5/6 | — | ||
| 8-28 | Semi-simple Variations - Part 6/6 | — | ||
| 8-29 | Poème électronique - Part 1/4 | — | ||
| 8-30 | Poème électronique - Part 2/4 | — | ||
| 8-31 | Poème électronique - Part 3/4 | — | ||
| 8-32 | Poème électronique - Part 4/4 | — | ||
| 8-33 | Ancient Voices of Children: "From Where Do You Come, My Love, My Child?" - Part 1/1 | — | ||
| 8-34 | Einstein on the Beach: Knee Play 1 - Part 1/2 | — | ||
| 8-35 | Einstein on the Beach: Knee Play 1 - Part 2/2 | — | ||
| 8-36 | Concerto Grosso 1985: I. - Part 1/2 | — | ||
| 8-37 | Concerto Grosso 1985: I. - Part 2/2 | — | ||
| 8-38 | A Short Ride in a Fast Machine - Part 1/4 | — | ||
| 8-39 | A Short Ride in a Fast Machine - Part 2/4 | — | ||
| 8-40 | A Short Ride in a Fast Machine - Part 3/4 | — | ||
| 8-41 | A Short Ride in a Fast Machine - Part 4/4 | — | ||
| 8-42 | Maple Leaf Rag - Part 1/4 | — | ||
| 8-43 | Maple Leaf Rag - Part 2/4 | — | ||
| 8-44 | Maple Leaf Rag - Part 3/4 | — | ||
| 8-45 | Maple Leaf Rag - Part 4/4 | — | ||
| 8-46 | Lost Your Head Blues - Part 1/1 | — | ||
| 8-47 | Dippermouth Blues - Part 1/1 | — | ||
| 8-48 | Hotter Than That - Part 1/6 | — | ||
| 8-49 | Hotter Than That - Part 2/6 | — | ||
| 8-50 | Hotter Than That - Part 3/6 | — | ||
| 8-51 | Hotter Than That - Part 4/6 | — | ||
| 8-52 | Hotter Than That - Part 5/6 | — | ||
| 8-53 | Hotter Than That - Part 6/6 | — | ||
| 8-54 | Bloomdido - Part 1/1 | — | ||
| 8-55 | Miles Runs the Voodo Down (excerpt) - Part 1/1 | — | ||
| 8-56 | My Fair Lady: "The Rain in Spain" - Part 1/1 | — | ||
| 8-57 | West Side Story: "Tonight" - Part 1/2 | — | ||
| 8-58 | West Side Story: "Tonight" - Part 2/2 | — | ||
| 8-59 | Song of Angola (Gangele Song) - Part 1/1 | — | ||
| 8-60 | Mitamba Yalagala - Part 1/1 | — | ||
| 8-61 | Hinganyengisa Masingita - Part 1/1 | — | ||
| 8-62 | Maru-Bihag - Part 1/1 | — | ||
| 8-63 | Godan Ginuta - Part 1/3 | — | ||
| 8-64 | Godan Ginuta - Part 2/3 | — | ||
| 8-65 | Godan Ginuta - Part 3/3 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Requiem in D minor, K. 626: III. Sequentia - Dies Irae | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
