UPC · Release
Pieces and Players
Blue Balliett, Bahni Turpin
Last verified:
9780545788526 is the Universal Product Code (UPC barcode) for the release “Pieces and Players” by Blue Balliett, Bahni Turpin, released 2015-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (127)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: Stung | — | ||
| 2 | Chapter 2: An Unlikely Threesome, Part 1 | — | ||
| 3 | Chapter 2: An Unlikely Threesome, Part 2 | — | ||
| 4 | Chapter 2: An Unlikely Threesome, Part 3 | — | ||
| 5 | Chapter 2: An Unlikely Threesome, Part 4 | — | ||
| 6 | Chapter 3: Stop, Boy! Part 1 | — | ||
| 7 | Chapter 3: Stop, Boy! Part 2 | — | ||
| 8 | Chapter 3: Stop, Boy! Part 3 | — | ||
| 9 | Chapter 3: Stop, Boy! Part 4 | — | ||
| 10 | Chapter 4: Chaos and Murder, Part 1 | — | ||
| 11 | Chapter 4: Chaos and Murder, Part 2 | — | ||
| 12 | Chapter 4: Chaos and Murder, Part 3 | — | ||
| 13 | Chapter 4: Chaos and Murder, Part 4 | — | ||
| 14 | Chapter 5: A Pileup of Primes, Part 1 | — | ||
| 15 | Chapter 5: A Pileup of Primes, Part 2 | — | ||
| 16 | Chapter 5: A Pileup of Primes, Part 3 | — | ||
| 2-1 | Chapter 6: Ms. Hussey’s Secret, Part 1 | — | ||
| 2-2 | Chapter 6: Ms. Hussey’s Secret, Part 2 | — | ||
| 2-3 | Chapter 6: Ms. Hussey’s Secret, Part 3 | — | ||
| 2-4 | Chapter 7: What If He Turns? Part 1 | — | ||
| 2-5 | Chapter 7: What If He Turns? Part 2 | — | ||
| 2-6 | Chapter 7: What If He Turns? Part 3 | — | ||
| 2-7 | Chapter 7: What If He Turns? Part 4 | — | ||
| 2-8 | Chapter 7: What If He Turns? Part 5 | — | ||
| 2-9 | Chapter 7: What If He Turns? Part 6 | — | ||
| 2-10 | Chapter 8: 31 Lions, Part 1 | — | ||
| 2-11 | Chapter 8: 31 Lions, Part 2 | — | ||
| 2-12 | Chapter 8: 31 Lions, Part 3 | — | ||
| 2-13 | Chapter 8: 31 Lions, Part 4 | — | ||
| 2-14 | Chapter 8: 31 Lions, Part 5 | — | ||
| 2-15 | Chapter 8: 31 Lions, Part 6 | — | ||
| 2-16 | Chapter 8: 31 Lions, Part 7 | — | ||
| 3-1 | Chapter 9: A Cold Finger, Part 1 | — | ||
| 3-2 | Chapter 9: A Cold Finger, Part 2 | — | ||
| 3-3 | Chapter 9: A Cold Finger, Part 3 | — | ||
| 3-4 | Chapter 9: A Cold Finger, Part 4 | — | ||
| 3-5 | Chapter 9: A Cold Finger, Part 5 | — | ||
| 3-6 | Chapter 10: Hungry Jackals and a Large Snake, Part 1 | — | ||
| 3-7 | Chapter 10: Hungry Jackals and a Large Snake, Part 2 | — | ||
| 3-8 | Chapter 10: Hungry Jackals and a Large Snake, Part 3 | — | ||
| 3-9 | Chapter 10: Hungry Jackals and a Large Snake, Part 4 | — | ||
| 3-10 | Chapter 10: Hungry Jackals and a Large Snake, Part 5 | — | ||
| 3-11 | Chapter 10: Hungry Jackals and a Large Snake, Part 6 | — | ||
| 3-12 | Chapter 11: Enter Rat-a-Tat, Part 1 | — | ||
| 3-13 | Chapter 11: Enter Rat-a-Tat, Part 2 | — | ||
| 3-14 | Chapter 11: Enter Rat-a-Tat, Part 3 | — | ||
| 3-15 | Chapter 11: Enter Rat-a-Tat, Part 4 | — | ||
| 3-16 | Chapter 12: Popcorn Faces, Part 1 | — | ||
| 3-17 | Chapter 12: Popcorn Faces, Part 2 | — | ||
| 3-18 | Chapter 12: Popcorn Faces, Part 3 | — | ||
| 3-19 | Chapter 12: Popcorn Faces, Part 4 | — | ||
| 4-1 | Chapter 13: Around a Tricky Mirror, Part 1 | — | ||
| 4-2 | Chapter 13: Around a Tricky Mirror, Part 2 | — | ||
| 4-3 | Chapter 13: Around a Tricky Mirror, Part 3 | — | ||
| 4-4 | Chapter 13: Around a Tricky Mirror, Part 4 | — | ||
| 4-5 | Chapter 13: Around a Tricky Mirror, Part 5 | — | ||
| 4-6 | Chapter 13: Around a Tricky Mirror, Part 6 | — | ||
| 4-7 | Chapter 13: Around a Tricky Mirror, Part 7 | — | ||
| 4-8 | Chapter 13: Around a Tricky Mirror, Part 8 | — | ||
| 4-9 | Chapter 13: Around a Tricky Mirror, Part 9 | — | ||
| 4-10 | Chapter 14: The Pull of the Moon, Part 1 | — | ||
| 4-11 | Chapter 14: The Pull of the Moon, Part 2 | — | ||
| 4-12 | Chapter 14: The Pull of the Moon, Part 3 | — | ||
| 4-13 | Chapter 14: The Pull of the Moon, Part 4 | — | ||
| 4-14 | Chapter 14: The Pull of the Moon, Part 5 | — | ||
| 5-1 | Chapter 15: Clobbering the Pie, Part 1 | — | ||
| 5-2 | Chapter 15: Clobbering the Pie, Part 2 | — | ||
| 5-3 | Chapter 15: Clobbering the Pie, Part 3 | — | ||
| 5-4 | Chapter 15: Clobbering the Pie, Part 4 | — | ||
| 5-5 | Chapter 16: Thumps From the Basement, Part 1 | — | ||
| 5-6 | Chapter 16: Thumps From the Basement, Part 2 | — | ||
| 5-7 | Chapter 16: Thumps From the Basement, Part 3 | — | ||
| 5-8 | Chapter 16: Thumps From the Basement, Part 4 | — | ||
| 5-9 | Chapter 16: Thumps From the Basement, Part 5 | — | ||
| 5-10 | Chapter 17: She’s Waiting for Us, Part 1 | — | ||
| 5-11 | Chapter 17: She’s Waiting for Us, Part 2 | — | ||
| 5-12 | Chapter 17: She’s Waiting for Us, Part 3 | — | ||
| 5-13 | Chapter 17: She’s Waiting for Us, Part 4 | — | ||
| 5-14 | Chapter 17: She’s Waiting for Us, Part 5 | — | ||
| 5-15 | Chapter 17: She’s Waiting for Us, Part 6 | — | ||
| 6-1 | Chapter 18: Whose Joke? Part 1 | — | ||
| 6-2 | Chapter 18: Whose Joke? Part 2 | — | ||
| 6-3 | Chapter 18: Whose Joke? Part 3 | — | ||
| 6-4 | Chapter 18: Whose Joke? Part 4 | — | ||
| 6-5 | Chapter 18: Whose Joke? Part 5 | — | ||
| 6-6 | Chapter 18: Whose Joke? Part 6 | — | ||
| 6-7 | Chapter 18: Whose Joke? Part 7 | — | ||
| 6-8 | Chapter 18: Whose Joke? Part 8 | — | ||
| 6-9 | Chapter 18: Whose Joke? Part 9 | — | ||
| 6-10 | Chapter 18: Whose Joke? Part 10 | — | ||
| 6-11 | Chapter 18: Whose Joke? Part 11 | — | ||
| 6-12 | Chapter 19: An Old Ouija Board, Part 1 | — | ||
| 6-13 | Chapter 19: An Old Ouija Board, Part 2 | — | ||
| 6-14 | Chapter 19: An Old Ouija Board, Part 3 | — | ||
| 6-15 | Chapter 19: An Old Ouija Board, Part 4 | — | ||
| 6-16 | Chapter 19: An Old Ouija Board, Part 5 | — | ||
| 6-17 | Chapter 19: An Old Ouija Board, Part 6 | — | ||
| 7-1 | Chapter 20: Passion and Crumbs, Part 1 | — | ||
| 7-2 | Chapter 20: Passion and Crumbs, Part 2 | — | ||
| 7-3 | Chapter 20: Passion and Crumbs, Part 3 | — | ||
| 7-4 | Chapter 20: Passion and Crumbs, Part 4 | — | ||
| 7-5 | Chapter 20: Passion and Crumbs, Part 5 | — | ||
| 7-6 | Chapter 20: Passion and Crumbs, Part 6 | — | ||
| 7-7 | Chapter 20: Passion and Crumbs, Part 7 | — | ||
| 7-8 | Chapter 21: Tommy’s Flash, Part 1 | — | ||
| 7-9 | Chapter 21: Tommy’s Flash, Part 2 | — | ||
| 7-10 | Chapter 21: Tommy’s Flash, Part 3 | — | ||
| 7-11 | Chapter 21: Tommy’s Flash, Part 4 | — | ||
| 7-12 | Chapter 21: Tommy’s Flash, Part 5 | — | ||
| 8-1 | Chapter 22: A New Chase, Part 1 | — | ||
| 8-2 | Chapter 22: A New Chase, Part 2 | — | ||
| 8-3 | Chapter 22: A New Chase, Part 3 | — | ||
| 8-4 | Chapter 22: A New Chase, Part 4 | — | ||
| 8-5 | Chapter 22: A New Chase, Part 5 | — | ||
| 8-6 | Chapter 22: A New Chase, Part 6 | — | ||
| 8-7 | Chapter 22: A New Chase, Part 7 | — | ||
| 8-8 | Chapter 23: The Madness of Art, Part 1 | — | ||
| 8-9 | Chapter 23: The Madness of Art, Part 2 | — | ||
| 8-10 | Chapter 23: The Madness of Art, Part 3 | — | ||
| 8-11 | Chapter 23: The Madness of Art, Part 4 | — | ||
| 8-12 | Chapter 24: Before the Blackbirds Sing, Part 1 | — | ||
| 8-13 | Chapter 24: Before the Blackbirds Sing, Part 2 | — | ||
| 8-14 | Chapter 24: Before the Blackbirds Sing, Part 3 | — | ||
| 8-15 | Chapter 24: Before the Blackbirds Sing, Part 4 | — | ||
| 8-16 | Chapter 24: Before the Blackbirds Sing, Part 5 | — | ||
| 8-17 | Chapter 24: Before the Blackbirds Sing, Part 6 | — | ||
| 8-18 | Author’s Note: What’s Baked in the Pie | — |
Credits Graph
People also ask
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What is UPC 9780545788526?
9780545788526 is a Universal Product Code (UPC) assigned to Pieces and Players by Blue Balliett, Bahni Turpin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 127 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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