UPC · Release
“Surely You're Joking, Mr. Feynman!”
Richard P. Feynman, Raymond Todd
Last verified:
9780786177288 is the Universal Product Code (UPC barcode) for the release ““Surely You're Joking, Mr. Feynman!”” by Richard P. Feynman, Raymond Todd, released 1997-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 232 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (232)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Preface | — | ||
| 2 | Introduction | — | ||
| 3 | Vitals | — | ||
| 4 | "He Fixes Radios by Thinking!", Part 1 | — | ||
| 5 | "He Fixes Radios by Thinking!", Part 2 | — | ||
| 6 | "He Fixes Radios by Thinking!", Part 3 | — | ||
| 7 | "He Fixes Radios by Thinking!", Part 4 | — | ||
| 8 | "He Fixes Radios by Thinking!", Part 5 | — | ||
| 9 | "He Fixes Radios by Thinking!", Part 6 | — | ||
| 10 | "He Fixes Radios by Thinking!", Part 7 | — | ||
| 11 | "String Beans", Part 1 | — | ||
| 12 | "String Beans", Part 2 | — | ||
| 13 | "String Beans", Part 3 | — | ||
| 14 | "Who Stole the Door?", Part 1 | — | ||
| 15 | "Who Stole the Door?", Part 2 | — | ||
| 16 | "Who Stole the Door?", Part 3 | — | ||
| 17 | "Who Stole the Door?", Part 4 | — | ||
| 18 | "Who Stole the Door?", Part 5 | — | ||
| 19 | "Who Stole the Door?", Part 6 | — | ||
| 20 | "Who Stole the Door?", Part 7 | — | ||
| 21 | "Latin or Italian?", Part 1 | — | ||
| 22 | "Latin or Italian?", Part 2 | — | ||
| 2-1 | "Always Trying to Escape", Part 1 | — | ||
| 2-2 | "Always Trying to Escape", Part 2 | — | ||
| 2-3 | "Always Trying to Escape", Part 3 | — | ||
| 2-4 | "Always Trying to Escape", Part 4 | — | ||
| 2-5 | "Always Trying to Escape", Part 5 | — | ||
| 2-6 | "The Chief Research Chemist of the Metaplast Corporation", Part 1 | — | ||
| 2-7 | "The Chief Research Chemist of the Metaplast Corporation", Part 2 | — | ||
| 2-8 | "The Chief Research Chemist of the Metaplast Corporation", Part 3 | — | ||
| 2-9 | "The Chief Research Chemist of the Metaplast Corporation", Part 4 | — | ||
| 2-10 | "Surely You're Joking, Mr. Feynman!", Part 1 | — | ||
| 2-11 | "Surely You're Joking, Mr. Feynman!", Part 2 | — | ||
| 2-12 | "Surely You're Joking, Mr. Feynman!", Part 3 | — | ||
| 2-13 | "Surely You're Joking, Mr. Feynman!", Part 4 | — | ||
| 2-14 | "Meeeeeeeeeee!", Part 1 | — | ||
| 2-15 | "Meeeeeeeeeee!", Part 2 | — | ||
| 2-16 | "A Map of the Cat?", Part 1 | — | ||
| 2-17 | "A Map of the Cat?", Part 2 | — | ||
| 2-18 | "A Map of the Cat?", Part 3 | — | ||
| 2-19 | "A Map of the Cat?", Part 4 | — | ||
| 2-20 | "A Map of the Cat?", Part 5 | — | ||
| 2-21 | "Monster Minds", Part 1 | — | ||
| 2-22 | "Monster Minds", Part 2 | — | ||
| 2-23 | "Monster Minds", Part 3 | — | ||
| 3-1 | "Mixing Paints", Part 1 | — | ||
| 3-2 | "Mixing Paints", Part 2 | — | ||
| 3-3 | "A Different Box of Tools", Part 1 | — | ||
| 3-4 | "A Different Box of Tools", Part 2 | — | ||
| 3-5 | "Mindreaders", Part 1 | — | ||
| 3-6 | "Mindreaders", Part 2 | — | ||
| 3-7 | "The Amateur Scientist", Part 1 | — | ||
| 3-8 | "The Amateur Scientist", Part 2 | — | ||
| 3-9 | "The Amateur Scientist", Part 3 | — | ||
| 3-10 | "The Amateur Scientist", Part 4 | — | ||
| 3-11 | "The Amateur Scientist", Part 5 | — | ||
| 3-12 | "Fizzled Fuses", Part 1 | — | ||
| 3-13 | "Fizzled Fuses", Part 2 | — | ||
| 3-14 | "Fizzled Fuses", Part 3 | — | ||
| 3-15 | "Testing Bloodhounds", Part 1 | — | ||
| 3-16 | "Testing Bloodhounds", Part 2 | — | ||
| 3-17 | "Los Alamos From Below", Part 1 | — | ||
| 3-18 | "Los Alamos From Below", Part 2 | — | ||
| 3-19 | "Los Alamos From Below", Part 3 | — | ||
| 3-20 | "Los Alamos From Below", Part 4 | — | ||
| 3-21 | "Los Alamos From Below", Part 5 | — | ||
| 3-22 | "Los Alamos From Below", Part 6 | — | ||
| 3-23 | "Los Alamos From Below", Part 7 | — | ||
| 3-24 | "Los Alamos From Below", Part 8 | — | ||
| 3-25 | "Los Alamos From Below", Part 9 | — | ||
| 3-26 | "Los Alamos From Below", Part 10 | — | ||
| 4-1 | "Los Alamos From Below", Part 11 | — | ||
| 4-2 | "Los Alamos From Below", Part 12 | — | ||
| 4-3 | "Los Alamos From Below", Part 13 | — | ||
| 4-4 | "Los Alamos From Below", Part 14 | — | ||
| 4-5 | "Los Alamos From Below", Part 15 | — | ||
| 4-6 | "Los Alamos From Below", Part 16 | — | ||
| 4-7 | "Los Alamos From Below", Part 17 | — | ||
| 4-8 | "Los Alamos From Below", Part 18 | — | ||
| 4-9 | "Los Alamos From Below", Part 19 | — | ||
| 4-10 | "Los Alamos From Below", Part 20 | — | ||
| 4-11 | "Los Alamos From Below", Part 20 | — | ||
| 4-12 | "Los Alamos From Below", Part 21 | — | ||
| 4-13 | "Los Alamos From Below", Part 22 | — | ||
| 4-14 | "Safecracker Meets Safecracker", Part 1 | — | ||
| 4-15 | "Safecracker Meets Safecracker", Part 2 | — | ||
| 4-16 | "Safecracker Meets Safecracker", Part 3 | — | ||
| 4-17 | "Safecracker Meets Safecracker", Part 4 | — | ||
| 4-18 | "Safecracker Meets Safecracker", Part 5 | — | ||
| 4-19 | "Safecracker Meets Safecracker", Part 6 | — | ||
| 4-20 | "Safecracker Meets Safecracker", Part 7 | — | ||
| 4-21 | "Safecracker Meets Safecracker", Part 8 | — | ||
| 4-22 | "Safecracker Meets Safecracker", Part 9 | — | ||
| 4-23 | "Safecracker Meets Safecracker", Part 10 | — | ||
| 4-24 | "Safecracker Meets Safecracker", Part 11 | — | ||
| 5-1 | "Safecracker Meets Safecracker", Part 12 | — | ||
| 5-2 | "Safecracker Meets Safecracker", Part 13 | — | ||
| 5-3 | "Safecracker Meets Safecracker", Part 14 | — | ||
| 5-4 | "Uncle Sam Doesn't Need You!", Part 1 | — | ||
| 5-5 | "Uncle Sam Doesn't Need You!", Part 2 | — | ||
| 5-6 | "Uncle Sam Doesn't Need You!", Part 3 | — | ||
| 5-7 | "Uncle Sam Doesn't Need You!", Part 4 | — | ||
| 5-8 | "Uncle Sam Doesn't Need You!", Part 5 | — | ||
| 5-9 | "The Dignified Professor", Part 1 | — | ||
| 5-10 | "The Dignified Professor", Part 2 | — | ||
| 5-11 | "The Dignified Professor", Part 3 | — | ||
| 5-12 | "The Dignified Professor", Part 4 | — | ||
| 5-13 | "The Dignified Professor", Part 5 | — | ||
| 5-14 | "The Dignified Professor", Part 6 | — | ||
| 5-15 | "The Dignified Professor", Part 7 | — | ||
| 5-16 | "Any Questions?", Part 1 | — | ||
| 5-17 | "Any Questions?", Part 2 | — | ||
| 5-18 | "Any Questions?", Part 3 | — | ||
| 5-19 | "I Want My Dollar!", Part 1 | — | ||
| 5-20 | "I Want My Dollar!", Part 2 | — | ||
| 6-1 | "You Just Ask Them?", Part 1 | — | ||
| 6-2 | "You Just Ask Them?", Part 2 | — | ||
| 6-3 | "You Just Ask Them?", Part 3 | — | ||
| 6-4 | "You Just Ask Them?", Part 4 | — | ||
| 6-5 | "You Just Ask Them?", Part 5 | — | ||
| 6-6 | "Lucky Numbers", Part 1 | — | ||
| 6-7 | "Lucky Numbers", Part 2 | — | ||
| 6-8 | "Lucky Numbers", Part 3 | — | ||
| 6-9 | "Lucky Numbers", Part 4 | — | ||
| 6-10 | "Lucky Numbers", Part 5 | — | ||
| 6-11 | "O Americano, Outra Vez!", Part 1 | — | ||
| 6-12 | "O Americano, Outra Vez!", Part 2 | — | ||
| 6-13 | "O Americano, Outra Vez!", Part 3 | — | ||
| 6-14 | "O Americano, Outra Vez!", Part 4 | — | ||
| 6-15 | "O Americano, Outra Vez!", Part 5 | — | ||
| 6-16 | "O Americano, Outra Vez!", Part 6 | — | ||
| 6-17 | "O Americano, Outra Vez!", Part 7 | — | ||
| 6-18 | "O Americano, Outra Vez!", Part 8 | — | ||
| 6-19 | "O Americano, Outra Vez!", Part 9 | — | ||
| 6-20 | "O Americano, Outra Vez!", Part 10 | — | ||
| 6-21 | "O Americano, Outra Vez!", Part 11 | — | ||
| 6-22 | "O Americano, Outra Vez!", Part 12 | — | ||
| 6-23 | "O Americano, Outra Vez!", Part 13 | — | ||
| 6-24 | "O Americano, Outra Vez!", Part 14 | — | ||
| 6-25 | "O Americano, Outra Vez!", Part 15 | — | ||
| 6-26 | "O Americano, Outra Vez!", Part 16 | — | ||
| 7-1 | Man of a Thousand Tongues | — | ||
| 7-2 | "Certainly, Mr. Big!", Part 1 | — | ||
| 7-3 | "Certainly, Mr. Big!", Part 2 | — | ||
| 7-4 | "Certainly, Mr. Big!", Part 3 | — | ||
| 7-5 | "Certainly, Mr. Big!", Part 4 | — | ||
| 7-6 | "Certainly, Mr. Big!", Part 5 | — | ||
| 7-7 | "Certainly, Mr. Big!", Part 6 | — | ||
| 7-8 | "Certainly, Mr. Big!", Part 7 | — | ||
| 7-9 | "Certainly, Mr. Big!", Part 8 | — | ||
| 7-10 | "An Offer You Must Refuse", Part 1 | — | ||
| 7-11 | "An Offer You Must Refuse", Part 2 | — | ||
| 7-12 | "An Offer You Must Refuse", Part 3 | — | ||
| 7-13 | "An Offer You Must Refuse", Part 4 | — | ||
| 7-14 | "Would You Solve the Dirac Equation?", Part 1 | — | ||
| 7-15 | "Would You Solve the Dirac Equation?", Part 2 | — | ||
| 7-16 | "Would You Solve the Dirac Equation?", Part 3 | — | ||
| 7-17 | "Would You Solve the Dirac Equation?", Part 4 | — | ||
| 7-18 | "Would You Solve the Dirac Equation?", Part 5 | — | ||
| 7-19 | "Would You Solve the Dirac Equation?", Part 6 | — | ||
| 7-20 | "Would You Solve the Dirac Equation?", Part 7 | — | ||
| 8-1 | "The 7 Percent Solution", Part 1 | — | ||
| 8-2 | "The 7 Percent Solution", Part 2 | — | ||
| 8-3 | "The 7 Percent Solution", Part 3 | — | ||
| 8-4 | "The 7 Percent Solution", Part 4 | — | ||
| 8-5 | "The 7 Percent Solution", Part 5 | — | ||
| 8-6 | "The 7 Percent Solution", Part 6 | — | ||
| 8-7 | Thirteen Times | — | ||
| 8-8 | It Sounds Greek to Me | — | ||
| 8-9 | "But Is It Art?", Part 1 | — | ||
| 8-10 | "But Is It Art?", Part 2 | — | ||
| 8-11 | "But Is It Art?", Part 3 | — | ||
| 8-12 | "But Is It Art?", Part 4 | — | ||
| 8-13 | "But Is It Art?", Part 5 | — | ||
| 8-14 | "But Is It Art?", Part 6 | — | ||
| 8-15 | "But Is It Art?", Part 7 | — | ||
| 8-16 | "But Is It Art?", Part 8 | — | ||
| 8-17 | "But Is It Art?", Part 8 | — | ||
| 8-18 | "But Is It Art?", Part 9 | — | ||
| 8-19 | "But Is It Art?", Part 10 | — | ||
| 8-20 | "But Is It Art?", Part 11 | — | ||
| 8-21 | "But Is It Art?", Part 12 | — | ||
| 8-22 | "But Is It Art?", Part 13 | — | ||
| 9-1 | "Is Electricity Fire?", Part 1 | — | ||
| 9-2 | "Is Electricity Fire?", Part 2 | — | ||
| 9-3 | "Is Electricity Fire?", Part 3 | — | ||
| 9-4 | "Is Electricity Fire?", Part 4 | — | ||
| 9-5 | "Is Electricity Fire?", Part 5 | — | ||
| 9-6 | "Is Electricity Fire?", Part 6 | — | ||
| 9-7 | "Judging Books by Their Covers", Part 1 | — | ||
| 9-8 | "Judging Books by Their Covers", Part 2 | — | ||
| 9-9 | "Judging Books by Their Covers", Part 3 | — | ||
| 9-10 | "Judging Books by Their Covers", Part 4 | — | ||
| 9-11 | "Judging Books by Their Covers", Part 5 | — | ||
| 9-12 | "Judging Books by Their Covers", Part 6 | — | ||
| 9-13 | "Judging Books by Their Covers", Part 7 | — | ||
| 9-14 | "Judging Books by Their Covers", Part 8 | — | ||
| 9-15 | "Judging Books by Their Covers", Part 9 | — | ||
| 9-16 | "Judging Books by Their Covers", Part 10 | — | ||
| 9-17 | "Alfred Nobel's Other Mistake", Part 1 | — | ||
| 9-18 | "Alfred Nobel's Other Mistake", Part 2 | — | ||
| 9-19 | "Alfred Nobel's Other Mistake", Part 3 | — | ||
| 9-20 | "Alfred Nobel's Other Mistake", Part 4 | — | ||
| 9-21 | "Alfred Nobel's Other Mistake", Part 5 | — | ||
| 9-22 | "Alfred Nobel's Other Mistake", Part 6 | — | ||
| 9-23 | "Alfred Nobel's Other Mistake", Part 7 | — | ||
| 10-1 | "Bringing Cultures to the Physicists", Part 1 | — | ||
| 10-2 | "Bringing Cultures to the Physicists", Part 2 | — | ||
| 10-3 | "Bringing Cultures to the Physicists", Part 3 | — | ||
| 10-4 | "Bringing Cultures to the Physicists", Part 4 | — | ||
| 10-5 | "Found Out in Paris", Part 1 | — | ||
| 10-6 | "Found Out in Paris", Part 2 | — | ||
| 10-7 | "Found Out in Paris", Part 3 | — | ||
| 10-8 | "Found Out in Paris", Part 4 | — | ||
| 10-9 | "Found Out in Paris", Part 5 | — | ||
| 10-10 | "Found Out in Paris", Part 6 | — | ||
| 10-11 | "Found Out in Paris", Part 7 | — | ||
| 10-12 | "Found Out in Paris", Part 8 | — | ||
| 10-13 | "Altered States", Part 1 | — | ||
| 10-14 | "Altered States", Part 2 | — | ||
| 10-15 | "Altered States", Part 3 | — | ||
| 10-16 | "Altered States", Part 4 | — | ||
| 10-17 | "Altered States", Part 5 | — | ||
| 10-18 | "Altered States", Part 6 | — | ||
| 10-19 | "Cargo Cult Science", Part 1 | — | ||
| 10-20 | "Cargo Cult Science", Part 2 | — | ||
| 10-21 | "Cargo Cult Science", Part 3 | — | ||
| 10-22 | "Cargo Cult Science", Part 4 | — | ||
| 10-23 | "Cargo Cult Science", Part 5 | — | ||
| 10-24 | "Cargo Cult Science", Part 6 | — | ||
| 10-25 | "Cargo Cult Science", Part 7 | — | ||
| 10-26 | "Cargo Cult Science", Part 8 | — |
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What is UPC 9780786177288?
9780786177288 is a Universal Product Code (UPC) assigned to “Surely You're Joking, Mr. Feynman!” by Richard P. Feynman, Raymond Todd. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 232 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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