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The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 2: Schubert to the Present
Various Artists
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9780393107593 is the Universal Product Code (UPC barcode) for the release “The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 2: Schubert to the Present” by Various Artists, released 2007-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 316 tracks, each with its own ISRC.
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Track List (316)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Erlking (1 of 8) | — | ||
| 2 | Erlking (2 of 8) | — | ||
| 3 | Erlking (3 of 8) | — | ||
| 4 | Erlking (4 of 8) | — | ||
| 5 | Erlking (5 of 8) | — | ||
| 6 | Erlking (6 of 8) | — | ||
| 7 | Erlking (7 of 8) | — | ||
| 8 | Erlking (8 of 8) | — | ||
| 9 | Lied, The Trout (1 of 3) | — | ||
| 10 | Lied, The Trout (2 of 3) | — | ||
| 11 | Lied, The Trout (3 of 3) | — | ||
| 12 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (1 of 7) | — | ||
| 13 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (2 of 7) | — | ||
| 14 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (3 of 7) | — | ||
| 15 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (4 of 7) | — | ||
| 16 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (5 of 7) | — | ||
| 17 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (6 of 7) | — | ||
| 18 | Quintet in A major (the Trout) for Piano and Strings, Fourth Movement (7 of 7) | — | ||
| 19 | "In the lovely month of May," from A Poet's Love (1 of 2) | — | ||
| 20 | "In the lovely month of May," from A Poet's Love (2 of 2) | — | ||
| 21 | Prelude in E minor, Op. 28, No. 4 (1 of 2) | — | ||
| 22 | Prelude in E minor, Op. 28, No. 4 (2 of 2) | — | ||
| 23 | Polonaise in A major, Op. 20, No. 1 (1 of 5) | — | ||
| 24 | Polonaise in A major, Op. 20, No. 1 (2 of 5) | — | ||
| 25 | Polonaise in A major, Op. 20, No. 1 (3 of 5) | — | ||
| 26 | Polonaise in A major, Op. 20, No. 1 (4 of 5) | — | ||
| 27 | Polonaise in A major, Op. 20, No. 1 (5 of 5) | — | ||
| 28 | The Little Bell (1 of 10) | — | ||
| 29 | The Little Bell (2 of 10) | — | ||
| 30 | The Little Bell (3 of 10) | — | ||
| 31 | The Little Bell (4 of 10) | — | ||
| 32 | The Little Bell (5 of 10) | — | ||
| 33 | The Little Bell (6 of 10) | — | ||
| 34 | The Little Bell (7 of 10) | — | ||
| 35 | The Little Bell (8 of 10) | — | ||
| 36 | The Little Bell (9 of 10) | — | ||
| 37 | The Little Bell (10 of 10) | — | ||
| 38 | Nocturne, from Music for an Evening Entertainment (1 of 4) | — | ||
| 39 | Nocturne, from Music for an Evening Entertainment (2 of 4) | — | ||
| 40 | Nocturne, from Music for an Evening Entertainment (3 of 4) | — | ||
| 41 | Nocturne, from Music for an Evening Entertainment (4 of 4) | — | ||
| 42 | The Banjo (1 of 7) | — | ||
| 43 | The Banjo (2 of 7) | — | ||
| 44 | The Banjo (3 of 7) | — | ||
| 45 | The Banjo (4 of 7) | — | ||
| 46 | The Banjo (5 of 7) | — | ||
| 47 | The Banjo (6 of 7) | — | ||
| 48 | The Banjo (7 of 7) | — | ||
| 49 | Symphonie fantastique, Fourth Movement: March to the Scaffold (1 of 6) | — | ||
| 50 | Symphonie fantastique, Fourth Movement: March to the Scaffold (2 of 6) | — | ||
| 51 | Symphonie fantastique, Fourth Movement: March to the Scaffold (3 of 6) | — | ||
| 52 | Symphonie fantastique, Fourth Movement: March to the Scaffold (4 of 6) | — | ||
| 53 | Symphonie fantastique, Fourth Movement: March to the Scaffold (5 of 6) | — | ||
| 54 | Symphonie fantastique, Fourth Movement: March to the Scaffold (6 of 6) | — | ||
| 55 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (1 of 7) | — | ||
| 56 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (2 of 7) | — | ||
| 57 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (3 of 7) | — | ||
| 58 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (4 of 7) | — | ||
| 59 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (5 of 7) | — | ||
| 60 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (6 of 7) | — | ||
| 61 | Symphonie fantastique, Fifth Movement: Dream of a Witches' Sabbath (7 of 7) | — | ||
| 62 | The Moldau, from My Country (1 of 8) | — | ||
| 63 | The Moldau, from My Country (2 of 8) | — | ||
| 64 | The Moldau, from My Country (3 of 8) | — | ||
| 65 | The Moldau, from My Country (4 of 8) | — | ||
| 66 | The Moldau, from My Country (5 of 8) | — | ||
| 67 | The Moldau, from My Country (6 of 8) | — | ||
| 68 | The Moldau, from My Country (7 of 8) | — | ||
| 69 | The Moldau, from My Country (8 of 8) | — | ||
| 70 | Symphony No. 3 in F major, Op. 90, Third Movement (1 of 3) | — | ||
| 71 | Symphony No. 3 in F major, Op. 90, Third Movement (2 of 3) | — | ||
| 72 | Symphony No. 3 in F major, Op. 90, Third Movement (3 of 3) | — | ||
| 73 | Violin Sonata in A minor, Second Movement (1 of 3) | — | ||
| 74 | Violin Sonata in A minor, Second Movement (2 of 3) | — | ||
| 75 | Violin Sonata in A minor, Second Movement (3 of 3) | — | ||
| 2-1 | Symphony No. 9 in E minor, From the New World, First Movement (1 of 9) | — | ||
| 2-2 | Symphony No. 9 in E minor, From the New World, First Movement (2 of 9) | — | ||
| 2-3 | Symphony No. 9 in E minor, From the New World, First Movement (3 of 9) | — | ||
| 2-4 | Symphony No. 9 in E minor, From the New World, First Movement (4 of 9) | — | ||
| 2-5 | Symphony No. 9 in E minor, From the New World, First Movement (5 of 9) | — | ||
| 2-6 | Symphony No. 9 in E minor, From the New World, First Movement (6 of 9) | — | ||
| 2-7 | Symphony No. 9 in E minor, From the New World, First Movement (7 of 9) | — | ||
| 2-8 | Symphony No. 9 in E minor, From the New World, First Movement (8 of 9) | — | ||
| 2-9 | Symphony No. 9 in E minor, From the New World, First Movement (9 of 9) | — | ||
| 2-10 | Violin Concerto in E minor, Op. 64, First Movement (1 of 9) | — | ||
| 2-11 | Violin Concerto in E minor, Op. 64, First Movement (2 of 9) | — | ||
| 2-12 | Violin Concerto in E minor, Op. 64, First Movement (3 of 9) | — | ||
| 2-13 | Violin Concerto in E minor, Op. 64, First Movement (4 of 9) | — | ||
| 2-14 | Violin Concerto in E minor, Op. 64, First Movement (5 of 9) | — | ||
| 2-15 | Violin Concerto in E minor, Op. 64, First Movement (6 of 9) | — | ||
| 2-16 | Violin Concerto in E minor, Op. 64, First Movement (7 of 9) | — | ||
| 2-17 | Violin Concerto in E minor, Op. 64, First Movement (8 of 9) | — | ||
| 2-18 | Violin Concerto in E minor, Op. 64, First Movement (9 of 9) | — | ||
| 2-19 | A German Requiem, Fourth Movement (1 of 5) | — | ||
| 2-20 | A German Requiem, Fourth Movement (2 of 5) | — | ||
| 2-21 | A German Requiem, Fourth Movement (3 of 5) | — | ||
| 2-22 | A German Requiem, Fourth Movement (4 of 5) | — | ||
| 2-23 | A German Requiem, Fourth Movement (5 of 5) | — | ||
| 2-24 | Under the Greenwood Tree (1 of 4) | — | ||
| 2-25 | Under the Greenwood Tree (2 of 4) | — | ||
| 2-26 | Under the Greenwood Tree (3 of 4) | — | ||
| 2-27 | Under the Greenwood Tree (4 of 4) | — | ||
| 2-28 | Rigoletto: Atto III. Aria, "La donna è mobile" (1 of 2) | — | ||
| 2-29 | Rigoletto: Atto III. Aria, "La donna è mobile" (2 of 2) | — | ||
| 2-30 | Rigoletto: Atto III. Quartet, "Un dì, se ben rammentomi" (1 of 4) | — | ||
| 2-31 | Rigoletto: Atto III. Quartet, "Un dì, se ben rammentomi" (2 of 4) | — | ||
| 2-32 | Rigoletto: Atto III. Quartet, "Un dì, se ben rammentomi" (3 of 4) | — | ||
| 2-33 | Rigoletto: Atto III. Quartet, "Un dì, se ben rammentomi" (4 of 4) | — | ||
| 2-34 | Die Walküre: Akt III. Ride of the Valkyries (1 of 6) | — | ||
| 2-35 | Die Walküre: Akt III. Ride of the Valkyries (2 of 6) | — | ||
| 2-36 | Die Walküre: Akt III. Ride of the Valkyries (3 of 6) | — | ||
| 2-37 | Die Walküre: Akt III. Ride of the Valkyries (4 of 6) | — | ||
| 2-38 | Die Walküre: Akt III. Ride of the Valkyries (5 of 6) | — | ||
| 2-39 | Die Walküre: Akt III. Ride of the Valkyries (6 of 6) | — | ||
| 2-40 | Die Walküre: Akt III. Finale (1 of 5) | — | ||
| 2-41 | Die Walküre: Akt III. Finale (2 of 5) | — | ||
| 2-42 | Die Walküre: Akt III. Finale (3 of 5) | — | ||
| 2-43 | Die Walküre: Akt III. Finale (4 of 5) | — | ||
| 2-44 | Die Walküre: Akt III. Finale (5 of 5) | — | ||
| 2-45 | Carmen : Acte I. Scène 4 (1 of 5) | — | ||
| 2-46 | Carmen : Acte I. Scène 4 (2 of 5) | — | ||
| 2-47 | Carmen : Acte I. Scène 4 (3 of 5) | — | ||
| 2-48 | Carmen : Acte I. Scène 4 (4 of 5) | — | ||
| 2-49 | Carmen : Acte I. Scène 4 (5 of 5) | — | ||
| 2-50 | Carmen : Acte I. Scène 5, Habanera (1 of 2) | — | ||
| 2-51 | Carmen : Acte I. Scène 5, Habanera (2 of 2) | — | ||
| 2-52 | Madame Butterfly: "Un bel dì" (1 of 2) | — | ||
| 2-53 | Madame Butterfly: "Un bel dì" (2 of 2) | — | ||
| 2-54 | The Nutcracker, Three Dances, March (1 of 3) | — | ||
| 2-55 | The Nutcracker, Three Dances, March (2 of 3) | — | ||
| 2-56 | The Nutcracker, Three Dances, March (3 of 3) | — | ||
| 2-57 | The Nutcracker, Three Dances, Dance of the Sugar Plum Fairy (1 of 3) | — | ||
| 2-58 | The Nutcracker, Three Dances, Dance of the Sugar Plum Fairy (2 of 3) | — | ||
| 2-59 | The Nutcracker, Three Dances, Dance of the Sugar Plum Fairy (3 of 3) | — | ||
| 2-60 | The Nutcracker, Three Dances, Trepak (1 of 3) | — | ||
| 2-61 | The Nutcracker, Three Dances, Trepak (2 of 3) | — | ||
| 2-62 | The Nutcracker, Three Dances, Trepak (3 of 3) | — | ||
| 2-63 | The Song of the Earth, Third Movement, Of Youth (1 of 4) | — | ||
| 2-64 | The Song of the Earth, Third Movement, Of Youth (2 of 4) | — | ||
| 2-65 | The Song of the Earth, Third Movement, Of Youth (3 of 4) | — | ||
| 2-66 | The Song of the Earth, Third Movement, Of Youth (4 of 4) | — | ||
| 3-1 | Prelude to "The Afternoon of a Faun" (1 of 5) | — | ||
| 3-2 | Prelude to "The Afternoon of a Faun" (2 of 5) | — | ||
| 3-3 | Prelude to "The Afternoon of a Faun" (3 of 5) | — | ||
| 3-4 | Prelude to "The Afternoon of a Faun" (4 of 5) | — | ||
| 3-5 | Prelude to "The Afternoon of a Faun" (5 of 5) | — | ||
| 3-6 | Don Quixote to Dulcinea, Romanesque Song (1 of 4) | — | ||
| 3-7 | Don Quixote to Dulcinea, Romanesque Song (2 of 4) | — | ||
| 3-8 | Don Quixote to Dulcinea, Romanesque Song (3 of 4) | — | ||
| 3-9 | Don Quixote to Dulcinea, Romanesque Song (4 of 4) | — | ||
| 3-10 | Don Quixote to Dulcinea, Drinking Song (1 of 2) | — | ||
| 3-11 | Don Quixote to Dulcinea, Drinking Song (2 of 2) | — | ||
| 3-12 | The Rite of Spring, Introduction | — | ||
| 3-13 | The Rite of Spring, Dance of the Youths and Maidens (1 of 4) | — | ||
| 3-14 | The Rite of Spring, Dance of the Youths and Maidens (2 of 4) | — | ||
| 3-15 | The Rite of Spring, Dance of the Youths and Maidens (3 of 4) | — | ||
| 3-16 | The Rite of Spring, Dance of the Youths and Maidens (4 of 4) | — | ||
| 3-17 | The Rite of Spring, Game of Abduction (1 of 2) | — | ||
| 3-18 | The Rite of Spring, Game of Abduction (2 of 2) | — | ||
| 3-19 | The Soldier's Tale, The Royal March (1 of 5) | — | ||
| 3-20 | The Soldier's Tale, The Royal March (2 of 5) | — | ||
| 3-21 | The Soldier's Tale, The Royal March (3 of 5) | — | ||
| 3-22 | The Soldier's Tale, The Royal March (4 of 5) | — | ||
| 3-23 | The Soldier's Tale, The Royal March (5 of 5) | — | ||
| 3-24 | Pierrot lunaire, No. 18 The Moonflech (1 of 2) | — | ||
| 3-25 | Pierrot lunaire, No. 18 The Moonflech (2 of 2) | — | ||
| 3-26 | Pierrot lunaire, No. 21 O Scent of Fabled Yesteryear (1 of 2) | — | ||
| 3-27 | Pierrot lunaire, No. 21 O Scent of Fabled Yesteryear (2 of 2) | — | ||
| 3-28 | Wozzeck, Act III, Scene 4, Interlude, and Scene 5 (1 of 4) | — | ||
| 3-29 | Wozzeck, Act III, Scene 4, Interlude, and Scene 5 (2 of 4) | — | ||
| 3-30 | Wozzeck, Act III, Scene 4, Interlude, and Scene 5 (3 of 4) | — | ||
| 3-31 | Wozzeck, Act III, Scene 4, Interlude, and Scene 5 (4 of 4) | — | ||
| 3-32 | Symphony, Opus 21, Second Movement (1 of 3) | — | ||
| 3-33 | Symphony, Opus 21, Second Movement (2 of 3) | — | ||
| 3-34 | Symphony, Opus 21, Second Movement (3 of 3) | — | ||
| 3-35 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (1 of 7) | — | ||
| 3-36 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (2 of 7) | — | ||
| 3-37 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (3 of 7) | — | ||
| 3-38 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (4 of 7) | — | ||
| 3-39 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (5 of 7) | — | ||
| 3-40 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (6 of 7) | — | ||
| 3-41 | Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo (7 of 7) | — | ||
| 3-42 | Alexander Nevsky, Seventh Movement (1 of 4) | — | ||
| 3-43 | Alexander Nevsky, Seventh Movement (2 of 4) | — | ||
| 3-44 | Alexander Nevsky, Seventh Movement (3 of 4) | — | ||
| 3-45 | Alexander Nevsky, Seventh Movement (4 of 4) | — | ||
| 3-46 | Quartet for the End of Time, Second Movement, Vocalise, for the angel who announces the End of Time (1 of 3) | — | ||
| 3-47 | Quartet for the End of Time, Second Movement, Vocalise, for the angel who announces the End of Time (2 of 3) | — | ||
| 3-48 | Quartet for the End of Time, Second Movement, Vocalise, for the angel who announces the End of Time (3 of 3) | — | ||
| 3-49 | The Things Our Fathers Loved (1 of 2) | — | ||
| 3-50 | The Things Our Fathers Loved (2 of 2) | — | ||
| 3-51 | Afro-American Symphony, Second Movement (1 of 6) | — | ||
| 3-52 | Afro-American Symphony, Second Movement (2 of 6) | — | ||
| 3-53 | Afro-American Symphony, Second Movement (3 of 6) | — | ||
| 3-54 | Afro-American Symphony, Second Movement (4 of 6) | — | ||
| 3-55 | Afro-American Symphony, Second Movement (5 of 6) | — | ||
| 3-56 | Afro-American Symphony, Second Movement (6 of 6) | — | ||
| 3-57 | Billy the Kid, Scene 1, Street in a Frontier Town (1 of 5) | — | ||
| 3-58 | Billy the Kid, Scene 1, Street in a Frontier Town (2 of 5) | — | ||
| 3-59 | Billy the Kid, Scene 1, Street in a Frontier Town (3 of 5) | — | ||
| 3-60 | Billy the Kid, Scene 1, Street in a Frontier Town (4 of 5) | — | ||
| 3-61 | Billy the Kid, Scene 1, Street in a Frontier Town (5 of 5) | — | ||
| 3-62 | Homenaje a Federico García Lorca, Third Movement, Son (1 of 8) | — | ||
| 3-63 | Homenaje a Federico García Lorca, Third Movement, Son (2 of 8) | — | ||
| 3-64 | Homenaje a Federico García Lorca, Third Movement, Son (3 of 8) | — | ||
| 3-65 | Homenaje a Federico García Lorca, Third Movement, Son (4 of 8) | — | ||
| 3-66 | Homenaje a Federico García Lorca, Third Movement, Son (5 of 8) | — | ||
| 3-67 | Homenaje a Federico García Lorca, Third Movement, Son (6 of 8) | — | ||
| 3-68 | Homenaje a Federico García Lorca, Third Movement, Son (7 of 8) | — | ||
| 3-69 | Homenaje a Federico García Lorca, Third Movement, Son (8 of 8) | — | ||
| 3-70 | Maple Leaf Rag (1 of 5) | — | ||
| 3-71 | Maple Leaf Rag (2 of 5) | — | ||
| 3-72 | Maple Leaf Rag (3 of 5) | — | ||
| 3-73 | Maple Leaf Rag (4 of 5) | — | ||
| 3-74 | Maple Leaf Rag (5 of 5) | — | ||
| 3-75 | Piano Prelude No. 1 (1 of 3) | — | ||
| 3-76 | Piano Prelude No. 1 (2 of 3) | — | ||
| 3-77 | Piano Prelude No. 1 (3 of 3) | — | ||
| 3-78 | Billie's Blues (1 of 7) | — | ||
| 3-79 | Billie's Blues (2 of 7) | — | ||
| 3-80 | Billie's Blues (3 of 7) | — | ||
| 3-81 | Billie's Blues (4 of 7) | — | ||
| 3-82 | Billie's Blues (5 of 7) | — | ||
| 3-83 | Billie's Blues (6 of 7) | — | ||
| 3-84 | Billie's Blues (7 of 7) | — | ||
| 4-1 | Take the A Train (1 of 5) | — | ||
| 4-2 | Take the A Train (2 of 5) | — | ||
| 4-3 | Take the A Train (3 of 5) | — | ||
| 4-4 | Take the A Train (4 of 5) | — | ||
| 4-5 | Take the A Train (5 of 5) | — | ||
| 4-6 | A Night in Tunisia (1 of 6) | — | ||
| 4-7 | A Night in Tunisia (2 of 6) | — | ||
| 4-8 | A Night in Tunisia (3 of 6) | — | ||
| 4-9 | A Night in Tunisia (4 of 6) | — | ||
| 4-10 | A Night in Tunisia (5 of 6) | — | ||
| 4-11 | A Night in Tunisia (6 of 6) | — | ||
| 4-12 | West Side Story, Mambo (1 of 2) | — | ||
| 4-13 | West Side Story, Mambo (2 of 2) | — | ||
| 4-14 | West Side Story, Tonight Ensemble (1 of 7) | — | ||
| 4-15 | West Side Story, Tonight Ensemble (2 of 7) | — | ||
| 4-16 | West Side Story, Tonight Ensemble (3 of 7) | — | ||
| 4-17 | West Side Story, Tonight Ensemble (4 of 7) | — | ||
| 4-18 | West Side Story, Tonight Ensemble (5 of 7) | — | ||
| 4-19 | West Side Story, Tonight Ensemble (6 of 7) | — | ||
| 4-20 | West Side Story, Tonight Ensemble (7 of 7) | — | ||
| 4-21 | Raiders of the Lost Ark, Raiders March (1 of 8) | — | ||
| 4-22 | Raiders of the Lost Ark, Raiders March (2 of 8) | — | ||
| 4-23 | Raiders of the Lost Ark, Raiders March (3 of 8) | — | ||
| 4-24 | Raiders of the Lost Ark, Raiders March (4 of 8) | — | ||
| 4-25 | Raiders of the Lost Ark, Raiders March (5 of 8) | — | ||
| 4-26 | Raiders of the Lost Ark, Raiders March (6 of 8) | — | ||
| 4-27 | Raiders of the Lost Ark, Raiders March (7 of 8) | — | ||
| 4-28 | Raiders of the Lost Ark, Raiders March (8 of 8) | — | ||
| 4-29 | Sonatas and Interludes, Sonata V (1 of 2) | — | ||
| 4-30 | Sonatas and Interludes, Sonata V (2 of 2) | — | ||
| 4-31 | Notations IV (1 of 3) | — | ||
| 4-32 | Notations IV (2 of 3) | — | ||
| 4-33 | Notations IV (3 of 3) | — | ||
| 4-34 | Ancient Voices of Children, First Movement, The Little Boy is Looking for His Voice (1 of 3) | — | ||
| 4-35 | Ancient Voices of Children, First Movement, The Little Boy is Looking for His Voice (2 of 3) | — | ||
| 4-36 | Ancient Voices of Children, First Movement, The Little Boy is Looking for His Voice (3 of 3) | — | ||
| 4-37 | Etudes for Piano, Book 1, Disorder (1 of 3) | — | ||
| 4-38 | Etudes for Piano, Book 1, Disorder (2 of 3) | — | ||
| 4-39 | Etudes for Piano, Book 1, Disorder (3 of 3) | — | ||
| 4-40 | China Dreams: Prelude (1 of 6) | — | ||
| 4-41 | China Dreams: Prelude (2 of 6) | — | ||
| 4-42 | China Dreams: Prelude (3 of 6) | — | ||
| 4-43 | China Dreams: Prelude (4 of 6) | — | ||
| 4-44 | China Dreams: Prelude (5 of 6) | — | ||
| 4-45 | China Dreams: Prelude (6 of 6) | — | ||
| 4-46 | Hyperstring Trilogy: Begin Again Again… Introduction (1 of 2) | — | ||
| 4-47 | Hyperstring Trilogy: Begin Again Again… Introduction (2 of 2) | — | ||
| 4-48 | Hyperstring Trilogy: Begin Again Again… Variation 3: Emphatic—Warm and Singing (1 of 2) | — | ||
| 4-49 | Hyperstring Trilogy: Begin Again Again… Variation 3: Emphatic—Warm and Singing (2 of 2) | — | ||
| 4-50 | Hyperstring Trilogy: Begin Again Again… Variation 4: Very Rapid and Percise (1 of 2) | — | ||
| 4-51 | Hyperstring Trilogy: Begin Again Again… Variation 4: Very Rapid and Percise (2 of 2) | — | ||
| 4-52 | Cantate Domino canticum novum (O sing to the Lord a new song) (1 of 4) | — | ||
| 4-53 | Cantate Domino canticum novum (O sing to the Lord a new song) (2 of 4) | — | ||
| 4-54 | Cantate Domino canticum novum (O sing to the Lord a new song) (3 of 4) | — | ||
| 4-55 | Cantate Domino canticum novum (O sing to the Lord a new song) (4 of 4) | — | ||
| 4-56 | Tromba lontana (Distant Trumpet) (1 of 5) | — | ||
| 4-57 | Tromba lontana (Distant Trumpet) (2 of 5) | — | ||
| 4-58 | Tromba lontana (Distant Trumpet) (3 of 5) | — | ||
| 4-59 | Tromba lontana (Distant Trumpet) (4 of 5) | — | ||
| 4-60 | Tromba lontana (Distant Trumpet) (5 of 5) | — | ||
| 4-61 | Sonnets from the Portuguese, No. 5 "Oh, yes!" | — | ||
| 4-62 | Sonnets from the Portuguese, No. 6 "How do I love thee?" | — | ||
| 4-63 | The Moon Reflected on the Second Springs (1 of 3) | — | ||
| 4-64 | The Moon Reflected on the Second Springs (2 of 3) | — | ||
| 4-65 | The Moon Reflected on the Second Springs (3 of 3) | — | ||
| 4-66 | Think of Me (1 of 4) | — | ||
| 4-67 | Think of Me (2 of 4) | — | ||
| 4-68 | Think of Me (3 of 4) | — | ||
| 4-69 | Think of Me (4 of 4) | — | ||
| 4-70 | Hakusen no (A White Fan) | — | ||
| 4-71 | El Cihualteco (The Man from Cihuatán) (1 of 5) | — | ||
| 4-72 | El Cihualteco (The Man from Cihuatán) (2 of 5) | — | ||
| 4-73 | El Cihualteco (The Man from Cihuatán) (3 of 5) | — | ||
| 4-74 | El Cihualteco (The Man from Cihuatán) (4 of 5) | — | ||
| 4-75 | El Cihualteco (The Man from Cihuatán) (5 of 5) | — | ||
| 4-76 | Homeless (1 of 7) | — | ||
| 4-77 | Homeless (2 of 7) | — | ||
| 4-78 | Homeless (3 of 7) | — | ||
| 4-79 | Homeless (4 of 7) | — | ||
| 4-80 | Homeless (5 of 7) | — | ||
| 4-81 | Homeless (6 of 7) | — | ||
| 4-82 | Homeless (7 of 7) | — | ||
| 4-83 | Patalon (1 of 5) | — | ||
| 4-84 | Patalon (2 of 5) | — | ||
| 4-85 | Patalon (3 of 5) | — | ||
| 4-86 | Patalon (4 of 5) | — | ||
| 4-87 | Patalon (5 of 5) | — | ||
| 4-88 | Ensiriba ya munange Katego (1 of 4) | — | ||
| 4-89 | Ensiriba ya munange Katego (2 of 4) | — | ||
| 4-90 | Ensiriba ya munange Katego (3 of 4) | — | ||
| 4-91 | Ensiriba ya munange Katego (4 of 4) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 9780393107593?
9780393107593 is a Universal Product Code (UPC) assigned to The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 2: Schubert to the Present by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 316 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm