UPC · Release
Snuff
Terry Pratchett, Stephen Briggs
Last verified:
9780792780045 is the Universal Product Code (UPC barcode) for the release “Snuff” by Terry Pratchett, Stephen Briggs, released 2011-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 90 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (90)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Harper Audio Presents… | — | ||
| 2 | His Grace the Duke of Ankh,… | — | ||
| 3 | Uncharacteristically for him, Lord Vetinari laughed… | — | ||
| 4 | In the middle of the throng… | — | ||
| 5 | Soon afterward Lady Sybil was busily engaged… | — | ||
| 6 | It had been a long day… | — | ||
| 7 | There was a maid sweeping… | — | ||
| 8 | While the apple of their eyes… | — | ||
| 9 | Young Sam did not need very much… | — | ||
| 2-1 | The certain ones, I mean… | — | ||
| 2-2 | “This is Hangman's Hill,”… | — | ||
| 2-3 | Sam Vimes was no stranger to death,… | — | ||
| 2-4 | After ten minutes of walking,… | — | ||
| 2-5 | There had been some desultory conversation… | — | ||
| 2-6 | It was often a good idea,… | — | ||
| 2-7 | Vimes slept a lot better that night,… | — | ||
| 2-8 | Lady Sybil was very quiet… | — | ||
| 2-9 | Jiminy's expression was frozen,… | — | ||
| 3-1 | The slip of linen seemed to defy gravity… | — | ||
| 3-2 | Willikin's knife disappeared… | — | ||
| 3-3 | Young Sam was already reading by himself… | — | ||
| 3-4 | The clergyman, whom Vimes had noticed… | — | ||
| 3-5 | When the last carriage had been waved away… | — | ||
| 3-6 | The curtains were drawn… | — | ||
| 3-7 | The door was opened to them… | — | ||
| 3-8 | Vimes saw the landscape drift past… | — | ||
| 3-9 | It was a pleasant walk down to the lockup,… | — | ||
| 4-1 | Not panicking now, the goblin pointed a claw… | — | ||
| 4-2 | Colonel Charles Augustus Makepeace had… | — | ||
| 4-3 | The goblin was already moving quite fast… | — | ||
| 4-4 | The track from the top of Hangman's Hill… | — | ||
| 4-5 | There were no roses here,… | — | ||
| 4-6 | In the Ahkh-Morpork City Watch forensic laboratory… | — | ||
| 4-7 | The mother of Sam Vimes had managed,… | — | ||
| 4-8 | Vimes stood up so fast… | — | ||
| 4-9 | Was that a smile on the old goblin's face? | — | ||
| 5-1 | It was an eerie journey. | — | ||
| 5-2 | Vimes had spun round… | — | ||
| 5-3 | The feeling that hit Samuel Vimes… | — | ||
| 5-4 | Sybil was in a drawing room… | — | ||
| 5-5 | Young Sam was sitting on a hay bale… | — | ||
| 5-6 | A few hours later, almost drowning… | — | ||
| 5-7 | Baked by a goblin, thought Vimes… | — | ||
| 5-8 | Miss Beedle stood up and brushed at her dress,… | — | ||
| 5-9 | The next day Sergeant Colon did not turn up… | — | ||
| 5-10 | Vimes did some thinking about the problem… | — | ||
| 6-1 | There were times when the world… | — | ||
| 6-2 | In the cool depths of his cellar,… | — | ||
| 6-3 | Feeling rather chirpy after this interlude,… | — | ||
| 6-4 | There was no point going to bed,… | — | ||
| 6-5 | They walked with care across the stinking yard… | — | ||
| 6-6 | Before Vimes was even able to tap on the window,… | — | ||
| 6-7 | Vimes pulled out bale after bale of brown leaves… | — | ||
| 6-8 | But of course, who would tell anything important… | — | ||
| 6-9 | People said that these days, Ankh-Morpork was moving. | — | ||
| 7-1 | The shape apparently said, according to Billy,… | — | ||
| 7-2 | Mr. Bewilderforce Gumption was having a good day… | — | ||
| 7-3 | In fact it took Wee Mad Arthur only an hour… | — | ||
| 7-4 | Something was going on at the lockup. | — | ||
| 7-5 | Feeney turned around, making sure… | — | ||
| 7-6 | Vimes watched the young man's face… | — | ||
| 7-7 | Wee Mad Arthur was impressed. | — | ||
| 7-8 | Willikins was sitting on the bench… | — | ||
| 7-9 | Willikins beamed and saluted. | — | ||
| 8-1 | The wind was blowing up,… | — | ||
| 8-2 | And the darkness had been his friend,… | — | ||
| 8-3 | His name was False;… | — | ||
| 8-4 | Vimes stared at him. | — | ||
| 8-5 | Right now, as he looked at the frightened child,… | — | ||
| 8-6 | And I thought the city was on the tough side,… | — | ||
| 8-7 | The man formerly known as Brassbound… | — | ||
| 8-8 | Possibly Stinky was the brains of the outfit. | — | ||
| 8-9 | Vimes woke in damp and utter darkness… | — | ||
| 9-1 | Of course, the seasickness didn't help,… | — | ||
| 9-2 | Vimes liked to have his feet on something solid,… | — | ||
| 9-3 | Vimes made sure the man was held fast… | — | ||
| 9-4 | The Queen of Quirm docked that day,… | — | ||
| 9-5 | Say what you like, the food… | — | ||
| 9-6 | Vimes stepped away from the mirror… | — | ||
| 9-7 | Later, Samuel Vimes, all of him, had a bath… | — | ||
| 9-8 | When they reached Ramkin Hall again… | — | ||
| 9-9 | During the afternoon Sam Vimes worried. | — | ||
| 10-1 | The Roberta E. Biscuit plowed on into the night,… | — | ||
| 10-2 | In the middle of the night… | — | ||
| 10-3 | There was a huge jamming of coaches… | — | ||
| 10-4 | The flames where so high over the Ramkin Estate… | — | ||
| 10-5 | Stratford was good at speed. | — | ||
| 10-6 | Three days passed. | — | ||
| 10-7 | Vimes opened his mouth to speak,… | — | ||
| 10-8 | Epilogue. And three months later… | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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What is UPC 9780792780045?
9780792780045 is a Universal Product Code (UPC) assigned to Snuff by Terry Pratchett, Stephen Briggs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 90 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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