UPC · Release
Agatha Raisin and the Haunted House
M. C. Beaton, Penelope Keith
9781408427705
121 tracksReleased 2010-01-01BBC Audio
Last verified:
9781408427705 is the Universal Product Code (UPC barcode) for the release “Agatha Raisin and the Haunted House” by M. C. Beaton, Penelope Keith, released 2010-01-01 on BBC Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 121 tracks, each with its own ISRC.
Format
978GS1 prefix
1408Company prefix
42770Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (121)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1, Part 1 | — | ||
| 2 | Chapter 1, Part 2 | — | ||
| 3 | Chapter 1, Part 3 | — | ||
| 4 | Chapter 1, Part 4 | — | ||
| 5 | Chapter 1, Part 5 | — | ||
| 6 | Chapter 1, Part 6 | — | ||
| 7 | Chapter 1, Part 7 | — | ||
| 8 | Chapter 1, Part 8 | — | ||
| 9 | Chapter 1, Part 9 | — | ||
| 10 | Chapter 1, Part 10 | — | ||
| 11 | Chapter 2, Part 1 | — | ||
| 12 | Chapter 2, Part 2 | — | ||
| 13 | Chapter 2, Part 3 | — | ||
| 14 | Chapter 2, Part 4 | — | ||
| 15 | Chapter 2, Part 5 | — | ||
| 16 | Chapter 2, Part 6 | — | ||
| 17 | Chapter 2, Part 7 | — | ||
| 18 | Chapter 2, Part 8 | — | ||
| 19 | Chapter 2, Part 9 | — | ||
| 20 | Chapter 2, Part 10 | — | ||
| 21 | Chapter 2, Part 11 | — | ||
| 2-1 | Chapter 3, Part 1 | — | ||
| 2-2 | Chapter 3, Part 2 | — | ||
| 2-3 | Chapter 3, Part 3 | — | ||
| 2-4 | Chapter 3, Part 4 | — | ||
| 2-5 | Chapter 3, Part 5 | — | ||
| 2-6 | Chapter 3, Part 6 | — | ||
| 2-7 | Chapter 3, Part 7 | — | ||
| 2-8 | Chapter 3, Part 8 | — | ||
| 2-9 | Chapter 3, Part 9 | — | ||
| 2-10 | Chapter 3, Part 10 | — | ||
| 2-11 | Chapter 4, Part 1 | — | ||
| 2-12 | Chapter 4, Part 2 | — | ||
| 2-13 | Chapter 4, Part 3 | — | ||
| 2-14 | Chapter 4, Part 4 | — | ||
| 2-15 | Chapter 4, Part 5 | — | ||
| 2-16 | Chapter 4, Part 6 | — | ||
| 2-17 | Chapter 4, Part 7 | — | ||
| 2-18 | Chapter 4, Part 8 | — | ||
| 2-19 | Chapter 4, Part 9 | — | ||
| 2-20 | Chapter 4, Part 10 | — | ||
| 2-21 | Chapter 4, Part 11 | — | ||
| 2-22 | Chapter 4, Part 12 | — | ||
| 3-1 | Chapter 5, Part 1 | — | ||
| 3-2 | Chapter 5, Part 2 | — | ||
| 3-3 | Chapter 5, Part 3 | — | ||
| 3-4 | Chapter 5, Part 4 | — | ||
| 3-5 | Chapter 5, Part 5 | — | ||
| 3-6 | Chapter 5, Part 6 | — | ||
| 3-7 | Chapter 5, Part 7 | — | ||
| 3-8 | Chapter 5, Part 8 | — | ||
| 3-9 | Chapter 5, Part 9 | — | ||
| 3-10 | Chapter 5, Part 10 | — | ||
| 3-11 | Chapter 6, Part 1 | — | ||
| 3-12 | Chapter 6, Part 2 | — | ||
| 3-13 | Chapter 6, Part 3 | — | ||
| 3-14 | Chapter 6, Part 4 | — | ||
| 3-15 | Chapter 6, Part 5 | — | ||
| 3-16 | Chapter 6, Part 6 | — | ||
| 3-17 | Chapter 6, Part 7 | — | ||
| 3-18 | Chapter 6, Part 8 | — | ||
| 3-19 | Chapter 6, Part 9 | — | ||
| 3-20 | Chapter 6, Part 10 | — | ||
| 3-21 | Chapter 6, Part 11 | — | ||
| 4-1 | Chapter 6, Part 12 | — | ||
| 4-2 | Chapter 7, Part 1 | — | ||
| 4-3 | Chapter 7, Part 2 | — | ||
| 4-4 | Chapter 7, Part 3 | — | ||
| 4-5 | Chapter 7, Part 4 | — | ||
| 4-6 | Chapter 7, Part 5 | — | ||
| 4-7 | Chapter 7, Part 6 | — | ||
| 4-8 | Chapter 7, Part 7 | — | ||
| 4-9 | Chapter 7, Part 8 | — | ||
| 4-10 | Chapter 7, Part 9 | — | ||
| 4-11 | Chapter 7, Part 10 | — | ||
| 4-12 | Chapter 7, Part 11 | — | ||
| 4-13 | Chapter 7, Part 12 | — | ||
| 4-14 | Chapter 8, Part 1 | — | ||
| 4-15 | Chapter 8, Part 2 | — | ||
| 4-16 | Chapter 8, Part 3 | — | ||
| 4-17 | Chapter 8, Part 4 | — | ||
| 4-18 | Chapter 8, Part 5 | — | ||
| 4-19 | Chapter 8, Part 6 | — | ||
| 4-20 | Chapter 8, Part 7 | — | ||
| 5-1 | Chapter 8, Part 8 | — | ||
| 5-2 | Chapter 8, Part 9 | — | ||
| 5-3 | Chapter 8, Part 10 | — | ||
| 5-4 | Chapter 9, Part 1 | — | ||
| 5-5 | Chapter 9, Part 2 | — | ||
| 5-6 | Chapter 9, Part 3 | — | ||
| 5-7 | Chapter 9, Part 4 | — | ||
| 5-8 | Chapter 9, Part 5 | — | ||
| 5-9 | Chapter 9, Part 6 | — | ||
| 5-10 | Chapter 9, Part 7 | — | ||
| 5-11 | Chapter 9, Part 8 | — | ||
| 5-12 | Chapter 9, Part 9 | — | ||
| 5-13 | Chapter 9, Part 10 | — | ||
| 5-14 | Chapter 9, Part 11 | — | ||
| 5-15 | Chapter 9, Part 12 | — | ||
| 5-16 | Chapter 9, Part 13 | — | ||
| 5-17 | Chapter 9, Part 14 | — | ||
| 5-18 | Chapter 9, Part 15 | — | ||
| 5-19 | Chapter 10, Part 1 | — | ||
| 6-1 | Chapter 10, Part 2 | — | ||
| 6-2 | Chapter 10, Part 3 | — | ||
| 6-3 | Chapter 10, Part 4 | — | ||
| 6-4 | Chapter 10, Part 5 | — | ||
| 6-5 | Chapter 10, Part 6 | — | ||
| 6-6 | Chapter 10, Part 7 | — | ||
| 6-7 | Chapter 10, Part 8 | — | ||
| 6-8 | Chapter 10, Part 9 | — | ||
| 6-9 | Chapter 10, Part 10 | — | ||
| 6-10 | Chapter 10, Part 11 | — | ||
| 6-11 | Chapter 10, Part 12 | — | ||
| 6-12 | Chapter 10, Part 13 | — | ||
| 6-13 | Chapter 10, Part 14 | — | ||
| 6-14 | Chapter 11, Part 1 | — | ||
| 6-15 | Chapter 11, Part 2 | — | ||
| 6-16 | Chapter 11, Part 3 | — | ||
| 6-17 | Chapter 11, Part 4 | — | ||
| 6-18 | Chapter 11, Part 5 | — |
Chapter 1, Part 1
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Chapter 1, Part 2
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Chapter 1, Part 3
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Chapter 1, Part 4
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Chapter 1, Part 5
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Chapter 1, Part 6
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Chapter 1, Part 7
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Chapter 1, Part 8
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Chapter 1, Part 9
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Chapter 1, Part 10
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Chapter 2, Part 1
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Chapter 2, Part 2
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Chapter 2, Part 3
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Chapter 2, Part 4
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Chapter 2, Part 5
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Chapter 2, Part 6
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Chapter 2, Part 7
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Chapter 2, Part 8
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Chapter 2, Part 9
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Chapter 2, Part 10
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Chapter 2, Part 11
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Chapter 3, Part 1
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Chapter 3, Part 2
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Chapter 3, Part 3
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Chapter 3, Part 4
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Chapter 3, Part 5
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Chapter 3, Part 6
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Chapter 3, Part 7
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Chapter 3, Part 8
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Chapter 3, Part 9
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Chapter 3, Part 10
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Chapter 4, Part 1
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Chapter 4, Part 2
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Chapter 4, Part 3
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Chapter 4, Part 4
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Chapter 4, Part 5
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Chapter 4, Part 6
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Chapter 4, Part 7
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Chapter 4, Part 8
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Chapter 4, Part 9
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Chapter 4, Part 10
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Chapter 4, Part 11
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Chapter 4, Part 12
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Chapter 5, Part 1
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Chapter 5, Part 2
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Chapter 5, Part 3
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Chapter 5, Part 4
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Chapter 5, Part 5
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Chapter 5, Part 6
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Chapter 5, Part 7
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Chapter 5, Part 8
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Chapter 5, Part 9
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Chapter 5, Part 10
—
Chapter 6, Part 1
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Chapter 6, Part 2
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Chapter 6, Part 3
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Chapter 6, Part 4
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Chapter 6, Part 5
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Chapter 6, Part 6
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Chapter 6, Part 7
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Chapter 6, Part 8
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Chapter 6, Part 9
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Chapter 6, Part 10
—
Chapter 6, Part 11
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Chapter 6, Part 12
—
Chapter 7, Part 1
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Chapter 7, Part 2
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Chapter 7, Part 3
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Chapter 7, Part 4
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Chapter 7, Part 5
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Chapter 7, Part 6
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Chapter 7, Part 7
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Chapter 7, Part 8
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Chapter 7, Part 9
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Chapter 7, Part 10
—
Chapter 7, Part 11
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Chapter 7, Part 12
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Chapter 8, Part 1
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Chapter 8, Part 2
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Chapter 8, Part 3
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Chapter 8, Part 4
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Chapter 8, Part 5
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Chapter 8, Part 6
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Chapter 8, Part 7
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Chapter 8, Part 8
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Chapter 8, Part 9
—
Chapter 8, Part 10
—
Chapter 9, Part 1
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Chapter 9, Part 2
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Chapter 9, Part 3
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Chapter 9, Part 4
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Chapter 9, Part 5
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Chapter 9, Part 6
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Chapter 9, Part 7
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Chapter 9, Part 8
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Chapter 9, Part 9
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Chapter 9, Part 10
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Chapter 9, Part 11
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Chapter 9, Part 12
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Chapter 9, Part 13
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Chapter 9, Part 14
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Chapter 9, Part 15
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Chapter 10, Part 1
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Chapter 10, Part 2
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Chapter 10, Part 3
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Chapter 10, Part 4
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Chapter 10, Part 5
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Chapter 10, Part 6
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Chapter 10, Part 7
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Chapter 10, Part 8
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Chapter 10, Part 9
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Chapter 10, Part 10
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Chapter 10, Part 11
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Chapter 10, Part 12
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Chapter 10, Part 13
—
Chapter 10, Part 14
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Chapter 11, Part 1
—
Chapter 11, Part 2
—
Chapter 11, Part 3
—
Chapter 11, Part 4
—
Chapter 11, Part 5
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Credits Graph
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What is UPC 9781408427705?
9781408427705 is a Universal Product Code (UPC) assigned to Agatha Raisin and the Haunted House by M. C. Beaton, Penelope Keith. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 121 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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