UPC · Release
In Cold Blood
Truman Capote, Scott Brick
Last verified:
9780739333648 is the Universal Product Code (UPC barcode) for the release “In Cold Blood” by Truman Capote, Scott Brick, released 2006-01-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 208 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (208)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Part I: "The Last to See Them Alive", Part 1 | — | ||
| 2 | Part I: "The Last to See Them Alive", Part 2 | — | ||
| 3 | Part I: "The Last to See Them Alive", Part 3 | — | ||
| 4 | Part I: "The Last to See Them Alive", Part 4 | — | ||
| 5 | Part I: "The Last to See Them Alive", Part 5 | — | ||
| 6 | Part I: "The Last to See Them Alive", Part 6 | — | ||
| 7 | Part I: "The Last to See Them Alive", Part 7 | — | ||
| 8 | Part I: "The Last to See Them Alive", Part 8 | — | ||
| 9 | Part I: "The Last to See Them Alive", Part 9 | — | ||
| 10 | Part I: "The Last to See Them Alive", Part 10 | — | ||
| 11 | Part I: "The Last to See Them Alive", Part 11 | — | ||
| 12 | Part I: "The Last to See Them Alive", Part 12 | — | ||
| 13 | Part I: "The Last to See Them Alive", Part 13 | — | ||
| 14 | Part I: "The Last to See Them Alive", Part 14 | — | ||
| 15 | Part I: "The Last to See Them Alive", Part 15 | — | ||
| 16 | Part I: "The Last to See Them Alive", Part 16 | — | ||
| 17 | Part I: "The Last to See Them Alive", Part 17 | — | ||
| 18 | Part I: "The Last to See Them Alive", Part 18 | — | ||
| 2-1 | Part I: "The Last to See Them Alive", Part 19 | — | ||
| 2-2 | Part I: "The Last to See Them Alive", Part 20 | — | ||
| 2-3 | Part I: "The Last to See Them Alive", Part 21 | — | ||
| 2-4 | Part I: "The Last to See Them Alive", Part 22 | — | ||
| 2-5 | Part I: "The Last to See Them Alive", Part 23 | — | ||
| 2-6 | Part I: "The Last to See Them Alive", Part 24 | — | ||
| 2-7 | Part I: "The Last to See Them Alive", Part 25 | — | ||
| 2-8 | Part I: "The Last to See Them Alive", Part 26 | — | ||
| 2-9 | Part I: "The Last to See Them Alive", Part 27 | — | ||
| 2-10 | Part I: "The Last to See Them Alive", Part 28 | — | ||
| 2-11 | Part I: "The Last to See Them Alive", Part 29 | — | ||
| 2-12 | Part I: "The Last to See Them Alive", Part 30 | — | ||
| 2-13 | Part I: "The Last to See Them Alive", Part 31 | — | ||
| 2-14 | Part I: "The Last to See Them Alive", Part 32 | — | ||
| 2-15 | Part I: "The Last to See Them Alive", Part 33 | — | ||
| 2-16 | Part I: "The Last to See Them Alive", Part 34 | — | ||
| 2-17 | Part I: "The Last to See Them Alive", Part 35 | — | ||
| 2-18 | Part I: "The Last to See Them Alive", Part 36 | — | ||
| 3-1 | Part I: "The Last to See Them Alive", Part 37 | — | ||
| 3-2 | Part I: "The Last to See Them Alive", Part 38 | — | ||
| 3-3 | Part I: "The Last to See Them Alive", Part 39 | — | ||
| 3-4 | Part I: "The Last to See Them Alive", Part 40 | — | ||
| 3-5 | Part I: "The Last to See Them Alive", Part 41 | — | ||
| 3-6 | Part I: "The Last to See Them Alive", Part 42 | — | ||
| 3-7 | Part I: "The Last to See Them Alive", Part 43 | — | ||
| 3-8 | Part I: "The Last to See Them Alive", Part 44 | — | ||
| 3-9 | Part II: "Persons Unknown", Part 1 | — | ||
| 3-10 | Part II: "Persons Unknown", Part 2 | — | ||
| 3-11 | Part II: "Persons Unknown", Part 3 | — | ||
| 3-12 | Part II: "Persons Unknown", Part 4 | — | ||
| 3-13 | Part II: "Persons Unknown", Part 5 | — | ||
| 3-14 | Part II: "Persons Unknown", Part 6 | — | ||
| 3-15 | Part II: "Persons Unknown", Part 7 | — | ||
| 3-16 | Part II: "Persons Unknown", Part 8 | — | ||
| 3-17 | Part II: "Persons Unknown", Part 9 | — | ||
| 4-1 | Part II: "Persons Unknown", Part 10 | — | ||
| 4-2 | Part II: "Persons Unknown", Part 11 | — | ||
| 4-3 | Part II: "Persons Unknown", Part 12 | — | ||
| 4-4 | Part II: "Persons Unknown", Part 13 | — | ||
| 4-5 | Part II: "Persons Unknown", Part 14 | — | ||
| 4-6 | Part II: "Persons Unknown", Part 15 | — | ||
| 4-7 | Part II: "Persons Unknown", Part 16 | — | ||
| 4-8 | Part II: "Persons Unknown", Part 17 | — | ||
| 4-9 | Part II: "Persons Unknown", Part 18 | — | ||
| 4-10 | Part II: "Persons Unknown", Part 19 | — | ||
| 4-11 | Part II: "Persons Unknown", Part 20 | — | ||
| 4-12 | Part II: "Persons Unknown", Part 21 | — | ||
| 4-13 | Part II: "Persons Unknown", Part 22 | — | ||
| 4-14 | Part II: "Persons Unknown", Part 23 | — | ||
| 4-15 | Part II: "Persons Unknown", Part 24 | — | ||
| 4-16 | Part II: "Persons Unknown", Part 25 | — | ||
| 4-17 | Part II: "Persons Unknown", Part 26 | — | ||
| 4-18 | Part II: "Persons Unknown", Part 27 | — | ||
| 4-19 | Part II: "Persons Unknown", Part 28 | — | ||
| 5-1 | Part II: "Persons Unknown", Part 29 | — | ||
| 5-2 | Part II: "Persons Unknown", Part 30 | — | ||
| 5-3 | Part II: "Persons Unknown", Part 31 | — | ||
| 5-4 | Part II: "Persons Unknown", Part 32 | — | ||
| 5-5 | Part II: "Persons Unknown", Part 33 | — | ||
| 5-6 | Part II: "Persons Unknown", Part 34 | — | ||
| 5-7 | Part II: "Persons Unknown", Part 35 | — | ||
| 5-8 | Part II: "Persons Unknown", Part 36 | — | ||
| 5-9 | Part II: "Persons Unknown", Part 37 | — | ||
| 5-10 | Part II: "Persons Unknown", Part 38 | — | ||
| 5-11 | Part II: "Persons Unknown", Part 39 | — | ||
| 5-12 | Part II: "Persons Unknown", Part 40 | — | ||
| 5-13 | Part II: "Persons Unknown", Part 41 | — | ||
| 5-14 | Part II: "Persons Unknown", Part 42 | — | ||
| 5-15 | Part II: "Persons Unknown", Part 43 | — | ||
| 5-16 | Part II: "Persons Unknown", Part 44 | — | ||
| 5-17 | Part II: "Persons Unknown", Part 45 | — | ||
| 6-1 | Part II: "Persons Unknown", Part 46 | — | ||
| 6-2 | Part II: "Persons Unknown", Part 47 | — | ||
| 6-3 | Part II: "Persons Unknown", Part 48 | — | ||
| 6-4 | Part II: "Persons Unknown", Part 49 | — | ||
| 6-5 | Part II: "Persons Unknown", Part 50 | — | ||
| 6-6 | Part II: "Persons Unknown", Part 51 | — | ||
| 6-7 | Part II: "Persons Unknown", Part 52 | — | ||
| 6-8 | Part III: "Answer", Part 1 | — | ||
| 6-9 | Part III: "Answer", Part 2 | — | ||
| 6-10 | Part III: "Answer", Part 3 | — | ||
| 6-11 | Part III: "Answer", Part 4 | — | ||
| 6-12 | Part III: "Answer", Part 5 | — | ||
| 6-13 | Part III: "Answer", Part 6 | — | ||
| 6-14 | Part III: "Answer", Part 7 | — | ||
| 6-15 | Part III: "Answer", Part 8 | — | ||
| 6-16 | Part III: "Answer", Part 9 | — | ||
| 6-17 | Part III: "Answer", Part 10 | — | ||
| 7-1 | Part III: "Answer", Part 11 | — | ||
| 7-2 | Part III: "Answer", Part 12 | — | ||
| 7-3 | Part III: "Answer", Part 13 | — | ||
| 7-4 | Part III: "Answer", Part 14 | — | ||
| 7-5 | Part III: "Answer", Part 15 | — | ||
| 7-6 | Part III: "Answer", Part 16 | — | ||
| 7-7 | Part III: "Answer", Part 17 | — | ||
| 7-8 | Part III: "Answer", Part 18 | — | ||
| 7-9 | Part III: "Answer", Part 19 | — | ||
| 7-10 | Part III: "Answer", Part 20 | — | ||
| 7-11 | Part III: "Answer", Part 21 | — | ||
| 7-12 | Part III: "Answer", Part 22 | — | ||
| 7-13 | Part III: "Answer", Part 23 | — | ||
| 7-14 | Part III: "Answer", Part 24 | — | ||
| 7-15 | Part III: "Answer", Part 25 | — | ||
| 7-16 | Part III: "Answer", Part 26 | — | ||
| 7-17 | Part III: "Answer", Part 27 | — | ||
| 8-1 | Part III: "Answer", Part 28 | — | ||
| 8-2 | Part III: "Answer", Part 29 | — | ||
| 8-3 | Part III: "Answer", Part 30 | — | ||
| 8-4 | Part III: "Answer", Part 31 | — | ||
| 8-5 | Part III: "Answer", Part 32 | — | ||
| 8-6 | Part III: "Answer", Part 33 | — | ||
| 8-7 | Part III: "Answer", Part 34 | — | ||
| 8-8 | Part III: "Answer", Part 35 | — | ||
| 8-9 | Part III: "Answer", Part 36 | — | ||
| 8-10 | Part III: "Answer", Part 37 | — | ||
| 8-11 | Part III: "Answer", Part 38 | — | ||
| 8-12 | Part III: "Answer", Part 39 | — | ||
| 8-13 | Part III: "Answer", Part 40 | — | ||
| 8-14 | Part III: "Answer", Part 41 | — | ||
| 8-15 | Part III: "Answer", Part 42 | — | ||
| 8-16 | Part III: "Answer", Part 43 | — | ||
| 8-17 | Part III: "Answer", Part 44 | — | ||
| 9-1 | Part III: "Answer", Part 45 | — | ||
| 9-2 | Part III: "Answer", Part 46 | — | ||
| 9-3 | Part III: "Answer", Part 47 | — | ||
| 9-4 | Part III: "Answer", Part 48 | — | ||
| 9-5 | Part III: "Answer", Part 49 | — | ||
| 9-6 | Part III: "Answer", Part 50 | — | ||
| 9-7 | Part III: "Answer", Part 51 | — | ||
| 9-8 | Part III: "Answer", Part 52 | — | ||
| 9-9 | Part III: "Answer", Part 53 | — | ||
| 9-10 | Part III: "Answer", Part 54 | — | ||
| 9-11 | Part III: "Answer", Part 55 | — | ||
| 9-12 | Part IV: "The Corner", Part 1 | — | ||
| 9-13 | Part IV: "The Corner", Part 2 | — | ||
| 9-14 | Part IV: "The Corner", Part 3 | — | ||
| 9-15 | Part IV: "The Corner", Part 4 | — | ||
| 9-16 | Part IV: "The Corner", Part 5 | — | ||
| 10-1 | Part IV: "The Corner", Part 6 | — | ||
| 10-2 | Part IV: "The Corner", Part 7 | — | ||
| 10-3 | Part IV: "The Corner", Part 8 | — | ||
| 10-4 | Part IV: "The Corner", Part 9 | — | ||
| 10-5 | Part IV: "The Corner", Part 10 | — | ||
| 10-6 | Part IV: "The Corner", Part 11 | — | ||
| 10-7 | Part IV: "The Corner", Part 12 | — | ||
| 10-8 | Part IV: "The Corner", Part 13 | — | ||
| 10-9 | Part IV: "The Corner", Part 14 | — | ||
| 10-10 | Part IV: "The Corner", Part 15 | — | ||
| 10-11 | Part IV: "The Corner", Part 16 | — | ||
| 10-12 | Part IV: "The Corner", Part 17 | — | ||
| 10-13 | Part IV: "The Corner", Part 18 | — | ||
| 10-14 | Part IV: "The Corner", Part 19 | — | ||
| 10-15 | Part IV: "The Corner", Part 20 | — | ||
| 10-16 | Part IV: "The Corner", Part 21 | — | ||
| 10-17 | Part IV: "The Corner", Part 22 | — | ||
| 11-1 | Part IV: "The Corner", Part 23 | — | ||
| 11-2 | Part IV: "The Corner", Part 24 | — | ||
| 11-3 | Part IV: "The Corner", Part 25 | — | ||
| 11-4 | Part IV: "The Corner", Part 26 | — | ||
| 11-5 | Part IV: "The Corner", Part 27 | — | ||
| 11-6 | Part IV: "The Corner", Part 28 | — | ||
| 11-7 | Part IV: "The Corner", Part 29 | — | ||
| 11-8 | Part IV: "The Corner", Part 30 | — | ||
| 11-9 | Part IV: "The Corner", Part 31 | — | ||
| 11-10 | Part IV: "The Corner", Part 32 | — | ||
| 11-11 | Part IV: "The Corner", Part 33 | — | ||
| 11-12 | Part IV: "The Corner", Part 34 | — | ||
| 11-13 | Part IV: "The Corner", Part 35 | — | ||
| 11-14 | Part IV: "The Corner", Part 36 | — | ||
| 11-15 | Part IV: "The Corner", Part 37 | — | ||
| 11-16 | Part IV: "The Corner", Part 38 | — | ||
| 11-17 | Part IV: "The Corner", Part 39 | — | ||
| 12-1 | Part IV: "The Corner", Part 40 | — | ||
| 12-2 | Part IV: "The Corner", Part 41 | — | ||
| 12-3 | Part IV: "The Corner", Part 42 | — | ||
| 12-4 | Part IV: "The Corner", Part 43 | — | ||
| 12-5 | Part IV: "The Corner", Part 44 | — | ||
| 12-6 | Part IV: "The Corner", Part 45 | — | ||
| 12-7 | Part IV: "The Corner", Part 46 | — | ||
| 12-8 | Part IV: "The Corner", Part 47 | — | ||
| 12-9 | Part IV: "The Corner", Part 48 | — | ||
| 12-10 | Part IV: "The Corner", Part 49 | — | ||
| 12-11 | Part IV: "The Corner", Part 50 | — | ||
| 12-12 | Part IV: "The Corner", Part 51 | — | ||
| 12-13 | Part IV: "The Corner", Part 52 | — | ||
| 12-14 | Part IV: "The Corner", Part 53 | — | ||
| 12-15 | Part IV: "The Corner", Part 54 | — | ||
| 12-16 | Part IV: "The Corner", Part 55 | — | ||
| 12-17 | Part IV: "The Corner", Part 56 | — | ||
| 12-18 | Part IV: "The Corner", Part 57 | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 9780739333648?
9780739333648 is a Universal Product Code (UPC) assigned to In Cold Blood by Truman Capote, Scott Brick. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 208 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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