UPC · Release
Black Girl White Girl
Joyce Carol Oates, Anna Fields
9780792745136
166 tracksReleased 2006-01-01
Last verified:
9780792745136 is the Universal Product Code (UPC barcode) for the release “Black Girl White Girl” by Joyce Carol Oates, Anna Fields, released 2006-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 166 tracks, each with its own ISRC.
Format
978GS1 prefix
0792Company prefix
74513Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (166)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Credits / "In Memoriam" | — | ||
| 2 | Part I, "Crack", part 1 | — | ||
| 3 | Part I, "Crack", part 2 | — | ||
| 4 | Part I, "Crack", part 3 | — | ||
| 5 | Part I, "Crack", part 4 | — | ||
| 6 | Part I, "Crack", part 5 | — | ||
| 7 | Part I, "Crack", part 6 | — | ||
| 8 | Part I, "Crack", part 7 | — | ||
| 9 | Part I, "Crack", part 8 | — | ||
| 10 | Part I, "Crack", part 9 | — | ||
| 11 | Part I, "Crack", part 10 | — | ||
| 12 | Part I, "Shame", part 1 | — | ||
| 13 | Part I, "Shame", part 2 | — | ||
| 14 | Part I, "Shame", part 3 | — | ||
| 15 | Part I, "Shame", part 4 | — | ||
| 16 | Part I, "Shame", part 5 | — | ||
| 17 | Part I, "Shame", part 6 | — | ||
| 18 | Part I, "Secret Passageway", part 1 | — | ||
| 19 | Part I, "Secret Passageway", part 2 | — | ||
| 20 | Part I, "Secret Passageway", part 3 | — | ||
| 2-1 | Part I, "Secret Passageway", part 4 | — | ||
| 2-2 | Part I, "Secret Passageway", part 5 | — | ||
| 2-3 | Part I, "Secret Passageway", part 6 | — | ||
| 2-4 | Part I, "Secret Passageway", part 7 | — | ||
| 2-5 | Part I, "Secret Passageway", part 8 | — | ||
| 2-6 | Part I, "Secret Passageway", part 9 | — | ||
| 2-7 | Part I, "Secret Passageway", part 10 | — | ||
| 2-8 | Part I, "Secret Passageway", part 11 | — | ||
| 2-9 | Part I, "Secret Passageway", part 12 | — | ||
| 2-10 | Part I, "Secret Passageway", part 13 | — | ||
| 2-11 | Part I, "What Good", part 1 | — | ||
| 2-12 | Part I, "What Good", part 2 | — | ||
| 2-13 | Part I, "What Good", part 3 | — | ||
| 2-14 | Part I, "What Good", part 4 | — | ||
| 2-15 | Part I, "What Good", part 5 | — | ||
| 2-16 | Part I, "The Norton Anthology of American Literature", part 1 | — | ||
| 2-17 | Part I, "The Norton Anthology of American Literature", part 2 | — | ||
| 2-18 | Part I, "The Norton Anthology of American Literature", part 3 | — | ||
| 2-19 | Part I, "Safe House" | — | ||
| 2-20 | Part I, "Suspicion", part 1 | — | ||
| 2-21 | Part I, "Suspicion", part 2 | — | ||
| 3-1 | Part I, "Suspects", part 1 | — | ||
| 3-2 | Part I, "Suspects", part 2 | — | ||
| 3-3 | Part I, "Weeping" | — | ||
| 3-4 | Part I, "Emergency?", part 1 | — | ||
| 3-5 | Part I, "Emergency?", part 2 | — | ||
| 3-6 | Part I, "Emergency?", part 3 | — | ||
| 3-7 | Part I, "Emergency?", part 4 | — | ||
| 3-8 | Part I, "Blueberry" | — | ||
| 3-9 | Part II, "Black Girl/White Girl", part 1 | — | ||
| 3-10 | Part II, "Black Girl/White Girl", part 2 | — | ||
| 3-11 | Part II, "Black Girl/White Girl", part 3 | — | ||
| 3-12 | Part II, "Black Girl/White Girl", part 4 | — | ||
| 3-13 | Part II, "Black Girl/White Girl", part 5 | — | ||
| 3-14 | Part II, "Black Girl/White Girl", part 6 | — | ||
| 3-15 | Part II, "Black Girl/White Girl", part 7 | — | ||
| 3-16 | Part II, "Black Girl/White Girl", part 8 | — | ||
| 3-17 | Part II, "Black Girl/White Girl", part 9 | — | ||
| 3-18 | Part II, "Black Girl/White Girl", part 10 | — | ||
| 3-19 | Part II, "Black Girl/White Girl", part 11 | — | ||
| 3-20 | Part II, "Black Girl/White Girl", part 12 | — | ||
| 4-1 | Part II, "Black Girl/White Girl", part 13 | — | ||
| 4-2 | Part II, "Black Girl/White Girl", part 14 | — | ||
| 4-3 | Part II, "Black Girl/White Girl", part 15 | — | ||
| 4-4 | Part II, "Black Girl/White Girl", part 16 | — | ||
| 4-5 | Part II, "Black Girl/White Girl", part 17 | — | ||
| 4-6 | Part II, "Black Girl/White Girl", part 18 | — | ||
| 4-7 | Part II, "Black Girl/White Girl", part 19 | — | ||
| 4-8 | Part II, "Black Girl/White Girl", part 20 | — | ||
| 4-9 | Part II, "Black Girl/White Girl", part 21 | — | ||
| 4-10 | Part II, "Black Girl/White Girl", part 22 | — | ||
| 4-11 | Part II, "Black Girl/White Girl", part 23 | — | ||
| 4-12 | Part II, "Black Girl/White Girl", part 24 | — | ||
| 4-13 | Part II, "Guts", part 1 | — | ||
| 4-14 | Part II, "Guts", part 2 | — | ||
| 4-15 | Part II, "Guts", part 3 | — | ||
| 4-16 | Part II, "Guts", part 4 | — | ||
| 4-17 | Part II, "The Enemy", part 1 | — | ||
| 4-18 | Part II, "The Enemy", part 2 | — | ||
| 4-19 | Part II, "The Enemy", part 3 | — | ||
| 4-20 | Part II, "O Come Let Us Adore Him", part 1 | — | ||
| 5-1 | Part II, "O Come Let Us Adore Him", part 2 | — | ||
| 5-2 | Part II, "O Come Let Us Adore Him", part 3 | — | ||
| 5-3 | Part II, "O Come Let Us Adore Him", part 4 | — | ||
| 5-4 | Part II, "O Come Let Us Adore Him", part 5 | — | ||
| 5-5 | Part II, "O Come Let Us Adore Him", part 6 | — | ||
| 5-6 | Part II, "Sick" | — | ||
| 5-7 | Part II, "Notes on My Roommate Minette Swift", part 1 | — | ||
| 5-8 | Part II, "Notes on My Roommate Minette Swift", part 2 | — | ||
| 5-9 | Part II, "Notes on My Roommate Minette Swift", part 3 | — | ||
| 5-10 | Part II, "Notes on My Roommate Minette Swift", part 4 | — | ||
| 5-11 | Part II, "Notes on My Roommate Minette Swift", part 5 | — | ||
| 5-12 | Part II, "Notes on My Roommate Minette Swift", part 6 | — | ||
| 5-13 | Part II, "Notes on My Roommate Minette Swift", part 7 | — | ||
| 5-14 | Part II, "Notes on My Roommate Minette Swift", part 8 | — | ||
| 5-15 | Part II, "Notes on My Roommate Minette Swift", part 9 | — | ||
| 5-16 | Part II, "Notes on My Roommate Minette Swift", part 10 | — | ||
| 5-17 | Part II, "Notes on My Roommate Minette Swift", part 11 | — | ||
| 5-18 | Part III, "Merry Christmas" / "Holidays" / "New Year 1975" | — | ||
| 5-19 | Part III, "Testimony", part 1 | — | ||
| 5-20 | Part III, "Testimony", part 2 | — | ||
| 5-21 | Part III, "Testimony", part 3 | — | ||
| 5-22 | Part III, "Testimony", part 4 | — | ||
| 6-1 | Part III, "New Year", part 1 | — | ||
| 6-2 | Part III, "New Year", part 2 | — | ||
| 6-3 | Part III, "New Year", part 3 | — | ||
| 6-4 | Part III, "New Year", part 4 | — | ||
| 6-5 | Part III, "New Year", part 5 | — | ||
| 6-6 | Part III, "Niggr", part 1 | — | ||
| 6-7 | Part III, "Niggr", part 2 | — | ||
| 6-8 | Part III, "Niggr", part 3 | — | ||
| 6-9 | Part III, "Niggr", part 4 | — | ||
| 6-10 | Part III, "Bare" / "In the Night" | — | ||
| 6-11 | Part III, "The Incident", part 1 | — | ||
| 6-12 | Part III, "The Incident", part 2 | — | ||
| 6-13 | Part III, "Midwinter", part 1 | — | ||
| 6-14 | Part III, "Midwinter", part 2 | — | ||
| 6-15 | Part III, "Midwinter", part 3 | — | ||
| 6-16 | Part III, "Midwinter", part 4 | — | ||
| 6-17 | Part III, "Midwinter", part 5 | — | ||
| 6-18 | Part III, "Midwinter", part 6 | — | ||
| 6-19 | Part III, "Midwinter", part 7 | — | ||
| 6-20 | Part III, "Midwinter", part 8 | — | ||
| 7-1 | Part III, "Separate" | — | ||
| 7-2 | Part III, "Revenge", part 1 | — | ||
| 7-3 | Part III, "Revenge", part 2 | — | ||
| 7-4 | Part III, "Revenge", part 3 | — | ||
| 7-5 | Part III, "Revenge", part 4 | — | ||
| 7-6 | Part III, "Revenge", part 5 | — | ||
| 7-7 | Part III, "Rumor!", part 1 | — | ||
| 7-8 | Part III, "Rumor!", part 2 | — | ||
| 7-9 | Part III, "Loss", part 1 | — | ||
| 7-10 | Part III, "Loss", part 2 | — | ||
| 7-11 | Part III, "Loss", part 3 | — | ||
| 7-12 | Part III, "Research", part 1 | — | ||
| 7-13 | Part III, "Research", part 2 | — | ||
| 7-14 | Part III, "Research", part 3 | — | ||
| 7-15 | Part III, "Stradegy" / "Black Girl/White Girl" | — | ||
| 7-16 | Part III, "Stone Cottage", part 1 | — | ||
| 7-17 | Part III, "Stone Cottage", part 2 | — | ||
| 7-18 | Part III, "Stone Cottage", part 3 | — | ||
| 7-19 | Part III, "Stone Cottage", part 4 | — | ||
| 7-20 | Part III, "Stone Cottage", part 5 | — | ||
| 7-21 | Part III, "Stone Cottage", part 6 | — | ||
| 8-1 | Part III, "Stone Cottage", part 7 | — | ||
| 8-2 | Part III, "In the Night" / "Unexpected!" | — | ||
| 8-3 | Part III, "Lost Gift" / "'Remains'" / "No Shadow" | — | ||
| 8-4 | Part III, "Do Not Enter Do Not Enter" | — | ||
| 8-5 | Part III, "Too Late", part 1 | — | ||
| 8-6 | Part III, "Too Late", part 2 | — | ||
| 8-7 | Part III, "Too Late", part 3 | — | ||
| 8-8 | Part III, "Confidential", part 1 | — | ||
| 8-9 | Part III, "Confidential", part 2 | — | ||
| 8-10 | Epilogue [September 1990] / "Some Truths", part 1 | — | ||
| 8-11 | Epilogue [September 1990] / "Some Truths", part 2 | — | ||
| 8-12 | Epilogue [September 1990] / "Some Truths", part 3 | — | ||
| 8-13 | Epilogue [September 1990] / "Some Truths", part 4 | — | ||
| 8-14 | Epilogue [September 1990] / "Some Truths", part 5 | — | ||
| 8-15 | Epilogue [September 1990] / "Some Truths", part 6 | — | ||
| 8-16 | Epilogue [September 1990] / "Some Truths", part 7 | — | ||
| 8-17 | Epilogue [September 1990] / "Some Truths", part 8 | — | ||
| 8-18 | Epilogue [September 1990] / "Some Truths", part 9 | — | ||
| 8-19 | Epilogue [September 1990] / "Some Truths", part 10 | — | ||
| 8-20 | Epilogue [September 1990] / "Some Truths", part 11 | — | ||
| 8-21 | Epilogue [September 1990] / "Some Truths", part 12 | — | ||
| 8-22 | Epilogue [September 1990] / "Some Truths", part 13 / Ending Credits | — |
Credits / "In Memoriam"
—
Part I, "Crack", part 1
—
Part I, "Crack", part 2
—
Part I, "Crack", part 3
—
Part I, "Crack", part 4
—
Part I, "Crack", part 5
—
Part I, "Crack", part 6
—
Part I, "Crack", part 7
—
Part I, "Crack", part 8
—
Part I, "Crack", part 9
—
Part I, "Crack", part 10
—
Part I, "Shame", part 1
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Part I, "Shame", part 2
—
Part I, "Shame", part 3
—
Part I, "Shame", part 4
—
Part I, "Shame", part 5
—
Part I, "Shame", part 6
—
Part I, "Secret Passageway", part 1
—
Part I, "Secret Passageway", part 2
—
Part I, "Secret Passageway", part 3
—
Part I, "Secret Passageway", part 4
—
Part I, "Secret Passageway", part 5
—
Part I, "Secret Passageway", part 6
—
Part I, "Secret Passageway", part 7
—
Part I, "Secret Passageway", part 8
—
Part I, "Secret Passageway", part 9
—
Part I, "Secret Passageway", part 10
—
Part I, "Secret Passageway", part 11
—
Part I, "Secret Passageway", part 12
—
Part I, "Secret Passageway", part 13
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Part I, "What Good", part 1
—
Part I, "What Good", part 2
—
Part I, "What Good", part 3
—
Part I, "What Good", part 4
—
Part I, "What Good", part 5
—
Part I, "The Norton Anthology of American Literature", part 1
—
Part I, "The Norton Anthology of American Literature", part 2
—
Part I, "The Norton Anthology of American Literature", part 3
—
Part I, "Safe House"
—
Part I, "Suspicion", part 1
—
Part I, "Suspicion", part 2
—
Part I, "Suspects", part 1
—
Part I, "Suspects", part 2
—
Part I, "Weeping"
—
Part I, "Emergency?", part 1
—
Part I, "Emergency?", part 2
—
Part I, "Emergency?", part 3
—
Part I, "Emergency?", part 4
—
Part I, "Blueberry"
—
Part II, "Black Girl/White Girl", part 1
—
Part II, "Black Girl/White Girl", part 2
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Part II, "Black Girl/White Girl", part 3
—
Part II, "Black Girl/White Girl", part 4
—
Part II, "Black Girl/White Girl", part 5
—
Part II, "Black Girl/White Girl", part 6
—
Part II, "Black Girl/White Girl", part 7
—
Part II, "Black Girl/White Girl", part 8
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Part II, "Black Girl/White Girl", part 9
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Part II, "Black Girl/White Girl", part 10
—
Part II, "Black Girl/White Girl", part 11
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Part II, "Black Girl/White Girl", part 12
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Part II, "Black Girl/White Girl", part 13
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Part II, "Black Girl/White Girl", part 14
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Part II, "Black Girl/White Girl", part 15
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Part II, "Black Girl/White Girl", part 16
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Part II, "Black Girl/White Girl", part 17
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Part II, "Black Girl/White Girl", part 18
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Part II, "Black Girl/White Girl", part 19
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Part II, "Black Girl/White Girl", part 20
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Part II, "Black Girl/White Girl", part 21
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Part II, "Black Girl/White Girl", part 22
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Part II, "Black Girl/White Girl", part 23
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Part II, "Black Girl/White Girl", part 24
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Part II, "Guts", part 1
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Part II, "Guts", part 2
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Part II, "Guts", part 3
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Part II, "Guts", part 4
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Part II, "The Enemy", part 1
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Part II, "The Enemy", part 2
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Part II, "The Enemy", part 3
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Part II, "O Come Let Us Adore Him", part 1
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Part II, "O Come Let Us Adore Him", part 2
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Part II, "O Come Let Us Adore Him", part 3
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Part II, "O Come Let Us Adore Him", part 4
—
Part II, "O Come Let Us Adore Him", part 5
—
Part II, "O Come Let Us Adore Him", part 6
—
Part II, "Sick"
—
Part II, "Notes on My Roommate Minette Swift", part 1
—
Part II, "Notes on My Roommate Minette Swift", part 2
—
Part II, "Notes on My Roommate Minette Swift", part 3
—
Part II, "Notes on My Roommate Minette Swift", part 4
—
Part II, "Notes on My Roommate Minette Swift", part 5
—
Part II, "Notes on My Roommate Minette Swift", part 6
—
Part II, "Notes on My Roommate Minette Swift", part 7
—
Part II, "Notes on My Roommate Minette Swift", part 8
—
Part II, "Notes on My Roommate Minette Swift", part 9
—
Part II, "Notes on My Roommate Minette Swift", part 10
—
Part II, "Notes on My Roommate Minette Swift", part 11
—
Part III, "Merry Christmas" / "Holidays" / "New Year 1975"
—
Part III, "Testimony", part 1
—
Part III, "Testimony", part 2
—
Part III, "Testimony", part 3
—
Part III, "Testimony", part 4
—
Part III, "New Year", part 1
—
Part III, "New Year", part 2
—
Part III, "New Year", part 3
—
Part III, "New Year", part 4
—
Part III, "New Year", part 5
—
Part III, "Niggr", part 1
—
Part III, "Niggr", part 2
—
Part III, "Niggr", part 3
—
Part III, "Niggr", part 4
—
Part III, "Bare" / "In the Night"
—
Part III, "The Incident", part 1
—
Part III, "The Incident", part 2
—
Part III, "Midwinter", part 1
—
Part III, "Midwinter", part 2
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Part III, "Midwinter", part 3
—
Part III, "Midwinter", part 4
—
Part III, "Midwinter", part 5
—
Part III, "Midwinter", part 6
—
Part III, "Midwinter", part 7
—
Part III, "Midwinter", part 8
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Part III, "Separate"
—
Part III, "Revenge", part 1
—
Part III, "Revenge", part 2
—
Part III, "Revenge", part 3
—
Part III, "Revenge", part 4
—
Part III, "Revenge", part 5
—
Part III, "Rumor!", part 1
—
Part III, "Rumor!", part 2
—
Part III, "Loss", part 1
—
Part III, "Loss", part 2
—
Part III, "Loss", part 3
—
Part III, "Research", part 1
—
Part III, "Research", part 2
—
Part III, "Research", part 3
—
Part III, "Stradegy" / "Black Girl/White Girl"
—
Part III, "Stone Cottage", part 1
—
Part III, "Stone Cottage", part 2
—
Part III, "Stone Cottage", part 3
—
Part III, "Stone Cottage", part 4
—
Part III, "Stone Cottage", part 5
—
Part III, "Stone Cottage", part 6
—
Part III, "Stone Cottage", part 7
—
Part III, "In the Night" / "Unexpected!"
—
Part III, "Lost Gift" / "'Remains'" / "No Shadow"
—
Part III, "Do Not Enter Do Not Enter"
—
Part III, "Too Late", part 1
—
Part III, "Too Late", part 2
—
Part III, "Too Late", part 3
—
Part III, "Confidential", part 1
—
Part III, "Confidential", part 2
—
Epilogue [September 1990] / "Some Truths", part 1
—
Epilogue [September 1990] / "Some Truths", part 2
—
Epilogue [September 1990] / "Some Truths", part 3
—
Epilogue [September 1990] / "Some Truths", part 4
—
Epilogue [September 1990] / "Some Truths", part 5
—
Epilogue [September 1990] / "Some Truths", part 6
—
Epilogue [September 1990] / "Some Truths", part 7
—
Epilogue [September 1990] / "Some Truths", part 8
—
Epilogue [September 1990] / "Some Truths", part 9
—
Epilogue [September 1990] / "Some Truths", part 10
—
Epilogue [September 1990] / "Some Truths", part 11
—
Epilogue [September 1990] / "Some Truths", part 12
—
Epilogue [September 1990] / "Some Truths", part 13 / Ending Credits
—
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What is UPC 9780792745136?
9780792745136 is a Universal Product Code (UPC) assigned to Black Girl White Girl by Joyce Carol Oates, Anna Fields. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 166 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm