UPC · Release
Children Playing Before a Statue of Hercules
David Sedaris, Cherry Jones, Mary-Louise Parker, Akhil Sharma, Toby Wherry
Last verified:
9780743550192 is the Universal Product Code (UPC barcode) for the release “Children Playing Before a Statue of Hercules” by David Sedaris, Cherry Jones, Mary-Louise Parker, Akhil Sharma, Toby Wherry, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction, Part 1 | — | ||
| 2 | Introduction, Part 2 | — | ||
| 3 | Introduction, Part 3 | — | ||
| 4 | Introduction, Part 4 | — | ||
| 5 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 1 | — | ||
| 6 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 2 | — | ||
| 7 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 3 | — | ||
| 8 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 4 | — | ||
| 9 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 5 | — | ||
| 10 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 6 | — | ||
| 11 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 7 | — | ||
| 12 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 8 | — | ||
| 13 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 9 | — | ||
| 14 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 10 | — | ||
| 15 | Where the Door Is Always Open and the Welcome Mat Is Out, Part 11 | — | ||
| 16 | Bullet in the Brain, Part 1 | — | ||
| 17 | Bullet in the Brain, Part 2 | — | ||
| 18 | Bullet in the Brain, Part 3 | — | ||
| 19 | Bullet in the Brain, Part 4 | — | ||
| 2-1 | Gryphon, Part 1 | — | ||
| 2-2 | Gryphon, Part 2 | — | ||
| 2-3 | Gryphon, Part 3 | — | ||
| 2-4 | Gryphon, Part 4 | — | ||
| 2-5 | Gryphon, Part 5 | — | ||
| 2-6 | Gryphon, Part 6 | — | ||
| 2-7 | Gryphon, Part 7 | — | ||
| 2-8 | Gryphon, Part 8 | — | ||
| 2-9 | Gryphon, Part 9 | — | ||
| 2-10 | Gryphon, Part 10 | — | ||
| 2-11 | Gryphon, Part 11 | — | ||
| 2-12 | In the Cemetery Where Al Jolson Is Buried, Part 1 | — | ||
| 2-13 | In the Cemetery Where Al Jolson Is Buried, Part 2 | — | ||
| 2-14 | In the Cemetery Where Al Jolson Is Buried, Part 3 | — | ||
| 2-15 | In the Cemetery Where Al Jolson Is Buried, Part 4 | — | ||
| 2-16 | In the Cemetery Where Al Jolson Is Buried, Part 5 | — | ||
| 3-1 | Cosmopolitan, Part 1 | — | ||
| 3-2 | Cosmopolitan, Part 2 | — | ||
| 3-3 | Cosmopolitan, Part 3 | — | ||
| 3-4 | Cosmopolitan, Part 4 | — | ||
| 3-5 | Cosmopolitan, Part 5 | — | ||
| 3-6 | Cosmopolitan, Part 6 | — | ||
| 3-7 | Cosmopolitan, Part 7 | — | ||
| 3-8 | Cosmopolitan, Part 8 | — | ||
| 3-9 | Cosmopolitan, Part 9 | — | ||
| 3-10 | Cosmopolitan, Part 10 | — | ||
| 3-11 | Cosmopolitan, Part 11 | — | ||
| 3-12 | Cosmopolitan, Part 12 | — | ||
| 3-13 | Cosmopolitan, Part 13 | — | ||
| 3-14 | Cosmopolitan, Part 14 | — | ||
| 3-15 | Cosmopolitan, Part 15 | — |
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What is UPC 9780743550192?
9780743550192 is a Universal Product Code (UPC) assigned to Children Playing Before a Statue of Hercules by David Sedaris, David Sedaris, Cherry Jones, Mary-Louise Parker, Akhil Sharma, Toby Wherry. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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