UPC · Release
Artemis Fowl: The Atlantis Complex
Eoin Colfer, Nathaniel Parker
Last verified:
9780307711618 is the Universal Product Code (UPC barcode) for the release “Artemis Fowl: The Atlantis Complex” by Eoin Colfer, Nathaniel Parker, released 2010-08-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (87)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Title | — | ||
| 2 | Prologue: Artemis Fowl: So Far, So Bad | — | ||
| 3 | Chapter 1: “Cold Vibes”, Part 1 | — | ||
| 4 | Chapter 1: “Cold Vibes”, Part 2 | — | ||
| 5 | Chapter 1: “Cold Vibes”, Part 3 | — | ||
| 6 | Chapter 1: “Cold Vibes”, Part 4 | — | ||
| 7 | Chapter 1: “Cold Vibes”, Part 5 | — | ||
| 8 | Chapter 1: “Cold Vibes”, Part 6 | — | ||
| 9 | Chapter 1: “Cold Vibes”, Part 7 | — | ||
| 10 | Chapter 1: “Cold Vibes”, Part 8 | — | ||
| 11 | Chapter 1: “Cold Vibes”, Part 9 | — | ||
| 12 | Chapter 1: “Cold Vibes”, Part 10 | — | ||
| 13 | Chapter 1: “Cold Vibes”, Part 11 | — | ||
| 14 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 1 | — | ||
| 15 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 2 | — | ||
| 2-1 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 3 | — | ||
| 2-2 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 4 | — | ||
| 2-3 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 5 | — | ||
| 2-4 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 6 | — | ||
| 2-5 | Chapter 2: “The Jade Princess and Crazy Bear”, Part 7 | — | ||
| 2-6 | Chapter 3: “Orion Rising”, Part 1 | — | ||
| 2-7 | Chapter 3: “Orion Rising”, Part 2 | — | ||
| 2-8 | Chapter 3: “Orion Rising”, Part 3 | — | ||
| 2-9 | Chapter 3: “Orion Rising”, Part 4 | — | ||
| 2-10 | Chapter 3: “Orion Rising”, Part 5 | — | ||
| 2-11 | Chapter 4: “Floyd’s Stag Night”, Part 1 | — | ||
| 2-12 | Chapter 4: “Floyd’s Stag Night”, Part 2 | — | ||
| 2-13 | Chapter 4: “Floyd’s Stag Night”, Part 3 | — | ||
| 2-14 | Chapter 4: “Floyd’s Stag Night”, Part 4 | — | ||
| 3-1 | Chapter 5: “Onwards and Outwards”, Part 1 | — | ||
| 3-2 | Chapter 5: “Onwards and Outwards”, Part 2 | — | ||
| 3-3 | Chapter 5: “Onwards and Outwards”, Part 3 | — | ||
| 3-4 | Chapter 5: “Onwards and Outwards”, Part 4 | — | ||
| 3-5 | Chapter 5: “Onwards and Outwards”, Part 5 | — | ||
| 3-6 | Chapter 5: “Onwards and Outwards”, Part 6 | — | ||
| 3-7 | Chapter 5: “Onwards and Outwards”, Part 7 | — | ||
| 3-8 | Chapter 5: “Onwards and Outwards”, Part 8 | — | ||
| 3-9 | Chapter 6: “Trimming the Weight”, Part 1 | — | ||
| 3-10 | Chapter 6: “Trimming the Weight”, Part 2 | — | ||
| 3-11 | Chapter 6: “Trimming the Weight”, Part 3 | — | ||
| 3-12 | Chapter 6: “Trimming the Weight”, Part 4 | — | ||
| 3-13 | Chapter 6: “Trimming the Weight”, Part 5 | — | ||
| 3-14 | Chapter 6: “Trimming the Weight”, Part 6 | — | ||
| 3-15 | Chapter 7: “How Do I Love Thee?”, Part 1 | — | ||
| 4-1 | Chapter 7: “How Do I Love Thee?”, Part 2 | — | ||
| 4-2 | Chapter 7: “How Do I Love Thee?”, Part 3 | — | ||
| 4-3 | Chapter 7: “How Do I Love Thee?”, Part 4 | — | ||
| 4-4 | Chapter 7: “How Do I Love Thee?”, Part 5 | — | ||
| 4-5 | Chapter 7: “How Do I Love Thee?”, Part 6 | — | ||
| 4-6 | Chapter 7: “How Do I Love Thee?”, Part 7 | — | ||
| 4-7 | Chapter 7: “How Do I Love Thee?”, Part 8 | — | ||
| 4-8 | Chapter 7: “How Do I Love Thee?”, Part 9 | — | ||
| 4-9 | Chapter 7: “How Do I Love Thee?”, Part 10 | — | ||
| 4-10 | Chapter 7: “How Do I Love Thee?”, Part 11 | — | ||
| 4-11 | Chapter 7: “How Do I Love Thee?”, Part 12 | — | ||
| 4-12 | Chapter 7: “How Do I Love Thee?”, Part 13 | — | ||
| 4-13 | Chapter 8: “Randomosity”, Part 1 | — | ||
| 4-14 | Chapter 8: “Randomosity”, Part 2 | — | ||
| 4-15 | Chapter 8: “Randomosity”, Part 3 | — | ||
| 5-1 | Chapter 8: “Randomosity”, Part 4 | — | ||
| 5-2 | Chapter 8: “Randomosity”, Part 5 | — | ||
| 5-3 | Chapter 8: “Randomosity”, Part 6 | — | ||
| 5-4 | Chapter 8: “Randomosity”, Part 7 | — | ||
| 5-5 | Chapter 8: “Randomosity”, Part 8 | — | ||
| 5-6 | Chapter 8: “Randomosity”, Part 9 | — | ||
| 5-7 | Chapter 8: “Randomosity”, Part 10 | — | ||
| 5-8 | Chapter 8: “Randomosity”, Part 11 | — | ||
| 5-9 | Chapter 9: “Forbidden Love”, Part 1 | — | ||
| 5-10 | Chapter 9: “Forbidden Love”, Part 2 | — | ||
| 5-11 | Chapter 9: “Forbidden Love”, Part 3 | — | ||
| 5-12 | Chapter 9: “Forbidden Love”, Part 4 | — | ||
| 5-13 | Chapter 9: “Forbidden Love”, Part 5 | — | ||
| 6-1 | Chapter 9: “Forbidden Love”, Part 6 | — | ||
| 6-2 | Chapter 9: “Forbidden Love”, Part 7 | — | ||
| 6-3 | Chapter 9: “Forbidden Love”, Part 8 | — | ||
| 6-4 | Chapter 9: “Forbidden Love”, Part 9 | — | ||
| 6-5 | Chapter 9: “Forbidden Love”, Part 10 | — | ||
| 6-6 | Chapter 9: “Forbidden Love”, Part 11 | — | ||
| 6-7 | Chapter 9: “Forbidden Love”, Part 12 | — | ||
| 6-8 | Chapter 9: “Forbidden Love”, Part 13 | — | ||
| 6-9 | Chapter 9: “Forbidden Love”, Part 14 | — | ||
| 6-10 | Chapter 9: “Forbidden Love”, Part 15 | — | ||
| 6-11 | Chapter 9: “Forbidden Love”, Part 16 | — | ||
| 6-12 | Chapter 9: “Forbidden Love”, Part 17 | — | ||
| 6-13 | Epilogue, Part 1 | — | ||
| 6-14 | Epilogue, Part 2 | — | ||
| 6-15 | Credits | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 9780307711618?
9780307711618 is a Universal Product Code (UPC) assigned to Artemis Fowl: The Atlantis Complex by Eoin Colfer, Nathaniel Parker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm