The Thief Lord

UPC · Release

The Thief Lord

Cornelia Funke, Simon Jones

9780807217757
84 tracksReleased 2005-09-13

Last verified:

9780807217757 is the Universal Product Code (UPC barcode) for the release The Thief Lord by Cornelia Funke, Simon Jones, released 2005-09-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC.

Format

978GS1 prefix
0807Company prefix
21775Product
7Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (84)

Introduction
Introduction
Chapter 1: “Victor’s New Clients”, Part 1
Chapter 1: “Victor’s New Clients”, Part 1
Chapter 1: “Victor’s New Clients”, Part 2
Chapter 1: “Victor’s New Clients”, Part 2
Chapter 2: “Three Children”, Part 1
Chapter 2: “Three Children”, Part 1
Chapter 2: “Three Children”, Part 2
Chapter 2: “Three Children”, Part 2
Chapter 3: “The Star-Palace”, Part 1
Chapter 3: “The Star-Palace”, Part 1
Chapter 3: “The Star-Palace”, Part 2
Chapter 3: “The Star-Palace”, Part 2
Chapter 4: “The Thief Lord”, Part 1
Chapter 4: “The Thief Lord”, Part 1
Chapter 4: “The Thief Lord”, Part 2
Chapter 4: “The Thief Lord”, Part 2
Chapter 5: “Barbarossa”, Part 1
Chapter 5: “Barbarossa”, Part 1
Chapter 5: “Barbarossa”, Part 2
Chapter 5: “Barbarossa”, Part 2
Chapter 6: “A Nasty Coincidence”, Part 1
Chapter 6: “A Nasty Coincidence”, Part 1
Chapter 6: “A Nasty Coincidence”, Part 2
Chapter 6: “A Nasty Coincidence”, Part 2
Chapter 7: “Bad Luck for Victor”
Chapter 7: “Bad Luck for Victor”
Chapter 8: “Scipio’s Answer”, Part 1
Chapter 8: “Scipio’s Answer”, Part 1
Chapter 8: “Scipio’s Answer”, Part 2
Chapter 8: “Scipio’s Answer”, Part 2
Chapter 9: “Everybody Is Small at Night”
Chapter 9: “Everybody Is Small at Night”
Chapter 10: “The Message”
Chapter 10: “The Message”
Chapter 11: “Victor Waits”
Chapter 11: “Victor Waits”
Chapter 12: “Meeting in the Confessional”, Part 1
Chapter 12: “Meeting in the Confessional”, Part 1
Chapter 12: “Meeting in the Confessional”, Part 2
Chapter 12: “Meeting in the Confessional”, Part 2
Chapter 13: “Pumping for Information”, Part 1
Chapter 13: “Pumping for Information”, Part 1
Chapter 13: “Pumping for Information”, Part 2
Chapter 13: “Pumping for Information”, Part 2
Chapter 14: “Premonitions”
Chapter 14: “Premonitions”
Chapter 15: “A Beating for Victor”
Chapter 15: “A Beating for Victor”
Chapter 16: “The Conte’s Envelope”, Part 1
Chapter 16: “The Conte’s Envelope”, Part 1
Chapter 16: “The Conte’s Envelope”, Part 2
Chapter 16: “The Conte’s Envelope”, Part 2
Chapter 17: “Victor’s Trace”, Part 1
Chapter 17: “Victor’s Trace”, Part 1
Chapter 17: “Victor’s Trace”, Part 2
Chapter 17: “Victor’s Trace”, Part 2
Chapter 18: “Alarm!”
Chapter 18: “Alarm!”
Chapter 19: “Trapped”, Part 1
Chapter 19: “Trapped”, Part 1
Chapter 19: “Trapped”, Part 2
Chapter 19: “Trapped”, Part 2
Chapter 20: “A Night Visit”, Part 1
Chapter 20: “A Night Visit”, Part 1
Chapter 20: “A Night Visit”, Part 2
Chapter 20: “A Night Visit”, Part 2
Chapter 21: “Baffled”
Chapter 21: “Baffled”
Chapter 22: “The Casa Spavento”, Part 1
Chapter 22: “The Casa Spavento”, Part 1
Chapter 22: “The Casa Spavento”, Part 2
Chapter 22: “The Casa Spavento”, Part 2
Chapter 23: “Quarrels”, Part 1
Chapter 23: “Quarrels”, Part 1
Chapter 23: “Quarrels”, Part 2
Chapter 23: “Quarrels”, Part 2
Chapter 24: “Young Master Massimo”, Part 1
Chapter 24: “Young Master Massimo”, Part 1
Chapter 24: “Young Master Massimo”, Part 2
Chapter 24: “Young Master Massimo”, Part 2
Chapter 25: “A Word of Honor”
Chapter 25: “A Word of Honor”
Chapter 26: “The Break-In”, Part 1
Chapter 26: “The Break-In”, Part 1
Chapter 26: “The Break-In”, Part 2
Chapter 26: “The Break-In”, Part 2
Chapter 26: “The Break-In”, Part 3
Chapter 26: “The Break-In”, Part 3
Chapter 27: “An Old Story”
Chapter 27: “An Old Story”
Chapter 28: “Scipio, the Liar”
Chapter 28: “Scipio, the Liar”
Chapter 29: “Another Visit”
Chapter 29: “Another Visit”
Chapter 30: “Hopeless Lies”
Chapter 30: “Hopeless Lies”
Chapter 31: “No Bo”
Chapter 31: “No Bo”
Chapter 32: “The Island”, Part 1
Chapter 32: “The Island”, Part 1
Chapter 32: “The Island”, Part 2
Chapter 32: “The Island”, Part 2
Chapter 33: “Just a Note”
Chapter 33: “Just a Note”
Chapter 34: “Father and Son”
Chapter 34: “Father and Son”
Chapter 35: “Visitors for Victor”
Chapter 35: “Visitors for Victor”
Chapter 36: “The Refuge”
Chapter 36: “The Refuge”
Chapter 37: “The Orphanage”
Chapter 37: “The Orphanage”
Chapter 38: “Prosper”
Chapter 38: “Prosper”
Chapter 39: “All Lost”
Chapter 39: “All Lost”
Chapter 40: “The Isola Segreta”, Part 1
Chapter 40: “The Isola Segreta”, Part 1
Chapter 40: “The Isola Segreta”, Part 2
Chapter 40: “The Isola Segreta”, Part 2
Chapter 41: “A Late Night Phone Call”
Chapter 41: “A Late Night Phone Call”
Chapter 42: “Safety”
Chapter 42: “Safety”
Chapter 43: “The Conte”
Chapter 43: “The Conte”
Chapter 44: “The Merry-Go-Round”, Part 1
Chapter 44: “The Merry-Go-Round”, Part 1
Chapter 44: “The Merry-Go-Round”, Part 2
Chapter 44: “The Merry-Go-Round”, Part 2
Chapter 44: “The Merry-Go-Round”, Part 3
Chapter 44: “The Merry-Go-Round”, Part 3
Chapter 45: “A Few Rounds Too Many”, Part 1
Chapter 45: “A Few Rounds Too Many”, Part 1
Chapter 45: “A Few Rounds Too Many”, Part 2
Chapter 45: “A Few Rounds Too Many”, Part 2
Chapter 46: “Barbarossa’s Punishment”, Part 1
Chapter 46: “Barbarossa’s Punishment”, Part 1
Chapter 46: “Barbarossa’s Punishment”, Part 2
Chapter 46: “Barbarossa’s Punishment”, Part 2
Chapter 47: “Strange Visitors”, Part 1
Chapter 47: “Strange Visitors”, Part 1
Chapter 47: “Strange Visitors”, Part 2
Chapter 47: “Strange Visitors”, Part 2
Chapter 48: “A Crazy Idea”, Part 1
Chapter 48: “A Crazy Idea”, Part 1
Chapter 48: “A Crazy Idea”, Part 2
Chapter 48: “A Crazy Idea”, Part 2
Chapter 49: “What Now?”
Chapter 49: “What Now?”
Chapter 50: “The Bait”
Chapter 50: “The Bait”
Chapter 51: “Esther”, Part 1
Chapter 51: “Esther”, Part 1
Chapter 51: “Esther”, Part 2
Chapter 51: “Esther”, Part 2
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 1
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 1
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 2
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 2
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 3
Chapter 52: “Everything Will Work Out Fine—or Will It?”, Part 3
Chapter 53: “And Then…”, Part 1
Chapter 53: “And Then…”, Part 1
Chapter 53: “And Then…”, Part 2 / Credits
Chapter 53: “And Then…”, Part 2 / Credits

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Creative Contributors (ISNI)

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People also ask

What is UPC 9780807217757?
UPC 9780807217757 is the Universal Product Code (barcode) for "The Thief Lord" by Cornelia Funke, Simon Jones.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 9780807217757?
UPC 9780807217757 contains 84 tracks.
SourcesMusicBrainz

Verified on

What is UPC 9780807217757?

9780807217757 is a Universal Product Code (UPC) assigned to The Thief Lord by Cornelia Funke, Simon Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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