UPC · Release
Roger Kamien
Last verified:
9780079121592 is the Universal Product Code (UPC barcode) for the release “Music: An Appreciation, Sixth Edition” by Roger Kamien, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 446 tracks, each with its own ISRC. Tracks include GBF076341912, GBF076341915, GBBBA6150230.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lohengrin, Prelude to Act III | — | ||
| 2 | Lohengrin, Prelude to Act III | — | ||
| 3 | Lohengrin, Prelude to Act III | — | ||
| 4 | Lohengrin, Prelude to Act III | — | ||
| 5 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 6 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 7 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 8 | The Firebird, Scene 2 | — | ||
| 9 | The Firebird, Scene 2 | — | ||
| 10 | Hotter Than That | — | ||
| 11 | Hotter Than That | — | ||
| 12 | Hotter Than That | — | ||
| 13 | Hotter Than That | — | ||
| 14 | Hotter Than That | — | ||
| 15 | Hotter Than That | — | ||
| 16 | The Young Person's Guide to the Orchestra | — | ||
| 17 | The Young Person's Guide to the Orchestra | — | ||
| 18 | The Young Person's Guide to the Orchestra | — | ||
| 19 | The Young Person's Guide to the Orchestra | — | ||
| 20 | The Young Person's Guide to the Orchestra | — | ||
| 21 | The Young Person's Guide to the Orchestra | — | ||
| 22 | The Young Person's Guide to the Orchestra | — | ||
| 23 | The Young Person's Guide to the Orchestra | — | ||
| 24 | The Young Person's Guide to the Orchestra | — | ||
| 25 | The Young Person's Guide to the Orchestra | — | ||
| 26 | The Young Person's Guide to the Orchestra | — | ||
| 27 | The Young Person's Guide to the Orchestra | — | ||
| 28 | The Young Person's Guide to the Orchestra | — | ||
| 29 | The Young Person's Guide to the Orchestra | — | ||
| 30 | The Young Person's Guide to the Orchestra | — | ||
| 31 | The Young Person's Guide to the Orchestra | — | ||
| 32 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace | London Symphony Orchestra, Benjamin Britten | — | |
| 33 | The Young Person's Guide to the Orchestra | — | ||
| 34 | The Young Person's Guide to the Orchestra | — | ||
| 35 | The Young Person's Guide to the Orchestra | — | ||
| 36 | The Young Person's Guide to the Orchestra | — | ||
| 37 | The Young Person's Guide to the Orchestra | — | ||
| 38 | The Young Person's Guide to the Orchestra | — | ||
| 39 | The Young Person's Guide to the Orchestra | — | ||
| 40 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 41 | The Stars and Stripes Forever | — | ||
| 42 | The Stars and Stripes Forever | — | ||
| 43 | The Stars and Stripes Forever | — | ||
| 44 | The Stars and Stripes Forever | — | ||
| 45 | I Got Rhythm | — | ||
| 46 | Unsquare Dance | — | ||
| 47 | Over the Rainbow | — | ||
| 48 | Over the Rainbow | — | ||
| 49 | Over the Rainbow | — | ||
| 50 | Prelude in E minor, op. 28, no. 4 | — | ||
| 51 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 52 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 53 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 54 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 55 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 56 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 57 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 58 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 59 | Gavotte from French Suite no. 5 in G major | — | ||
| 60 | Gavotte from French Suite no. 5 in G major | — | ||
| 61 | Alleluia: Vidimus Stellam | — | ||
| 62 | Alleluia: Vidimus Stellam | — | ||
| 63 | Alleluia: Vidimus Stellam | — | ||
| 64 | O successores | — | ||
| 65 | Estampie | — | ||
| 66 | Alleluia: Nativitas | — | ||
| 67 | Ecco la primavera | — | ||
| 68 | Agnus Dei from "Notre Dame" Mass | — | ||
| 69 | Agnus Dei from "Notre Dame" Mass | — | ||
| 70 | Agnus Dei from "Notre Dame" Mass | — | ||
| 71 | Ave Maria...virgo serena | — | ||
| 72 | Ave Maria...virgo serena | — | ||
| 73 | Ave Maria...virgo serena | — | ||
| 74 | Kyrie from "Pope Marcellus" Mass | — | ||
| 75 | Kyrie from "Pope Marcellus" Mass | — | ||
| 76 | Kyrie from "Pope Marcellus" Mass | — | ||
| 77 | As Vesta Was Descending | — | ||
| 78 | Now is the Month Maying | — | ||
| 79 | Ricercar in the Twelfth Mode | — | ||
| 80 | Ricercar in the Twelfth Mode | — | ||
| 81 | Ricercar in the Twelfth Mode | — | ||
| 82 | Ricercar in the Twelfth Mode | — | ||
| 83 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 84 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 85 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 86 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 2-1 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-2 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-3 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-4 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-5 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-6 | "Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso | — | ||
| 2-7 | "Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso | — | ||
| 2-8 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-9 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-10 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-11 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-12 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-13 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-14 | "Tu se' morta" from "Orfeo" | — | ||
| 2-15 | "Dido's Lament" from "Dido and Aeneas" | — | ||
| 2-16 | Dido and Aeneas: Dido’s Lament | Dame Janet Baker, English Chamber Orchestra, Sir Anthony Lewis | T-905.454.594-7 | |
| 2-17 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-18 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-19 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-20 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-21 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-22 | Suite no. 3 in D major: Second movement: Air | — | ||
| 2-23 | Suite no. 3 in D major: Second movement: Air | — | ||
| 2-24 | Suite no. 3 in D major: Fourth movement: Bourée | — | ||
| 2-25 | Suite no. 3 in D major: Fourth movement: Bourée | — | ||
| 2-26 | Suite no. 3 in D major: Fifth movement: Gigue | — | ||
| 2-27 | Suite no. 3 in D major: Fifth movement: Gigue | — | ||
| 2-28 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-29 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-30 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-31 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-32 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-33 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-34 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Seventh movement, chorale | — | ||
| 2-35 | Messiah: Sinfonia for Orchestra (French Overture) | — | ||
| 2-36 | Messiah: Sinfonia for Orchestra (French Overture) | — | ||
| 2-37 | Messiah: Comfort Ye, My People | — | ||
| 2-38 | Messiah: Comfort Ye, My People | — | ||
| 2-39 | Messiah: Ev'ry Valley Shall Be Exhalted | — | ||
| 2-40 | Messiah: For unto Us a Child Is Born | — | ||
| 2-41 | Messiah: For unto Us a Child Is Born | — | ||
| 2-42 | Messiah: For unto Us a Child Is Born | — | ||
| 2-43 | Messiah: "Hallelujah" Chorus | — | ||
| 2-44 | Messiah: "Hallelujah" Chorus | — | ||
| 2-45 | Messiah: "Hallelujah" Chorus | — | ||
| 2-46 | Messiah: "Hallelujah" Chorus | — | ||
| 2-47 | Messiah: "Hallelujah" Chorus | — | ||
| 2-48 | Messiah: "Hallelujah" Chorus | — | ||
| 3-1 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-2 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-3 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-4 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-5 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-6 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-7 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-8 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-9 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-10 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-11 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-12 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-13 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-14 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-15 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-16 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-17 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-18 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-19 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-20 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-21 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-22 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-23 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-24 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-25 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-26 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-27 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-28 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-29 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-30 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-31 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-32 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-33 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-34 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-35 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-36 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-37 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-38 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-39 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-40 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-41 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-42 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-43 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-44 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-45 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-46 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-47 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-48 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-49 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-50 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-51 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-52 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-53 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-54 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-55 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-56 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-57 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-58 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-59 | Don Giovanni, K. 527, Act I: "Catalog" aria ("Madamina") | — | ||
| 3-60 | Don Giovanni, K. 527, Act I: "Catalog" aria ("Madamina") | — | ||
| 3-61 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-62 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-63 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-64 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-65 | "Dies irae", from Requiem, K. 626 | — | ||
| 4-1 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-2 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-3 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-4 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-5 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-6 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-7 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-8 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-9 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-10 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-11 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-12 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-13 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-14 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-15 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-16 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-17 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-18 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-19 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-20 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-21 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-22 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-23 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-24 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-25 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-26 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-27 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-28 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-29 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-30 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-31 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-32 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-33 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-34 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-35 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-36 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-37 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-38 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-39 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-40 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-41 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-42 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-43 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-44 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-45 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-46 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-47 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-48 | Erlkönig | — | ||
| 4-49 | Erlkönig | — | ||
| 4-50 | Erlkönig | — | ||
| 4-51 | Erlkönig | — | ||
| 4-52 | Erlkönig | — | ||
| 4-53 | Erlkönig | — | ||
| 4-54 | Heidenröslein | — | ||
| 4-55 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-56 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-57 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-58 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-59 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-60 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-61 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-62 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-63 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-64 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-65 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-66 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 5-1 | Carnaval: Chiarina | — | ||
| 5-2 | Carnaval: Chiarina | — | ||
| 5-3 | Carnaval: Chopin | — | ||
| 5-4 | Carnaval: Estrella | — | ||
| 5-5 | Carnaval: Estrella | — | ||
| 5-6 | Carnaval: Reconnaissance | — | ||
| 5-7 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-8 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-9 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-10 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-11 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 5-12 | Polonaise in A-flat major, op. 53 | — | ||
| 5-13 | Polonaise in A-flat major, op. 53 | — | ||
| 5-14 | Polonaise in A-flat major, op. 53 | — | ||
| 5-15 | Polonaise in A-flat major, op. 53 | — | ||
| 5-16 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-17 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-18 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-19 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-20 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-21 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-22 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-23 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-24 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-25 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-26 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-27 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-28 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-29 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-30 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-31 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-32 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-33 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-34 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-35 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-36 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-37 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-38 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-39 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-40 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-41 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-42 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-43 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-44 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-45 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-46 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-47 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-48 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-49 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-50 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 6-1 | Má Vlast: The Moldau | — | ||
| 6-2 | Má Vlast: The Moldau | — | ||
| 6-3 | Má Vlast: The Moldau | — | ||
| 6-4 | Má Vlast: The Moldau | — | ||
| 6-5 | Má Vlast: The Moldau | — | ||
| 6-6 | Má Vlast: The Moldau | — | ||
| 6-7 | Má Vlast: The Moldau | — | ||
| 6-8 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-9 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-10 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-11 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-12 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-13 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-14 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-15 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-16 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-17 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-18 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-19 | A German Requiem "How Lovely is Thy Dwelling Place" | — | ||
| 6-20 | A German Requiem "How Lovely is Thy Dwelling Place" | — | ||
| 6-21 | Rigoletto, Act III "La Donna è Mobile" | — | ||
| 6-22 | Rigoletto, Act III "La Donna è Mobile" | — | ||
| 6-23 | La Bohème, Act I | — | ||
| 6-24 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-25 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-26 | La Bohème, Act I | — | ||
| 6-27 | Die Walküre, Act I | — | ||
| 6-28 | Die Walküre, Act I | — | ||
| 6-29 | Die Walküre, Act I | — | ||
| 6-30 | Die Walküre, Act I | — | ||
| 6-31 | Die Walküre, Act I | — | ||
| 6-32 | Die Walküre, Act I | — | ||
| 6-33 | Die Walküre, Act I | — | ||
| 6-34 | Die Walküre, Act I | — | ||
| 7-1 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-2 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-3 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-4 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-5 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-6 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-7 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-8 | Bolero | — | ||
| 7-9 | Bolero | — | ||
| 7-10 | Bolero | — | ||
| 7-11 | Bolero | — | ||
| 7-12 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-13 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-14 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-15 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-16 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-17 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-18 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-19 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-20 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-21 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-22 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-23 | Symphony of Psalms | — | ||
| 7-24 | Five Pieces for Orchestra, op. 16 "Vorgefühle" | — | ||
| 7-25 | Five Pieces for Orchestra, op. 16 "Vorgefühle" | — | ||
| 7-26 | A Survivor From Warsaw, op. 46 | — | ||
| 7-27 | A Survivor From Warsaw, op. 46 | — | ||
| 7-28 | Wozzeck, Act III | — | ||
| 7-29 | Wozzeck, Act III | — | ||
| 7-30 | Wozzeck, Act III | — | ||
| 7-31 | Wozzeck, Act III | — | ||
| 7-32 | Wozzeck, Act III | — | ||
| 7-33 | Five Pieces for Orchestra, op. 10 "Third Piece" | — | ||
| 7-34 | Concerto for Orchestra "Introduction" | — | ||
| 7-35 | Concerto for Orchestra "Introduction" | — | ||
| 7-36 | Concerto for Orchestra "Introduction" | — | ||
| 7-37 | Concerto for Orchestra "Introduction" | — | ||
| 7-38 | Concerto for Orchestra "Introduction" | — | ||
| 7-39 | Concerto for Orchestra "Introduction" | — | ||
| 7-40 | Concerto for Orchestra "Introduction" | — | ||
| 7-41 | Concerto for Orchestra "Introduction" | — | ||
| 7-42 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-43 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-44 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-45 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-46 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-47 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-48 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-49 | Concerto for Orchestra "Game of Pairs" | — | ||
| 8-1 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-2 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-3 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-4 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-5 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-6 | Appalachian Spring "Simple Gifts" | — | ||
| 8-7 | Appalachian Spring "Simple Gifts" | — | ||
| 8-8 | Appalachian Spring "Simple Gifts" | — | ||
| 8-9 | Appalachian Spring "Simple Gifts" | — | ||
| 8-10 | Appalachian Spring "Simple Gifts" | — | ||
| 8-11 | Appalachian Spring "Simple Gifts" | — | ||
| 8-12 | Semi-Simple Variations | — | ||
| 8-13 | Semi-Simple Variations | — | ||
| 8-14 | Semi-Simple Variations | — | ||
| 8-15 | Semi-Simple Variations | — | ||
| 8-16 | Semi-Simple Variations | — | ||
| 8-17 | Semi-Simple Variations | — | ||
| 8-18 | Poème électronique | Edgard Varèse | T-700.076.120-8 | |
| 8-19 | Ancient Voices of Children "From Where Dou You Come, My Love, My Child?" | — | ||
| 8-20 | Concerto Grosso 1985 | — | ||
| 8-21 | Concerto Grosso 1985 | — | ||
| 8-22 | Sextet | — | ||
| 8-23 | Sextet | — | ||
| 8-24 | Sextet | — | ||
| 8-25 | Sextet | — | ||
| 8-26 | Sextet | — | ||
| 8-27 | Ritual Melodies | — | ||
| 8-28 | Ritual Melodies | — | ||
| 8-29 | Ritual Melodies | — | ||
| 8-30 | Ritual Melodies | — | ||
| 8-31 | Ritual Melodies | — | ||
| 8-32 | Maple Leaf Rag | — | ||
| 8-33 | Maple Leaf Rag | — | ||
| 8-34 | Maple Leaf Rag | — | ||
| 8-35 | Maple Leaf Rag | — | ||
| 8-36 | Lost Your Head Blues | — | ||
| 8-37 | Dippermouth Blues | — | ||
| 8-38 | Take the "A" Train | — | ||
| 8-39 | Bloomdido | — | ||
| 8-40 | Miles Runs the Voodoo Down | — | ||
| 8-41 | Oklahoma! | — | ||
| 8-42 | Tonight | — | ||
| 8-43 | Tonight | — | ||
| 8-44 | Song From Angola | — | ||
| 8-45 | Mitamba Yalagala Kumchuzi | — | ||
| 8-46 | Hinganyengisa Masingita | — | ||
| 8-47 | Maru-Bihag | — | ||
| 8-48 | Godan Ginuta | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| When We’re Gone, Long Gone | Emmylou Harris, Linda Ronstadt, Dolly Parton | T-316.849.313-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
9780079121592 is a Universal Product Code (UPC) assigned to Music: An Appreciation, Sixth Edition by Roger Kamien. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 446 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
9780079121592 is the Universal Product Code (UPC barcode) for the release “Music: An Appreciation, Sixth Edition” by Roger Kamien, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 446 tracks, each with its own ISRC. Tracks include GBF076341912, GBF076341915, GBBBA6150230.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lohengrin, Prelude to Act III | — | ||
| 2 | Lohengrin, Prelude to Act III | — | ||
| 3 | Lohengrin, Prelude to Act III | — | ||
| 4 | Lohengrin, Prelude to Act III | — | ||
| 5 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 6 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 7 | Prelude in C minor for Piano, op. 28, no. 20 | — | ||
| 8 | The Firebird, Scene 2 | — | ||
| 9 | The Firebird, Scene 2 | — | ||
| 10 | Hotter Than That | — | ||
| 11 | Hotter Than That | — | ||
| 12 | Hotter Than That | — | ||
| 13 | Hotter Than That | — | ||
| 14 | Hotter Than That | — | ||
| 15 | Hotter Than That | — | ||
| 16 | The Young Person's Guide to the Orchestra | — | ||
| 17 | The Young Person's Guide to the Orchestra | — | ||
| 18 | The Young Person's Guide to the Orchestra | — | ||
| 19 | The Young Person's Guide to the Orchestra | — | ||
| 20 | The Young Person's Guide to the Orchestra | — | ||
| 21 | The Young Person's Guide to the Orchestra | — | ||
| 22 | The Young Person's Guide to the Orchestra | — | ||
| 23 | The Young Person's Guide to the Orchestra | — | ||
| 24 | The Young Person's Guide to the Orchestra | — | ||
| 25 | The Young Person's Guide to the Orchestra | — | ||
| 26 | The Young Person's Guide to the Orchestra | — | ||
| 27 | The Young Person's Guide to the Orchestra | — | ||
| 28 | The Young Person's Guide to the Orchestra | — | ||
| 29 | The Young Person's Guide to the Orchestra | — | ||
| 30 | The Young Person's Guide to the Orchestra | — | ||
| 31 | The Young Person's Guide to the Orchestra | — | ||
| 32 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace | London Symphony Orchestra, Benjamin Britten | — | |
| 33 | The Young Person's Guide to the Orchestra | — | ||
| 34 | The Young Person's Guide to the Orchestra | — | ||
| 35 | The Young Person's Guide to the Orchestra | — | ||
| 36 | The Young Person's Guide to the Orchestra | — | ||
| 37 | The Young Person's Guide to the Orchestra | — | ||
| 38 | The Young Person's Guide to the Orchestra | — | ||
| 39 | The Young Person's Guide to the Orchestra | — | ||
| 40 | The Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 41 | The Stars and Stripes Forever | — | ||
| 42 | The Stars and Stripes Forever | — | ||
| 43 | The Stars and Stripes Forever | — | ||
| 44 | The Stars and Stripes Forever | — | ||
| 45 | I Got Rhythm | — | ||
| 46 | Unsquare Dance | — | ||
| 47 | Over the Rainbow | — | ||
| 48 | Over the Rainbow | — | ||
| 49 | Over the Rainbow | — | ||
| 50 | Prelude in E minor, op. 28, no. 4 | — | ||
| 51 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 52 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 53 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 54 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 55 | "Farandole" from "L'Arlésienne" Suite no. 2 | — | ||
| 56 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 57 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 58 | "Dance of the Reed Pipes" from "Nutcracker" Suite | — | ||
| 59 | Gavotte from French Suite no. 5 in G major | — | ||
| 60 | Gavotte from French Suite no. 5 in G major | — | ||
| 61 | Alleluia: Vidimus Stellam | — | ||
| 62 | Alleluia: Vidimus Stellam | — | ||
| 63 | Alleluia: Vidimus Stellam | — | ||
| 64 | O successores | — | ||
| 65 | Estampie | — | ||
| 66 | Alleluia: Nativitas | — | ||
| 67 | Ecco la primavera | — | ||
| 68 | Agnus Dei from "Notre Dame" Mass | — | ||
| 69 | Agnus Dei from "Notre Dame" Mass | — | ||
| 70 | Agnus Dei from "Notre Dame" Mass | — | ||
| 71 | Ave Maria...virgo serena | — | ||
| 72 | Ave Maria...virgo serena | — | ||
| 73 | Ave Maria...virgo serena | — | ||
| 74 | Kyrie from "Pope Marcellus" Mass | — | ||
| 75 | Kyrie from "Pope Marcellus" Mass | — | ||
| 76 | Kyrie from "Pope Marcellus" Mass | — | ||
| 77 | As Vesta Was Descending | — | ||
| 78 | Now is the Month Maying | — | ||
| 79 | Ricercar in the Twelfth Mode | — | ||
| 80 | Ricercar in the Twelfth Mode | — | ||
| 81 | Ricercar in the Twelfth Mode | — | ||
| 82 | Ricercar in the Twelfth Mode | — | ||
| 83 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 84 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 85 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 86 | The Most Sacred Queene Elizabeth, Her Galliard | — | ||
| 2-1 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-2 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-3 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-4 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-5 | "Brandenburg" Concerto no. 5 in D major: First movement: allegro | — | ||
| 2-6 | "Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso | — | ||
| 2-7 | "Brandenburg" Concerto no. 5 in D major: Second movement: affettuoso | — | ||
| 2-8 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-9 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-10 | "Brandenburg" Concerto no. 5 in D major: Third movement: allegro | — | ||
| 2-11 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-12 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-13 | Organ Fugue in G major ("Little Fugue") | — | ||
| 2-14 | "Tu se' morta" from "Orfeo" | — | ||
| 2-15 | "Dido's Lament" from "Dido and Aeneas" | — | ||
| 2-16 | Dido and Aeneas: Dido’s Lament | Dame Janet Baker, English Chamber Orchestra, Sir Anthony Lewis | T-905.454.594-7 | |
| 2-17 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-18 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-19 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-20 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-21 | "La Primavera" from "The Four Seasons", first movement (allegro) | — | ||
| 2-22 | Suite no. 3 in D major: Second movement: Air | — | ||
| 2-23 | Suite no. 3 in D major: Second movement: Air | — | ||
| 2-24 | Suite no. 3 in D major: Fourth movement: Bourée | — | ||
| 2-25 | Suite no. 3 in D major: Fourth movement: Bourée | — | ||
| 2-26 | Suite no. 3 in D major: Fifth movement: Gigue | — | ||
| 2-27 | Suite no. 3 in D major: Fifth movement: Gigue | — | ||
| 2-28 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-29 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-30 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": First movement, chorus and orchestra | — | ||
| 2-31 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-32 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-33 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Fourth movement, tenor chorale | — | ||
| 2-34 | Cantata no. 140, "Wachet auf, ruft, uns die Stimme": Seventh movement, chorale | — | ||
| 2-35 | Messiah: Sinfonia for Orchestra (French Overture) | — | ||
| 2-36 | Messiah: Sinfonia for Orchestra (French Overture) | — | ||
| 2-37 | Messiah: Comfort Ye, My People | — | ||
| 2-38 | Messiah: Comfort Ye, My People | — | ||
| 2-39 | Messiah: Ev'ry Valley Shall Be Exhalted | — | ||
| 2-40 | Messiah: For unto Us a Child Is Born | — | ||
| 2-41 | Messiah: For unto Us a Child Is Born | — | ||
| 2-42 | Messiah: For unto Us a Child Is Born | — | ||
| 2-43 | Messiah: "Hallelujah" Chorus | — | ||
| 2-44 | Messiah: "Hallelujah" Chorus | — | ||
| 2-45 | Messiah: "Hallelujah" Chorus | — | ||
| 2-46 | Messiah: "Hallelujah" Chorus | — | ||
| 2-47 | Messiah: "Hallelujah" Chorus | — | ||
| 2-48 | Messiah: "Hallelujah" Chorus | — | ||
| 3-1 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-2 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-3 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-4 | "Giulio Cesare", recitative and aria, "Empio, dirò, tu sei" | — | ||
| 3-5 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-6 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-7 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-8 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-9 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-10 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-11 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-12 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-13 | Symphony no. 40 in G minor: First movement: molto allegro | — | ||
| 3-14 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-15 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-16 | Symphony no. 40 in G minor: Second movement: andante | — | ||
| 3-17 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-18 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-19 | Symphony no. 40 in G minor: Third movement: menuetto | — | ||
| 3-20 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-21 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-22 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-23 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-24 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-25 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-26 | Symphony no. 40 in G minor: Fourth movement: allegro assai | — | ||
| 3-27 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-28 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-29 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-30 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-31 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-32 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-33 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-34 | Symphony no. 94 in G major ("Surprise"): First movement: adagio; vivace assai | — | ||
| 3-35 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-36 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-37 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-38 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-39 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-40 | Symphony no. 94 in G major ("Surprise"): Second movement: andante | — | ||
| 3-41 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-42 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-43 | "Eine kleine Nachtmusik" in G major, K. 525, third movement (minuet: allegretto) | — | ||
| 3-44 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-45 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-46 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-47 | String Quartet in C minor, op. 18, no. 4, fourth movement (rondo) | — | ||
| 3-48 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-49 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-50 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-51 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-52 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-53 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-54 | Trumpet Concerto in E-flat major, third movement (allegro) | — | ||
| 3-55 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-56 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-57 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-58 | Don Giovanni, K. 527, Act I: Introduction (opening scene) | — | ||
| 3-59 | Don Giovanni, K. 527, Act I: "Catalog" aria ("Madamina") | — | ||
| 3-60 | Don Giovanni, K. 527, Act I: "Catalog" aria ("Madamina") | — | ||
| 3-61 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-62 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-63 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-64 | Don Giovanni, K. 527, Act I: Là ci darem la mano | — | ||
| 3-65 | "Dies irae", from Requiem, K. 626 | — | ||
| 4-1 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-2 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-3 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-4 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-5 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-6 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-7 | Piano Concerto no. 23 in A major, K. 488, first movement (allegro) | — | ||
| 4-8 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-9 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-10 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-11 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-12 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-13 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-14 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-15 | Symphony no. 5 in C minor, op. 67: First movement: allegro con brio | — | ||
| 4-16 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-17 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-18 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-19 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-20 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-21 | Symphony no. 5 in C minor, op. 67: Second movement: andante con moto | — | ||
| 4-22 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-23 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-24 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-25 | Symphony no. 5 in C minor, op. 67: Third movement: allegro | — | ||
| 4-26 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-27 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-28 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-29 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-30 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-31 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-32 | Symphony no. 5 in C minor, op. 67: Fourth movement: allegro | — | ||
| 4-33 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-34 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-35 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-36 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-37 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-38 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-39 | Piano Sonata in C minor, op. 13 ("Pathétique"): First movement: grave; allegro molto e con brio | — | ||
| 4-40 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-41 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-42 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-43 | Piano Sonata in C minor, op. 13 ("Pathétique"): Second movement: adagio cantabile | — | ||
| 4-44 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-45 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-46 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-47 | Piano Sonata in C minor, op. 13 ("Pathétique"): Third movement: rondo; allegro | — | ||
| 4-48 | Erlkönig | — | ||
| 4-49 | Erlkönig | — | ||
| 4-50 | Erlkönig | — | ||
| 4-51 | Erlkönig | — | ||
| 4-52 | Erlkönig | — | ||
| 4-53 | Erlkönig | — | ||
| 4-54 | Heidenröslein | — | ||
| 4-55 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-56 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-57 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-58 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-59 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-60 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-61 | Piano Quintet in A major ("Trout"), fourth movement | — | ||
| 4-62 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-63 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-64 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-65 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 4-66 | Romance in G minor for Violin and Piano, op. 22, no. 2 | — | ||
| 5-1 | Carnaval: Chiarina | — | ||
| 5-2 | Carnaval: Chiarina | — | ||
| 5-3 | Carnaval: Chopin | — | ||
| 5-4 | Carnaval: Estrella | — | ||
| 5-5 | Carnaval: Estrella | — | ||
| 5-6 | Carnaval: Reconnaissance | — | ||
| 5-7 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-8 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-9 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-10 | Nocturne in E-flat major, op. 9 no. 2 | — | ||
| 5-11 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 5-12 | Polonaise in A-flat major, op. 53 | — | ||
| 5-13 | Polonaise in A-flat major, op. 53 | — | ||
| 5-14 | Polonaise in A-flat major, op. 53 | — | ||
| 5-15 | Polonaise in A-flat major, op. 53 | — | ||
| 5-16 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-17 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-18 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-19 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-20 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-21 | Etude no. 10 in F minor "Transcendental" | — | ||
| 5-22 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-23 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-24 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-25 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-26 | Concerto for Violin and Orchestra in E minor, op. 64 | — | ||
| 5-27 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-28 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-29 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-30 | Symphonie Fantastique, op.14, Fourth Movement "March to the Scaffold" | — | ||
| 5-31 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-32 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-33 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-34 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-35 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-36 | Symphonie Fantastique, op.14, Fifth Movement "Dream of a Witches' Sabbath" | — | ||
| 5-37 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-38 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-39 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-40 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-41 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-42 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-43 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-44 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-45 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-46 | Romeo and Juliet, Overture-Fantasy | — | ||
| 5-47 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-48 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-49 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 5-50 | Lieder eines fahrenden Gesellen: Ging heut' Morgen über's Feld | — | ||
| 6-1 | Má Vlast: The Moldau | — | ||
| 6-2 | Má Vlast: The Moldau | — | ||
| 6-3 | Má Vlast: The Moldau | — | ||
| 6-4 | Má Vlast: The Moldau | — | ||
| 6-5 | Má Vlast: The Moldau | — | ||
| 6-6 | Má Vlast: The Moldau | — | ||
| 6-7 | Má Vlast: The Moldau | — | ||
| 6-8 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-9 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-10 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-11 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-12 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-13 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-14 | Symphony no. 9 in E minor "From the New World" | — | ||
| 6-15 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-16 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-17 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-18 | Symphony no. 7 in E minor, op. 98 | — | ||
| 6-19 | A German Requiem "How Lovely is Thy Dwelling Place" | — | ||
| 6-20 | A German Requiem "How Lovely is Thy Dwelling Place" | — | ||
| 6-21 | Rigoletto, Act III "La Donna è Mobile" | — | ||
| 6-22 | Rigoletto, Act III "La Donna è Mobile" | — | ||
| 6-23 | La Bohème, Act I | — | ||
| 6-24 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-25 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-26 | La Bohème, Act I | — | ||
| 6-27 | Die Walküre, Act I | — | ||
| 6-28 | Die Walküre, Act I | — | ||
| 6-29 | Die Walküre, Act I | — | ||
| 6-30 | Die Walküre, Act I | — | ||
| 6-31 | Die Walküre, Act I | — | ||
| 6-32 | Die Walküre, Act I | — | ||
| 6-33 | Die Walküre, Act I | — | ||
| 6-34 | Die Walküre, Act I | — | ||
| 7-1 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-2 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-3 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-4 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-5 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-6 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-7 | Prèlude à L'Aprés-midi d'un Faune | — | ||
| 7-8 | Bolero | — | ||
| 7-9 | Bolero | — | ||
| 7-10 | Bolero | — | ||
| 7-11 | Bolero | — | ||
| 7-12 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-13 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-14 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-15 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-16 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-17 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-18 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-19 | Le Sacre du Printemps, Part I "Introduction /Omens of Spring / Dances of the Youths and Maidens / Ritual of Abduction" | — | ||
| 7-20 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-21 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-22 | Le Sacre du Printemps, Part II "Sacrificial Dance" | — | ||
| 7-23 | Symphony of Psalms | — | ||
| 7-24 | Five Pieces for Orchestra, op. 16 "Vorgefühle" | — | ||
| 7-25 | Five Pieces for Orchestra, op. 16 "Vorgefühle" | — | ||
| 7-26 | A Survivor From Warsaw, op. 46 | — | ||
| 7-27 | A Survivor From Warsaw, op. 46 | — | ||
| 7-28 | Wozzeck, Act III | — | ||
| 7-29 | Wozzeck, Act III | — | ||
| 7-30 | Wozzeck, Act III | — | ||
| 7-31 | Wozzeck, Act III | — | ||
| 7-32 | Wozzeck, Act III | — | ||
| 7-33 | Five Pieces for Orchestra, op. 10 "Third Piece" | — | ||
| 7-34 | Concerto for Orchestra "Introduction" | — | ||
| 7-35 | Concerto for Orchestra "Introduction" | — | ||
| 7-36 | Concerto for Orchestra "Introduction" | — | ||
| 7-37 | Concerto for Orchestra "Introduction" | — | ||
| 7-38 | Concerto for Orchestra "Introduction" | — | ||
| 7-39 | Concerto for Orchestra "Introduction" | — | ||
| 7-40 | Concerto for Orchestra "Introduction" | — | ||
| 7-41 | Concerto for Orchestra "Introduction" | — | ||
| 7-42 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-43 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-44 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-45 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-46 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-47 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-48 | Concerto for Orchestra "Game of Pairs" | — | ||
| 7-49 | Concerto for Orchestra "Game of Pairs" | — | ||
| 8-1 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-2 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-3 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-4 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-5 | Three Places in New England "Putnam's Camp / Redding / Connecticut" | — | ||
| 8-6 | Appalachian Spring "Simple Gifts" | — | ||
| 8-7 | Appalachian Spring "Simple Gifts" | — | ||
| 8-8 | Appalachian Spring "Simple Gifts" | — | ||
| 8-9 | Appalachian Spring "Simple Gifts" | — | ||
| 8-10 | Appalachian Spring "Simple Gifts" | — | ||
| 8-11 | Appalachian Spring "Simple Gifts" | — | ||
| 8-12 | Semi-Simple Variations | — | ||
| 8-13 | Semi-Simple Variations | — | ||
| 8-14 | Semi-Simple Variations | — | ||
| 8-15 | Semi-Simple Variations | — | ||
| 8-16 | Semi-Simple Variations | — | ||
| 8-17 | Semi-Simple Variations | — | ||
| 8-18 | Poème électronique | Edgard Varèse | T-700.076.120-8 | |
| 8-19 | Ancient Voices of Children "From Where Dou You Come, My Love, My Child?" | — | ||
| 8-20 | Concerto Grosso 1985 | — | ||
| 8-21 | Concerto Grosso 1985 | — | ||
| 8-22 | Sextet | — | ||
| 8-23 | Sextet | — | ||
| 8-24 | Sextet | — | ||
| 8-25 | Sextet | — | ||
| 8-26 | Sextet | — | ||
| 8-27 | Ritual Melodies | — | ||
| 8-28 | Ritual Melodies | — | ||
| 8-29 | Ritual Melodies | — | ||
| 8-30 | Ritual Melodies | — | ||
| 8-31 | Ritual Melodies | — | ||
| 8-32 | Maple Leaf Rag | — | ||
| 8-33 | Maple Leaf Rag | — | ||
| 8-34 | Maple Leaf Rag | — | ||
| 8-35 | Maple Leaf Rag | — | ||
| 8-36 | Lost Your Head Blues | — | ||
| 8-37 | Dippermouth Blues | — | ||
| 8-38 | Take the "A" Train | — | ||
| 8-39 | Bloomdido | — | ||
| 8-40 | Miles Runs the Voodoo Down | — | ||
| 8-41 | Oklahoma! | — | ||
| 8-42 | Tonight | — | ||
| 8-43 | Tonight | — | ||
| 8-44 | Song From Angola | — | ||
| 8-45 | Mitamba Yalagala Kumchuzi | — | ||
| 8-46 | Hinganyengisa Masingita | — | ||
| 8-47 | Maru-Bihag | — | ||
| 8-48 | Godan Ginuta | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| When We’re Gone, Long Gone | Emmylou Harris, Linda Ronstadt, Dolly Parton | T-316.849.313-4 |
