UPC · Release
Various Artists
Last verified:
The UPC for “The Norton Jazz Recordings” by Various Artists is 9780393933796. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-04-01. This release contains 79 tracks, each with its own ISRC. Tracks include DEU240800892, QM6N22055324, DEU240800160.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Akuapim Drumming | — | ||
| 2 | Reckless Blues | — | ||
| 3 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 4 | It's All Right, Baby | — | ||
| 5 | Now's the Time | — | ||
| 6 | A Sailboat in the Moonlight | — | ||
| 7 | So What Review | — | ||
| 8 | Buzzard Lope | Bessie Jones, Georgia Sea Island Singers | — | |
| 9 | Soon One Morning | — | ||
| 10 | The Stars and Stripes Forever | — | ||
| 11 | Down Home Rag | — | ||
| 12 | Dixie Jass Band One‐Step (introducing “That Teasin’ Rag”) | Original Dixieland ‘Jass’ Band | T-070.242.789-1 | |
| 13 | Dead Man Blues | — | ||
| 14 | Doctor Jazz | — | ||
| 15 | Snake Rag | — | ||
| 16 | Cake Walking Babies (From Home) | — | ||
| 17 | Changes | — | ||
| 18 | Copenhagen | — | ||
| 19 | You've Got to Be Modernistic | — | ||
| 20 | Black and Tan Fantasy | — | ||
| 21 | Hotter Than That | Louis Armstrong and His Hot Five | T-070.265.109-9 | |
| 22 | Weather Bird | Louis Armstrong | — | |
| 23 | Singin' the Blues | Frankie Trumbauer and His Orchestra | T-914.831.970-4 | |
| 24 | One Hour | — | ||
| 2-1 | Blue Lou | — | ||
| 2-2 | Dinah | — | ||
| 2-3 | Star Dust | Artie Shaw | T-031.563.049-9 | |
| 2-4 | ’Tain’t What You Do (It’s the Way That You Do It) | Jimmie Lunceford and His Orchestra | T-070.177.786-7 | |
| 2-5 | Walkin' and Swingin' | Andy Kirk & His Twelve Clouds of Joy | T-070.932.422-0 | |
| 2-6 | One O' Clock Jump | — | ||
| 2-7 | Mood Indigo | — | ||
| 2-8 | Conga Brava Review | — | ||
| 2-9 | Blood Count | — | ||
| 2-10 | Body and Soul | — | ||
| 2-11 | Oh! Lady Be Good | — | ||
| 2-12 | I'm Coming, Virginia | — | ||
| 2-13 | Blue Skies | Ella Fitzgerald | T-070.011.813-3 | |
| 2-14 | Christopher Columbus | — | ||
| 2-15 | Over the Rainbow | — | ||
| 2-16 | Swing to Bop (Topsy) | — | ||
| 2-17 | Ko-Ko | — | ||
| 2-18 | Ko-Ko | — | ||
| 2-19 | Embraceable You | — | ||
| 2-20 | Tempus Fugue-It | — | ||
| 2-21 | Long Tall Dexter | — | ||
| 2-22 | Moon Dreams | — | ||
| 2-23 | All the Things You Are | — | ||
| 2-24 | The Preacher | — | ||
| 3-1 | A Night in Tunisia (excerpt) | — | ||
| 3-2 | Autumn Nocturne | — | ||
| 3-3 | Twisted Blues | — | ||
| 3-4 | Thelonious | — | ||
| 3-5 | Rhythm-A-Ning | — | ||
| 3-6 | Boggie Stop Shuffle (Edited LP version) | — | ||
| 3-7 | King Porter Stomp | — | ||
| 3-8 | Concerto for Billy the Kid | — | ||
| 3-9 | Giant Steps | John Coltrane | T-070.234.217-3 | |
| 3-10 | A Love Supreme, Part 1: Acknowledgement | John Coltrane | T-700.000.047-7 | |
| 3-11 | E.S.P. | — | ||
| 3-12 | Lonely Woman | — | ||
| 3-13 | Bulbs | The Cecil Taylor Unit | — | |
| 3-14 | Willisau Concert, Part 3 | — | ||
| 3-15 | Ghosts | — | ||
| 3-16 | El Matador | David Murray Quartet | T-037.285.014-0 | |
| 4-1 | The Organ Grinder's Swing | — | ||
| 4-2 | The Birth of the Blues | — | ||
| 4-3 | Baby, Won't You Please Come Home? | — | ||
| 4-4 | Mateca | — | ||
| 4-5 | Watermelon Man | — | ||
| 4-6 | Samba Dees Days | — | ||
| 4-7 | Teen Town | — | ||
| 4-8 | ’Long as You Know You’re Living Yours | Jan Garbarek, Keith Jarrett, Palle Danielsson, Jon Christensen | T-072.151.892-8 | |
| 4-9 | Chank | — | ||
| 4-10 | Tutu | Miles Davis | T-900.464.543-6 | |
| 4-11 | Piece Three | — | ||
| 4-12 | Processional | — | ||
| 4-13 | Now's the Time | — | ||
| 4-14 | You've Got to Be Modernistic | — | ||
| 4-15 | Planet Rock | — |
Identifier Graph
9780393933796 is a Universal Product Code (UPC) assigned to The Norton Jazz Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Weather Bird | Louis Armstrong | — |
| Giant Steps | John Coltrane | T-311.898.483-7 |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| Bulbs | The Cecil Taylor Unit | — |
| Bulbs | The Cecil Taylor Unit | — |
| A Love Supreme, Part 1: Acknowledgement | John Coltrane | T-700.040.325-0 |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
| Weather Bird | Louis Armstrong | — |
| Buzzard Lope | Bessie Jones, Georgia Sea Island Singers | — |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Norton Jazz Recordings” by Various Artists is 9780393933796. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-04-01. This release contains 79 tracks, each with its own ISRC. Tracks include DEU240800892, QM6N22055324, DEU240800160.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Akuapim Drumming | — | ||
| 2 | Reckless Blues | — | ||
| 3 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 4 | It's All Right, Baby | — | ||
| 5 | Now's the Time | — | ||
| 6 | A Sailboat in the Moonlight | — | ||
| 7 | So What Review | — | ||
| 8 | Buzzard Lope | Bessie Jones, Georgia Sea Island Singers | — | |
| 9 | Soon One Morning | — | ||
| 10 | The Stars and Stripes Forever | — | ||
| 11 | Down Home Rag | — | ||
| 12 | Dixie Jass Band One‐Step (introducing “That Teasin’ Rag”) | Original Dixieland ‘Jass’ Band | T-070.242.789-1 | |
| 13 | Dead Man Blues | — | ||
| 14 | Doctor Jazz | — | ||
| 15 | Snake Rag | — | ||
| 16 | Cake Walking Babies (From Home) | — | ||
| 17 | Changes | — | ||
| 18 | Copenhagen | — | ||
| 19 | You've Got to Be Modernistic | — | ||
| 20 | Black and Tan Fantasy | — | ||
| 21 | Hotter Than That | Louis Armstrong and His Hot Five | T-070.265.109-9 | |
| 22 | Weather Bird | Louis Armstrong | — | |
| 23 | Singin' the Blues | Frankie Trumbauer and His Orchestra | T-914.831.970-4 | |
| 24 | One Hour | — | ||
| 2-1 | Blue Lou | — | ||
| 2-2 | Dinah | — | ||
| 2-3 | Star Dust | Artie Shaw | T-031.563.049-9 | |
| 2-4 | ’Tain’t What You Do (It’s the Way That You Do It) | Jimmie Lunceford and His Orchestra | T-070.177.786-7 | |
| 2-5 | Walkin' and Swingin' | Andy Kirk & His Twelve Clouds of Joy | T-070.932.422-0 | |
| 2-6 | One O' Clock Jump | — | ||
| 2-7 | Mood Indigo | — | ||
| 2-8 | Conga Brava Review | — | ||
| 2-9 | Blood Count | — | ||
| 2-10 | Body and Soul | — | ||
| 2-11 | Oh! Lady Be Good | — | ||
| 2-12 | I'm Coming, Virginia | — | ||
| 2-13 | Blue Skies | Ella Fitzgerald | T-070.011.813-3 | |
| 2-14 | Christopher Columbus | — | ||
| 2-15 | Over the Rainbow | — | ||
| 2-16 | Swing to Bop (Topsy) | — | ||
| 2-17 | Ko-Ko | — | ||
| 2-18 | Ko-Ko | — | ||
| 2-19 | Embraceable You | — | ||
| 2-20 | Tempus Fugue-It | — | ||
| 2-21 | Long Tall Dexter | — | ||
| 2-22 | Moon Dreams | — | ||
| 2-23 | All the Things You Are | — | ||
| 2-24 | The Preacher | — | ||
| 3-1 | A Night in Tunisia (excerpt) | — | ||
| 3-2 | Autumn Nocturne | — | ||
| 3-3 | Twisted Blues | — | ||
| 3-4 | Thelonious | — | ||
| 3-5 | Rhythm-A-Ning | — | ||
| 3-6 | Boggie Stop Shuffle (Edited LP version) | — | ||
| 3-7 | King Porter Stomp | — | ||
| 3-8 | Concerto for Billy the Kid | — | ||
| 3-9 | Giant Steps | John Coltrane | T-070.234.217-3 | |
| 3-10 | A Love Supreme, Part 1: Acknowledgement | John Coltrane | T-700.000.047-7 | |
| 3-11 | E.S.P. | — | ||
| 3-12 | Lonely Woman | — | ||
| 3-13 | Bulbs | The Cecil Taylor Unit | — | |
| 3-14 | Willisau Concert, Part 3 | — | ||
| 3-15 | Ghosts | — | ||
| 3-16 | El Matador | David Murray Quartet | T-037.285.014-0 | |
| 4-1 | The Organ Grinder's Swing | — | ||
| 4-2 | The Birth of the Blues | — | ||
| 4-3 | Baby, Won't You Please Come Home? | — | ||
| 4-4 | Mateca | — | ||
| 4-5 | Watermelon Man | — | ||
| 4-6 | Samba Dees Days | — | ||
| 4-7 | Teen Town | — | ||
| 4-8 | ’Long as You Know You’re Living Yours | Jan Garbarek, Keith Jarrett, Palle Danielsson, Jon Christensen | T-072.151.892-8 | |
| 4-9 | Chank | — | ||
| 4-10 | Tutu | Miles Davis | T-900.464.543-6 | |
| 4-11 | Piece Three | — | ||
| 4-12 | Processional | — | ||
| 4-13 | Now's the Time | — | ||
| 4-14 | You've Got to Be Modernistic | — | ||
| 4-15 | Planet Rock | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Weather Bird | Louis Armstrong | — |
| Giant Steps | John Coltrane | T-311.898.483-7 |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| Bulbs | The Cecil Taylor Unit | — |
| Bulbs | The Cecil Taylor Unit | — |
| A Love Supreme, Part 1: Acknowledgement | John Coltrane | T-700.040.325-0 |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
| Weather Bird | Louis Armstrong | — |
| Buzzard Lope | Bessie Jones, Georgia Sea Island Singers | — |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
