UPC · Release
Half-Moon Investigations
Eoin Colfer, Sean Patrick Reilly
Last verified:
9780739335611 is the Universal Product Code (UPC barcode) for the release “Half-Moon Investigations” by Eoin Colfer, Sean Patrick Reilly, released 2006-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction / Chapter 1: “The First Rule of Investigation”, Part 1 | — | ||
| 2 | Chapter 1: “The First Rule of Investigation”, Part 2 | — | ||
| 3 | Chapter 1: “The First Rule of Investigation”, Part 3 | — | ||
| 4 | Chapter 1: “The First Rule of Investigation”, Part 4 | — | ||
| 5 | Chapter 1: “The First Rule of Investigation”, Part 5 | — | ||
| 6 | Chapter 1: “The First Rule of Investigation”, Part 6 | — | ||
| 7 | Chapter 1: “The First Rule of Investigation”, Part 7 | — | ||
| 8 | Chapter 1: “The First Rule of Investigation”, Part 8 | — | ||
| 9 | Chapter 1: “The First Rule of Investigation”, Part 9 | — | ||
| 10 | Chapter 1: “The First Rule of Investigation”, Part 10 | — | ||
| 11 | Chapter 2: “I Get a Stick Figure”, Part 1 | — | ||
| 12 | Chapter 2: “I Get a Stick Figure”, Part 2 | — | ||
| 13 | Chapter 2: “I Get a Stick Figure”, Part 3 | — | ||
| 14 | Chapter 3: “I’m on the Case”, Part 1 | — | ||
| 15 | Chapter 3: “I’m on the Case”, Part 2 | — | ||
| 16 | Chapter 3: “I’m on the Case”, Part 3 | — | ||
| 17 | Chapter 3: “I’m on the Case”, Part 4 | — | ||
| 18 | Chapter 3: “I’m on the Case”, Part 5 | — | ||
| 19 | Chapter 3: “I’m on the Case”, Part 6 | — | ||
| 2-1 | Chapter 3: “I’m on the Case”, Part 7 | — | ||
| 2-2 | Chapter 3: “I’m on the Case”, Part 8 | — | ||
| 2-3 | Chapter 3: “I’m on the Case”, Part 9 | — | ||
| 2-4 | Chapter 4: “Making an Impression—On My Forehead”, Part 1 | — | ||
| 2-5 | Chapter 4: “Making an Impression—On My Forehead”, Part 2 | — | ||
| 2-6 | Chapter 4: “Making an Impression—On My Forehead”, Part 3 | — | ||
| 2-7 | Chapter 4: “Making an Impression—On My Forehead”, Part 4 | — | ||
| 2-8 | Chapter 4: “Making an Impression—On My Forehead”, Part 5 | — | ||
| 2-9 | Chapter 4: “Making an Impression—On My Forehead”, Part 6 | — | ||
| 2-10 | Chapter 4: “Making an Impression—On My Forehead”, Part 7 | — | ||
| 2-11 | Chapter 4: “Making an Impression—On My Forehead”, Part 8 | — | ||
| 2-12 | Chapter 4: “Making an Impression—On My Forehead”, Part 9 | — | ||
| 2-13 | Chapter 4: “Making an Impression—On My Forehead”, Part 10 | — | ||
| 2-14 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 1 | — | ||
| 2-15 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 2 | — | ||
| 2-16 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 3 | — | ||
| 2-17 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 4 | — | ||
| 2-18 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 5 | — | ||
| 2-19 | Chapter 5: “Dr. Brendan’s Bedside Manner”, Part 6 | — | ||
| 3-1 | Chapter 6: “In the Public Eye—And Not in a Nice Way”, Part 1 | — | ||
| 3-2 | Chapter 6: “In the Public Eye—And Not in a Nice Way”, Part 2 | — | ||
| 3-3 | Chapter 7: “Jailbreak”, Part 1 | — | ||
| 3-4 | Chapter 7: “Jailbreak”, Part 2 | — | ||
| 3-5 | Chapter 7: “Jailbreak”, Part 3 | — | ||
| 3-6 | Chapter 8: “At Home With the Sharkeys”, Part 1 | — | ||
| 3-7 | Chapter 8: “At Home With the Sharkeys”, Part 2 | — | ||
| 3-8 | Chapter 8: “At Home With the Sharkeys”, Part 3 | — | ||
| 3-9 | Chapter 8: “At Home With the Sharkeys”, Part 4 | — | ||
| 3-10 | Chapter 8: “At Home With the Sharkeys”, Part 5 | — | ||
| 3-11 | Chapter 8: “At Home With the Sharkeys”, Part 6 | — | ||
| 3-12 | Chapter 8: “At Home With the Sharkeys”, Part 7 | — | ||
| 3-13 | Chapter 8: “At Home With the Sharkeys”, Part 8 | — | ||
| 3-14 | Chapter 8: “At Home With the Sharkeys”, Part 9 | — | ||
| 3-15 | Chapter 8: “At Home With the Sharkeys”, Part 10 | — | ||
| 3-16 | Chapter 8: “At Home With the Sharkeys”, Part 11 | — | ||
| 3-17 | Chapter 9: “Proof, or Results?”, Part 1 | — | ||
| 3-18 | Chapter 9: “Proof, or Results?”, Part 2 | — | ||
| 4-1 | Chapter 9: “Proof, or Results?”, Part 3 | — | ||
| 4-2 | Chapter 9: “Proof, or Results?”, Part 4 | — | ||
| 4-3 | Chapter 9: “Proof, or Results?”, Part 5 | — | ||
| 4-4 | Chapter 9: “Proof, or Results?”, Part 6 | — | ||
| 4-5 | Chapter 9: “Proof, or Results?”, Part 7 | — | ||
| 4-6 | Chapter 9: “Proof, or Results?”, Part 8 | — | ||
| 4-7 | Chapter 10: “The Young Students”, Part 1 | — | ||
| 4-8 | Chapter 10: “The Young Students”, Part 2 | — | ||
| 4-9 | Chapter 10: “The Young Students”, Part 3 | — | ||
| 4-10 | Chapter 10: “The Young Students”, Part 4 | — | ||
| 4-11 | Chapter 10: “The Young Students”, Part 5 | — | ||
| 4-12 | Chapter 10: “The Young Students”, Part 6 | — | ||
| 4-13 | Chapter 10: “The Young Students”, Part 7 | — | ||
| 4-14 | Chapter 10: “The Young Students”, Part 8 | — | ||
| 4-15 | Chapter 10: “The Young Students”, Part 9 | — | ||
| 4-16 | Chapter 11: “The Power of Magnetism”, Part 1 | — | ||
| 4-17 | Chapter 11: “The Power of Magnetism”, Part 2 | — | ||
| 5-1 | Chapter 11: “The Power of Magnetism”, Part 3 | — | ||
| 5-2 | Chapter 11: “The Power of Magnetism”, Part 4 | — | ||
| 5-3 | Chapter 11: “The Power of Magnetism”, Part 5 | — | ||
| 5-4 | Chapter 11: “The Power of Magnetism”, Part 6 | — | ||
| 5-5 | Chapter 11: “The Power of Magnetism”, Part 7 | — | ||
| 5-6 | Chapter 11: “The Power of Magnetism”, Part 8 | — | ||
| 5-7 | Chapter 11: “The Power of Magnetism”, Part 9 | — | ||
| 5-8 | Chapter 12: “The Promise”, Part 1 | — | ||
| 5-9 | Chapter 12: “The Promise”, Part 2 | — | ||
| 5-10 | Chapter 12: “The Promise”, Part 3 | — | ||
| 5-11 | Chapter 12: “The Promise”, Part 4 | — | ||
| 5-12 | Chapter 12: “The Promise”, Part 5 | — | ||
| 5-13 | Chapter 12: “The Promise”, Part 6 | — | ||
| 5-14 | Chapter 13: “A Giant’s Trail”, Part 1 | — | ||
| 5-15 | Chapter 13: “A Giant’s Trail”, Part 2 | — | ||
| 5-16 | Chapter 13: “A Giant’s Trail”, Part 3 | — | ||
| 5-17 | Chapter 13: “A Giant’s Trail”, Part 4 | — | ||
| 5-18 | Chapter 13: “A Giant’s Trail”, Part 5 | — | ||
| 5-19 | Chapter 14: “Larry and Adam”, Part 1 | — | ||
| 6-1 | Chapter 14: “Larry and Adam”, Part 2 | — | ||
| 6-2 | Chapter 14: “Larry and Adam”, Part 3 | — | ||
| 6-3 | Chapter 15: “I See Things as They Really Are—Finally”, Part 1 | — | ||
| 6-4 | Chapter 15: “I See Things as They Really Are—Finally”, Part 2 | — | ||
| 6-5 | Chapter 15: “I See Things as They Really Are—Finally”, Part 3 | — | ||
| 6-6 | Chapter 15: “I See Things as They Really Are—Finally”, Part 4 | — | ||
| 6-7 | Chapter 15: “I See Things as They Really Are—Finally”, Part 5 | — | ||
| 6-8 | Chapter 15: “I See Things as They Really Are—Finally”, Part 6 | — | ||
| 6-9 | Chapter 15: “I See Things as They Really Are—Finally”, Part 7 | — | ||
| 6-10 | Chapter 15: “I See Things as They Really Are—Finally”, Part 8 | — | ||
| 6-11 | Chapter 15: “I See Things as They Really Are—Finally”, Part 9 | — | ||
| 6-12 | Chapter 15: “I See Things as They Really Are—Finally”, Part 10 | — | ||
| 6-13 | Chapter 15: “I See Things as They Really Are—Finally”, Part 11 | — | ||
| 6-14 | Chapter 15: “I See Things as They Really Are—Finally”, Part 12 | — | ||
| 6-15 | Chapter 15: “I See Things as They Really Are—Finally”, Part 13 | — | ||
| 6-16 | Epilogue, Part 1 | — | ||
| 6-17 | Epilogue, Part 2 | — | ||
| 6-18 | Epilogue, Part 3 | — | ||
| 6-19 | Epilogue, Part 4 / Credits | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 9780739335611?
9780739335611 is a Universal Product Code (UPC) assigned to Half-Moon Investigations by Eoin Colfer, Sean Patrick Reilly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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