UPC · Release
Musicophilia: Tales of Music and the Brain
Oliver Sacks, John Lee
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9781415942666 is the Universal Product Code (UPC barcode) for the release “Musicophilia: Tales of Music and the Brain” by Oliver Sacks, John Lee, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 137 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (137)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Front matter | — | ||
| 2 | Preface, Part 1 | — | ||
| 3 | Preface, Part 2 | — | ||
| 4 | Preface, Part 3 | — | ||
| 5 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 1 | — | ||
| 6 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 2 | — | ||
| 7 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 3 | — | ||
| 8 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 4 | — | ||
| 9 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 5 | — | ||
| 10 | Chapter 1: A Bolt from the Blue: Sudden Musicophilia, Part 6 | — | ||
| 11 | Chapter 2: A Strangely Familiar Feeling: Musical Seizures, Part 1 | — | ||
| 12 | Chapter 2: A Strangely Familiar Feeling: Musical Seizures, Part 2 | — | ||
| 13 | Chapter 3: Fear of Music: Musicogenic Epilepsy, Part 1 | — | ||
| 14 | Chapter 3: Fear of Music: Musicogenic Epilepsy, Part 2 | — | ||
| 15 | Chapter 3: Fear of Music: Musicogenic Epilepsy, Part 3 | — | ||
| 16 | Chapter 4: Music on the Brain: Imagery and Imagination, Part 1 | — | ||
| 17 | Chapter 4: Music on the Brain: Imagery and Imagination, Part 2 | — | ||
| 18 | Chapter 4: Music on the Brain: Imagery and Imagination, Part 3 | — | ||
| 2-1 | Chapter 4: Music on the Brain: Imagery and Imagination, Part 4 | — | ||
| 2-2 | Chapter 4: Music on the Brain: Imagery and Imagination, Part 5 | — | ||
| 2-3 | Chapter 5: Brainworms, Sticky Music, and Catchy Tunes, Part 1 | — | ||
| 2-4 | Chapter 5: Brainworms, Sticky Music, and Catchy Tunes, Part 2 | — | ||
| 2-5 | Chapter 5: Brainworms, Sticky Music, and Catchy Tunes, Part 3 | — | ||
| 2-6 | Chapter 6: Musical Hallucinations, Part 1 | — | ||
| 2-7 | Chapter 6: Musical Hallucinations, Part 2 | — | ||
| 2-8 | Chapter 6: Musical Hallucinations, Part 3 | — | ||
| 2-9 | Chapter 6: Musical Hallucinations, Part 4 | — | ||
| 2-10 | Chapter 6: Musical Hallucinations, Part 5 | — | ||
| 2-11 | Chapter 6: Musical Hallucinations, Part 6 | — | ||
| 2-12 | Chapter 6: Musical Hallucinations, Part 7 | — | ||
| 2-13 | Chapter 6: Musical Hallucinations, Part 8 | — | ||
| 2-14 | Chapter 6: Musical Hallucinations, Part 9 | — | ||
| 2-15 | Chapter 6: Musical Hallucinations, Part 10 | — | ||
| 3-1 | Chapter 6: Musical Hallucinations, Part 11 | — | ||
| 3-2 | Chapter 6: Musical Hallucinations, Part 12 | — | ||
| 3-3 | Chapter 6: Musical Hallucinations, Part 13 | — | ||
| 3-4 | Chapter 6: Musical Hallucinations, Part 14 | — | ||
| 3-5 | Chapter 6: Musical Hallucinations, Part 15 | — | ||
| 3-6 | Chapter 7: Sense and Sensibility: A Range of Musicality, Part 1 | — | ||
| 3-7 | Chapter 7: Sense and Sensibility: A Range of Musicality, Part 2 | — | ||
| 3-8 | Chapter 7: Sense and Sensibility: A Range of Musicality, Part 3 | — | ||
| 3-9 | Chapter 7: Sense and Sensibility: A Range of Musicality, Part 4 | — | ||
| 3-10 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 1 | — | ||
| 3-11 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 2 | — | ||
| 3-12 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 3 | — | ||
| 3-13 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 4 | — | ||
| 3-14 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 5 | — | ||
| 4-1 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 6 | — | ||
| 4-2 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 7 | — | ||
| 4-3 | Chapter 8: Things Fall Apart: Amusia and Dysharmonia, Part 8 | — | ||
| 4-4 | Chapter 9: Papa Blows His Nose in G: Absolute Pitch, Part 1 | — | ||
| 4-5 | Chapter 9: Papa Blows His Nose in G: Absolute Pitch, Part 2 | — | ||
| 4-6 | Chapter 9: Papa Blows His Nose in G: Absolute Pitch, Part 3 | — | ||
| 4-7 | Chapter 9: Papa Blows His Nose in G: Absolute Pitch, Part 4 | — | ||
| 4-8 | Chapter 9: Papa Blows His Nose in G: Absolute Pitch, Part 5 | — | ||
| 4-9 | Chapter 10: Pitch Imperfect: Cochlear Amusia, Part 1 | — | ||
| 4-10 | Chapter 10: Pitch Imperfect: Cochlear Amusia, Part 2 | — | ||
| 4-11 | Chapter 10: Pitch Imperfect: Cochlear Amusia, Part 3 | — | ||
| 4-12 | Chapter 10: Pitch Imperfect: Cochlear Amusia, Part 4 | — | ||
| 4-13 | Chapter 10: Pitch Imperfect: Cochlear Amusia, Part 5 | — | ||
| 4-14 | Chapter 11: In Living Stereo: Why We Have Two Ears, Part 1 | — | ||
| 4-15 | Chapter 11: In Living Stereo: Why We Have Two Ears, Part 2 | — | ||
| 5-1 | Chapter 11: In Living Stereo: Why We Have Two Ears, Part 3 | — | ||
| 5-2 | Chapter 12: Two Thousand Operas: Musical Savants, Part 1 | — | ||
| 5-3 | Chapter 12: Two Thousand Operas: Musical Savants, Part 3 | — | ||
| 5-4 | Chapter 12: Two Thousand Operas: Musical Savants, Part 4 | — | ||
| 5-5 | Chapter 13: An Auditory World: Music and Blindness, Part 1 | — | ||
| 5-6 | Chapter 13: An Auditory World: Music and Blindness, Part 2 | — | ||
| 5-7 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 1 | — | ||
| 5-8 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 2 | — | ||
| 5-9 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 3 | — | ||
| 5-10 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 4 | — | ||
| 5-11 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 5 | — | ||
| 5-12 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 6 | — | ||
| 5-13 | Chapter 14: The Key of Clear Green: Synesthesia and Music, Part 7 | — | ||
| 5-14 | Chapter 15: In the Moment: Music and Amnesia, Part 1 | — | ||
| 5-15 | Chapter 15: In the Moment: Music and Amnesia, Part 2 | — | ||
| 6-1 | Chapter 15: In the Moment: Music and Amnesia, Part 3 | — | ||
| 6-2 | Chapter 15: In the Moment: Music and Amnesia, Part 4 | — | ||
| 6-3 | Chapter 15: In the Moment: Music and Amnesia, Part 5 | — | ||
| 6-4 | Chapter 15: In the Moment: Music and Amnesia, Part 6 | — | ||
| 6-5 | Chapter 15: In the Moment: Music and Amnesia, Part 7 | — | ||
| 6-6 | Chapter 15: In the Moment: Music and Amnesia, Part 8 | — | ||
| 6-7 | Chapter 15: In the Moment: Music and Amnesia, Part 9 | — | ||
| 6-8 | Chapter 15: In the Moment: Music and Amnesia, Part 10 | — | ||
| 6-9 | Chapter 15: In the Moment: Music and Amnesia, Part 11 | — | ||
| 6-10 | Chapter 16: Speech and Song: Aphasia and Music Therapy, Part 1 | — | ||
| 6-11 | Chapter 16: Speech and Song: Aphasia and Music Therapy, Part 2 | — | ||
| 6-12 | Chapter 16: Speech and Song: Aphasia and Music Therapy, Part 3 | — | ||
| 6-13 | Chapter 16: Speech and Song: Aphasia and Music Therapy, Part 4 | — | ||
| 6-14 | Chapter 17: Accidental Davening: Dyskinesia and Cantillation | — | ||
| 6-15 | Chapter 18: Come Together: Music and Tourette's Syndrome, Part 1 | — | ||
| 6-16 | Chapter 18: Come Together: Music and Tourette's Syndrome, Part 2 | — | ||
| 7-1 | Chapter 18: Come Together: Music and Tourette's Syndrome, Part 3 | — | ||
| 7-2 | Chapter 19: Keeping Time: Rhythm and Movement, Part 1 | — | ||
| 7-3 | Chapter 19: Keeping Time: Rhythm and Movement, Part 2 | — | ||
| 7-4 | Chapter 19: Keeping Time: Rhythm and Movement, Part 3 | — | ||
| 7-5 | Chapter 19: Keeping Time: Rhythm and Movement, Part 4 | — | ||
| 7-6 | Chapter 19: Keeping Time: Rhythm and Movement, Part 5 | — | ||
| 7-7 | Chapter 19: Keeping Time: Rhythm and Movement, Part 6 | — | ||
| 7-8 | Chapter 19: Keeping Time: Rhythm and Movement, Part 7 | — | ||
| 7-9 | Chapter 20: Kinetic Melody: Parkinson's Disease and Music Therapy, Part 1 | — | ||
| 7-10 | Chapter 20: Kinetic Melody: Parkinson's Disease and Music Therapy, Part 2 | — | ||
| 7-11 | Chapter 20: Kinetic Melody: Parkinson's Disease and Music Therapy, Part 3 | — | ||
| 7-12 | Chapter 20: Kinetic Melody: Parkinson's Disease and Music Therapy, Part 4 | — | ||
| 7-13 | Chapter 21: Phantom Fingers: The Case of the One-Armed Pianist | — | ||
| 7-14 | Chapter 22: Athletes of the Small Muscles: Musician's Dystonia, Part 1 | — | ||
| 7-15 | Chapter 22: Athletes of the Small Muscles: Musician's Dystonia, Part 2 | — | ||
| 8-1 | Chapter 22: Athletes of the Small Muscles: Musician's Dystonia, Part 3 | — | ||
| 8-2 | Chapter 22: Athletes of the Small Muscles: Musician's Dystonia, Part 4 | — | ||
| 8-3 | Chapter 22: Athletes of the Small Muscles: Musician's Dystonia, Part 5 | — | ||
| 8-4 | Chapter 23: Awake and Asleep: Musical Dreams, Part 1 | — | ||
| 8-5 | Chapter 23: Awake and Asleep: Musical Dreams, Part 2 | — | ||
| 8-6 | Chapter 24: Seduction and Indifference, Part 1 | — | ||
| 8-7 | Chapter 24: Seduction and Indifference, Part 2 | — | ||
| 8-8 | Chapter 24: Seduction and Indifference, Part 3 | — | ||
| 8-9 | Chapter 25: Lamentations: Music and Depression, Part 1 | — | ||
| 8-10 | Chapter 25: Lamentations: Music and Depression, Part 2 | — | ||
| 8-11 | Chapter 25: Lamentations: Music and Depression, Part 3 | — | ||
| 8-12 | Chapter 26: The Case of Harry S.: Music and Emotion | — | ||
| 8-13 | Chapter 27: Irrepressible: Music and the Temporal Lobes, Part 1 | — | ||
| 9-1 | Chapter 27: Irrepressible: Music and the Temporal Lobes, Part 2 | — | ||
| 9-2 | Chapter 27: Irrepressible: Music and the Temporal Lobes, Part 3 | — | ||
| 9-3 | Chapter 27: Irrepressible: Music and the Temporal Lobes, Part 4 | — | ||
| 9-4 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 1 | — | ||
| 9-5 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 2 | — | ||
| 9-6 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 3 | — | ||
| 9-7 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 4 | — | ||
| 9-8 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 5 | — | ||
| 9-9 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 6 | — | ||
| 9-10 | Chapter 28: A Hypermusical Species: Williams Syndrome, Part 7 | — | ||
| 9-11 | Chapter 29: Music and Identity: Dimentia and Music Therapy, Part 1 | — | ||
| 9-12 | Chapter 29: Music and Identity: Dimentia and Music Therapy, Part 2 | — | ||
| 9-13 | Chapter 29: Music and Identity: Dimentia and Music Therapy, Part 3 | — | ||
| 9-14 | Chapter 29: Music and Identity: Dimentia and Music Therapy, Part 4 | — | ||
| 9-15 | Chapter 29: Music and Identity: Dimentia and Music Therapy, Part 5 | — | ||
| 9-16 | Colophon | — |
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What is UPC 9781415942666?
9781415942666 is a Universal Product Code (UPC) assigned to Musicophilia: Tales of Music and the Brain by Oliver Sacks, John Lee. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 137 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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