UPC · Release
Edexcel AS/A level Anthology of Music
Various Artists
9781292118376
52 tracksReleased 2016-08-01
Last verified:
9781292118376 is the Universal Product Code (UPC barcode) for the release “Edexcel AS/A level Anthology of Music” by Various Artists, released 2016-08-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBHNG0400181, GBHNG0400182, GBHNG0400188.
Format
978GS1 prefix
1292Company prefix
11837Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEdexcel AS/A level Anthology of Music
ISRC16 recordings
ISWC20 works
IPI7 songwriters
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata, BWV 80 "Ein feste Burg ist unser Gott": I. Coro (Choral) "Ein feste Burg ist unser Gott" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-314.298.036-3 | |
| 2 | Cantata, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass con Choral) "Alles, was von Gott geboren" | Peter Harvey, Joanne Lunn, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3 | Cantata, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das wort sie sollen lassen stahn" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4 | Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) | Hellen Kwon, Failoni Kamarazenekar, Michael Halász | — | |
| 5 | Die Zauberflöte, Excerpts from Act 1: No. 5, Quintet ‘Hm! Hm! Hm! Hm!’ | — | ||
| 6 | On Wenlock Edge: No. 1 ‘On Wenlock Edge’ | — | ||
| 7 | On Wenlock Edge: No. 3 ‘Is My Team Ploughing?’ | — | ||
| 8 | On Wenlock Edge: No. 5 ‘Bredon Hill’ | — | ||
| 9 | Concerto in D minor, op. 3 no. 11, RV 565: Allegro | — | ||
| 10 | Concerto in D minor, op. 3 no. 11, RV 565: Adagio e spiccato – Allegro | — | ||
| 11 | Concerto in D minor, op. 3 no. 11, RV 565: Largo e spiccato | — | ||
| 12 | Concerto in D minor, op. 3 no. 11, RV 565: Allegro | — | ||
| 13 | Piano Trio in G minor Op. 17: Movement 1 | Rodolfo Bonucci, Francesco Nicolosi, Andrea Noferini | — | |
| 14 | Symphonie fantastique: Movement 1 | — | ||
| 2-1 | Psycho: ‘Prelude’ | — | ||
| 2-2 | Psycho: ‘The City’ | — | ||
| 2-3 | Psycho: ‘Marion’ | — | ||
| 2-4 | Psycho: ‘The Murder’ | — | ||
| 2-5 | Psycho: ‘The Toys’ | — | ||
| 2-6 | Psycho: ‘The Cellar’ | — | ||
| 2-7 | Psycho: ‘Discovery’ | — | ||
| 2-8 | Psycho: ‘Finale’ | — | ||
| 2-9 | The Duchess: ‘The Duchess’ (opening) | — | ||
| 2-10 | The Duchess: ‘Mistake of Your Life’ | — | ||
| 2-11 | The Duchess: ‘Six Years Later’ | — | ||
| 2-12 | The Duchess: ‘Never See Your Children Again’ | — | ||
| 2-13 | The Duchess: ‘The Duchess’ (end titles) | — | ||
| 2-14 | Batman Returns: ‘Birth of a Penguin Part 1’ | — | ||
| 2-15 | Batman Returns: ‘Birth of a Penguin Part 2’ | — | ||
| 2-16 | Batman Returns: ‘Batman vs the Circus’ | — | ||
| 2-17 | Batman Returns: ‘The Rise and Fall from Grace’ | — | ||
| 2-18 | Eleanor Rigby | The Beatles | T-900.008.832-4 | |
| 2-19 | Here, There and Everywhere | The Beatles | T-010.433.456-6 | |
| 2-20 | I Want to Tell You | The Beatles | T-010.158.853-7 | |
| 2-21 | Tomorrow Never Knows | The Beatles | T-900.010.671-8 | |
| 2-22 | Back in the Day: ‘Lady Day and (John Coltrane)’ | — | ||
| 2-23 | Back in the Day: ‘Inner State (of Mind)’ | — | ||
| 2-24 | Back in the Day: ‘Love and Affection’ | — | ||
| 2-25 | Cloudbusting | Kate Bush | T-010.003.108-0 | |
| 2-26 | And Dream of Sheep | Kate Bush | T-010.003.096-3 | |
| 2-27 | Under Ice | Kate Bush | T-010.003.174-0 | |
| 3-1 | Estampes: No. 1 ‘Pagodes’ | — | ||
| 3-2 | Estampes: No. 2 ‘La soirée dans Grenade’ | — | ||
| 3-3 | Burn | Anoushka Shankar, Karsh Kale | T-901.038.067-3 | |
| 3-4 | Breathing Under Water | Anoushka Shankar, Karsh Kale | T-901.037.449-9 | |
| 3-5 | Caña quema: ‘Se quema la chumbambá’ | — | ||
| 3-6 | Caña quema: ‘Allá va candela’ | — | ||
| 3-7 | Three Dances for Two Prepared Pianos: Dance No. 1 | Pascal Meyer, Xenia Pestova | T-010.437.719-6 | |
| 3-8 | Petals | Alexis Descharmes | — | |
| 3-9 | Le sacre du printemps: ‘Introduction’ | — | ||
| 3-10 | Le sacre du printemps: ‘Les augures printaniers’ | — | ||
| 3-11 | Le sacre du printemps: ‘Jeu du rapt’ | — |
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Cantata, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass con Choral) "Alles, was von Gott geboren"
Peter Harvey, Joanne Lunn, English Baroque Soloists, Sir John Eliot Gardiner
—
Cantata, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das wort sie sollen lassen stahn"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
Hellen Kwon, Failoni Kamarazenekar, Michael Halász
—
Die Zauberflöte, Excerpts from Act 1: No. 5, Quintet ‘Hm! Hm! Hm! Hm!’
—
On Wenlock Edge: No. 1 ‘On Wenlock Edge’
—
On Wenlock Edge: No. 3 ‘Is My Team Ploughing?’
—
On Wenlock Edge: No. 5 ‘Bredon Hill’
—
Concerto in D minor, op. 3 no. 11, RV 565: Allegro
—
Concerto in D minor, op. 3 no. 11, RV 565: Adagio e spiccato – Allegro
—
Concerto in D minor, op. 3 no. 11, RV 565: Largo e spiccato
—
Concerto in D minor, op. 3 no. 11, RV 565: Allegro
—
Piano Trio in G minor Op. 17: Movement 1
Rodolfo Bonucci, Francesco Nicolosi, Andrea Noferini
—
Symphonie fantastique: Movement 1
—
Psycho: ‘Prelude’
—
Psycho: ‘The City’
—
Psycho: ‘Marion’
—
Psycho: ‘The Murder’
—
Psycho: ‘The Toys’
—
Psycho: ‘The Cellar’
—
Psycho: ‘Discovery’
—
Psycho: ‘Finale’
—
The Duchess: ‘The Duchess’ (opening)
—
The Duchess: ‘Mistake of Your Life’
—
The Duchess: ‘Six Years Later’
—
The Duchess: ‘Never See Your Children Again’
—
The Duchess: ‘The Duchess’ (end titles)
—
Batman Returns: ‘Birth of a Penguin Part 1’
—
Batman Returns: ‘Birth of a Penguin Part 2’
—
Batman Returns: ‘Batman vs the Circus’
—
Batman Returns: ‘The Rise and Fall from Grace’
—
Back in the Day: ‘Lady Day and (John Coltrane)’
—
Back in the Day: ‘Inner State (of Mind)’
—
Back in the Day: ‘Love and Affection’
—
Estampes: No. 1 ‘Pagodes’
—
Estampes: No. 2 ‘La soirée dans Grenade’
—
Caña quema: ‘Se quema la chumbambá’
—
Caña quema: ‘Allá va candela’
—
Petals
Alexis Descharmes
—
Le sacre du printemps: ‘Introduction’
—
Le sacre du printemps: ‘Les augures printaniers’
—
Le sacre du printemps: ‘Jeu du rapt’
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000001052698000000005515324000000000551787470000000055184338000000005519175700000000773208550000000078252794000000008141262100000000841202530000000087892048
+29 more
00000001086344790000000108802268000000010921560400000001094407210000000109587846000000010977149100000001102591370000000110341659000000011088861100000001145062380000000114611599000000011480834000000001163169130000000119398280000000011955409500000001195736080000000120288249000000012103915600000001210547940000000121210734000000012169519600000001217074840000000122601585000000013156871300000001322074340000000424489365000000042581267000000004445805530000000445072876
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotes3 sources
Verified on
What is UPC 9781292118376?
9781292118376 is a Universal Product Code (UPC) assigned to Edexcel AS/A level Anthology of Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm