UPC · Release
Station Eleven
Emily St. John Mandel, Kirsten Potter
Last verified:
9780553398076 is the Universal Product Code (UPC barcode) for the release “Station Eleven” by Emily St. John Mandel, Kirsten Potter, released 2014-09-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (133)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Quotation | — | ||
| 3 | Part One: "The Theatre", Chapter 1: Part 1 | — | ||
| 4 | Chapter 1: Part 2 | — | ||
| 5 | Chapter 1: Part 3 | — | ||
| 6 | Chapter 1: Part 4 | — | ||
| 7 | Chapter 2 | — | ||
| 8 | Chapter 3: Part 1 | — | ||
| 9 | Chapter 3: Part 2 | — | ||
| 10 | Chapter 3: Part 3 | — | ||
| 11 | Chapter 4 | — | ||
| 12 | Chapter 5 | — | ||
| 13 | Chapter 6 | — | ||
| 14 | Part Two: "A Midsummer Night's Dream", Chapter 7: Part 1 | — | ||
| 15 | Chapter 7: Part 2 | — | ||
| 16 | Chapter 7: Part 3 | — | ||
| 2-1 | Chapter 8 | — | ||
| 2-2 | Chapter 9 | — | ||
| 2-3 | Chapter 10: Part 1 | — | ||
| 2-4 | Chapter 10: Part 2 | — | ||
| 2-5 | Chapter 10: Part 3 | — | ||
| 2-6 | Chapter 10: Part 4 | — | ||
| 2-7 | Chapter 11 | — | ||
| 2-8 | Chapter 12: Part 1 | — | ||
| 2-9 | Chapter 12: Part 2 | — | ||
| 2-10 | Chapter 12: Part 3 | — | ||
| 2-11 | Part Three: "I Prefer You with a Crown", Chapter 13: Part 1 | — | ||
| 2-12 | Chapter 13: Part 2 | — | ||
| 2-13 | Chapter 13: Part 3 | — | ||
| 2-14 | Chapter 13: Part 4 | — | ||
| 2-15 | Chapter 13: Part 5 | — | ||
| 3-1 | Chapter 14: Part 1 | — | ||
| 3-2 | Chapter 14: Part 2 | — | ||
| 3-3 | Chapter 14: Part 3 | — | ||
| 3-4 | Chapter 14: Part 4 | — | ||
| 3-5 | Chapter 14: Part 5 | — | ||
| 3-6 | Chapter 15: Part 1 | — | ||
| 3-7 | Chapter 15: Part 2 | — | ||
| 3-8 | Chapter 15: Part 3 | — | ||
| 3-9 | Chapter 15: Part 4 | — | ||
| 3-10 | Chapter 15: Part 5 | — | ||
| 3-11 | Chapter 15: Part 6 | — | ||
| 3-12 | Chapter 15: Part 7 | — | ||
| 3-13 | Chapter 16 | — | ||
| 3-14 | Chapter 17 | — | ||
| 4-1 | Chapter 18 | — | ||
| 4-2 | Part Four: "The Starship", Chapter 19: Part 1 | — | ||
| 4-3 | Chapter 19: Part 2 | — | ||
| 4-4 | Chapter 19: Part 3 | — | ||
| 4-5 | Chatper 20: Part 1 | — | ||
| 4-6 | Chatper 20: Part 2 | — | ||
| 4-7 | Chatper 21: Part 1 | — | ||
| 4-8 | Chapter 22 | — | ||
| 4-9 | Chapter 23: Part 1 | — | ||
| 4-10 | Chapter 23: Part 2 | — | ||
| 4-11 | Chapter 23: Part 3 | — | ||
| 4-12 | Chapter 24: Part 1 | — | ||
| 4-13 | Chapter 24: Part 2 | — | ||
| 4-14 | Chapter 24: Part 3 | — | ||
| 5-1 | Chapter 25: Part 1 | — | ||
| 5-2 | Chapter 25: Part 2 | — | ||
| 5-3 | Chapter 26: Part 1 | — | ||
| 5-4 | Chapter 26: Part 2 | — | ||
| 5-5 | Part Five: "Toronto", Chapter 27: Part 1 | — | ||
| 5-6 | Chapter 27: Part 2 | — | ||
| 5-7 | Chapter 28 | — | ||
| 5-8 | Chapter 29 | — | ||
| 5-9 | Chapter 30: Part 1 | — | ||
| 5-10 | Chapter 30: Part 2 | — | ||
| 5-11 | Chapter 31 | — | ||
| 5-12 | Chapter 32 | — | ||
| 5-13 | Chapter 33 | — | ||
| 5-14 | Chapter 34 | — | ||
| 5-15 | Chapter 35 | — | ||
| 6-1 | Chapter 36: Part 1 | — | ||
| 6-2 | Chapter 36: Part 2 | — | ||
| 6-3 | Chapter 37 | — | ||
| 6-4 | Part Six: "The Airplanes", Chapter 38: Part 1 | — | ||
| 6-5 | Chapter 38: Part 2 | — | ||
| 6-6 | Chapter 38: Part 3 | — | ||
| 6-7 | Chapter 39: Part 1 | — | ||
| 6-8 | Chapter 39: Part 2 | — | ||
| 6-9 | Chapter 39: Part 3 | — | ||
| 6-10 | Chapter 39: Part 4 | — | ||
| 6-11 | Chapter 39: Part 5 | — | ||
| 6-12 | Chapter 40: Part 1 | — | ||
| 6-13 | Chapter 40: Part 2 | — | ||
| 6-14 | Chapter 40: Part 3 | — | ||
| 6-15 | Chapter 40: Part 4 | — | ||
| 7-1 | Chapter 41 | — | ||
| 7-2 | Part Seven: "The Terminal", Chapter 42: Part 1 | — | ||
| 7-3 | Chapter 42: Part 2 | — | ||
| 7-4 | Chapter 42: Part 3 | — | ||
| 7-5 | Chapter 42: Part 4 | — | ||
| 7-6 | Chapter 42: Part 5 | — | ||
| 7-7 | Chapter 43: Part 1 | — | ||
| 7-8 | Chapter 43: Part 2 | — | ||
| 7-9 | Chapter 43: Part 3 | — | ||
| 7-10 | Chapter 43: Part 4 | — | ||
| 7-11 | Chapter 43: Part 5 | — | ||
| 7-12 | Chapter 43: Part 6 | — | ||
| 7-13 | Chapter 43: Part 7 | — | ||
| 7-14 | Chapter 43: Part 8 | — | ||
| 8-1 | Chapter 44: Part 1 | — | ||
| 8-2 | Chapter 44: Part 2 | — | ||
| 8-3 | Chapter 44: Part 3 | — | ||
| 8-4 | Chapter 45 | — | ||
| 8-5 | Chapter 46: Part 1 | — | ||
| 8-6 | Chapter 46: Part 2 | — | ||
| 8-7 | Chapter 47: Part 1 | — | ||
| 8-8 | Chapter 47: Part 2 | — | ||
| 8-9 | Part Eight: "The Prophet", Chapter 48: Part 1 | — | ||
| 8-10 | Chapter 48: Part 2 | — | ||
| 8-11 | Chapter 49: Part 1 | — | ||
| 8-12 | Chapter 49: Part 2 | — | ||
| 8-13 | Chapter 49: Part 3 | — | ||
| 9-1 | Chapter 50: Part 1 | — | ||
| 9-2 | Chapter 50: Part 2 | — | ||
| 9-3 | Chapter 50: Part 3 | — | ||
| 9-4 | Chapter 50: Part 4 | — | ||
| 9-5 | Chapter 50: Part 5 | — | ||
| 9-6 | Chapter 51: Part 1 | — | ||
| 9-7 | Chapter 51: Part 2 | — | ||
| 9-8 | Chapter 51: Part 3 | — | ||
| 9-9 | Chapter 52 | — | ||
| 9-10 | Part Nine: "Station Eleven", Chapter 53: Part 1 | — | ||
| 9-11 | Chapter 53: Part 2 | — | ||
| 9-12 | Chapter 53: Part 3 | — | ||
| 9-13 | Chapter 53: Part 4 | — | ||
| 9-14 | Chapter 53: Part 5 | — | ||
| 9-15 | Chapter 54 | — | ||
| 9-16 | Chapter 55 | — | ||
| 9-17 | Credits | — |
Credits Graph
People also ask
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What is UPC 9780553398076?
9780553398076 is a Universal Product Code (UPC) assigned to Station Eleven by Emily St. John Mandel, Kirsten Potter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 133 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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