Stiff Upper Lip, Jeeves

UPC · Release

Stiff Upper Lip, Jeeves

P. G. Wodehouse

9780563510079
52 tracksReleased 2006-01-01BBC Audio

Last verified:

9780563510079 is the Universal Product Code (UPC barcode) for the release Stiff Upper Lip, Jeeves by P. G. Wodehouse, released 2006-01-01 on BBC Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC.

Format

978GS1 prefix
0563Company prefix
51007Product
9Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCStiff Upper Lip, Jeeves
IPI2 songwriters

Track List (52)

Part 1. "Mmm... back to a proper breakfast for Betram Wooster esquire..."
Part 1. "Mmm... back to a proper breakfast for Betram Wooster esquire..."
Part 2. "Bassett?! Bassett?!"
Part 2. "Bassett?! Bassett?!"
Part 3. "Hello?" "Bertie?" "Hello, aged relative."
Part 3. "Hello?" "Bertie?" "Hello, aged relative."
Part 4. "Three minutes." "There, you see? And it all does down on Auntie's bill..."
Part 4. "Three minutes." "There, you see? And it all does down on Auntie's bill..."
Part 5. "Never mind about hats."
Part 5. "Never mind about hats."
Part 6. "Is she a great friend of yours, Bertie?"
Part 6. "Is she a great friend of yours, Bertie?"
Part 7. "Ahh.. it's always nice and quiet of an afternoon here at the Drones."
Part 7. "Ahh.. it's always nice and quiet of an afternoon here at the Drones."
Part 8. "Hello.... a taxi outside the flat."
Part 8. "Hello.... a taxi outside the flat."
Part 9. "Jeeves! Jeeves! Jeeves!"
Part 9. "Jeeves! Jeeves! Jeeves!"
Part 10. "Good morning, madam."
Part 10. "Good morning, madam."
Part 11. "Will Spode be at Totleigh?"
Part 11. "Will Spode be at Totleigh?"
Part 12. "Well what's the matter with you? Have you fainted?"
Part 12. "Well what's the matter with you? Have you fainted?"
Part 13. "Here we are, sir, Totleigh Towers."
Part 13. "Here we are, sir, Totleigh Towers."
Part 14. "I do wish Augustus would learn not to slam doors."
Part 14. "I do wish Augustus would learn not to slam doors."
Part 15. "What did Uncle Roderick mean about you being careful, Bertie?"
Part 15. "What did Uncle Roderick mean about you being careful, Bertie?"
Part 16. " 'Don't grieve', Jeeves!"
Part 16. " 'Don't grieve', Jeeves!"
Part 17. "Well, Stiffy, it's nice to be sitting next to you."
Part 17. "Well, Stiffy, it's nice to be sitting next to you."
Part 18. "Tidying up the bedchamber - it's nearly time for you to be calling it a day."
Part 18. "Tidying up the bedchamber - it's nearly time for you to be calling it a day."
Part 19. "Jeeves! This is wonderful."
Part 19. "Jeeves! This is wonderful."
Part 20. "Gussie was right - as good a cold steak and kidney pie as I've ever taken spoon to."
Part 20. "Gussie was right - as good a cold steak and kidney pie as I've ever taken spoon to."
Part 21. "Mr Wooster, isn't there something you can do?"
Part 21. "Mr Wooster, isn't there something you can do?"
Part 22. "I don't believe Uncle Watkin likes you, Bertie."
Part 22. "I don't believe Uncle Watkin likes you, Bertie."
Part 23. "I bet you cheated." "Not at all!"
Part 23. "I bet you cheated." "Not at all!"
Part 24. "So, that's the story. You see the posish, Jeeves."
Part 24. "So, that's the story. You see the posish, Jeeves."
Part 25. "I saw Miss Byng, sir. She is insistent that you do restore the statuette..."
Part 25. "I saw Miss Byng, sir. She is insistent that you do restore the statuette..."
Part 26. "Helpful old girl at the Post Office."
Part 26. "Helpful old girl at the Post Office."
Part 27. "You sold it to him?" "Certainly!"
Part 27. "You sold it to him?" "Certainly!"
Part 28. "Chief Inspector who, Jeeves?"
Part 28. "Chief Inspector who, Jeeves?"
Part 29. "Well, here I am, back at the stableyard..."
Part 29. "Well, here I am, back at the stableyard..."
Part 30. "Women! What a sex! What a sex!"
Part 30. "Women! What a sex! What a sex!"
Part 31. "Ah!" "Hello, Spode." "Wooster!"
Part 31. "Ah!" "Hello, Spode." "Wooster!"
Part 32. "Hangdog, ashamed of himself, apologetic..."
Part 32. "Hangdog, ashamed of himself, apologetic..."
Part 33. "Good evening, sir, I have been brushing your evening clothes."
Part 33. "Good evening, sir, I have been brushing your evening clothes."
Part 34. "Ah, Jeeves, here I am again."
Part 34. "Ah, Jeeves, here I am again."
Part 35. "La, la, la." "Bertie!" "Oh, Gussie, hello, it's you."
Part 35. "La, la, la." "Bertie!" "Oh, Gussie, hello, it's you."
Part 36. "There's the young fool at the end of the yew alley."
Part 36. "There's the young fool at the end of the yew alley."
Part 37. "Jeeves, were you looking for me?" "Yes, sir."
Part 37. "Jeeves, were you looking for me?" "Yes, sir."
Part 38. "That was a ghastly experience, Bertie."
Part 38. "That was a ghastly experience, Bertie."
Part 39. "Hello, Jeeves, in Miss Byng's car, with her dog, Bartholomew."
Part 39. "Hello, Jeeves, in Miss Byng's car, with her dog, Bartholomew."
Part 40. "I'll say this for Sir Watkyn bally Bassett..."
Part 40. "I'll say this for Sir Watkyn bally Bassett..."
Part 41. "Bertie! Bertie Bertie Bertie Bertie!"
Part 41. "Bertie! Bertie Bertie Bertie Bertie!"
Part 42. "Hello Aunt Dahlia." "Hello there, you young menace to civilisation."
Part 42. "Hello Aunt Dahlia." "Hello there, you young menace to civilisation."
Part 43. "I suppose you couldn't manage just to slip it in your pocket?"
Part 43. "I suppose you couldn't manage just to slip it in your pocket?"
Part 44. "Oh, Sir Watkyn, it's you again. Did you find Madeline?"
Part 44. "Oh, Sir Watkyn, it's you again. Did you find Madeline?"
Part 45. "Stinker! Stinker! Can you hear me, Stinker?"
Part 45. "Stinker! Stinker! Can you hear me, Stinker?"
Part 46. "I did have a reason for coming here but I didn't want to tell that old ass Bassett."
Part 46. "I did have a reason for coming here but I didn't want to tell that old ass Bassett."
Part 47. "So the whole thing fitted together in a neat package."
Part 47. "So the whole thing fitted together in a neat package."
Part 48. "Ah, nobody about. Oh dear."
Part 48. "Ah, nobody about. Oh dear."
Part 49. "The man Wooster's little better than a kleptomaniac."
Part 49. "The man Wooster's little better than a kleptomaniac."
Part 50. "Lady Sidcup." "Who's Lady Sidcup?"
Part 50. "Lady Sidcup." "Who's Lady Sidcup?"
Part 51. "Bertie! You poor lamb!"
Part 51. "Bertie! You poor lamb!"
Part 52. "Jeeves?" "Sir?" "Tell me all."
Part 52. "Jeeves?" "Sir?" "Tell me all."

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

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People also ask

What is UPC 9780563510079?
UPC 9780563510079 is the Universal Product Code (barcode) for "Stiff Upper Lip, Jeeves" by P. G. Wodehouse, released on BBC Audio.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 9780563510079?
UPC 9780563510079 contains 52 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 9780563510079?

9780563510079 is a Universal Product Code (UPC) assigned to Stiff Upper Lip, Jeeves by P. G. Wodehouse. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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