UPC · Release

Right Ho, Jeeves

P. G. Wodehouse

9780563527992

60 tracksReleased 2006-01-01BBC Audio

Last verified: March 26, 2026

9780563527992 is the Universal Product Code (UPC barcode) for the release “Right Ho, Jeeves” by P. G. Wodehouse, released 2006-01-01 on BBC Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.

Format

978GS1 prefix

0563Company prefix

52799Product

2Check digit

GS1 prefix:: Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:: Label/distributor identifier assigned by the local GS1 office.
Product:: Unique product number assigned by the company.
Check digit:: Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCRight Ho, Jeeves

IPI2 songwriters

Track List (60)

#	Track Title	ISWC
1	Episode One, Part 1. "It's always the same when you're trying to tell a story."	—
2	Episode One, Part 2. "So he's been, ah, haunting my flat, you say?"	—
3	Episode One, Part 3. "And I must say Jeeves, this news has relieved my mind considerably."	—
4	Episode One, Part 4. "Even though I forced the man to climb down, quelling him as described with the force my personality...."	—
5	Episode One, Part 5. "I say, anything wrong, Bertie?"	—
6	Episode One, Part 6. "Jeeves?" "Sir?" "Jeeves, I've just been having a chat with Mr Fink-Nottle..."	—
7	Episode One, Part 7. "What with picking up the threads, and so forth, at the Drones..."	—
8	Episode One, Part 8. "Well, Gussie!" "Hello, Bertie." "What ho!"	—
9	Episode Two, Part 1. "Uh, Jeeves?" "Good afternoon, sir." "I'm sorry to disturb you ...."	—
10	Episode Two, Part 2. "Perplexed. Explain. Bertie."	—
11	Episode Two, Part 3. "And so dismissing Aunt Dahlia from my mind for the nonce..."	—
12	Episode Two, Part 4. "As I drained the glass down, new life seemed to burgeon within me."	—
13	Episode Two, Part 5. "I suppose it must have taken Aunt Dahlia three hours or so to get back to Brinkley..."	—
14	Episode Two, Part 6. "I bunged foot sedulously on the accelerator all the way down to Brinkley Court that afternoon..."	—
15	Episode Two, Part 7. "I venture to take issue with you, Aunt Dahlia."	—
16	Episode Three, Part 1. "Think, Jeeves. At the moment, as you are aware, Gussie is a mere jelly in the presence of Miss Bassett..."	—
17	Episode Three, Part 2. "So there you have it. My initial realisation that the one infallible method of indicating to a girl that you love her...."	—
18	Episode Three, Part 3. "Alright then." "You'll do it?!"	—
19	Episode Three, Part 4. "Have you by any chance been gnawing on the thing at all?"	—
20	Episode Three, Part 5. "I was a bit fed with Jeeves, I must say."	—
21	Episode Three, Part 6. "Bertie! This is positively bright! I believe it may work."	—
22	Episode Three, Part 7. "Well I never!" "Did you call, sir?"	—
2-1	Episode Four, Part 1. "Gussie! Well, Gussie." "You and you 'Well, Gussies'!"	—
2-2	Episode Four, Part 2. "Yes, Gussie, hand her that one and I don't see how she can help feeling you're a twin soul."	—
2-3	Episode Four, Part 3. "It was not until I'd reached the drawing room and was enabled to take a square look at the Bassett...."	—
2-4	Episode Four, Part 4. "Oh, Mr Wooster." "For you, I mean to say."	—
2-5	Episode Four, Part 5. "A minute or so later a Bertram Wooster who looked as if he had passed through the furnace..."	—
2-6	Episode Four, Part 6. "I don't if it has happened to you at all, but a thing I have noticed with myself..."	—
2-7	Episode Four, Part 7. "Almost immediately afterwards, however, its manner became remarkably peevish."	—
2-8	Episode Five, Part 1. "Ah, Jeeves, what are you doing here?"	—
2-9	Episode Five, Part 2. "I was still in bed when Tuppy manifested himself the next morning..."	—
2-10	Episode Five, Part 3. "An idée fixe, you know, one of those things fellows get."	—
2-11	Episode Five, Part 4. "Oh, Bertie, the grass is wet. Do you want to walk? I shall ruin my shoes."	—
2-12	Episode Five, Part 5. "And gathering about her slim shoulders the shawl which she had put on as a protection against the evening dew..."	—
2-13	Episode Five, Part 6. "Why they have these bally benches in gardens is more than I can see."	—
2-14	Episode Six, Part 1. "Ah, Gussie! A lovely morning, is it not?"	—
2-15	Episode Six, Part 2. "It was a thoughtful Bertram Wooster who walked away and left him at it."	—
2-16	Episode Six, Part 3. "What ho, what ho, what ho, what ho Bertie!"	—
2-17	Episode Six, Part 4. "So Gussie's getting a lift to Market Snodsbury with Aunt Dahlia, is he?"	—
2-18	Episode Six, Part 5. "The proceedings had already got under when Jeeves and I arrived."	—
2-19	Episode Six, Part 6. "Or rather the other way around and there you have it in a nutshell."	—
2-20	Episode Six, Part 7. "Yes, well, what's this one?" "Spelling and dictation, P K Purvis."	—
3-1	Episode Seven, Part 1. "Good evening, sir." "What? Oh, Jeeves. My tea?"	—
3-2	Episode Seven, Part 2. "Bertie?" "Hullo?" "Bertie, I owe you an apology."	—
3-3	Episode Seven, Part 3. "Well, Jeeves!" "Precisely, sir." "Quite!"	—
3-4	Episode Seven, Part 4. "Ah, Angela, there you are."	—
3-5	Episode Seven, Part 5. "And I meant it to sting. Moody and discouraged were about the two adjectives..."	—
3-6	Episode Seven, Part 6. "The first thing that met the eye on entering Anatole's room...."	—
3-7	Episode Seven, Part 7. "Hello, Aunt Dahlia!" "Attila!"	—
3-8	Episode Seven, Part 8. "Oh, yes, Jeeves?" "A note for you, sir."	—
3-9	Episode Eight, Part 1. "I beg your pardon, sir, I should have moved to one side."	—
3-10	Episode Eight, Part 2. "Right, Jeeves, that's about enough of that. Let's toddle round to the front lawn...."	—
3-11	Episode Eight, Part 3. "Aunt Dahlia, hello." "Well, Bertie dear, here we all here."	—
3-12	Episode Eight, Part 4. "Well say on, young Glossop!"	—
3-13	Episode Eight, Part 5. "So, Jeeves, this is what your great scheme has accomplished!"	—
3-14	Episode Eight, Part 6. "Seppings! Seppings! Seppings!"	—
3-15	Episode Eight, Part 7. "I remember Jeeves saying on one occasion that hell hath no fury like a woman scorned."	—
3-16	Episode Eight, Part 8. "Bertie, is that you? Bertie?"	—
3-17	Episode Eight, Part 9. "Tuppy!" "What ho, Bertie, you back? You look like the wreck of the Hesperus."	—
3-18	Episode Eight, Part 10. "After your departure on the bicycle, the various estranged parties agreed so heartily in their abuse of you..."	—

Episode One, Part 1. "It's always the same when you're trying to tell a story."

—

Episode One, Part 2. "So he's been, ah, haunting my flat, you say?"

—

Episode One, Part 3. "And I must say Jeeves, this news has relieved my mind considerably."

—

Episode One, Part 4. "Even though I forced the man to climb down, quelling him as described with the force my personality...."

—

Episode One, Part 5. "I say, anything wrong, Bertie?"

—

Episode One, Part 6. "Jeeves?" "Sir?" "Jeeves, I've just been having a chat with Mr Fink-Nottle..."

—

Episode One, Part 7. "What with picking up the threads, and so forth, at the Drones..."

—

Episode One, Part 8. "Well, Gussie!" "Hello, Bertie." "What ho!"

—

Episode Two, Part 1. "Uh, Jeeves?" "Good afternoon, sir." "I'm sorry to disturb you ...."

—

Episode Two, Part 2. "Perplexed. Explain. Bertie."

—

Episode Two, Part 3. "And so dismissing Aunt Dahlia from my mind for the nonce..."

—

Episode Two, Part 4. "As I drained the glass down, new life seemed to burgeon within me."

—

Episode Two, Part 5. "I suppose it must have taken Aunt Dahlia three hours or so to get back to Brinkley..."

—

Episode Two, Part 6. "I bunged foot sedulously on the accelerator all the way down to Brinkley Court that afternoon..."

—

Episode Two, Part 7. "I venture to take issue with you, Aunt Dahlia."

—

Episode Three, Part 1. "Think, Jeeves. At the moment, as you are aware, Gussie is a mere jelly in the presence of Miss Bassett..."

—

Episode Three, Part 2. "So there you have it. My initial realisation that the one infallible method of indicating to a girl that you love her...."

—

Episode Three, Part 3. "Alright then." "You'll do it?!"

—

Episode Three, Part 4. "Have you by any chance been gnawing on the thing at all?"

—

Episode Three, Part 5. "I was a bit fed with Jeeves, I must say."

—

Episode Three, Part 6. "Bertie! This is positively bright! I believe it may work."

—

Episode Three, Part 7. "Well I never!" "Did you call, sir?"

—

Episode Four, Part 1. "Gussie! Well, Gussie." "You and you 'Well, Gussies'!"

—

Episode Four, Part 2. "Yes, Gussie, hand her that one and I don't see how she can help feeling you're a twin soul."

—

Episode Four, Part 3. "It was not until I'd reached the drawing room and was enabled to take a square look at the Bassett...."

—

Episode Four, Part 4. "Oh, Mr Wooster." "For you, I mean to say."

—

Episode Four, Part 5. "A minute or so later a Bertram Wooster who looked as if he had passed through the furnace..."

—

Episode Four, Part 6. "I don't if it has happened to you at all, but a thing I have noticed with myself..."

—

Episode Four, Part 7. "Almost immediately afterwards, however, its manner became remarkably peevish."

—

Episode Five, Part 1. "Ah, Jeeves, what are you doing here?"

—

Episode Five, Part 2. "I was still in bed when Tuppy manifested himself the next morning..."

—

Episode Five, Part 3. "An idée fixe, you know, one of those things fellows get."

—

Episode Five, Part 4. "Oh, Bertie, the grass is wet. Do you want to walk? I shall ruin my shoes."

—

Episode Five, Part 5. "And gathering about her slim shoulders the shawl which she had put on as a protection against the evening dew..."

—

Episode Five, Part 6. "Why they have these bally benches in gardens is more than I can see."

—

Episode Six, Part 1. "Ah, Gussie! A lovely morning, is it not?"

—

Episode Six, Part 2. "It was a thoughtful Bertram Wooster who walked away and left him at it."

—

Episode Six, Part 3. "What ho, what ho, what ho, what ho Bertie!"

—

Episode Six, Part 4. "So Gussie's getting a lift to Market Snodsbury with Aunt Dahlia, is he?"

—

Episode Six, Part 5. "The proceedings had already got under when Jeeves and I arrived."

—

Episode Six, Part 6. "Or rather the other way around and there you have it in a nutshell."

—

Episode Six, Part 7. "Yes, well, what's this one?" "Spelling and dictation, P K Purvis."

—

Episode Seven, Part 1. "Good evening, sir." "What? Oh, Jeeves. My tea?"

—

Episode Seven, Part 2. "Bertie?" "Hullo?" "Bertie, I owe you an apology."

—

Episode Seven, Part 3. "Well, Jeeves!" "Precisely, sir." "Quite!"

—

Episode Seven, Part 4. "Ah, Angela, there you are."

—

Episode Seven, Part 5. "And I meant it to sting. Moody and discouraged were about the two adjectives..."

—

Episode Seven, Part 6. "The first thing that met the eye on entering Anatole's room...."

—

Episode Seven, Part 7. "Hello, Aunt Dahlia!" "Attila!"

—

Episode Seven, Part 8. "Oh, yes, Jeeves?" "A note for you, sir."

—

Episode Eight, Part 1. "I beg your pardon, sir, I should have moved to one side."

—

Episode Eight, Part 2. "Right, Jeeves, that's about enough of that. Let's toddle round to the front lawn...."

—

Episode Eight, Part 3. "Aunt Dahlia, hello." "Well, Bertie dear, here we all here."

—

Episode Eight, Part 4. "Well say on, young Glossop!"

—

Episode Eight, Part 5. "So, Jeeves, this is what your great scheme has accomplished!"

—

Episode Eight, Part 6. "Seppings! Seppings! Seppings!"

—

Episode Eight, Part 7. "I remember Jeeves saying on one occasion that hell hath no fury like a woman scorned."

—

Episode Eight, Part 8. "Bertie, is that you? Bertie?"

—

Episode Eight, Part 9. "Tuppy!" "What ho, Bertie, you back? You look like the wreck of the Hesperus."

—

Episode Eight, Part 10. "After your departure on the bicycle, the various estranged parties agreed so heartily in their abuse of you..."

—

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

00033135030 00335211796

Creative Contributors (ISNI)

0000000121308723

Credits Graph

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What is UPC 9780563527992?

9780563527992 is a Universal Product Code (UPC) assigned to Right Ho, Jeeves by P. G. Wodehouse. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.