UPC · Release
Flush
Virginia Woolf, Eileen Atkins
9781405671231
75 tracksReleased 2005-01-01
Last verified:
9781405671231 is the Universal Product Code (UPC barcode) for the release “Flush” by Virginia Woolf, Eileen Atkins, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC.
Format
978GS1 prefix
1405Company prefix
67123Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: "Three Mile Cross", Part 1 | — | ||
| 2 | Chapter 1: "Three Mile Cross", Part 2 | — | ||
| 3 | Chapter 1: "Three Mile Cross", Part 3 | — | ||
| 4 | Chapter 1: "Three Mile Cross", Part 4 | — | ||
| 5 | Chapter 1: "Three Mile Cross", Part 5 | — | ||
| 6 | Chapter 1: "Three Mile Cross", Part 6 | — | ||
| 7 | Chapter 1: "Three Mile Cross", Part 7 | — | ||
| 8 | Chapter 1: "Three Mile Cross", Part 8 | — | ||
| 9 | Chapter 1: "Three Mile Cross", Part 9 | — | ||
| 10 | Chapter 1: "Three Mile Cross", Part 10 | — | ||
| 11 | Chapter 1: "Three Mile Cross", Part 11 | — | ||
| 12 | Chapter 2: "The Back Bedroom", Part 1 | — | ||
| 13 | Chapter 2: "The Back Bedroom", Part 2 | — | ||
| 14 | Chapter 2: "The Back Bedroom", Part 3 | — | ||
| 15 | Chapter 2: "The Back Bedroom", Part 4 | — | ||
| 16 | Chapter 2: "The Back Bedroom", Part 5 | — | ||
| 17 | Chapter 2: "The Back Bedroom", Part 6 | — | ||
| 18 | Chapter 2: "The Back Bedroom", Part 7 | — | ||
| 19 | Chapter 2: "The Back Bedroom", Part 8 | — | ||
| 20 | Chapter 2: "The Back Bedroom", Part 9 | — | ||
| 21 | Chapter 3: "The Hooded Man", Part 1 | — | ||
| 22 | Chapter 3: "The Hooded Man", Part 2 | — | ||
| 23 | Chapter 3: "The Hooded Man", Part 3 | — | ||
| 24 | Chapter 3: "The Hooded Man", Part 4 | — | ||
| 25 | Chapter 3: "The Hooded Man", Part 5 | — | ||
| 2-1 | Chapter 3: "The Hooded Man", Part 6 | — | ||
| 2-2 | Chapter 3: "The Hooded Man", Part 7 | — | ||
| 2-3 | Chapter 3: "The Hooded Man", Part 8 | — | ||
| 2-4 | Chapter 3: "The Hooded Man", Part 9 | — | ||
| 2-5 | Chapter 3: "The Hooded Man", Part 10 | — | ||
| 2-6 | Chapter 3: "The Hooded Man", Part 11 | — | ||
| 2-7 | Chapter 3: "The Hooded Man", Part 12 | — | ||
| 2-8 | Chapter 3: "The Hooded Man", Part 13 | — | ||
| 2-9 | Chapter 3: "The Hooded Man", Part 14 | — | ||
| 2-10 | Chapter 4: "Whitechapel", Part 1 | — | ||
| 2-11 | Chapter 4: "Whitechapel", Part 2 | — | ||
| 2-12 | Chapter 4: "Whitechapel", Part 3 | — | ||
| 2-13 | Chapter 4: "Whitechapel", Part 4 | — | ||
| 2-14 | Chapter 4: "Whitechapel", Part 5 | — | ||
| 2-15 | Chapter 4: "Whitechapel", Part 6 | — | ||
| 2-16 | Chapter 4: "Whitechapel", Part 7 | — | ||
| 2-17 | Chapter 4: "Whitechapel", Part 8 | — | ||
| 2-18 | Chapter 4: "Whitechapel", Part 9 | — | ||
| 2-19 | Chapter 4: "Whitechapel", Part 10 | — | ||
| 2-20 | Chapter 4: "Whitechapel", Part 11 | — | ||
| 2-21 | Chapter 4: "Whitechapel", Part 12 | — | ||
| 2-22 | Chapter 4: "Whitechapel", Part 13 | — | ||
| 2-23 | Chapter 4: "Whitechapel", Part 14 | — | ||
| 2-24 | Chapter 4: "Whitechapel", Part 15 | — | ||
| 2-25 | Chapter 5: "Italy", Part 1 | — | ||
| 3-1 | Chapter 5: "Italy", Part 2 | — | ||
| 3-2 | Chapter 5: "Italy", Part 3 | — | ||
| 3-3 | Chapter 5: "Italy", Part 4 | — | ||
| 3-4 | Chapter 5: "Italy", Part 5 | — | ||
| 3-5 | Chapter 5: "Italy", Part 6 | — | ||
| 3-6 | Chapter 5: "Italy", Part 7 | — | ||
| 3-7 | Chapter 5: "Italy", Part 8 | — | ||
| 3-8 | Chapter 5: "Italy", Part 9 | — | ||
| 3-9 | Chapter 5: "Italy", Part 10 | — | ||
| 3-10 | Chapter 5: "Italy", Part 11 | — | ||
| 3-11 | Chapter 5: "Italy", Part 12 | — | ||
| 3-12 | Chapter 5: "Italy", Part 13 | — | ||
| 3-13 | Chapter 5: "Italy", Part 14 | — | ||
| 3-14 | Chapter 5: "Italy", Part 15 | — | ||
| 3-15 | Chapter 5: "Italy", Part 16 | — | ||
| 3-16 | Chapter 5: "Italy", Part 17 | — | ||
| 3-17 | Chapter 5: "Italy", Part 18 | — | ||
| 3-18 | Chapter 6: "The End", Part 1 | — | ||
| 3-19 | Chapter 6: "The End", Part 2 | — | ||
| 3-20 | Chapter 6: "The End", Part 3 | — | ||
| 3-21 | Chapter 6: "The End", Part 4 | — | ||
| 3-22 | Chapter 6: "The End", Part 5 | — | ||
| 3-23 | Chapter 6: "The End", Part 6 | — | ||
| 3-24 | Chapter 6: "The End", Part 7 | — | ||
| 3-25 | Chapter 6: "The End", Part 8 | — |
Chapter 1: "Three Mile Cross", Part 1
—
Chapter 1: "Three Mile Cross", Part 2
—
Chapter 1: "Three Mile Cross", Part 3
—
Chapter 1: "Three Mile Cross", Part 4
—
Chapter 1: "Three Mile Cross", Part 5
—
Chapter 1: "Three Mile Cross", Part 6
—
Chapter 1: "Three Mile Cross", Part 7
—
Chapter 1: "Three Mile Cross", Part 8
—
Chapter 1: "Three Mile Cross", Part 9
—
Chapter 1: "Three Mile Cross", Part 10
—
Chapter 1: "Three Mile Cross", Part 11
—
Chapter 2: "The Back Bedroom", Part 1
—
Chapter 2: "The Back Bedroom", Part 2
—
Chapter 2: "The Back Bedroom", Part 3
—
Chapter 2: "The Back Bedroom", Part 4
—
Chapter 2: "The Back Bedroom", Part 5
—
Chapter 2: "The Back Bedroom", Part 6
—
Chapter 2: "The Back Bedroom", Part 7
—
Chapter 2: "The Back Bedroom", Part 8
—
Chapter 2: "The Back Bedroom", Part 9
—
Chapter 3: "The Hooded Man", Part 1
—
Chapter 3: "The Hooded Man", Part 2
—
Chapter 3: "The Hooded Man", Part 3
—
Chapter 3: "The Hooded Man", Part 4
—
Chapter 3: "The Hooded Man", Part 5
—
Chapter 3: "The Hooded Man", Part 6
—
Chapter 3: "The Hooded Man", Part 7
—
Chapter 3: "The Hooded Man", Part 8
—
Chapter 3: "The Hooded Man", Part 9
—
Chapter 3: "The Hooded Man", Part 10
—
Chapter 3: "The Hooded Man", Part 11
—
Chapter 3: "The Hooded Man", Part 12
—
Chapter 3: "The Hooded Man", Part 13
—
Chapter 3: "The Hooded Man", Part 14
—
Chapter 4: "Whitechapel", Part 1
—
Chapter 4: "Whitechapel", Part 2
—
Chapter 4: "Whitechapel", Part 3
—
Chapter 4: "Whitechapel", Part 4
—
Chapter 4: "Whitechapel", Part 5
—
Chapter 4: "Whitechapel", Part 6
—
Chapter 4: "Whitechapel", Part 7
—
Chapter 4: "Whitechapel", Part 8
—
Chapter 4: "Whitechapel", Part 9
—
Chapter 4: "Whitechapel", Part 10
—
Chapter 4: "Whitechapel", Part 11
—
Chapter 4: "Whitechapel", Part 12
—
Chapter 4: "Whitechapel", Part 13
—
Chapter 4: "Whitechapel", Part 14
—
Chapter 4: "Whitechapel", Part 15
—
Chapter 5: "Italy", Part 1
—
Chapter 5: "Italy", Part 2
—
Chapter 5: "Italy", Part 3
—
Chapter 5: "Italy", Part 4
—
Chapter 5: "Italy", Part 5
—
Chapter 5: "Italy", Part 6
—
Chapter 5: "Italy", Part 7
—
Chapter 5: "Italy", Part 8
—
Chapter 5: "Italy", Part 9
—
Chapter 5: "Italy", Part 10
—
Chapter 5: "Italy", Part 11
—
Chapter 5: "Italy", Part 12
—
Chapter 5: "Italy", Part 13
—
Chapter 5: "Italy", Part 14
—
Chapter 5: "Italy", Part 15
—
Chapter 5: "Italy", Part 16
—
Chapter 5: "Italy", Part 17
—
Chapter 5: "Italy", Part 18
—
Chapter 6: "The End", Part 1
—
Chapter 6: "The End", Part 2
—
Chapter 6: "The End", Part 3
—
Chapter 6: "The End", Part 4
—
Chapter 6: "The End", Part 5
—
Chapter 6: "The End", Part 6
—
Chapter 6: "The End", Part 7
—
Chapter 6: "The End", Part 8
—
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What is UPC 9781405671231?
9781405671231 is a Universal Product Code (UPC) assigned to Flush by Virginia Woolf, Eileen Atkins. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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