UPC · Release
That Mitchell & Webb Sound: The Complete Radio Series 1–3
David Mitchell & Robert Webb
Last verified:
9781405677905 is the Universal Product Code (UPC barcode) for the release “That Mitchell & Webb Sound: The Complete Radio Series 1–3” by David Mitchell & Robert Webb, released 2007-01-01 on BBC Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 281 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (281)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bit of Ham | — | ||
| 2 | Now We Know | — | ||
| 3 | Sciencey Stuff | — | ||
| 4 | Busker | — | ||
| 5 | Wedding Vows | — | ||
| 6 | Charlie’s House | — | ||
| 7 | Pit Ponies | — | ||
| 8 | Cosy Crime Quickie | — | ||
| 9 | Hairdressers Sans Frontiers | — | ||
| 10 | Alcoholic Snooker Commentators | — | ||
| 11 | The Wordmaster | — | ||
| 12 | Touching Cloth | — | ||
| 13 | Incidental Music | — | ||
| 14 | Friends of Freddy, Daphne and Velma | — | ||
| 15 | Middle Earth Dinner Party | — | ||
| 16 | Imagine That | — | ||
| 17 | Flightless Birds | — | ||
| 18 | Swiss History | — | ||
| 19 | Mr Sands | — | ||
| 20 | New Presenter | — | ||
| 21 | Alcoholic Snooker Commentators | — | ||
| 22 | Male Sex and the City | — | ||
| 23 | Mr Sands | — | ||
| 24 | Practical Voodoo | — | ||
| 25 | Mother Using Child to Pull | — | ||
| 26 | Lazy Writers – Medicine | — | ||
| 27 | Extreme Advice | — | ||
| 28 | Mr Sands | — | ||
| 29 | Friends of Moneypenny | — | ||
| 2-1 | Heavens Above! | — | ||
| 2-2 | Big Talk | — | ||
| 2-3 | Castrati Trail | — | ||
| 2-4 | New Presenter | — | ||
| 2-5 | Child Call Centre | — | ||
| 2-6 | Rabbit Newsnight | — | ||
| 2-7 | Just £3 a Month | — | ||
| 2-8 | Poets With Funny Voices | — | ||
| 2-9 | Welcome to Hufflepuff | — | ||
| 2-10 | Environmental Discussion | — | ||
| 2-11 | Poets With Funny Voices | — | ||
| 2-12 | Mowgli’s Parents | — | ||
| 2-13 | Nick Hornby Epiphany | — | ||
| 2-14 | Poets With Funny Voices | — | ||
| 2-15 | Friends of Adolf and Eva | — | ||
| 2-16 | Birdsong | — | ||
| 2-17 | Pension Payment Ad | — | ||
| 2-18 | On Her Majesty’s Civil Service | — | ||
| 2-19 | Understanding Man – Car Breakdown | — | ||
| 2-20 | Downloading the Internet | — | ||
| 2-21 | Alcoholic Snooker Commentators | — | ||
| 2-22 | Understanding Man – Hotel | — | ||
| 2-23 | Another New Presenter | — | ||
| 2-24 | Intro Quickie | — | ||
| 2-25 | You Should Say Something | — | ||
| 2-26 | Literary Agent | — | ||
| 2-27 | Big Talk | — | ||
| 2-28 | Mother Using Child to Pull – Doctor | — | ||
| 2-29 | Cat Fishing | — | ||
| 2-30 | Understanding Man | — | ||
| 2-31 | Friends of Nehru | — | ||
| 3-1 | MP’s Pay | — | ||
| 3-2 | Relaxed DJ | — | ||
| 3-3 | Pity Beer | — | ||
| 3-4 | Honky Rap | — | ||
| 3-5 | The Surprising Adventures of Sir Digby Chicken‐Caesar | — | ||
| 3-6 | Alcoholic Snooker Commentators | — | ||
| 3-7 | Positive Talk | — | ||
| 3-8 | Relaxed DJ | — | ||
| 3-9 | Correspondence Golf | — | ||
| 3-10 | Insurance Advertising Sketch | — | ||
| 3-11 | Lazy Writers – Spies | — | ||
| 3-12 | But What Do You Really Think? | — | ||
| 3-13 | Relaxed DJ | — | ||
| 3-14 | Global Warming | — | ||
| 3-15 | Friends of Darth Vader | — | ||
| 3-16 | Arguing the Moral Toss | — | ||
| 3-17 | A Song for Everyone | — | ||
| 3-18 | Porn on 4 | — | ||
| 3-19 | Real Drama | — | ||
| 3-20 | New Presenter | — | ||
| 3-21 | The Doomed Whinge | — | ||
| 3-22 | Alcoholic Snooker Commentators | — | ||
| 3-23 | Splitting the Bill | — | ||
| 3-24 | Jobbing Footballers | — | ||
| 3-25 | Intro Quickie | — | ||
| 3-26 | The Doomed Whinge | — | ||
| 3-27 | Mobile Mate | — | ||
| 3-28 | Horse Aphasia | — | ||
| 3-29 | Polls | — | ||
| 3-30 | The Doomed Whinge | — | ||
| 3-31 | Birthday Treat | — | ||
| 3-32 | I Could Have Done That | — | ||
| 3-33 | Friends of Bosie | — | ||
| 4-1 | The Fox and the Badger | — | ||
| 4-2 | Big Talk 3 | — | ||
| 4-3 | Relaxed DJ 5 | — | ||
| 4-4 | Lactose Intolerant | — | ||
| 4-5 | Horny Snooker Commentators 1 | — | ||
| 4-6 | Football Trail | — | ||
| 4-7 | Lazy Writers – Space | — | ||
| 4-8 | Horny Snooker Commentators 2 | — | ||
| 4-9 | Channel 4 Anno | — | ||
| 4-10 | Relaxed DJ 6 | — | ||
| 4-11 | Nazi Realisation | — | ||
| 4-12 | Relaxed DJ 7 | — | ||
| 4-13 | Horny Snooker Commentators 3 | — | ||
| 4-14 | 100 Worst Human Beings | — | ||
| 4-15 | Friends of June Sarpong | — | ||
| 4-16 | The corner shop | — | ||
| 4-17 | Mad Bears 1 | — | ||
| 4-18 | Broke‐Aware Snooker Commentators 1 | — | ||
| 4-19 | Imagine That 4 | — | ||
| 4-20 | Mad Bears 2 | — | ||
| 4-21 | Stone Age CSI | — | ||
| 4-22 | Broke‐Aware Snooker Commentators 2 | — | ||
| 4-23 | Caricaturist | — | ||
| 4-24 | Mad Bears 3 | — | ||
| 4-25 | Unity of Purpose | — | ||
| 4-26 | Ex‐Eulogy | — | ||
| 4-27 | Other Peoples Kids | — | ||
| 4-28 | Mad Bears 4 | — | ||
| 4-29 | Broke‐Aware Snooker Commentators 3 | — | ||
| 4-30 | Friends of Saddam Hussein | — | ||
| 4-31 | Mad Bears 5 | — | ||
| 5-1 | Honeymoons Over Restaurant | — | ||
| 5-2 | Fight‐Obsessed Snooker Commentators 1 | — | ||
| 5-3 | No‐One Drowned | — | ||
| 5-4 | Number Wang | — | ||
| 5-5 | Final Score | — | ||
| 5-6 | Fight‐Obsessed Snooker Commentators 2 | — | ||
| 5-7 | Angel Summoner and the BMX Bandit | — | ||
| 5-8 | Doors | — | ||
| 5-9 | Football vs Cricket | — | ||
| 5-10 | Angel Summoner and the BMX Bandit 2 | — | ||
| 5-11 | Big Talk 4 | — | ||
| 5-12 | Fight‐Obsessed Snooker Commentators 3 | — | ||
| 5-13 | Angel Summoner and the BMX Bandit 2 | — | ||
| 5-14 | Friends of Greg Dyke | — | ||
| 5-15 | Preston and Loader | — | ||
| 5-16 | Daytime Coverage of Things 1 | — | ||
| 5-17 | TV Hungry Snooker Commentators 1 | — | ||
| 5-18 | Train Safety | — | ||
| 5-19 | Daytime Coverage of Things 3 | — | ||
| 5-20 | Basic Social Interaction Man 1 | — | ||
| 5-21 | Imagine That 3 | — | ||
| 5-22 | TV Hungry Snooker Commentators 2 | — | ||
| 5-23 | The Row | — | ||
| 5-24 | Public Information Smoke Alarms | — | ||
| 5-25 | Daytime Coverage of Things 2 | — | ||
| 5-26 | Sh*tly Famous | — | ||
| 5-27 | Just £3 a Month 1 | — | ||
| 5-28 | Daytime Coverage of Things 4 | — | ||
| 5-29 | TV Hungry Snooker Commentators 3 | — | ||
| 5-30 | Daytime Coverage of Things 5 | — | ||
| 5-31 | Friends of Dr Jekyll | — | ||
| 6-1 | Gay‐Obsessed Snooker Commentators 1 | — | ||
| 6-2 | Soloman | — | ||
| 6-3 | Relaxed Dj 8 | — | ||
| 6-4 | Charity Bitching | — | ||
| 6-5 | Gay‐Obsessed Snooker Commentators 2 | — | ||
| 6-6 | Imagine That 4 (Imagine Hat) | — | ||
| 6-7 | The New Chief Executive | — | ||
| 6-8 | Cocktails | — | ||
| 6-9 | Christmas Newsletter Reply | — | ||
| 6-10 | So Much You Don’t Know | — | ||
| 6-11 | Gay‐Obsessed Snooker Commentators 3 | — | ||
| 6-12 | Twins | — | ||
| 6-13 | Friends of Lewis | — | ||
| 6-14 | Would Like To Be Normal | — | ||
| 6-15 | Would Like To Be Normal 2 | — | ||
| 6-16 | Consolidate Your Debts | — | ||
| 6-17 | Suicide‐Obsessed Snooker Commentators 1 | — | ||
| 6-18 | Queen’s Execution | — | ||
| 6-19 | This isn’t a Bookshop | — | ||
| 6-20 | Pact With The Devil | — | ||
| 6-21 | Suicide‐Obsessed Snooker Commentators 2 | — | ||
| 6-22 | It | — | ||
| 6-23 | Imagine a World – Radio | — | ||
| 6-24 | Lazy Writers – Cricket | — | ||
| 6-25 | Suicide‐Obsessed Commentators 3 | — | ||
| 6-26 | Friends of Maid Marion | — | ||
| 7-1 | The Dawn of Bronze | — | ||
| 7-2 | Over to You, Part 1 | — | ||
| 7-3 | Rally, Part 1 | — | ||
| 7-4 | We | — | ||
| 7-5 | Beaufort | — | ||
| 7-6 | Over to You, Part 2 | — | ||
| 7-7 | Rally, Part 2 | — | ||
| 7-8 | Identity Theft | — | ||
| 7-9 | Don’t Interfere | — | ||
| 7-10 | Not Listening to Martin | — | ||
| 7-11 | Rally, Part 3 | — | ||
| 7-12 | Wedding News | — | ||
| 7-13 | Buy Me | — | ||
| 7-14 | Looser | — | ||
| 7-15 | Rally, Part 4 | — | ||
| 7-16 | Speech Impediment | — | ||
| 7-17 | Over to You, Part 3 | — | ||
| 7-18 | Davenport Recruitment | — | ||
| 7-19 | Week by Week Dickens | — | ||
| 7-20 | Demetrius Unmasked, Part 1 | — | ||
| 7-21 | Hard Hitting Interview | — | ||
| 7-22 | Demetrius Unmasked, Part 2 | — | ||
| 7-23 | Hot Oil Towers | — | ||
| 7-24 | Little Date, Teacher | — | ||
| 7-25 | Week by Week Mona Lisa | — | ||
| 7-26 | By the Book | — | ||
| 7-27 | HD | — | ||
| 7-28 | Afternoon Play | — | ||
| 7-29 | Ad Music | — | ||
| 7-30 | I’m Here for You | — | ||
| 7-31 | Week by Week Numbers | — | ||
| 7-32 | Bear Hands | — | ||
| 8-1 | Help Desk | — | ||
| 8-2 | Imagine That: Teenager | — | ||
| 8-3 | Death and Ice‐cream | — | ||
| 8-4 | Cars and Cheese | — | ||
| 8-5 | Date With a Warlord | — | ||
| 8-6 | Celebrity Fame Zeppelin | — | ||
| 8-7 | New Bra | — | ||
| 8-8 | Speculate to Accumulate | — | ||
| 8-9 | Ahead of His Time Scientist | — | ||
| 8-10 | Chickens and Taps | — | ||
| 8-11 | Lunatic in a Box | — | ||
| 8-12 | Family Tree | — | ||
| 8-13 | Anything Can Be Music | — | ||
| 8-14 | Asbo Zaprudder | — | ||
| 8-15 | Can I Come Out Yet? | — | ||
| 8-16 | Rural Slum | — | ||
| 8-17 | Similes | — | ||
| 8-18 | Undertaker | — | ||
| 8-19 | Sight Seeing – St Paul’s | — | ||
| 8-20 | Foxtitute | — | ||
| 8-21 | Footie | — | ||
| 8-22 | Master Shinjuku | — | ||
| 8-23 | Sightseeing – Eye | — | ||
| 8-24 | Step Up to the Plate | — | ||
| 8-25 | Little Date – Travel Agent | — | ||
| 8-26 | Sir Digby | — | ||
| 8-27 | He Man | — | ||
| 8-28 | Sight Seeing – Trafalgar Square | — | ||
| 9-1 | Mission Statement | — | ||
| 9-2 | Turner and I | — | ||
| 9-3 | C&A | — | ||
| 9-4 | Are You Taking Advantage? | — | ||
| 9-5 | Afternoon Play – Postman | — | ||
| 9-6 | The Main Thing Is the Three Points | — | ||
| 9-7 | Zombie Poppins | — | ||
| 9-8 | Question Time Rant | — | ||
| 9-9 | Audio Guide | — | ||
| 9-10 | Zoo | — | ||
| 9-11 | The Top 100 films | — | ||
| 9-12 | Anthropomorphic Shower | — | ||
| 9-13 | The Pilot | — | ||
| 9-14 | The Stock Market | — | ||
| 9-15 | Office Olympics 1 | — | ||
| 9-16 | Little Date in the Library | — | ||
| 9-17 | Office Olympics 2 | — | ||
| 9-18 | Gary Rhodes | — | ||
| 9-19 | But I Won’t Do That | — | ||
| 9-20 | Office Olympics 3 | — | ||
| 9-21 | The Worlds Most Ornate Object | — | ||
| 9-22 | Robin Hood | — | ||
| 9-23 | Platic Surgery | — | ||
| 9-24 | Nothing Funny Here | — | ||
| 10-1 | Untitled Never Heard Before Sketch (Cow Heist) | — | ||
| 10-2 | Untitled Never Heard Before Sketch (Imagine That) | — | ||
| 10-3 | Untitled Never Heard Before Sketch (Biscuit Insurance) | — | ||
| 10-4 | Untitled Never Heard Before Sketch (Today – Home Secretary) | — | ||
| 10-5 | Untitled Never Heard Before Sketch (10 Years Younger) | — | ||
| 10-6 | Untitled Never Heard Before Sketch (Batman & Robin) | — | ||
| 10-7 | Untitled Never Heard Before Sketch (New Madonna Shopping Mall) | — | ||
| 10-8 | Untitled Never Heard Before Sketch (Internet Railway) | — | ||
| 10-9 | Full Length Interview – Part 1 | — | ||
| 10-10 | Full Length Interview – Part 2 | — | ||
| 10-11 | Full Length Interview – Part 3 | — | ||
| 10-12 | Full Length Interview – Part 4 | — | ||
| 10-13 | Full Length Interview – Part 5 | — | ||
| 10-14 | Full Length Interview – Part 6 | — | ||
| 10-15 | Full Length Interview – Part 7 | — | ||
| 10-16 | Full Length Interview – Part 8 | — |
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What is UPC 9781405677905?
9781405677905 is a Universal Product Code (UPC) assigned to That Mitchell & Webb Sound: The Complete Radio Series 1–3 by David Mitchell & Robert Webb. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 281 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm