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The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 1: Gregorian Chant to Beethoven
Various Artists
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9780393107609 is the Universal Product Code (UPC barcode) for the release “The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 1: Gregorian Chant to Beethoven” by Various Artists, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 259 tracks, each with its own ISRC.
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Track List (259)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kyrie (1 of 3) | — | ||
| 2 | Kyrie (2 of 3) | — | ||
| 3 | Kyrie (3 of 3) | — | ||
| 4 | Alleluia, O virgo mediatrix (1 of 3) | — | ||
| 5 | Alleluia, O virgo mediatrix (2 of 3) | — | ||
| 6 | Alleluia, O virgo mediatrix (3 of 3) | — | ||
| 7 | Gaude Maria virgo (1 of 2) | — | ||
| 8 | Gaude Maria virgo (2 of 2) | — | ||
| 9 | Mout me fu grief / Robin m'aime / Portare (1 of 2) | — | ||
| 10 | Mout me fu grief / Robin m'aime / Portare (2 of 2) | — | ||
| 11 | Kalenda maya (1 of 5) | — | ||
| 12 | Kalenda maya (2 of 5) | — | ||
| 13 | Kalenda maya (3 of 5) | — | ||
| 14 | Kalenda maya (4 of 5) | — | ||
| 15 | Kalenda maya (5 of 5) | — | ||
| 16 | Puis qu'en oubli (1 of 5) | — | ||
| 17 | Puis qu'en oubli (2 of 5) | — | ||
| 18 | Puis qu'en oubli (3 of 5) | — | ||
| 19 | Puis qu'en oubli (4 of 5) | — | ||
| 20 | Puis qu'en oubli (5 of 5) | — | ||
| 21 | L'homme armé tune | — | ||
| 22 | L'homme armé Mass, Kyrie (1 of 3) | — | ||
| 23 | L'homme armé Mass, Kyrie (2 of 3) | — | ||
| 24 | L'homme armé Mass, Kyrie (3 of 3) | — | ||
| 25 | Ave Maria… virgo serena (1 of 7) | — | ||
| 26 | Ave Maria… virgo serena (2 of 7) | — | ||
| 27 | Ave Maria… virgo serena (3 of 7) | — | ||
| 28 | Ave Maria… virgo serena (4 of 7) | — | ||
| 29 | Ave Maria… virgo serena (5 of 7) | — | ||
| 30 | Ave Maria… virgo serena (6 of 7) | — | ||
| 31 | Ave Maria… virgo serena (7 of 7) | — | ||
| 32 | Pope Marcellus Mass, Gloria (1 of 2) | — | ||
| 33 | Pope Marcellus Mass, Gloria (2 of 2) | — | ||
| 34 | O quam suavis (1 of 2) | — | ||
| 35 | O quam suavis (2 of 2) | — | ||
| 36 | Mille regretz (1 of 2) | — | ||
| 37 | Mille regretz (2 of 2) | — | ||
| 38 | Three Dances (1 of 4) | — | ||
| 39 | Three Dances (2 of 4) | — | ||
| 40 | Three Dances (3 of 4) | — | ||
| 41 | Three Dances (4 of 4) | — | ||
| 42 | Ecco mormorar l'onde (1 of 3) | — | ||
| 43 | Ecco mormorar l'onde (2 of 3) | — | ||
| 44 | Ecco mormorar l'onde (3 of 3) | — | ||
| 45 | Fair Phyllis (1 of 2) | — | ||
| 46 | Fair Phyllis (2 of 2) | — | ||
| 47 | The Coronation of Poppea, Act III, Scene 7 (1 of 5) | — | ||
| 48 | The Coronation of Poppea, Act III, Scene 7 (2 of 5) | — | ||
| 49 | The Coronation of Poppea, Act III, Scene 7 (3 of 5) | — | ||
| 50 | The Coronation of Poppea, Act III, Scene 7 (4 of 5) | — | ||
| 51 | The Coronation of Poppea, Act III, Scene 7 (5 of 5) | — | ||
| 52 | Dido and Aeneas, Act III: Dido's Lament (1 of 3) | — | ||
| 55 | Dido and Aeneas, Act III: Chorus | — | ||
| 56 | Rinaldo: Molto voglio, molto spero (1 of 3) | — | ||
| 57 | Rinaldo: Molto voglio, molto spero (2 of 3) | — | ||
| 58 | Rinaldo: Molto voglio, molto spero (3 of 3) | — | ||
| 59 | The Beggar's Opera, end of Act II (1 of 3) | — | ||
| 60 | The Beggar's Opera, end of Act II (2 of 3) | — | ||
| 61 | The Beggar's Opera, end of Act II (3 of 3) | — | ||
| 62 | Begli occhi (1 of 6) | — | ||
| 63 | Begli occhi (2 of 6) | — | ||
| 64 | Begli occhi (3 of 6) | — | ||
| 65 | Begli occhi (4 of 6) | — | ||
| 66 | Begli occhi (5 of 6) | — | ||
| 67 | Begli occhi (6 of 6) | — | ||
| 2-1 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (1 of 7) | — | ||
| 2-2 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (2 of 7) | — | ||
| 2-3 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (3 of 7) | — | ||
| 2-4 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (4 of 7) | — | ||
| 2-5 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (5 of 7) | — | ||
| 2-6 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (6 of 7) | — | ||
| 2-7 | Cantata No. 80, A Mighty Fortress Is Our God, No. 1 Choral Fugue (7 of 7) | — | ||
| 2-8 | Cantata No. 80, A Mighty Fortress Is Our God, No. 2 Duet (1 of 2) | — | ||
| 2-9 | Cantata No. 80, A Mighty Fortress Is Our God, No. 2 Duet (2 of 2) | — | ||
| 2-10 | Cantata No. 80, A Mighty Fortress Is Our God, No. 5 Chorus (1 of 2) | — | ||
| 2-11 | Cantata No. 80, A Mighty Fortress Is Our God, No. 5 Chorus (2 of 2) | — | ||
| 2-12 | Cantata No. 80, A Mighty Fortress Is Our God, No. 8 Chorale (1 of 2) | — | ||
| 2-13 | Cantata No. 80, A Mighty Fortress Is Our God, No. 8 Chorale (2 of 2) | — | ||
| 2-14 | Messiah, Overture (1 of 2) | — | ||
| 2-15 | Messiah, Overture (2 of 2) | — | ||
| 2-16 | Messiah, Nos. 14-18 Recitative, "They were shepherds" (1 of 3) | — | ||
| 2-17 | Messiah, Nos. 14-18 Recitative, "They were shepherds" (2 of 3) | — | ||
| 2-18 | Messiah, Nos. 14-18 Recitative, "They were shepherds" (3 of 3) | — | ||
| 2-19 | Messiah, No. 17 Chorus, "Glory to God" | — | ||
| 2-20 | Messiah, No. 18 Aria, "Rejoice greatly" (1 of 3) | — | ||
| 2-21 | Messiah, No. 18 Aria, "Rejoice greatly" (2 of 3) | — | ||
| 2-22 | Messiah, No. 18 Aria, "Rejoice greatly" (3 of 3) | — | ||
| 2-23 | Messiah, No. 44 Chorus, "Hallelujah" (1 of 3) | — | ||
| 2-24 | Messiah, No. 44 Chorus, "Hallelujah" (2 of 3) | — | ||
| 2-25 | Messiah, No. 44 Chorus, "Hallelujah" (3 of 3) | — | ||
| 2-26 | Trio Sonata, Op. 3, No. 2, in D major, Third Movement | — | ||
| 2-27 | Trio Sonata, Op. 3, No. 2, in D major, Fourth Movement (1 of 2) | — | ||
| 2-28 | Trio Sonata, Op. 3, No. 2, in D major, Fourth Movement (2 of 2) | — | ||
| 2-29 | Sonata in C major, K. 159 (The Hunt) (1 of 2) | — | ||
| 2-30 | Sonata in C major, K. 159 (The Hunt) (2 of 2) | — | ||
| 2-31 | Contrapunctus I, from The Art of Fugue (1 of 4) | — | ||
| 2-32 | Contrapunctus I, from The Art of Fugue (2 of 4) | — | ||
| 2-33 | Contrapunctus I, from The Art of Fugue (3 of 4) | — | ||
| 2-34 | Contrapunctus I, from The Art of Fugue (4 of 4) | — | ||
| 2-35 | Spring, from The Four Seasons, First Movement (1 of 6) | — | ||
| 2-36 | Spring, from The Four Seasons, First Movement (2 of 6) | — | ||
| 2-37 | Spring, from The Four Seasons, First Movement (3 of 6) | — | ||
| 2-38 | Spring, from The Four Seasons, First Movement (4 of 6) | — | ||
| 2-39 | Spring, from The Four Seasons, First Movement (5 of 6) | — | ||
| 2-40 | Spring, from The Four Seasons, First Movement (6 of 6) | — | ||
| 2-41 | Spring, from The Four Seasons, Second Movement | — | ||
| 2-42 | Spring, from The Four Seasons, Third Movement | — | ||
| 2-43 | Brandenburg Concerto No. 2 in F major, First Movement (1 of 5) | — | ||
| 2-44 | Brandenburg Concerto No. 2 in F major, First Movement (2 of 5) | — | ||
| 2-45 | Brandenburg Concerto No. 2 in F major, First Movement (3 of 5) | — | ||
| 2-46 | Brandenburg Concerto No. 2 in F major, First Movement (4 of 5) | — | ||
| 2-47 | Brandenburg Concerto No. 2 in F major, First Movement (5 of 5) | — | ||
| 2-48 | Water Music, Suite in D major, Allegro (1 of 3) | — | ||
| 2-49 | Water Music, Suite in D major, Allegro (2 of 3) | — | ||
| 2-50 | Water Music, Suite in D major, Allegro (3 of 3) | — | ||
| 2-51 | Water Music, Suite in D major, Alla hornpipe (1 of 3) | — | ||
| 2-52 | Water Music, Suite in D major, Alla hornpipe (2 of 3) | — | ||
| 2-53 | Water Music, Suite in D major, Alla hornpipe (3 of 3) | — | ||
| 2-54 | Rondeau, from Suite de symphonies (1 of 3) | — | ||
| 2-55 | Rondeau, from Suite de symphonies (2 of 3) | — | ||
| 2-56 | Rondeau, from Suite de symphonies (3 of 3) | — | ||
| 2-57 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (1 of 6) | — | ||
| 2-58 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (2 of 6) | — | ||
| 2-59 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (3 of 6) | — | ||
| 2-60 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (4 of 6) | — | ||
| 2-61 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (5 of 6) | — | ||
| 2-62 | String Quartet in D minor, Op. 76, No. 2 (Quinten), Fourth Movement (6 of 6) | — | ||
| 3-1 | Eine kleine Nachtmusik, First Movement (1 of 5) | — | ||
| 3-2 | Eine kleine Nachtmusik, First Movement (2 of 5) | — | ||
| 3-3 | Eine kleine Nachtmusik, First Movement (3 of 5) | — | ||
| 3-4 | Eine kleine Nachtmusik, First Movement (4 of 5) | — | ||
| 3-5 | Eine kleine Nachtmusik, First Movement (5 of 5) | — | ||
| 3-6 | Eine kleine Nachtmusik, Second Movement (1 of 6) | — | ||
| 3-7 | Eine kleine Nachtmusik, Second Movement (2 of 6) | — | ||
| 3-8 | Eine kleine Nachtmusik, Second Movement (3 of 6) | — | ||
| 3-9 | Eine kleine Nachtmusik, Second Movement (4 of 6) | — | ||
| 3-10 | Eine kleine Nachtmusik, Second Movement (5 of 6) | — | ||
| 3-11 | Eine kleine Nachtmusik, Second Movement (6 of 6) | — | ||
| 3-12 | Eine kleine Nachtmusik, Third Movement (1 of 3) | — | ||
| 3-13 | Eine kleine Nachtmusik, Third Movement (2 of 3) | — | ||
| 3-14 | Eine kleine Nachtmusik, Third Movement (3 of 3) | — | ||
| 3-15 | Eine kleine Nachtmusik, Fourth Movement (1 of 6) | — | ||
| 3-16 | Eine kleine Nachtmusik, Fourth Movement (2 of 6) | — | ||
| 3-17 | Eine kleine Nachtmusik, Fourth Movement (3 of 6) | — | ||
| 3-18 | Eine kleine Nachtmusik, Fourth Movement (4 of 6) | — | ||
| 3-19 | Eine kleine Nachtmusik, Fourth Movement (5 of 6) | — | ||
| 3-20 | Eine kleine Nachtmusik, Fourth Movement (6 of 6) | — | ||
| 3-21 | Symphony No. 40 in G minor, K. 550, First Movement (1 of 5) | — | ||
| 3-22 | Symphony No. 40 in G minor, K. 550, First Movement (2 of 5) | — | ||
| 3-23 | Symphony No. 40 in G minor, K. 550, First Movement (3 of 5) | — | ||
| 3-24 | Symphony No. 40 in G minor, K. 550, First Movement (4 of 5) | — | ||
| 3-25 | Symphony No. 40 in G minor, K. 550, First Movement (5 of 5) | — | ||
| 3-26 | Symphony No. 94 in G major (Surprise) (1 of 7) | — | ||
| 3-27 | Symphony No. 94 in G major (Surprise) (2 of 7) | — | ||
| 3-28 | Symphony No. 94 in G major (Surprise) (3 of 7) | — | ||
| 3-29 | Symphony No. 94 in G major (Surprise) (4 of 7) | — | ||
| 3-30 | Symphony No. 94 in G major (Surprise) (5 of 7) | — | ||
| 3-31 | Symphony No. 94 in G major (Surprise) (6 of 7) | — | ||
| 3-32 | Symphony No. 94 in G major (Surprise) (7 of 7) | — | ||
| 3-33 | Symphony No. 5 in C minor, Op. 67, First Movement (1 of 6) | — | ||
| 3-34 | Symphony No. 5 in C minor, Op. 67, First Movement (2 of 6) | — | ||
| 3-35 | Symphony No. 5 in C minor, Op. 67, First Movement (3 of 6) | — | ||
| 3-36 | Symphony No. 5 in C minor, Op. 67, First Movement (4 of 6) | — | ||
| 3-37 | Symphony No. 5 in C minor, Op. 67, First Movement (5 of 6) | — | ||
| 3-38 | Symphony No. 5 in C minor, Op. 67, First Movement (6 of 6) | — | ||
| 3-39 | Symphony No. 5 in C minor, Op. 67, Second Movement (1 of 7) | — | ||
| 3-40 | Symphony No. 5 in C minor, Op. 67, Second Movement (2 of 7) | — | ||
| 3-41 | Symphony No. 5 in C minor, Op. 67, Second Movement (3 of 7) | — | ||
| 3-42 | Symphony No. 5 in C minor, Op. 67, Second Movement (4 of 7) | — | ||
| 3-43 | Symphony No. 5 in C minor, Op. 67, Second Movement (5 of 7) | — | ||
| 3-44 | Symphony No. 5 in C minor, Op. 67, Second Movement (6 of 7) | — | ||
| 3-45 | Symphony No. 5 in C minor, Op. 67, Second Movement (7 of 7) | — | ||
| 3-46 | Symphony No. 5 in C minor, Op. 67, Third Movement (1 of 4) | — | ||
| 3-47 | Symphony No. 5 in C minor, Op. 67, Third Movement (2 of 4) | — | ||
| 3-48 | Symphony No. 5 in C minor, Op. 67, Third Movement (3 of 4) | — | ||
| 3-49 | Symphony No. 5 in C minor, Op. 67, Third Movement (4 of 4) | — | ||
| 3-50 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (1 of 8) | — | ||
| 3-51 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (2 of 8) | — | ||
| 3-52 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (3 of 8) | — | ||
| 3-53 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (4 of 8) | — | ||
| 3-54 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (5 of 8) | — | ||
| 3-55 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (6 of 8) | — | ||
| 3-56 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (7 of 8) | — | ||
| 3-57 | Symphony No. 5 in C minor, Op. 67, Fourth Movement (8 of 8) | — | ||
| 3-58 | The Creation (Die Schöpfung), Part 1, No 12 Recitative, "Und Gott sprach" | — | ||
| 3-59 | The Creation (Die Schöpfung), Part 1, No 13 Recitative, "In vollem Glanze" | — | ||
| 3-60 | The Creation (Die Schöpfung), Part 1, No 14 Chorus, "Die Himmel erzählen" | — | ||
| 4-1 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (1 of 11) | — | ||
| 4-2 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (2 of 11) | — | ||
| 4-3 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (3 of 11) | — | ||
| 4-4 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (4 of 11) | — | ||
| 4-5 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (5 of 11) | — | ||
| 4-6 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (6 of 11) | — | ||
| 4-7 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (7 of 11) | — | ||
| 4-8 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (8 of 11) | — | ||
| 4-9 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (9 of 11) | — | ||
| 4-10 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (10 of 11) | — | ||
| 4-11 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": I. Allegro (11 of 11) | — | ||
| 4-12 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (1 of 6) | — | ||
| 4-13 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (2 of 6) | — | ||
| 4-14 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (3 of 6) | — | ||
| 4-15 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (4 of 6) | — | ||
| 4-16 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (5 of 6) | — | ||
| 4-17 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": II. Andante (6 of 6) | — | ||
| 4-18 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (1 of 7) | — | ||
| 4-19 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (2 of 7) | — | ||
| 4-20 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (3 of 7) | — | ||
| 4-21 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (4 of 7) | — | ||
| 4-22 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (5 of 7) | — | ||
| 4-23 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (6 of 7) | — | ||
| 4-24 | Piano Concerto No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (7 of 7) | — | ||
| 4-25 | Trumpet Concerto in E-flat major, Third Movement (1 of 6) | — | ||
| 4-26 | Trumpet Concerto in E-flat major, Third Movement (2 of 6) | — | ||
| 4-27 | Trumpet Concerto in E-flat major, Third Movement (3 of 6) | — | ||
| 4-28 | Trumpet Concerto in E-flat major, Third Movement (4 of 6) | — | ||
| 4-29 | Trumpet Concerto in E-flat major, Third Movement (5 of 6) | — | ||
| 4-30 | Trumpet Concerto in E-flat major, Third Movement (6 of 6) | — | ||
| 4-31 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (1 of 7) | — | ||
| 4-32 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (2 of 7) | — | ||
| 4-33 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (3 of 7) | — | ||
| 4-34 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (4 of 7) | — | ||
| 4-35 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (5 of 7) | — | ||
| 4-36 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (6 of 7) | — | ||
| 4-37 | Piano Sonata No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto (7 of 7) | — | ||
| 4-38 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (1 of 4) | — | ||
| 4-39 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (2 of 4) | — | ||
| 4-40 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (3 of 4) | — | ||
| 4-41 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (4 of 4) | — | ||
| 4-42 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto (1 of 5) | — | ||
| 4-43 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto (2 of 5) | — | ||
| 4-44 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto (3 of 5) | — | ||
| 4-45 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto (4 of 5) | — | ||
| 4-46 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto (5 of 5) | — | ||
| 4-47 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato (1 of 5) | — | ||
| 4-48 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato (2 of 5) | — | ||
| 4-49 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato (3 of 5) | — | ||
| 4-50 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato (4 of 5) | — | ||
| 4-51 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato (5 of 5) | — | ||
| 4-52 | Requiem, Dies irae (1 of 2) | — | ||
| 4-53 | Requiem, Dies irae (2 of 2) | — | ||
| 4-54 | Requiem, Tuba mirum (1 of 5) | — | ||
| 4-55 | Requiem, Tuba mirum (2 of 5) | — | ||
| 4-56 | Requiem, Tuba mirum (3 of 5) | — | ||
| 4-57 | Requiem, Tuba mirum (4 of 5) | — | ||
| 4-58 | Requiem, Tuba mirum (5 of 5) | — | ||
| 4-59 | Requiem, Rex tremendae | — | ||
| 4-60 | The Marriage of Figaro, Overture (1 of 5) | — | ||
| 4-61 | The Marriage of Figaro, Overture (2 of 5) | — | ||
| 4-62 | The Marriage of Figaro, Overture (3 of 5) | — | ||
| 4-63 | The Marriage of Figaro, Overture (4 of 5) | — | ||
| 4-64 | The Marriage of Figaro, Overture (5 of 5) | — | ||
| 4-65 | The Marriage of Figaro, Act I, Scene 6: Aria, "Non so più" (1 of 4) | — | ||
| 4-66 | The Marriage of Figaro, Act I, Scene 6: Aria, "Non so più" (2 of 4) | — | ||
| 4-67 | The Marriage of Figaro, Act I, Scene 6: Aria, "Non so più" (3 of 4) | — | ||
| 4-68 | The Marriage of Figaro, Act I, Scene 6: Aria, "Non so più" (4 of 4) | — | ||
| 4-69 | The Marriage of Figaro, Act I, Scene 6: Recitative, "Ah, son perduto!" | — | ||
| 4-70 | The Marriage of Figaro, Act I, Scene 7: Terzetto, "Cosa sento!" (1 of 3) | — | ||
| 4-71 | The Marriage of Figaro, Act I, Scene 7: Terzetto, "Cosa sento!" (2 of 3) | — | ||
| 4-72 | The Marriage of Figaro, Act I, Scene 7: Terzetto, "Cosa sento!" (3 of 3) | — |
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What is UPC 9780393107609?
9780393107609 is a Universal Product Code (UPC) assigned to The Norton Recordings: Four CDs to Accompany The Norton Scores & The Enjoyment of Music, Tenth Edition, Volume 1: Gregorian Chant to Beethoven by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 259 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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