UPC · Release
Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946
Various Artists
Last verified:
9780299301507 is the Universal Product Code (UPC barcode) for the release “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” by Various Artists, released 2015-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 174 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (174)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fisher’s Hornpipe | — | ||
| 2 | Pigtown Fling | — | ||
| 3 | Lancer’s in Five Parts | — | ||
| 4 | Lost Jimmie Whalen | — | ||
| 5 | Little Brown Bulls | — | ||
| 6 | Crandon | — | ||
| 7 | I’d Rather Be a Nigger Than a Poor White Man | — | ||
| 8 | Mighty Adley‐ca‐budley‐fatley‐ca‐ham‐shaw | — | ||
| 9 | Locks and Bolts | — | ||
| 10 | The Sinking of the Titanic | — | ||
| 11 | A Mhàiri bhàn òg | — | ||
| 12 | Stocainnean daoimean | — | ||
| 13 | Eilean Leòdhais | — | ||
| 14 | Gabhaidh sinn a’ rathad mòr | — | ||
| 15 | Alaj Gigi | — | ||
| 16 | Angelina vodu lije | — | ||
| 17 | Charm for Hiccups | — | ||
| 18 | Charm for Toothache | — | ||
| 19 | Pium, paum | — | ||
| 20 | Vilho ja Pertta | — | ||
| 21 | Heramäen pukki | — | ||
| 22 | Kataja | — | ||
| 23 | Lähtetään pojat nyt soutelemaan | — | ||
| 24 | Keskellä lahtea | — | ||
| 25 | Laurilan Aleksin harmoonipeli | — | ||
| 26 | Ei kukaan puhu puolestani | — | ||
| 27 | Eikä ne haavan lehdet lakkaa | — | ||
| 28 | Istuta, tyttö | — | ||
| 2-1 | Fred Sargent’s Shanty Song | — | ||
| 2-2 | Hounds in the Woods | — | ||
| 2-3 | Shantyboy Tune (Kväsarvalsen) | — | ||
| 2-4 | The River in the Pines | — | ||
| 2-5 | Dinner Horn Solo | — | ||
| 2-6 | Soldier’s Joy | — | ||
| 2-7 | The River in the Pines | — | ||
| 2-8 | Woods Holler; Hoot Owl Holler | — | ||
| 2-9 | Medley: Die lustigen Holzhackerbuab’n / Fred Sargent’s Shanty Song / Schuhplattler | — | ||
| 2-10 | Cow Horn Solo | — | ||
| 2-11 | Lumberjack Story; Swedish Dialect Story | — | ||
| 2-12 | Kväsarvalsen | — | ||
| 2-13 | Rippling Brook | — | ||
| 2-14 | Saeterjenten’s Sontag | — | ||
| 2-15 | Styrmans vals | — | ||
| 2-16 | Rolling the Logs; French Dialect Story | — | ||
| 2-17 | Marie Patin | — | ||
| 2-18 | Turkey in the Hay | — | ||
| 2-19 | Woodchopper’s Jig | — | ||
| 2-20 | Gamle reinlander | — | ||
| 2-21 | Yodeling | — | ||
| 2-22 | Sørland springar’n | — | ||
| 3-1 | Introduction to Joe Cloud | — | ||
| 3-2 | Red River Jig | — | ||
| 3-3 | Squaw Dance | — | ||
| 3-4 | White River Two‐Step | — | ||
| 3-5 | Le Jour de l’an | — | ||
| 3-6 | Ida Goyette, no. 1 | — | ||
| 3-7 | Non que j’aime donc que la boisson | — | ||
| 3-8 | La Fille du roi / Le Mariage anglaise | — | ||
| 3-9 | I Went to Marquette | — | ||
| 3-10 | Pretty Polly; Those Western Shores | — | ||
| 3-11 | No Sir | — | ||
| 3-12 | Joe Williams | — | ||
| 3-13 | Torch Lake | — | ||
| 3-14 | Traverse City | — | ||
| 3-15 | Yulia and Olaf | — | ||
| 3-16 | Long Barney | — | ||
| 3-17 | Hayfoot, Strawfoot | — | ||
| 3-18 | Shoot the Cat | — | ||
| 3-19 | Russian Gigue | — | ||
| 3-20 | Buffalo Gals | — | ||
| 3-21 | Mother Song | — | ||
| 3-22 | Was war an diesem Baum? | — | ||
| 3-23 | Chodźcie gąski moje | — | ||
| 3-24 | Wedding March | — | ||
| 3-25 | Irish Washerwoman | — | ||
| 3-26 | Polish Polka | — | ||
| 3-27 | W żelaznej fabryce | — | ||
| 3-28 | Turkey in the Straw | — | ||
| 3-29 | Czerwono posiadło, a zielono zniszło | — | ||
| 3-30 | Goldmine in the Sky | — | ||
| 3-31 | Kulkurin valssi | — | ||
| 3-32 | Kaurapellon pientareella kasvoi kaunis kukka | — | ||
| 3-33 | Juliana | — | ||
| 3-34 | Kauhavan Polka | — | ||
| 3-35 | Pikkulintu erämaassa lauleleepi suruissana | — | ||
| 3-36 | Meripojan laulu | — | ||
| 3-37 | Oli mulla ennen punaset posket | — | ||
| 3-38 | Kuule sinä Hiltu kun laulelen | — | ||
| 3-39 | Kylläpä kai | — | ||
| 3-40 | Yli kymmenen vuotta Korpiinissa oli jo asuttu | — | ||
| 3-41 | Oi Herra, jos mä matkamies maan | — | ||
| 3-42 | Mun kanteleeni kauniimmin | — | ||
| 3-43 | Suun kloorin kloorin halleluuja! | — | ||
| 4-1 | Flute Song | — | ||
| 4-2 | War Dance | — | ||
| 4-3 | Tsyatkatho | — | ||
| 4-4 | 49 Song | — | ||
| 4-5 | Good for the Tongue | — | ||
| 4-6 | Je ne veux pas d’un avocat | — | ||
| 4-7 | How They Sang the Marseillaise in Chippytown Falls | — | ||
| 4-8 | Michaud | — | ||
| 4-9 | Bonsoir, mes amis | — | ||
| 4-10 | I Went to Market | — | ||
| 4-11 | C’est l’café | — | ||
| 4-12 | Dance Tune | — | ||
| 4-13 | Cornish Story | — | ||
| 4-14 | Cawn esgyn o’r | — | ||
| 4-15 | My Welsh Relation | — | ||
| 4-16 | Y mochyn du | — | ||
| 4-17 | Siani bach | — | ||
| 4-18 | Hide Thou Me | — | ||
| 4-19 | Little Old Log Cabin in the Lane | — | ||
| 4-20 | One More River | — | ||
| 4-21 | Chase the Buffalo | — | ||
| 4-22 | Barker’s Call | — | ||
| 4-23 | My Old Hen’s a Good Old Hen | — | ||
| 4-24 | Last Saturday Night I Entered a House | — | ||
| 4-25 | Did You Ever See the Devil? | — | ||
| 4-26 | Three Dishes and Six Questions | — | ||
| 4-27 | Snow Deer | — | ||
| 4-28 | Shantyman’s Life | — | ||
| 4-29 | Irish Jubilee | — | ||
| 4-30 | Irish Washerwoman | — | ||
| 4-31 | Oh, It’s Nine Years Ago I Was Diggin’ in the Land | — | ||
| 4-32 | McNamar’ From County Clare | — | ||
| 4-33 | Fond du Lac Jail | — | ||
| 4-34 | Alphabet Song | — | ||
| 4-35 | Red Light Saloon | — | ||
| 4-36 | Red Light Saloon | — | ||
| 4-37 | Gambler’s Blues | — | ||
| 5-1 | My Father Was a Dutchman | — | ||
| 5-2 | Die Deutschmeister | — | ||
| 5-3 | Wiener Fiakerlied | — | ||
| 5-4 | Wir sitzen so fröhlich beisamen | — | ||
| 5-5 | Sockery’s Cat | — | ||
| 5-6 | An einem Fluss daraus an Schuss | — | ||
| 5-7 | Landjäger | — | ||
| 5-8 | Echo Yodel | — | ||
| 5-9 | Ländler | — | ||
| 5-10 | Onse gescht fu Chicago | — | ||
| 5-11 | Schaarensliep! | — | ||
| 5-12 | Bokkie | — | ||
| 5-13 | Moeder, moeder de beer ist los | — | ||
| 5-14 | Epitaph | — | ||
| 5-15 | Wiene Wederslweh bloed volksrang / Vlaggelied | — | ||
| 5-16 | Daisy, Daisy | — | ||
| 5-17 | L’America è tanto bella | — | ||
| 5-18 | Sona la mezzanotte | — | ||
| 5-19 | Tiki‐ti, Tiki‐ta! | — | ||
| 5-20 | Introduction to Tamburitza Instruments | — | ||
| 5-21 | Medley: Da nije ljubavi nebi svjeta bilo / Vinca ca | — | ||
| 5-22 | Švestková alej | — | ||
| 5-23 | Popelka polka | — | ||
| 5-24 | Pod našima okny | — | ||
| 5-25 | Když jsem šel cestičkou úzkou | — | ||
| 5-26 | Voják od Prairie du Chien | — | ||
| 5-27 | Zbojniki | — | ||
| 5-28 | In the Style of Sabała | — | ||
| 5-29 | Matuś moja, matuś | — | ||
| 5-30 | Miałeś czapkę | — | ||
| 5-31 | Zajumiały bory | — | ||
| 5-32 | A witajże | — | ||
| 5-33 | Subatos vakarèli | — | ||
| 5-34 | Tula tullallaa, posket pullalla | — | ||
| 5-35 | Flickan på Bellmansro | — | ||
| 5-36 | Luffarevisa | — | ||
| 5-37 | Julen är inne | — | ||
| 5-38 | Fra fjerne lande kom hun dronning Dagmar | — | ||
| 5-39 | Fannitullen | — | ||
| 5-40 | Kom kjyra | — | ||
| 5-41 | Her er det land | — | ||
| 5-42 | Gamle mor | — | ||
| 5-43 | Yderst mod norden | — | ||
| 5-44 | Ólafur reið með björgum fram | — |
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What is UPC 9780299301507?
9780299301507 is a Universal Product Code (UPC) assigned to Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 174 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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