UPC · Release
Various Artists
Last verified:
The UPC for “Listen” by Various Artists is 9780312458904. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Sony BMG Music Entertainment Custom Marketing Group. This release contains 214 tracks, each with its own ISRC. Tracks include GBFO77930210, GBF077930207, NLA507301108.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vere Dignum | — | ||
| 2 | In Paradisum | — | ||
| 3 | Columba Aspexit | — | ||
| 4 | La Dousa Votz | — | ||
| 5 | Alleluia. Difffusa Est Gratia | — | ||
| 6 | Quant en moi | — | ||
| 7 | Ave Maris Stella | — | ||
| 8 | Pange Lingua Mass, Kyrie | — | ||
| 9 | Pange Lingua Mass, Qui Tollis From Gloria | — | ||
| 10 | Mille Regretz | — | ||
| 11 | Pope Marcellus Mass, Gloria (Excerpt) | — | ||
| 12 | As Vesta Was from Latmos Hill Descending | — | ||
| 13 | Daphne | — | ||
| 14 | Kemp's Jig | — | ||
| 15 | O Magnum Mysterium | — | ||
| 16 | Tornerai? | — | ||
| 17 | Speranza, Tu Mi Vai | — | ||
| 18 | Thy Hand, Belinda / When I Am Laid | — | ||
| 19 | With Drooping Wings | — | ||
| 20 | Suite (Canzona) | — | ||
| 21 | Suite (Balletto) | — | ||
| 22 | Suite (Corrente) | — | ||
| 23 | Suite (Passacaglia) | — | ||
| 24 | Violin Concerto in G, Op. 4, No.12 (I) | — | ||
| 25 | Violin Concerto in G, Op. 4, No.12 (II) | — | ||
| 26 | Violin Concerto in G, Op. 4, No.12 (III) | — | ||
| 27 | Qur'anic Recitation, Ya Sin | — | ||
| 28 | Hawai'ian Chant, "Mele Pule" | — | ||
| 29 | Navajo Song, "K'adnikini'ya'" | — | ||
| 30 | Hymn, "Hanaq Pachap Kusikuynin" | — | ||
| 31 | Laminba | — | ||
| 32 | Elephant-Hunt Song | — | ||
| 2-1 | Brandenburg Concerto No.5, I | — | ||
| 2-2 | Brandenburg Concerto No.5, I | — | ||
| 2-3 | Brandenburg Concerto No.5, I | — | ||
| 2-4 | Brandenburg Concerto No.5, I | — | ||
| 2-5 | Brandenburg Concerto No.5, I | — | ||
| 2-6 | The Art of Fugue, Contrapunctus 4 | — | ||
| 2-7 | Orchestral Suite No. 3 in D, Air | — | ||
| 2-8 | Suite #3 In D - Gavotte 1 & 2 | — | ||
| 2-9 | "La Giustizia" | — | ||
| 2-10 | Messiah, HWV 56: Part I. “There were shepherds, abiding in the field – Glory to God” | Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-11 | Messias: Halleluja Chor (VI. H, S. 244) | Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-12 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 4. Jesus Christus, Gottes Sohn | — | ||
| 2-13 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 5. Es War Ein Wunderlicher Krieg | — | ||
| 2-14 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" | — | ||
| 2-15 | Choral Prelude, "Christ Lag in Todesbanden" | — | ||
| 2-16 | Symphony No.40 in G Minor, K. 550 I | — | ||
| 2-17 | Symphony No.40 in G Minor, K. 550 II | — | ||
| 2-18 | Symphony No.40 in G Minor, K. 550 III | — | ||
| 2-19 | Symphony No.40 in G Minor, K. 550 IV | — | ||
| 2-20 | Symphony No.40 in G Minor, K. 550 V | — | ||
| 2-21 | Symphony No.40 in G Minor, K. 550 VI | — | ||
| 2-22 | Symphony No.95 in C Minor, I A | — | ||
| 2-23 | Symphony No.95 in C Minor, I B | — | ||
| 2-24 | Symphony No.95 in C Minor, I C | — | ||
| 2-25 | Symphony No.95 in C Minor, II A | — | ||
| 2-26 | Symphony No.95 in C Minor, II B | — | ||
| 2-27 | Symphony No.95 in C Minor, II C | — | ||
| 2-28 | Symphony No.95 in C Minor, II D | — | ||
| 2-29 | Symphony No.95 in C Minor, II E | — | ||
| 2-30 | Symphony No.95 in C Minor, III A | — | ||
| 2-31 | Symphony No.95 in C Minor, III B | — | ||
| 2-32 | Symphony No.95 in C Minor, III C | — | ||
| 2-33 | Symphony No.95 in C Minor, IV A | — | ||
| 2-34 | Symphony No.95 in C Minor, IV B | — | ||
| 2-35 | Symphony No.95 in C Minor, IV C | — | ||
| 2-36 | Symphony No.95 in C Minor, IV D | — | ||
| 2-37 | Piano Concerto in A, K. 488, I A | — | ||
| 2-38 | Piano Concerto in A, K. 488, I B | — | ||
| 2-39 | Piano Concerto in A, K. 488, I C | — | ||
| 2-40 | Piano Concerto in A, K. 488, I D | — | ||
| 2-41 | Piano Concerto in A, K. 488, I E | — | ||
| 3-1 | Sonata in F, Op. 1, No. 3, II (Rondeau) | — | ||
| 3-2 | Don Giovanni: Atto I. “Ho capito, signor sì!” | — | ||
| 3-3 | Don Giovanni: Atto I. “Alfin siam liberati” | — | ||
| 3-4 | Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 3-5 | Symphony No. 5 in C minor, Op. 67: I 1 | — | ||
| 3-6 | Symphony No. 5 in C minor, Op. 67: I 2 | — | ||
| 3-7 | Symphony No. 5 in C minor, Op. 67: I 3 | — | ||
| 3-8 | Symphony No. 5 in C minor, Op. 67: I 4 | — | ||
| 3-9 | Symphony No. 5 in C minor, Op. 67: I 5 | — | ||
| 3-10 | Symphony No. 5 in C minor, Op. 67: I 6 | — | ||
| 3-11 | Symphony No. 5 in C minor, Op. 67: I 7 | — | ||
| 3-12 | Symphony No. 5 in C minor, Op. 67: I 8 | — | ||
| 3-13 | Symphony No. 5 in C minor, Op. 67: I 9 | — | ||
| 3-14 | Symphony No. 5 in C minor, Op. 67: II 1 | — | ||
| 3-15 | Symphony No. 5 in C minor, Op. 67: II 2 | — | ||
| 3-16 | Symphony No. 5 in C minor, Op. 67: III 1 | — | ||
| 3-17 | Symphony No. 5 in C minor, Op. 67: III 2 | — | ||
| 3-18 | Symphony No. 5 in C minor, Op. 67: IV 1 | — | ||
| 3-19 | Symphony No. 5 in C minor, Op. 67: IV 2 | — | ||
| 3-20 | String Quartet No. 16 in F major, Op. 135: II | — | ||
| 3-21 | Erlkönig | — | ||
| 3-22 | Dichterliebe, “Im wunderschönen Monat Mai” | — | ||
| 3-23 | Dichterliebe, “Die alten, bösen Lieder” | — | ||
| 3-24 | “Der Mond kommt still gegangen” | — | ||
| 3-25 | Carnaval, “Eusebius” | — | ||
| 3-26 | Carnaval, “Florestan” | — | ||
| 3-27 | Carnaval, op. 9: Chiarina | Arthur Rubinstein | T-001.502.490-4 | |
| 3-28 | Nocturne In F‐Sharp Op. 15, No 2 | — | ||
| 3-29 | Japanese Gagaku, “Etenraku” | — | ||
| 3-30 | Balinese Gamelan, “Bopong” | — | ||
| 4-1 | Moments Musicaux, D 780 - 2. Andantino | — | ||
| 4-2 | Fantastic Symphony, V A | — | ||
| 4-3 | Fantastic Symphony, V B | — | ||
| 4-4 | Fantastic Symphony, V C | — | ||
| 4-5 | Fantastic Symphony, V D | — | ||
| 4-6 | Fantastic Symphony, V E | — | ||
| 4-7 | Fantastic Symphony, V F | — | ||
| 4-8 | Fantastic Symphony, V G | — | ||
| 4-9 | Aida, Act IV, Scene II A | — | ||
| 4-10 | Aida, Act IV, Scene II B | — | ||
| 4-11 | Aida, Act IV, Scene II C | — | ||
| 4-12 | Aida, Act IV, Scene II D | — | ||
| 4-13 | The Valkyrie, Act I, Scene I A | — | ||
| 4-14 | The Valkyrie, Act I, Scene I A | — | ||
| 4-15 | The Valkyrie, Act I, Scene I A | — | ||
| 4-16 | The Valkyrie, Act I, Scene I A | — | ||
| 4-17 | The Valkyrie, Act I, Scene I A | — | ||
| 4-18 | The Valkyrie, Act I, Scene I A | — | ||
| 4-19 | Romeo And Juliet, Overture-Fantasy A | — | ||
| 4-20 | Romeo and Juliet, Overture Fantasy B | — | ||
| 4-21 | Romeo and Juliet, Overture Fantasy C | — | ||
| 4-22 | Romeo and Juliet, Overture Fantasy D | — | ||
| 4-23 | Romeo and Juliet, Overture Fantasy E | — | ||
| 4-24 | Romeo and Juliet, Overture Fantasy F | — | ||
| 4-25 | Romeo and Juliet, Overture Fantasy G | — | ||
| 4-26 | Romeo and Juliet, Overture Fantasy H | — | ||
| 4-27 | Romeo and Juliet, Overture Fantasy I | — | ||
| 4-28 | Romeo and Juliet, Overture Fantasy J | — | ||
| 4-29 | Romeo and Juliet, Overture Fantasy K | — | ||
| 4-30 | Romeo and Juliet, Overture Fantasy L | — | ||
| 4-31 | Pictures At An Exhibition, Promenade (First) | — | ||
| 4-32 | Pictures At An Exhibition, Gnomus | — | ||
| 4-33 | Pictures At An Exhibition, Promenade (Second) | — | ||
| 4-34 | Pictures At An Exhibition - The Great Gate Of Kiev | — | ||
| 5-1 | Violin Concerto in D, III A | — | ||
| 5-2 | Violin Concerto in D, III B | — | ||
| 5-3 | Violin Concerto in D, III C | — | ||
| 5-4 | Violin Concerto in D, III D | — | ||
| 5-5 | Violin Concerto in D, III E | — | ||
| 5-6 | Violin Concerto in D, III F | — | ||
| 5-7 | Symphony No.1, (Funeral March) III A | — | ||
| 5-8 | Symphony No.1, (Funeral March) III B | — | ||
| 5-9 | Symphony No.1, (Funeral March) III C | — | ||
| 5-10 | Symphony No.1, (Funeral March) III D | — | ||
| 5-11 | Symphony No.1, (Funeral March) III E | — | ||
| 5-12 | Symphony No.1, (Funeral March) III F | — | ||
| 5-13 | Symphony No.1, (Funeral March) III G | — | ||
| 5-14 | Symphony No.1, (Funeral March) III H | — | ||
| 5-15 | "Clouds" From Three Nocturnes, A | — | ||
| 5-16 | "Clouds" From Three Nocturnes, B | — | ||
| 5-17 | "Clouds" From Three Nocturnes, C | — | ||
| 5-18 | "Clouds" From Three Nocturnes, D | — | ||
| 5-19 | "Clouds" From Three Nocturnes, E | — | ||
| 5-20 | "Clouds" From Three Nocturnes, F | — | ||
| 5-21 | Rite Of Spring, Part I (Excerpt), A | — | ||
| 5-22 | Rite Of Spring, Part I (Excerpt), B | — | ||
| 5-23 | Rite Of Spring, Part I (Excerpt), C | — | ||
| 5-24 | Rite Of Spring, Part I (Excerpt), D | — | ||
| 5-25 | Rite Of Spring, Part I (Excerpt), E | — | ||
| 5-26 | Rite Of Spring, Part I (Excerpt), F | — | ||
| 5-27 | Rite Of Spring, Part I (Excerpt), G | — | ||
| 5-28 | Pierrot Lunaire, Op. 21 - Part 2: Nacht (Passacaglia) | — | ||
| 5-29 | No. 18 "The Moonfleck" From Pierrot Lunaire | — | ||
| 5-30 | Wozzeck, Act III, Scenes III-IV, A | — | ||
| 5-31 | Wozzeck, Act III, Scenes III-IV, B | — | ||
| 5-32 | Wozzeck, Act III, Scenes III-IV, C | — | ||
| 5-33 | Wozzeck, Act III, Scenes III-IV, D | — | ||
| 5-34 | Wozzeck, Act III, Scenes III-IV, E | — | ||
| 5-35 | Orchestral Set No. 2, II A | — | ||
| 5-36 | Orchestral Set No. 2, II B | — | ||
| 5-37 | Piano Concerto in G, I A | — | ||
| 5-38 | Piano Concerto in G, I B | — | ||
| 5-39 | Piano Concerto in G, I C | — | ||
| 5-40 | Piano Concerto in G, I D | — | ||
| 5-41 | Piano Concerto in G, I E | — | ||
| 5-42 | Appalachian Spring - 1. Very Slowly | — | ||
| 5-43 | Appalachian Spring - 2. Allegro | — | ||
| 5-44 | Appalachian Spring - Variations On A Shaker Hymn | — | ||
| 5-45 | Appalachian Spring - 8. Moderato: Coda | — | ||
| 5-46 | Japanese kabuki, "Dojoji" | — | ||
| 6-1 | The Unanswered Question | — | ||
| 6-2 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-3 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-4 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-5 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-6 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-7 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-8 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-9 | Cantana, 5, "The Battle on Ice" (Excerpts) | — | ||
| 6-10 | Cantana, 5, "The Battle on Ice" (Excerpts) | — | ||
| 6-11 | Five Orchestral Pieces, Op. 10, No. 4, IV | — | ||
| 6-12 | Lux aeterna | — | ||
| 6-13 | Lux aeterna | — | ||
| 6-14 | Lux aeterna | — | ||
| 6-15 | Lux aeterna | — | ||
| 6-16 | Poeme électronique | — | ||
| 6-17 | Music for 18 Musicians | — | ||
| 6-18 | Music for 18 Musicians | — | ||
| 6-19 | From the Grammar of Dreams: I. | Anu Komsi, Piia Komsi | T-927.735.969-0 | |
| 6-20 | From the Grammar of Dreams: III. | Anu Komsi, Piia Komsi | T-927.735.969-0 | |
| 6-21 | From the Grammar of Dreams: IV. | Anu Komsi, Piia Komsi | T-318.676.528-2 | |
| 6-22 | "If You Ever Been Down" Blues | — | ||
| 6-23 | Conga Brava | — | ||
| 6-24 | Out of Nowhere | — | ||
| 6-25 | Bitches Brew (excerpt) | — | ||
| 6-26 | Three Preludes - 1. Allegro Ben Ritmato E Deciso | — | ||
| 6-27 | West Side Story, Dance at Gym: Meeting Scene | — | ||
| 6-28 | West Side Story, "Cool" | — | ||
| 6-29 | The Prince Who Changed into a Cat | — | ||
| 6-30 | Yoruba drumming (Drums of Benin), "Ako" | — | ||
| 6-31 | South African popular song, "Anoku Gonda" | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
9780312458904 is a Universal Product Code (UPC) assigned to Listen by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 214 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messias: Halleluja Chor (VI. H, S. 244) | Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood | — |
| Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
Creative Contributors (ISNI)
The UPC for “Listen” by Various Artists is 9780312458904. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Sony BMG Music Entertainment Custom Marketing Group. This release contains 214 tracks, each with its own ISRC. Tracks include GBFO77930210, GBF077930207, NLA507301108.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vere Dignum | — | ||
| 2 | In Paradisum | — | ||
| 3 | Columba Aspexit | — | ||
| 4 | La Dousa Votz | — | ||
| 5 | Alleluia. Difffusa Est Gratia | — | ||
| 6 | Quant en moi | — | ||
| 7 | Ave Maris Stella | — | ||
| 8 | Pange Lingua Mass, Kyrie | — | ||
| 9 | Pange Lingua Mass, Qui Tollis From Gloria | — | ||
| 10 | Mille Regretz | — | ||
| 11 | Pope Marcellus Mass, Gloria (Excerpt) | — | ||
| 12 | As Vesta Was from Latmos Hill Descending | — | ||
| 13 | Daphne | — | ||
| 14 | Kemp's Jig | — | ||
| 15 | O Magnum Mysterium | — | ||
| 16 | Tornerai? | — | ||
| 17 | Speranza, Tu Mi Vai | — | ||
| 18 | Thy Hand, Belinda / When I Am Laid | — | ||
| 19 | With Drooping Wings | — | ||
| 20 | Suite (Canzona) | — | ||
| 21 | Suite (Balletto) | — | ||
| 22 | Suite (Corrente) | — | ||
| 23 | Suite (Passacaglia) | — | ||
| 24 | Violin Concerto in G, Op. 4, No.12 (I) | — | ||
| 25 | Violin Concerto in G, Op. 4, No.12 (II) | — | ||
| 26 | Violin Concerto in G, Op. 4, No.12 (III) | — | ||
| 27 | Qur'anic Recitation, Ya Sin | — | ||
| 28 | Hawai'ian Chant, "Mele Pule" | — | ||
| 29 | Navajo Song, "K'adnikini'ya'" | — | ||
| 30 | Hymn, "Hanaq Pachap Kusikuynin" | — | ||
| 31 | Laminba | — | ||
| 32 | Elephant-Hunt Song | — | ||
| 2-1 | Brandenburg Concerto No.5, I | — | ||
| 2-2 | Brandenburg Concerto No.5, I | — | ||
| 2-3 | Brandenburg Concerto No.5, I | — | ||
| 2-4 | Brandenburg Concerto No.5, I | — | ||
| 2-5 | Brandenburg Concerto No.5, I | — | ||
| 2-6 | The Art of Fugue, Contrapunctus 4 | — | ||
| 2-7 | Orchestral Suite No. 3 in D, Air | — | ||
| 2-8 | Suite #3 In D - Gavotte 1 & 2 | — | ||
| 2-9 | "La Giustizia" | — | ||
| 2-10 | Messiah, HWV 56: Part I. “There were shepherds, abiding in the field – Glory to God” | Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-11 | Messias: Halleluja Chor (VI. H, S. 244) | Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-12 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 4. Jesus Christus, Gottes Sohn | — | ||
| 2-13 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 5. Es War Ein Wunderlicher Krieg | — | ||
| 2-14 | Cantata No.4, BWV 4, "Christ Lag In Todesbanden" | — | ||
| 2-15 | Choral Prelude, "Christ Lag in Todesbanden" | — | ||
| 2-16 | Symphony No.40 in G Minor, K. 550 I | — | ||
| 2-17 | Symphony No.40 in G Minor, K. 550 II | — | ||
| 2-18 | Symphony No.40 in G Minor, K. 550 III | — | ||
| 2-19 | Symphony No.40 in G Minor, K. 550 IV | — | ||
| 2-20 | Symphony No.40 in G Minor, K. 550 V | — | ||
| 2-21 | Symphony No.40 in G Minor, K. 550 VI | — | ||
| 2-22 | Symphony No.95 in C Minor, I A | — | ||
| 2-23 | Symphony No.95 in C Minor, I B | — | ||
| 2-24 | Symphony No.95 in C Minor, I C | — | ||
| 2-25 | Symphony No.95 in C Minor, II A | — | ||
| 2-26 | Symphony No.95 in C Minor, II B | — | ||
| 2-27 | Symphony No.95 in C Minor, II C | — | ||
| 2-28 | Symphony No.95 in C Minor, II D | — | ||
| 2-29 | Symphony No.95 in C Minor, II E | — | ||
| 2-30 | Symphony No.95 in C Minor, III A | — | ||
| 2-31 | Symphony No.95 in C Minor, III B | — | ||
| 2-32 | Symphony No.95 in C Minor, III C | — | ||
| 2-33 | Symphony No.95 in C Minor, IV A | — | ||
| 2-34 | Symphony No.95 in C Minor, IV B | — | ||
| 2-35 | Symphony No.95 in C Minor, IV C | — | ||
| 2-36 | Symphony No.95 in C Minor, IV D | — | ||
| 2-37 | Piano Concerto in A, K. 488, I A | — | ||
| 2-38 | Piano Concerto in A, K. 488, I B | — | ||
| 2-39 | Piano Concerto in A, K. 488, I C | — | ||
| 2-40 | Piano Concerto in A, K. 488, I D | — | ||
| 2-41 | Piano Concerto in A, K. 488, I E | — | ||
| 3-1 | Sonata in F, Op. 1, No. 3, II (Rondeau) | — | ||
| 3-2 | Don Giovanni: Atto I. “Ho capito, signor sì!” | — | ||
| 3-3 | Don Giovanni: Atto I. “Alfin siam liberati” | — | ||
| 3-4 | Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 3-5 | Symphony No. 5 in C minor, Op. 67: I 1 | — | ||
| 3-6 | Symphony No. 5 in C minor, Op. 67: I 2 | — | ||
| 3-7 | Symphony No. 5 in C minor, Op. 67: I 3 | — | ||
| 3-8 | Symphony No. 5 in C minor, Op. 67: I 4 | — | ||
| 3-9 | Symphony No. 5 in C minor, Op. 67: I 5 | — | ||
| 3-10 | Symphony No. 5 in C minor, Op. 67: I 6 | — | ||
| 3-11 | Symphony No. 5 in C minor, Op. 67: I 7 | — | ||
| 3-12 | Symphony No. 5 in C minor, Op. 67: I 8 | — | ||
| 3-13 | Symphony No. 5 in C minor, Op. 67: I 9 | — | ||
| 3-14 | Symphony No. 5 in C minor, Op. 67: II 1 | — | ||
| 3-15 | Symphony No. 5 in C minor, Op. 67: II 2 | — | ||
| 3-16 | Symphony No. 5 in C minor, Op. 67: III 1 | — | ||
| 3-17 | Symphony No. 5 in C minor, Op. 67: III 2 | — | ||
| 3-18 | Symphony No. 5 in C minor, Op. 67: IV 1 | — | ||
| 3-19 | Symphony No. 5 in C minor, Op. 67: IV 2 | — | ||
| 3-20 | String Quartet No. 16 in F major, Op. 135: II | — | ||
| 3-21 | Erlkönig | — | ||
| 3-22 | Dichterliebe, “Im wunderschönen Monat Mai” | — | ||
| 3-23 | Dichterliebe, “Die alten, bösen Lieder” | — | ||
| 3-24 | “Der Mond kommt still gegangen” | — | ||
| 3-25 | Carnaval, “Eusebius” | — | ||
| 3-26 | Carnaval, “Florestan” | — | ||
| 3-27 | Carnaval, op. 9: Chiarina | Arthur Rubinstein | T-001.502.490-4 | |
| 3-28 | Nocturne In F‐Sharp Op. 15, No 2 | — | ||
| 3-29 | Japanese Gagaku, “Etenraku” | — | ||
| 3-30 | Balinese Gamelan, “Bopong” | — | ||
| 4-1 | Moments Musicaux, D 780 - 2. Andantino | — | ||
| 4-2 | Fantastic Symphony, V A | — | ||
| 4-3 | Fantastic Symphony, V B | — | ||
| 4-4 | Fantastic Symphony, V C | — | ||
| 4-5 | Fantastic Symphony, V D | — | ||
| 4-6 | Fantastic Symphony, V E | — | ||
| 4-7 | Fantastic Symphony, V F | — | ||
| 4-8 | Fantastic Symphony, V G | — | ||
| 4-9 | Aida, Act IV, Scene II A | — | ||
| 4-10 | Aida, Act IV, Scene II B | — | ||
| 4-11 | Aida, Act IV, Scene II C | — | ||
| 4-12 | Aida, Act IV, Scene II D | — | ||
| 4-13 | The Valkyrie, Act I, Scene I A | — | ||
| 4-14 | The Valkyrie, Act I, Scene I A | — | ||
| 4-15 | The Valkyrie, Act I, Scene I A | — | ||
| 4-16 | The Valkyrie, Act I, Scene I A | — | ||
| 4-17 | The Valkyrie, Act I, Scene I A | — | ||
| 4-18 | The Valkyrie, Act I, Scene I A | — | ||
| 4-19 | Romeo And Juliet, Overture-Fantasy A | — | ||
| 4-20 | Romeo and Juliet, Overture Fantasy B | — | ||
| 4-21 | Romeo and Juliet, Overture Fantasy C | — | ||
| 4-22 | Romeo and Juliet, Overture Fantasy D | — | ||
| 4-23 | Romeo and Juliet, Overture Fantasy E | — | ||
| 4-24 | Romeo and Juliet, Overture Fantasy F | — | ||
| 4-25 | Romeo and Juliet, Overture Fantasy G | — | ||
| 4-26 | Romeo and Juliet, Overture Fantasy H | — | ||
| 4-27 | Romeo and Juliet, Overture Fantasy I | — | ||
| 4-28 | Romeo and Juliet, Overture Fantasy J | — | ||
| 4-29 | Romeo and Juliet, Overture Fantasy K | — | ||
| 4-30 | Romeo and Juliet, Overture Fantasy L | — | ||
| 4-31 | Pictures At An Exhibition, Promenade (First) | — | ||
| 4-32 | Pictures At An Exhibition, Gnomus | — | ||
| 4-33 | Pictures At An Exhibition, Promenade (Second) | — | ||
| 4-34 | Pictures At An Exhibition - The Great Gate Of Kiev | — | ||
| 5-1 | Violin Concerto in D, III A | — | ||
| 5-2 | Violin Concerto in D, III B | — | ||
| 5-3 | Violin Concerto in D, III C | — | ||
| 5-4 | Violin Concerto in D, III D | — | ||
| 5-5 | Violin Concerto in D, III E | — | ||
| 5-6 | Violin Concerto in D, III F | — | ||
| 5-7 | Symphony No.1, (Funeral March) III A | — | ||
| 5-8 | Symphony No.1, (Funeral March) III B | — | ||
| 5-9 | Symphony No.1, (Funeral March) III C | — | ||
| 5-10 | Symphony No.1, (Funeral March) III D | — | ||
| 5-11 | Symphony No.1, (Funeral March) III E | — | ||
| 5-12 | Symphony No.1, (Funeral March) III F | — | ||
| 5-13 | Symphony No.1, (Funeral March) III G | — | ||
| 5-14 | Symphony No.1, (Funeral March) III H | — | ||
| 5-15 | "Clouds" From Three Nocturnes, A | — | ||
| 5-16 | "Clouds" From Three Nocturnes, B | — | ||
| 5-17 | "Clouds" From Three Nocturnes, C | — | ||
| 5-18 | "Clouds" From Three Nocturnes, D | — | ||
| 5-19 | "Clouds" From Three Nocturnes, E | — | ||
| 5-20 | "Clouds" From Three Nocturnes, F | — | ||
| 5-21 | Rite Of Spring, Part I (Excerpt), A | — | ||
| 5-22 | Rite Of Spring, Part I (Excerpt), B | — | ||
| 5-23 | Rite Of Spring, Part I (Excerpt), C | — | ||
| 5-24 | Rite Of Spring, Part I (Excerpt), D | — | ||
| 5-25 | Rite Of Spring, Part I (Excerpt), E | — | ||
| 5-26 | Rite Of Spring, Part I (Excerpt), F | — | ||
| 5-27 | Rite Of Spring, Part I (Excerpt), G | — | ||
| 5-28 | Pierrot Lunaire, Op. 21 - Part 2: Nacht (Passacaglia) | — | ||
| 5-29 | No. 18 "The Moonfleck" From Pierrot Lunaire | — | ||
| 5-30 | Wozzeck, Act III, Scenes III-IV, A | — | ||
| 5-31 | Wozzeck, Act III, Scenes III-IV, B | — | ||
| 5-32 | Wozzeck, Act III, Scenes III-IV, C | — | ||
| 5-33 | Wozzeck, Act III, Scenes III-IV, D | — | ||
| 5-34 | Wozzeck, Act III, Scenes III-IV, E | — | ||
| 5-35 | Orchestral Set No. 2, II A | — | ||
| 5-36 | Orchestral Set No. 2, II B | — | ||
| 5-37 | Piano Concerto in G, I A | — | ||
| 5-38 | Piano Concerto in G, I B | — | ||
| 5-39 | Piano Concerto in G, I C | — | ||
| 5-40 | Piano Concerto in G, I D | — | ||
| 5-41 | Piano Concerto in G, I E | — | ||
| 5-42 | Appalachian Spring - 1. Very Slowly | — | ||
| 5-43 | Appalachian Spring - 2. Allegro | — | ||
| 5-44 | Appalachian Spring - Variations On A Shaker Hymn | — | ||
| 5-45 | Appalachian Spring - 8. Moderato: Coda | — | ||
| 5-46 | Japanese kabuki, "Dojoji" | — | ||
| 6-1 | The Unanswered Question | — | ||
| 6-2 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-3 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-4 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-5 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-6 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-7 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-8 | Music for Strings, Percussion, and Celesta, II | — | ||
| 6-9 | Cantana, 5, "The Battle on Ice" (Excerpts) | — | ||
| 6-10 | Cantana, 5, "The Battle on Ice" (Excerpts) | — | ||
| 6-11 | Five Orchestral Pieces, Op. 10, No. 4, IV | — | ||
| 6-12 | Lux aeterna | — | ||
| 6-13 | Lux aeterna | — | ||
| 6-14 | Lux aeterna | — | ||
| 6-15 | Lux aeterna | — | ||
| 6-16 | Poeme électronique | — | ||
| 6-17 | Music for 18 Musicians | — | ||
| 6-18 | Music for 18 Musicians | — | ||
| 6-19 | From the Grammar of Dreams: I. | Anu Komsi, Piia Komsi | T-927.735.969-0 | |
| 6-20 | From the Grammar of Dreams: III. | Anu Komsi, Piia Komsi | T-927.735.969-0 | |
| 6-21 | From the Grammar of Dreams: IV. | Anu Komsi, Piia Komsi | T-318.676.528-2 | |
| 6-22 | "If You Ever Been Down" Blues | — | ||
| 6-23 | Conga Brava | — | ||
| 6-24 | Out of Nowhere | — | ||
| 6-25 | Bitches Brew (excerpt) | — | ||
| 6-26 | Three Preludes - 1. Allegro Ben Ritmato E Deciso | — | ||
| 6-27 | West Side Story, Dance at Gym: Meeting Scene | — | ||
| 6-28 | West Side Story, "Cool" | — | ||
| 6-29 | The Prince Who Changed into a Cat | — | ||
| 6-30 | Yoruba drumming (Drums of Benin), "Ako" | — | ||
| 6-31 | South African popular song, "Anoku Gonda" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messias: Halleluja Chor (VI. H, S. 244) | Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood | — |
| Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
