UPC · Release
Norton Recorded Anthology of Western Music, Volume 1: Ancient to Baroque
Various Artists
9780393113099
435 tracksReleased 2010-01-01W. W. Norton & Company, Inc
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9780393113099 is the Universal Product Code (UPC barcode) for the release “Norton Recorded Anthology of Western Music, Volume 1: Ancient to Baroque” by Various Artists, released 2010-01-01 on W. W. Norton & Company, Inc. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 435 tracks, each with its own ISRC.
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Credit Chain
UPCNorton Recorded Anthology of Western Music, Volume 1: Ancient to Baroque
IPI16 songwriters
Track List (435)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Epitaph of Seikilos | — | ||
| 2 | Orestes, Stasimon chorus - chromatic performance | — | ||
| 3 | Orestes, Stasimon chorus - enharmonic performance | — | ||
| 4 | Mass for Christmas Day - Introid: Puer natus est nobis 1 | — | ||
| 5 | Mass for Christmas Day - Introid: Puer natus est nobis 2 | — | ||
| 6 | Mass for Christmas Day - Introid: Puer natus est nobis 3 | — | ||
| 7 | Mass for Christmas Day - Introid: Puer natus est nobis 4 | — | ||
| 8 | Mass for Christmas Day - Kyrie 1 | — | ||
| 9 | Mass for Christmas Day - Kyrie 2 | — | ||
| 10 | Mass for Christmas Day - Kyrie 3 | — | ||
| 11 | Mass for Christmas Day - Kyrie 4 | — | ||
| 12 | Mass for Christmas Day - Gloria | — | ||
| 13 | Mass for Christmas Day - Gradual: Viderunt omnes 1 | — | ||
| 14 | Mass for Christmas Day - Gradual: Vderunt omnes 2 | — | ||
| 15 | Mass for Christmas Day - Alleluia: Dies Sanctificatus 1 | — | ||
| 16 | Mass for Christmas Day - Alleluia: Dies Sanctificatus 2 | — | ||
| 17 | Mass for Christmas Day - Alleluia: Dies Sanctificatus 3 | — | ||
| 18 | Mass for Christmas Day - Credo | — | ||
| 19 | Mass for Christmas Day - Offertory: Tui sunt coeli | — | ||
| 20 | Mass for Christmas Day - Sanctus | — | ||
| 21 | Mass for Christmas Day - Agnus Dei | — | ||
| 22 | Mass for Christmas Day - Communion: Viderunt omnes | — | ||
| 23 | Mass for Christmas Day - Ite, missa est | — | ||
| 24 | Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 1 | — | ||
| 25 | Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 2 | — | ||
| 26 | Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 3 | — | ||
| 27 | Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 4 | — | ||
| 28 | Chants from Vespers for Christmas Day - Hymn: Christe Tedmptor | — | ||
| 29 | Victimae paschali laudes | — | ||
| 30 | Tropes on Puer natus: Quem queritis in presepe and Melisma 1 | — | ||
| 31 | Tropes on Puer natus: Quem queritis in presepe and Melisma 2 | — | ||
| 32 | Tropes on Puer natus: Quem queritis in presepe and Melisma 3 | — | ||
| 33 | Ordo virtutum, conclusion, In principio omnes 1 | — | ||
| 34 | Ordo virtutum, conclusion, In principio omnes 2 | — | ||
| 35 | Ordo virtutum, conclusion, In principio omnes 3 | — | ||
| 36 | Can vei la lauzeta mover | — | ||
| 37 | A chantar | — | ||
| 38 | Jeu de Robin et de Marion, excerpt, Robins m'aime | — | ||
| 39 | Palästinalied | — | ||
| 40 | Cantiga 159: Non sofre Santa Maria, from Catigas de Santa Maria | — | ||
| 41 | La quarte estampie royal, from Le manuscrit du roi 1 | — | ||
| 42 | La quarte estampie royal, from Le manuscrit du roi 2 | — | ||
| 43 | La quarte estampie royal, from Le manuscrit du roi 3 | — | ||
| 44 | La quarte estampie royal, from Le manuscrit du roi 4 | — | ||
| 45 | La quarte estampie royal, from Le manuscrit du roi 5 | — | ||
| 46 | La quarte estampie royal, from Le manuscrit du roi 6 | — | ||
| 47 | La quarte estampie royal, from Le manuscrit du roi 7 | — | ||
| 48 | Organa from Musica enchiriadis - Tu patris sempiternus es filius | — | ||
| 49 | Organa from Musica enchiriadis - Sit gloria domini | — | ||
| 50 | Organa from Musica enchiriadis - Rex caeli domine | — | ||
| 51 | Alleluia Justus ut palma, from Ad organum faciendum 1 | — | ||
| 52 | Alleluia Justus ut palma, from Ad organum faciendum 2 | — | ||
| 53 | Jubilemus, exultemus 1 | — | ||
| 54 | Jubilemus, exultemus 2 | — | ||
| 55 | Jubilemus, exultemus 3 | — | ||
| 56 | Jubilemus, exultemus 4 | — | ||
| 57 | Viderunt omnes 1 | — | ||
| 58 | Viderunt omnes 2 | — | ||
| 59 | Viderunt omnes 3 | — | ||
| 60 | Viderunt omnes 4 | — | ||
| 61 | Viderunt omnes 5 | — | ||
| 62 | Viderunt omnes 6 | — | ||
| 63 | Viderunt omnes 7 | — | ||
| 64 | Viderunt omnes 8 | — | ||
| 65 | Clausulae on Dominus from Viderunt omnes - Dominus, clausula no. 26 | — | ||
| 66 | Clausulae on Dominus from Viderunt omnes - Dominus, clausula no. 29 | — | ||
| 75 | Viderunt omnes 9 | — | ||
| 76 | Viderunt omnes 10 | — | ||
| 77 | Viderunt omnes 11 | — | ||
| 78 | Viderunt omnes 112 | — | ||
| 79 | Ave virgo virginum | — | ||
| 2-1 | Motets on tenor Dominus - Factum est salutare/Dominus | — | ||
| 2-2 | Motets on tenor Dominus - Fole acostumance/Dominus 1 | — | ||
| 2-3 | Motets on tenor Dominus - Fole acostumance/Dominus 2 | — | ||
| 2-4 | Motets on tenor Dominus - Super te/Sed fulsit/Dominus | — | ||
| 2-5 | Motets on tenor Dominus - Super te/Sed fulsit/Primus tenor/Dominus | — | ||
| 2-6 | Da ma dame vient/Dieus, comment porroie/Omnes 1 | — | ||
| 2-7 | Da ma dame vient/Dieus, comment porroie/Omnes 2 | — | ||
| 2-8 | Da ma dame vient/Dieus, comment porroie/Omnes 3 | — | ||
| 2-9 | Sumer is icumen in | — | ||
| 2-10 | In arboris/Tuba sacre fidei/Virgo sum 1 | — | ||
| 2-11 | In arboris/Tuba sacre fidei/Virgo sum 2 | — | ||
| 2-12 | In arboris/Tuba sacre fidei/Virgo sum 3 | — | ||
| 2-13 | In arboris/Tuba sacre fidei/Virgo sum 4 | — | ||
| 2-14 | In arboris/Tuba sacre fidei/Virgo sum 5 | — | ||
| 2-15 | In arboris/Tuba sacre fidei/Virgo sum 6 | — | ||
| 2-16 | La Messe de Nostre Dame, Kyrie 1 | — | ||
| 2-17 | La Messe de Nostre Dame, Kyrie 2 | — | ||
| 2-18 | La Messe de Nostre Dame, Kyrie 3 | — | ||
| 2-19 | La Messe de Nostre Dame, Kyrie 4 | — | ||
| 2-20 | La Messe de Nostre Dame, Kyrie 5 | — | ||
| 2-21 | La Messe de Nostre Dame, Kyrie 6 | — | ||
| 2-22 | La Messe de Nostre Dame, Kyrie 7 | — | ||
| 2-23 | Foy porter 1 | — | ||
| 2-24 | Foy porter 2 | — | ||
| 2-25 | Foy porter 3 | — | ||
| 2-26 | Foy porter 4 | — | ||
| 2-27 | Foy porter 5 | — | ||
| 2-28 | En remirant vo douce pourtraiture 1 | — | ||
| 2-29 | En remirant vo douce pourtraiture 2 | — | ||
| 2-30 | En remirant vo douce pourtraiture 3 | — | ||
| 2-31 | Non al suo amante 1 | — | ||
| 2-32 | Non al suo amante 2 | — | ||
| 2-33 | Tosto che l’alba 1 | — | ||
| 2-35 | Non avrà ma’ pietà 1 | — | ||
| 2-36 | Non avrà ma’ pietà 2 | — | ||
| 2-37 | Non avrà ma’ pietà 3 | — | ||
| 2-38 | Alleluia, A newë work 1 | — | ||
| 2-39 | Alleluia, A newë work 2 | — | ||
| 2-40 | Alleluia, A newë work 3 | — | ||
| 2-41 | Alleluia, A newë work 4 | — | ||
| 2-42 | Quam pulchra es 1 | — | ||
| 2-43 | Quam pulchra es 2 | — | ||
| 2-44 | De plus en plus 1 | — | ||
| 2-45 | De plus en plus 2 | — | ||
| 2-46 | Resvellies vous 1 | — | ||
| 2-47 | Resvellies vous 2 | — | ||
| 2-48 | Resvellies vous 3 | — | ||
| 2-49 | Christe, redemptor omnium 1 | — | ||
| 2-50 | Christe, redemptor omnium 2 | — | ||
| 2-51 | Se le face ay pale - Se la face ay pale, ballade 1 | — | ||
| 2-52 | Se le face ay pale - Se la face ay pale, ballade 2 | — | ||
| 2-53 | Se le face ay pale - Missa Se la face ay pale, Gloria 1 | — | ||
| 2-54 | Se le face ay pale - Missa Se la face ay pale, Gloria 2 | — | ||
| 2-55 | Se le face ay pale - Missa Se la face ay pale, Gloria 3 | — | ||
| 2-56 | Se le face ay pale - Missa Se la face ay pale, Gloria 4 | — | ||
| 2-57 | Se le face ay pale - Missa Se la face ay pale, Gloria 5 | — | ||
| 2-58 | Se le face ay pale - Missa Se la face ay pale, Gloria 6 | — | ||
| 2-59 | Se le face ay pale - Missa Se la face ay pale, Gloria 7 | — | ||
| 2-60 | Je ne puis vivre 1 | — | ||
| 2-61 | Je ne puis vivre 2 | — | ||
| 2-62 | Je ne puis vivre 3 | — | ||
| 2-63 | Missa prolationum, Kyrie 1 | — | ||
| 2-64 | Missa prolationum, Kyrie 2 | — | ||
| 2-65 | Missa prolationum, Kyrie 3 | — | ||
| 2-66 | Innsbruck, ich muss dich lassen | — | ||
| 2-67 | Ave Maria...virgo serena 1 | — | ||
| 2-68 | Ave Maria...virgo serena 2 | — | ||
| 2-69 | Ave Maria...virgo serena 3 | — | ||
| 2-70 | Ave Maria...virgo serena 4 | — | ||
| 2-71 | Ave Maria...virgo serena 5 | — | ||
| 2-72 | Ave Maria...virgo serena 6 | — | ||
| 2-73 | Ave Maria...virgo serena 7 | — | ||
| 3-1 | Missa Pange lingua, excerpts - Kyrie 1 | — | ||
| 3-2 | Missa Pange lingua, excerpts - Kyrie 2 | — | ||
| 3-3 | Missa Pange lingua, excerpts - Kyrie 3 | — | ||
| 3-4 | Missa Pange lingua, excerpts - Credo (excerpt) 1 | — | ||
| 3-5 | Missa Pange lingua, excerpts - Credo (excerpt) 2 | — | ||
| 3-6 | Missa Pange lingua, excerpts - Credo (excerpt) 3 | — | ||
| 3-7 | Mille regretz | — | ||
| 3-8 | Nun komm, der Heiden Heiland and Ein feste Burg - Veni Redemptor gentium | — | ||
| 3-9 | Nun komm, der Heiden Heiland and Ein feste Burg - Nun komm, der Heiden Heiland | — | ||
| 3-10 | Nun komm, der Heiden Heiland and Ein feste Burg - Ein feste Burg | — | ||
| 3-12 | Psalm 134, Or sus, serviteurs du Seigneur | — | ||
| 3-13 | Psalm 100, All people than on earth do dwell | — | ||
| 3-14 | Sing joyfully unto God 1 | — | ||
| 3-15 | Sing joyfully unto God 2 | — | ||
| 3-16 | Sing joyfully unto God 3 | — | ||
| 3-17 | Sing joyfully unto God 4 | — | ||
| 3-18 | Sing joyfully unto God 5 | — | ||
| 3-19 | Pope Marcellus Mass, excerpts - Credo 1 | — | ||
| 3-20 | Pope Marcellus Mass, excerpts - Credo 2 | — | ||
| 3-21 | Pope Marcellus Mass, excerpts - Credo 3 | — | ||
| 3-22 | Pope Marcellus Mass, excerpts - Credo 4 | — | ||
| 3-23 | Pope Marcellus Mass, excerpts - Credo 5 | — | ||
| 3-24 | Pope Marcellus Mass, excerpts - Credo 6 | — | ||
| 3-25 | Pope Marcellus Mass, excerpts - Credo 7 | — | ||
| 3-26 | Pope Marcellus Mass, excerpts - Credo 8 | — | ||
| 3-27 | Pope Marcellus Mass, excerpts - Agnus Dei I | — | ||
| 3-28 | O magnum mysterium - O magnum mysterium, motet 1 | — | ||
| 3-29 | O magnum mysterium - O magnum mysterium, motet 2 | — | ||
| 3-30 | O magnum mysterium - O magnum mysterium, motet 3 | — | ||
| 3-31 | O magnum mysterium - O magnum mysterium, motet 4 | — | ||
| 3-32 | O magnum mysterium - Missa O magnum mysterium, Kyrie 1 | — | ||
| 3-33 | O magnum mysterium - Missa O magnum mysterium, Kyrie 2 | — | ||
| 3-34 | O magnum mysterium - Missa O magnum mysterium, Kyrie 3 | — | ||
| 3-35 | Cum essem parvulus 1 | — | ||
| 3-36 | Cum essem parvulus 2 | — | ||
| 3-37 | Cum essem parvulus 3 | — | ||
| 3-38 | Oy comamos y bebamos | — | ||
| 3-39 | Io non compro piú speranza 1 | — | ||
| 3-40 | Io non compro piú speranza 2 | — | ||
| 3-41 | Io non compro piú speranza 3 | — | ||
| 3-42 | Io non compro piú speranza 4 | — | ||
| 3-43 | Io non compro piú speranza 5 | — | ||
| 3-44 | Io non compro piú speranza 6 | — | ||
| 3-45 | Io non compro piú speranza 7 | — | ||
| 3-46 | Il bianco e dolce cigno 1 | — | ||
| 3-47 | Il bianco e dolce cigno 2 | — | ||
| 3-48 | Da le belle contrade d’oriente 3 | — | ||
| 3-49 | Da le belle contrade d’oriente 4 | — | ||
| 3-50 | Da le belle contrade d’oriente 5 | — | ||
| 3-51 | Solo e pensoso 1 | — | ||
| 3-52 | Solo e pensoso 2 | — | ||
| 3-53 | Solo e pensoso 3 | — | ||
| 3-54 | Solo e pensoso 4 | — | ||
| 3-55 | Solo e pensoso 5 | — | ||
| 3-56 | Solo e pensoso 6 | — | ||
| 3-57 | “Io parto” e non più dissi 1 | — | ||
| 3-58 | “Io parto” e non più dissi 2 | — | ||
| 3-59 | “Io parto” e non più dissi 3 | — | ||
| 3-60 | Tant que vivray 1 | — | ||
| 3-61 | Tant que vivray 2 | — | ||
| 3-62 | Tant que vivray 3 | — | ||
| 3-63 | La nuict froide et sombre 1 | — | ||
| 3-64 | La nuict froide et sombre 2 | — | ||
| 3-65 | Revecy venir du printans 1 | — | ||
| 3-66 | Revecy venir du printans 2 | — | ||
| 3-67 | Revecy venir du printans 3 | — | ||
| 3-68 | Revecy venir du printans 4 | — | ||
| 3-69 | Revecy venir du printans 5 | — | ||
| 3-70 | Revecy venir du printans 6 | — | ||
| 3-71 | Revecy venir du printans 7 | — | ||
| 3-72 | Revecy venir du printans 8 | — | ||
| 3-73 | My bonny lass she smileth 1 | — | ||
| 3-74 | My bonny lass she smileth 2 | — | ||
| 3-75 | My bonny lass she smileth 3 | — | ||
| 3-76 | As Vesta was 1 | — | ||
| 3-77 | As Vesta was 2 | — | ||
| 3-78 | As Vesta was 3 | — | ||
| 3-79 | As Vesta was 4 | — | ||
| 3-80 | As Vesta was 5 | — | ||
| 3-81 | Flow, my tears 1 | — | ||
| 3-82 | Flow, my tears 2 | — | ||
| 3-83 | Flow, my tears 3 | — | ||
| 3-84 | Dances from Danserye - Basse danse La morisque | — | ||
| 3-85 | Dances from Danserye - Pavane La dona | — | ||
| 3-86 | Dances from Danserye - Galliard La dona | — | ||
| 4-1 | From Los seys libros del Delphin - Cancion Mille regres | — | ||
| 4-2 | From Los seys libros del Delphin - Cautro diferencias sobre “Guárdame las vacas” | — | ||
| 4-3 | Pavana Lachryae 1 | — | ||
| 4-4 | Pavana Lachryae 2 | — | ||
| 4-5 | Pavana Lachryae 3 | — | ||
| 4-6 | Pavana Lachryae 4 | — | ||
| 4-7 | Pavana Lachryae 5 | — | ||
| 4-8 | Pavana Lachryae 6 | — | ||
| 4-9 | Canzon septimi toni a 8, from Sacrae symphoniae 1 | — | ||
| 4-10 | Canzon septimi toni a 8, from Sacrae symphoniae 2 | — | ||
| 4-11 | Canzon septimi toni a 8, from Sacrae symphoniae 3 | — | ||
| 4-12 | Canzon septimi toni a 8, from Sacrae symphoniae 4 | — | ||
| 4-13 | Canzon septimi toni a 8, from Sacrae symphoniae 5 | — | ||
| 4-14 | Canzon septimi toni a 8, from Sacrae symphoniae 6 | — | ||
| 4-15 | Canzon septimi toni a 8, from Sacrae symphoniae 7 | — | ||
| 4-16 | Canzon septimi toni a 8, from Sacrae symphoniae 8 | — | ||
| 4-17 | Cruda Amarilli 1 | — | ||
| 4-18 | Cruda Amarilli 2 | — | ||
| 4-19 | Cruda Amarilli 3 | — | ||
| 4-20 | Vedrò ’l mio sol 1 | — | ||
| 4-21 | Vedrò ’l mio sol 2 | — | ||
| 4-22 | Le musiche sopra l’Euridice, excerpts - Aria: Nel pur ardor | — | ||
| 4-23 | Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 1 | — | ||
| 4-24 | Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 2 | — | ||
| 4-25 | Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 3 | — | ||
| 4-26 | Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 4 | — | ||
| 4-27 | L’Orfeo, excerpt from Act II - Aria/canzonetta: Vi ricorda o boschi ambrosi | — | ||
| 4-28 | L’Orfeo, excerpt from Act II - Song: Mira, deh mira Orfeo | — | ||
| 4-29 | L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 1 | — | ||
| 4-30 | L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 2 | — | ||
| 4-31 | L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 3 | — | ||
| 4-32 | L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 4 | — | ||
| 4-33 | L’Orfeo, excerpt from Act II - Recitative: Tu se‘ morta | — | ||
| 4-34 | L’Orfeo, excerpt from Act II - Choral madrigal: Ahi, caso acerbo | — | ||
| 4-35 | L‘incoronazione di Poppea, Act I, Scene 3 1 | — | ||
| 4-36 | L‘incoronazione di Poppea, Act I, Scene 3 2 | — | ||
| 4-37 | L‘incoronazione di Poppea, Act I, Scene 3 3 | — | ||
| 4-38 | L‘incoronazione di Poppea, Act I, Scene 3 4 | — | ||
| 4-39 | L‘incoronazione di Poppea, Act I, Scene 3 5 | — | ||
| 4-40 | L‘incoronazione di Poppea, Act I, Scene 3 6 | — | ||
| 4-41 | Orontea, excerpt from Act II - Scene 16, recitative: E che si fa? | — | ||
| 4-42 | Orontea, excerpt from Act II - Scene 17, opening aria: Intorno all‘idol mio 1 | — | ||
| 4-43 | Orontea, excerpt from Act II - Scene 17, opening aria: Intorno all‘idol mio 2 | — | ||
| 4-44 | Lagrime mie 1 | — | ||
| 4-45 | Lagrime mie 2 | — | ||
| 4-46 | Lagrime mie 3 | — | ||
| 4-47 | Lagrime mie 4 | — | ||
| 4-48 | Lagrime mie 5 | — | ||
| 4-49 | Ma bergere non légere 1 | — | ||
| 4-50 | Ma bergere non légere 2 | — | ||
| 4-51 | In ecclesiis 1 | — | ||
| 4-52 | In ecclesiis 2 | — | ||
| 4-53 | In ecclesiis 3 | — | ||
| 4-54 | In ecclesiis 4 | — | ||
| 4-55 | In ecclesiis 5 | — | ||
| 4-56 | In ecclesiis 6 | — | ||
| 4-57 | O quam tu pulchra es 1 | — | ||
| 4-58 | O quam tu pulchra es 2 | — | ||
| 4-59 | O quam tu pulchra es 3 | — | ||
| 4-60 | O lieber Herre Gott 1 | — | ||
| 4-61 | O lieber Herre Gott 2 | — | ||
| 4-62 | O lieber Herre Gott 3 | — | ||
| 5-1 | Historia di Jephte, excerpt - Recitative: Plorate colles 1 | — | ||
| 5-2 | Historia di Jephte, excerpt - Recitative: Plorate colles 2 | — | ||
| 5-3 | Historia di Jephte, excerpt - Recitative: Plorate colles 3 | — | ||
| 5-4 | Historia di Jephte, excerpt - Recitative: Plorate colles 4 | — | ||
| 5-5 | Historia di Jephte, excerpt - Chorus: Plorate filii Israel 1 | — | ||
| 5-6 | Historia di Jephte, excerpt - Chorus: Plorate filii Israel 2 | — | ||
| 5-7 | Saul, was verfolgst du mich 1 | — | ||
| 5-8 | Saul, was verfolgst du mich 2 | — | ||
| 5-9 | Saul, was verfolgst du mich 3 | — | ||
| 5-10 | Saul, was verfolgst du mich 4 | — | ||
| 5-11 | Toccata no. 3 1 | — | ||
| 5-12 | Toccata no. 3 2 | — | ||
| 5-13 | Ricercare after the Credo from Mass for the Madonna, in Fiori musicali 1 | — | ||
| 5-14 | Ricercare after the Credo from Mass for the Madonna, in Fiori musicali 2 | — | ||
| 5-15 | Sonata IV per il violino per sonar con due corde 1 | — | ||
| 5-16 | Sonata IV per il violino per sonar con due corde 2 | — | ||
| 5-17 | Sonata IV per il violino per sonar con due corde 3 | — | ||
| 5-18 | Sonata IV per il violino per sonar con due corde 4 | — | ||
| 5-19 | Sonata IV per il violino per sonar con due corde 5 | — | ||
| 5-20 | Sonata IV per il violino per sonar con due corde 6 | — | ||
| 5-21 | Sonata IV per il violino per sonar con due corde 7 | — | ||
| 5-22 | Sonata IV per il violino per sonar con due corde 8 | — | ||
| 5-23 | Armide, excerpts - Overture 1 | — | ||
| 5-24 | Armide, excerpts - Overture 2 | — | ||
| 5-25 | Armide, excerpts - Overture 3 | — | ||
| 5-26 | Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 1 | — | ||
| 5-27 | Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 2 | — | ||
| 5-28 | Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 3 | — | ||
| 5-29 | Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 4 | — | ||
| 5-30 | Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 5 | — | ||
| 5-31 | Te Deum, conclusion 1 | — | ||
| 5-32 | Te Deum, conclusion 2 | — | ||
| 5-33 | La Coquette virtuose | — | ||
| 5-34 | Suite no. 3 in A minor - Prelude | — | ||
| 5-35 | Suite no. 3 in A minor - Allemande | — | ||
| 5-36 | Suite no. 3 in A minor - Courante I | — | ||
| 5-37 | Suite no. 3 in A minor - Sarabande | — | ||
| 5-38 | Suite no. 3 in A minor - Gigue | — | ||
| 5-39 | Suite no. 3 in A minor - Chaconne | — | ||
| 5-40 | Suite no. 3 in A minor - Gavotte | — | ||
| 5-41 | Suite no. 3 in A minor - Menuet | — | ||
| 5-42 | Dido and Aeneas, conclusion - Recitative: Thy had, Belinda | — | ||
| 5-43 | Dido and Aeneas, conclusion - Lament (ground bass aria): When I am laid in earth 1 | — | ||
| 5-44 | Dido and Aeneas, conclusion - Lament (ground bass aria): When I am laid in earth 2 | — | ||
| 5-45 | Dido and Aeneas, conclusion - Chorus: With drooping wings | — | ||
| 5-46 | La púrpura de la rosa, excerpt 1 | — | ||
| 5-47 | La púrpura de la rosa, excerpt 2 | — | ||
| 5-48 | La púrpura de la rosa, excerpt 3 | — | ||
| 5-49 | La púrpura de la rosa, excerpt 4 | — | ||
| 5-50 | Los coflades de la estleya 1 | — | ||
| 5-51 | Los coflades de la estleya 2 | — | ||
| 5-52 | Los coflades de la estleya 3 | — | ||
| 5-53 | Los coflades de la estleya 4 | — | ||
| 5-54 | Los coflades de la estleya 5 | — | ||
| 5-55 | Los coflades de la estleya 6 | — | ||
| 5-56 | Los coflades de la estleya 7 | — | ||
| 5-57 | Los coflades de la estleya 8 | — | ||
| 5-58 | Los coflades de la estleya 9 | — | ||
| 5-59 | Clori vezzosa, e bella, conclusion - Recitative: Vivo penando | — | ||
| 5-60 | Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 1 | — | ||
| 5-61 | Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 2 | — | ||
| 5-62 | Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 3 | — | ||
| 5-63 | Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 4 | — | ||
| 5-64 | La Griselda, excerpt from Act 1, Scene 2 1 | — | ||
| 5-65 | La Griselda, excerpt from Act 1, Scene 2 2 | — | ||
| 5-66 | La Griselda, excerpt from Act 1, Scene 2 3 | — | ||
| 5-67 | La Griselda, excerpt from Act 1, Scene 2 4 | — | ||
| 6-1 | Trio Sonata, op. 3, no. 2 - Grave | — | ||
| 6-2 | Trio Sonata, op. 3, no. 2 - Allegro | — | ||
| 6-3 | Trio Sonata, op. 3, no. 2 - Adagio | — | ||
| 6-4 | Trio Sonata, op. 3, no. 2 - Allegro 1 | — | ||
| 6-5 | Trio Sonata, op. 3, no. 2 - Allegro 2 | — | ||
| 6-6 | Praeludium in E major, BuxWV 141 1 | — | ||
| 6-7 | Praeludium in E major, BuxWV 141 2 | — | ||
| 6-8 | Praeludium in E major, BuxWV 141 3 | — | ||
| 6-9 | Praeludium in E major, BuxWV 141 4 | — | ||
| 6-10 | Praeludium in E major, BuxWV 141 5 | — | ||
| 6-11 | Praeludium in E major, BuxWV 141 6 | — | ||
| 6-12 | Praeludium in E major, BuxWV 141 7 | — | ||
| 6-13 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 1 | — | ||
| 6-14 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 2 | — | ||
| 6-15 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 3 | — | ||
| 6-16 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 4 | — | ||
| 6-17 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 5 | — | ||
| 6-18 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 6 | — | ||
| 6-19 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 7 | — | ||
| 6-20 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 8 | — | ||
| 6-21 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Largo | — | ||
| 6-22 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 1 | — | ||
| 6-23 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 2 | — | ||
| 6-24 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 3 | — | ||
| 6-25 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 4 | — | ||
| 6-26 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 5 | — | ||
| 6-27 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 6 | — | ||
| 6-28 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 7 | — | ||
| 6-29 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 8 | — | ||
| 6-30 | Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 9 | — | ||
| 6-31 | Vingt-cinquième ordre, excerpts - La visionaire 1 | — | ||
| 6-32 | Vingt-cinquième ordre, excerpts - La visionaire 2 | — | ||
| 6-33 | Vingt-cinquième ordre, excerpts - La muse victorieuse 1 | — | ||
| 6-34 | Vingt-cinquième ordre, excerpts - La muse victorieuse 2 | — | ||
| 6-35 | Hippolyte et Aricie, Act IV, conclusion 1 | — | ||
| 6-36 | Hippolyte et Aricie, Act IV, conclusion 2 | — | ||
| 6-37 | Hippolyte et Aricie, Act IV, conclusion 3 | — | ||
| 6-38 | Hippolyte et Aricie, Act IV, conclusion 4 | — | ||
| 6-39 | Hippolyte et Aricie, Act IV, conclusion 5 | — | ||
| 6-40 | Prelude and Fugue in A minor, BWV 543 1 | — | ||
| 6-41 | Prelude and Fugue in A minor, BWV 543 2 | — | ||
| 6-42 | Prelude and Fugue in A minor, BWV 543 3 | — | ||
| 6-43 | Prelude and Fugue in A minor, BWV 543 4 | — | ||
| 6-44 | Prelude and Fugue in A minor, BWV 543 5 | — | ||
| 6-45 | Prelude and Fugue in A minor, BWV 543 6 | — | ||
| 6-46 | Prelude and Fugue in A minor, BWV 543 7 | — | ||
| 6-47 | Prelude and Fugue in A minor, BWV 543 8 | — | ||
| 6-48 | Prelude and Fugue in A minor, BWV 543 9 | — | ||
| 6-49 | Prelude and Fugue in A minor, BWV 543 10 | — | ||
| 6-50 | Prelude and Fugue in A minor, BWV 543 11 | — | ||
| 6-51 | Chorale Prelude on Durch Adams Fall, BWV 637 | — | ||
| 6-52 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 1 | — | ||
| 6-53 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 2 | — | ||
| 6-54 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 3 | — | ||
| 6-55 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 4 | — | ||
| 6-56 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 5 | — | ||
| 6-57 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 6 | — | ||
| 6-58 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 7 | — | ||
| 6-59 | Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 8 | — | ||
| 6-60 | Nun komm, der Heiden Heiland, BWV 62 - Aria: Bewundert, o Menschen 1 | — | ||
| 6-61 | Nun komm, der Heiden Heiland, BWV 62 - Aria: Bewundert, o Menschen 2 | — | ||
| 6-62 | Nun komm, der Heiden Heiland, BWV 62 - Recitative: So geht aus Gottes Herrlichkeit und Thron | — | ||
| 6-63 | Nun komm, der Heiden Heiland, BWV 62 - Aria: Streite, siege, starker Held! 1 | — | ||
| 6-64 | Nun komm, der Heiden Heiland, BWV 62 - Aria: Streite, siege, starker Held! 2 | — | ||
| 6-65 | Nun komm, der Heiden Heiland, BWV 62 - Accompanied recitative: Wir ehren diese Herrlichkeit | — | ||
| 6-66 | Nun komm, der Heiden Heiland, BWV 62 - Chorale: Lob sei Gott, dem Vater, ton | — | ||
| 6-67 | Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 1 | — | ||
| 6-68 | Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 2 | — | ||
| 6-69 | Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 3 | — | ||
| 6-70 | Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 1 | — | ||
| 6-71 | Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 2 | — | ||
| 6-72 | Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 3 | — | ||
| 6-73 | Saul, Act II, Scene 10 - Accompanied recitative: The Time at length is come | — | ||
| 6-74 | Saul, Act II, Scene 10 - Recitative: Where is the Son of Jesse? | — | ||
| 6-75 | Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 1 | — | ||
| 6-76 | Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 2 | — | ||
| 6-77 | Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 3 | — | ||
| 6-78 | Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 4 | — |
Epitaph of Seikilos
—
Orestes, Stasimon chorus - chromatic performance
—
Orestes, Stasimon chorus - enharmonic performance
—
Mass for Christmas Day - Introid: Puer natus est nobis 1
—
Mass for Christmas Day - Introid: Puer natus est nobis 2
—
Mass for Christmas Day - Introid: Puer natus est nobis 3
—
Mass for Christmas Day - Introid: Puer natus est nobis 4
—
Mass for Christmas Day - Kyrie 1
—
Mass for Christmas Day - Kyrie 2
—
Mass for Christmas Day - Kyrie 3
—
Mass for Christmas Day - Kyrie 4
—
Mass for Christmas Day - Gloria
—
Mass for Christmas Day - Gradual: Viderunt omnes 1
—
Mass for Christmas Day - Gradual: Vderunt omnes 2
—
Mass for Christmas Day - Alleluia: Dies Sanctificatus 1
—
Mass for Christmas Day - Alleluia: Dies Sanctificatus 2
—
Mass for Christmas Day - Alleluia: Dies Sanctificatus 3
—
Mass for Christmas Day - Credo
—
Mass for Christmas Day - Offertory: Tui sunt coeli
—
Mass for Christmas Day - Sanctus
—
Mass for Christmas Day - Agnus Dei
—
Mass for Christmas Day - Communion: Viderunt omnes
—
Mass for Christmas Day - Ite, missa est
—
Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 1
—
Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 2
—
Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 3
—
Chants from Vespers for Christmas Day - First Psalm with Antiphon: Antiphon Tecum principium and psalm Dixit Dominus 4
—
Chants from Vespers for Christmas Day - Hymn: Christe Tedmptor
—
Victimae paschali laudes
—
Tropes on Puer natus: Quem queritis in presepe and Melisma 1
—
Tropes on Puer natus: Quem queritis in presepe and Melisma 2
—
Tropes on Puer natus: Quem queritis in presepe and Melisma 3
—
Ordo virtutum, conclusion, In principio omnes 1
—
Ordo virtutum, conclusion, In principio omnes 2
—
Ordo virtutum, conclusion, In principio omnes 3
—
Can vei la lauzeta mover
—
A chantar
—
Jeu de Robin et de Marion, excerpt, Robins m'aime
—
Palästinalied
—
Cantiga 159: Non sofre Santa Maria, from Catigas de Santa Maria
—
La quarte estampie royal, from Le manuscrit du roi 1
—
La quarte estampie royal, from Le manuscrit du roi 2
—
La quarte estampie royal, from Le manuscrit du roi 3
—
La quarte estampie royal, from Le manuscrit du roi 4
—
La quarte estampie royal, from Le manuscrit du roi 5
—
La quarte estampie royal, from Le manuscrit du roi 6
—
La quarte estampie royal, from Le manuscrit du roi 7
—
Organa from Musica enchiriadis - Tu patris sempiternus es filius
—
Organa from Musica enchiriadis - Sit gloria domini
—
Organa from Musica enchiriadis - Rex caeli domine
—
Alleluia Justus ut palma, from Ad organum faciendum 1
—
Alleluia Justus ut palma, from Ad organum faciendum 2
—
Jubilemus, exultemus 1
—
Jubilemus, exultemus 2
—
Jubilemus, exultemus 3
—
Jubilemus, exultemus 4
—
Viderunt omnes 1
—
Viderunt omnes 2
—
Viderunt omnes 3
—
Viderunt omnes 4
—
Viderunt omnes 5
—
Viderunt omnes 6
—
Viderunt omnes 7
—
Viderunt omnes 8
—
Clausulae on Dominus from Viderunt omnes - Dominus, clausula no. 26
—
Clausulae on Dominus from Viderunt omnes - Dominus, clausula no. 29
—
Viderunt omnes 9
—
Viderunt omnes 10
—
Viderunt omnes 11
—
Viderunt omnes 112
—
Ave virgo virginum
—
Motets on tenor Dominus - Factum est salutare/Dominus
—
Motets on tenor Dominus - Fole acostumance/Dominus 1
—
Motets on tenor Dominus - Fole acostumance/Dominus 2
—
Motets on tenor Dominus - Super te/Sed fulsit/Dominus
—
Motets on tenor Dominus - Super te/Sed fulsit/Primus tenor/Dominus
—
Da ma dame vient/Dieus, comment porroie/Omnes 1
—
Da ma dame vient/Dieus, comment porroie/Omnes 2
—
Da ma dame vient/Dieus, comment porroie/Omnes 3
—
Sumer is icumen in
—
In arboris/Tuba sacre fidei/Virgo sum 1
—
In arboris/Tuba sacre fidei/Virgo sum 2
—
In arboris/Tuba sacre fidei/Virgo sum 3
—
In arboris/Tuba sacre fidei/Virgo sum 4
—
In arboris/Tuba sacre fidei/Virgo sum 5
—
In arboris/Tuba sacre fidei/Virgo sum 6
—
La Messe de Nostre Dame, Kyrie 1
—
La Messe de Nostre Dame, Kyrie 2
—
La Messe de Nostre Dame, Kyrie 3
—
La Messe de Nostre Dame, Kyrie 4
—
La Messe de Nostre Dame, Kyrie 5
—
La Messe de Nostre Dame, Kyrie 6
—
La Messe de Nostre Dame, Kyrie 7
—
Foy porter 1
—
Foy porter 2
—
Foy porter 3
—
Foy porter 4
—
Foy porter 5
—
En remirant vo douce pourtraiture 1
—
En remirant vo douce pourtraiture 2
—
En remirant vo douce pourtraiture 3
—
Non al suo amante 1
—
Non al suo amante 2
—
Tosto che l’alba 1
—
Non avrà ma’ pietà 1
—
Non avrà ma’ pietà 2
—
Non avrà ma’ pietà 3
—
Alleluia, A newë work 1
—
Alleluia, A newë work 2
—
Alleluia, A newë work 3
—
Alleluia, A newë work 4
—
Quam pulchra es 1
—
Quam pulchra es 2
—
De plus en plus 1
—
De plus en plus 2
—
Resvellies vous 1
—
Resvellies vous 2
—
Resvellies vous 3
—
Christe, redemptor omnium 1
—
Christe, redemptor omnium 2
—
Se le face ay pale - Se la face ay pale, ballade 1
—
Se le face ay pale - Se la face ay pale, ballade 2
—
Se le face ay pale - Missa Se la face ay pale, Gloria 1
—
Se le face ay pale - Missa Se la face ay pale, Gloria 2
—
Se le face ay pale - Missa Se la face ay pale, Gloria 3
—
Se le face ay pale - Missa Se la face ay pale, Gloria 4
—
Se le face ay pale - Missa Se la face ay pale, Gloria 5
—
Se le face ay pale - Missa Se la face ay pale, Gloria 6
—
Se le face ay pale - Missa Se la face ay pale, Gloria 7
—
Je ne puis vivre 1
—
Je ne puis vivre 2
—
Je ne puis vivre 3
—
Missa prolationum, Kyrie 1
—
Missa prolationum, Kyrie 2
—
Missa prolationum, Kyrie 3
—
Innsbruck, ich muss dich lassen
—
Ave Maria...virgo serena 1
—
Ave Maria...virgo serena 2
—
Ave Maria...virgo serena 3
—
Ave Maria...virgo serena 4
—
Ave Maria...virgo serena 5
—
Ave Maria...virgo serena 6
—
Ave Maria...virgo serena 7
—
Missa Pange lingua, excerpts - Kyrie 1
—
Missa Pange lingua, excerpts - Kyrie 2
—
Missa Pange lingua, excerpts - Kyrie 3
—
Missa Pange lingua, excerpts - Credo (excerpt) 1
—
Missa Pange lingua, excerpts - Credo (excerpt) 2
—
Missa Pange lingua, excerpts - Credo (excerpt) 3
—
Mille regretz
—
Nun komm, der Heiden Heiland and Ein feste Burg - Veni Redemptor gentium
—
Nun komm, der Heiden Heiland and Ein feste Burg - Nun komm, der Heiden Heiland
—
Nun komm, der Heiden Heiland and Ein feste Burg - Ein feste Burg
—
Psalm 134, Or sus, serviteurs du Seigneur
—
Psalm 100, All people than on earth do dwell
—
Sing joyfully unto God 1
—
Sing joyfully unto God 2
—
Sing joyfully unto God 3
—
Sing joyfully unto God 4
—
Sing joyfully unto God 5
—
Pope Marcellus Mass, excerpts - Credo 1
—
Pope Marcellus Mass, excerpts - Credo 2
—
Pope Marcellus Mass, excerpts - Credo 3
—
Pope Marcellus Mass, excerpts - Credo 4
—
Pope Marcellus Mass, excerpts - Credo 5
—
Pope Marcellus Mass, excerpts - Credo 6
—
Pope Marcellus Mass, excerpts - Credo 7
—
Pope Marcellus Mass, excerpts - Credo 8
—
Pope Marcellus Mass, excerpts - Agnus Dei I
—
O magnum mysterium - O magnum mysterium, motet 1
—
O magnum mysterium - O magnum mysterium, motet 2
—
O magnum mysterium - O magnum mysterium, motet 3
—
O magnum mysterium - O magnum mysterium, motet 4
—
O magnum mysterium - Missa O magnum mysterium, Kyrie 1
—
O magnum mysterium - Missa O magnum mysterium, Kyrie 2
—
O magnum mysterium - Missa O magnum mysterium, Kyrie 3
—
Cum essem parvulus 1
—
Cum essem parvulus 2
—
Cum essem parvulus 3
—
Oy comamos y bebamos
—
Io non compro piú speranza 1
—
Io non compro piú speranza 2
—
Io non compro piú speranza 3
—
Io non compro piú speranza 4
—
Io non compro piú speranza 5
—
Io non compro piú speranza 6
—
Io non compro piú speranza 7
—
Il bianco e dolce cigno 1
—
Il bianco e dolce cigno 2
—
Da le belle contrade d’oriente 3
—
Da le belle contrade d’oriente 4
—
Da le belle contrade d’oriente 5
—
Solo e pensoso 1
—
Solo e pensoso 2
—
Solo e pensoso 3
—
Solo e pensoso 4
—
Solo e pensoso 5
—
Solo e pensoso 6
—
“Io parto” e non più dissi 1
—
“Io parto” e non più dissi 2
—
“Io parto” e non più dissi 3
—
Tant que vivray 1
—
Tant que vivray 2
—
Tant que vivray 3
—
La nuict froide et sombre 1
—
La nuict froide et sombre 2
—
Revecy venir du printans 1
—
Revecy venir du printans 2
—
Revecy venir du printans 3
—
Revecy venir du printans 4
—
Revecy venir du printans 5
—
Revecy venir du printans 6
—
Revecy venir du printans 7
—
Revecy venir du printans 8
—
My bonny lass she smileth 1
—
My bonny lass she smileth 2
—
My bonny lass she smileth 3
—
As Vesta was 1
—
As Vesta was 2
—
As Vesta was 3
—
As Vesta was 4
—
As Vesta was 5
—
Flow, my tears 1
—
Flow, my tears 2
—
Flow, my tears 3
—
Dances from Danserye - Basse danse La morisque
—
Dances from Danserye - Pavane La dona
—
Dances from Danserye - Galliard La dona
—
From Los seys libros del Delphin - Cancion Mille regres
—
From Los seys libros del Delphin - Cautro diferencias sobre “Guárdame las vacas”
—
Pavana Lachryae 1
—
Pavana Lachryae 2
—
Pavana Lachryae 3
—
Pavana Lachryae 4
—
Pavana Lachryae 5
—
Pavana Lachryae 6
—
Canzon septimi toni a 8, from Sacrae symphoniae 1
—
Canzon septimi toni a 8, from Sacrae symphoniae 2
—
Canzon septimi toni a 8, from Sacrae symphoniae 3
—
Canzon septimi toni a 8, from Sacrae symphoniae 4
—
Canzon septimi toni a 8, from Sacrae symphoniae 5
—
Canzon septimi toni a 8, from Sacrae symphoniae 6
—
Canzon septimi toni a 8, from Sacrae symphoniae 7
—
Canzon septimi toni a 8, from Sacrae symphoniae 8
—
Cruda Amarilli 1
—
Cruda Amarilli 2
—
Cruda Amarilli 3
—
Vedrò ’l mio sol 1
—
Vedrò ’l mio sol 2
—
Le musiche sopra l’Euridice, excerpts - Aria: Nel pur ardor
—
Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 1
—
Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 2
—
Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 3
—
Le musiche sopra l’Euridice, excerpts - Dialogue in recitative: Per quel vago boschetto 4
—
L’Orfeo, excerpt from Act II - Aria/canzonetta: Vi ricorda o boschi ambrosi
—
L’Orfeo, excerpt from Act II - Song: Mira, deh mira Orfeo
—
L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 1
—
L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 2
—
L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 3
—
L’Orfeo, excerpt from Act II - Dialogue in recitative: Ahi, caso acerbo 4
—
L’Orfeo, excerpt from Act II - Recitative: Tu se‘ morta
—
L’Orfeo, excerpt from Act II - Choral madrigal: Ahi, caso acerbo
—
L‘incoronazione di Poppea, Act I, Scene 3 1
—
L‘incoronazione di Poppea, Act I, Scene 3 2
—
L‘incoronazione di Poppea, Act I, Scene 3 3
—
L‘incoronazione di Poppea, Act I, Scene 3 4
—
L‘incoronazione di Poppea, Act I, Scene 3 5
—
L‘incoronazione di Poppea, Act I, Scene 3 6
—
Orontea, excerpt from Act II - Scene 16, recitative: E che si fa?
—
Orontea, excerpt from Act II - Scene 17, opening aria: Intorno all‘idol mio 1
—
Orontea, excerpt from Act II - Scene 17, opening aria: Intorno all‘idol mio 2
—
Lagrime mie 1
—
Lagrime mie 2
—
Lagrime mie 3
—
Lagrime mie 4
—
Lagrime mie 5
—
Ma bergere non légere 1
—
Ma bergere non légere 2
—
In ecclesiis 1
—
In ecclesiis 2
—
In ecclesiis 3
—
In ecclesiis 4
—
In ecclesiis 5
—
In ecclesiis 6
—
O quam tu pulchra es 1
—
O quam tu pulchra es 2
—
O quam tu pulchra es 3
—
O lieber Herre Gott 1
—
O lieber Herre Gott 2
—
O lieber Herre Gott 3
—
Historia di Jephte, excerpt - Recitative: Plorate colles 1
—
Historia di Jephte, excerpt - Recitative: Plorate colles 2
—
Historia di Jephte, excerpt - Recitative: Plorate colles 3
—
Historia di Jephte, excerpt - Recitative: Plorate colles 4
—
Historia di Jephte, excerpt - Chorus: Plorate filii Israel 1
—
Historia di Jephte, excerpt - Chorus: Plorate filii Israel 2
—
Saul, was verfolgst du mich 1
—
Saul, was verfolgst du mich 2
—
Saul, was verfolgst du mich 3
—
Saul, was verfolgst du mich 4
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Toccata no. 3 1
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Toccata no. 3 2
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Ricercare after the Credo from Mass for the Madonna, in Fiori musicali 1
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Ricercare after the Credo from Mass for the Madonna, in Fiori musicali 2
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Sonata IV per il violino per sonar con due corde 1
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Sonata IV per il violino per sonar con due corde 2
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Sonata IV per il violino per sonar con due corde 3
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Sonata IV per il violino per sonar con due corde 4
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Sonata IV per il violino per sonar con due corde 5
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Sonata IV per il violino per sonar con due corde 6
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Sonata IV per il violino per sonar con due corde 7
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Sonata IV per il violino per sonar con due corde 8
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Armide, excerpts - Overture 1
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Armide, excerpts - Overture 2
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Armide, excerpts - Overture 3
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Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 1
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Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 2
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Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 3
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Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 4
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Armide, excerpts - Act II, Scene 5: Enfin il est en ma puissance 5
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Te Deum, conclusion 1
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Te Deum, conclusion 2
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La Coquette virtuose
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Suite no. 3 in A minor - Prelude
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Suite no. 3 in A minor - Allemande
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Suite no. 3 in A minor - Courante I
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Suite no. 3 in A minor - Sarabande
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Suite no. 3 in A minor - Gigue
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Suite no. 3 in A minor - Chaconne
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Suite no. 3 in A minor - Gavotte
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Suite no. 3 in A minor - Menuet
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Dido and Aeneas, conclusion - Recitative: Thy had, Belinda
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Dido and Aeneas, conclusion - Lament (ground bass aria): When I am laid in earth 1
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Dido and Aeneas, conclusion - Lament (ground bass aria): When I am laid in earth 2
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Dido and Aeneas, conclusion - Chorus: With drooping wings
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La púrpura de la rosa, excerpt 1
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La púrpura de la rosa, excerpt 2
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La púrpura de la rosa, excerpt 3
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La púrpura de la rosa, excerpt 4
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Los coflades de la estleya 1
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Los coflades de la estleya 2
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Los coflades de la estleya 3
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Los coflades de la estleya 4
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Los coflades de la estleya 5
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Los coflades de la estleya 6
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Los coflades de la estleya 7
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Los coflades de la estleya 8
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Los coflades de la estleya 9
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Clori vezzosa, e bella, conclusion - Recitative: Vivo penando
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Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 1
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Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 2
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Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 3
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Clori vezzosa, e bella, conclusion - Arria: Sì, sì ben mio 4
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La Griselda, excerpt from Act 1, Scene 2 1
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La Griselda, excerpt from Act 1, Scene 2 2
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La Griselda, excerpt from Act 1, Scene 2 3
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La Griselda, excerpt from Act 1, Scene 2 4
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Trio Sonata, op. 3, no. 2 - Grave
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Trio Sonata, op. 3, no. 2 - Allegro
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Trio Sonata, op. 3, no. 2 - Adagio
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Trio Sonata, op. 3, no. 2 - Allegro 1
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Trio Sonata, op. 3, no. 2 - Allegro 2
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Praeludium in E major, BuxWV 141 1
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Praeludium in E major, BuxWV 141 2
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Praeludium in E major, BuxWV 141 3
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Praeludium in E major, BuxWV 141 4
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Praeludium in E major, BuxWV 141 5
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Praeludium in E major, BuxWV 141 6
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Praeludium in E major, BuxWV 141 7
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 1
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 2
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 3
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 4
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 5
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 6
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 7
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Allegro 8
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Largo
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 1
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 2
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 3
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 4
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 5
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 6
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 7
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 8
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Violin Concerto in A minor, op. 3, no. 6, from L’estro armonico - Presto 9
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Vingt-cinquième ordre, excerpts - La visionaire 1
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Vingt-cinquième ordre, excerpts - La visionaire 2
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Vingt-cinquième ordre, excerpts - La muse victorieuse 1
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Vingt-cinquième ordre, excerpts - La muse victorieuse 2
—
Hippolyte et Aricie, Act IV, conclusion 1
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Hippolyte et Aricie, Act IV, conclusion 2
—
Hippolyte et Aricie, Act IV, conclusion 3
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Hippolyte et Aricie, Act IV, conclusion 4
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Hippolyte et Aricie, Act IV, conclusion 5
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Prelude and Fugue in A minor, BWV 543 1
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Prelude and Fugue in A minor, BWV 543 2
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Prelude and Fugue in A minor, BWV 543 3
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Prelude and Fugue in A minor, BWV 543 4
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Prelude and Fugue in A minor, BWV 543 5
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Prelude and Fugue in A minor, BWV 543 6
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Prelude and Fugue in A minor, BWV 543 7
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Prelude and Fugue in A minor, BWV 543 8
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Prelude and Fugue in A minor, BWV 543 9
—
Prelude and Fugue in A minor, BWV 543 10
—
Prelude and Fugue in A minor, BWV 543 11
—
Chorale Prelude on Durch Adams Fall, BWV 637
—
Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 1
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 2
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 3
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 4
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 5
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 6
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 7
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Nun komm, der Heiden Heiland, BWV 62 - Chorus: Nun komm, der Heiden Heiland 8
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Nun komm, der Heiden Heiland, BWV 62 - Aria: Bewundert, o Menschen 1
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Nun komm, der Heiden Heiland, BWV 62 - Aria: Bewundert, o Menschen 2
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Nun komm, der Heiden Heiland, BWV 62 - Recitative: So geht aus Gottes Herrlichkeit und Thron
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Nun komm, der Heiden Heiland, BWV 62 - Aria: Streite, siege, starker Held! 1
—
Nun komm, der Heiden Heiland, BWV 62 - Aria: Streite, siege, starker Held! 2
—
Nun komm, der Heiden Heiland, BWV 62 - Accompanied recitative: Wir ehren diese Herrlichkeit
—
Nun komm, der Heiden Heiland, BWV 62 - Chorale: Lob sei Gott, dem Vater, ton
—
Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 1
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Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 2
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Giulio Cesare, Act II, Scenes 1-2 - Eseguisti 3
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Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 1
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Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 2
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Giulio Cesare, Act II, Scenes 1-2 - V’adoro, pupille 3
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Saul, Act II, Scene 10 - Accompanied recitative: The Time at length is come
—
Saul, Act II, Scene 10 - Recitative: Where is the Son of Jesse?
—
Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 1
—
Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 2
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Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 3
—
Saul, Act II, Scene 10 - Chorus: O fatal Consequence of Rage 4
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006043272X000000006298946800000000724495100000000072833037000000007971251000000000800283290000000080917054000000008149073400000000834446350000000083762473
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00000001071767010000000108545599000000010863444400000001087167810000000108726007000000010885480X00000001088703830000000108886473000000010888649X000000010901153X00000001090621420000000109078208000000010918163500000001092323160000000109237002000000010936770400000001094671580000000110201031000000011021303200000001102706190000000115699094000000011593587800000001166570800000000116916441000000011692328900000001179511340000000117979399000000011804627500000001182197030000000118272678000000011850786000000001186753110000000118844226000000011885737700000001201837110000000120223832000000012030144X0000000120859320000000012090163X0000000120991997
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What is UPC 9780393113099?
9780393113099 is a Universal Product Code (UPC) assigned to Norton Recorded Anthology of Western Music, Volume 1: Ancient to Baroque by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 435 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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