UPC · Release
The Rithmatist
Brandon Sanderson, Ben McSweeney, Michael Kramer
9781427221148
138 tracksReleased 2013-05-14
Last verified:
9781427221148 is the Universal Product Code (UPC barcode) for the release “The Rithmatist” by Brandon Sanderson, Ben McSweeney, Michael Kramer, released 2013-05-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 138 tracks, each with its own ISRC.
Format
978GS1 prefix
1427Company prefix
22114Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (138)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Opening Credits | — | ||
| 2 | Rithmatics Diagram: Basic Easton Defense | — | ||
| 3 | Prologue | — | ||
| 4 | Part One / Rithmatics Diagram: The Four Rithmatic Lines | — | ||
| 5 | Part One, Chapter 1, Part 1 | — | ||
| 6 | Part One, Chapter 1, Part 2 | — | ||
| 7 | Part One, Chapter 1, Part 3 | — | ||
| 8 | Part One, Chapter 1, Part 4 | — | ||
| 9 | Part One, Chapter 1, Part 5 | — | ||
| 10 | Part One, Chapter 1, Part 6 | — | ||
| 11 | Rithmatics Diagram: Two‐Point and Four‐Point Circles | — | ||
| 12 | Part One, Chapter 2, Part 1 | — | ||
| 13 | Part One, Chapter 2, Part 2 | — | ||
| 14 | Rithmatics Diagram: Bind Points and Circles, Advanced Notes | — | ||
| 15 | Part One, Chapter 3, Part 1 | — | ||
| 16 | Part One, Chapter 3, Part 2 | — | ||
| 17 | Part One, Chapter 3, Part 3 | — | ||
| 18 | Rithmatics Diagram: The Ballintain Defense | — | ||
| 19 | Part One, Chapter 4, Part 1 | — | ||
| 20 | Part One, Chapter 4, Part 2 | — | ||
| 21 | Part One, Chapter 4, Part 3 | — | ||
| 22 | Part One, Chapter 4, Part 4 | — | ||
| 23 | Rithmatics Diagram: The Six‐Point Circle | — | ||
| 24 | Part One, Chapter 5, Part 1 | — | ||
| 25 | Part One, Chapter 5, Part 2 | — | ||
| 26 | Part One, Chapter 5, Part 3 | — | ||
| 27 | Rithmatics Diagram: The Matson Defense | — | ||
| 28 | Part One, Chapter 6, Part 1 | — | ||
| 29 | Part One, Chapter 6, Part 2 | — | ||
| 30 | Part One, Chapter 6, Part 3 | — | ||
| 31 | Part One, Chapter 6, Part 4 | — | ||
| 32 | Part Two / Rithmatics Diagram: Lines of Forbiddance | — | ||
| 33 | Part Two, Chapter 7, Part 1 | — | ||
| 34 | Part Two, Chapter 7, Part 2 | — | ||
| 35 | Part Two, Chapter 7, Part 3 | — | ||
| 36 | Part Two, Chapter 7, Part 4 | — | ||
| 37 | Rithmatics Diagram: The Sumsion Defense | — | ||
| 38 | Part Two, Chapter 8, Part 1 | — | ||
| 39 | Part Two, Chapter 8, Part 2 | — | ||
| 40 | Rithmatics Diagram: The Osborn Defense | — | ||
| 41 | Part Two, Chapter 9, Part 1 | — | ||
| 42 | Part Two, Chapter 9, Part 2 | — | ||
| 43 | Part Two, Chapter 9, Part 3 | — | ||
| 44 | Part Two, Chapter 9, Part 4 | — | ||
| 45 | Part Two, Chapter 9, Part 5 | — | ||
| 46 | Rithmatics Diagram: The Eskridge Defense | — | ||
| 47 | Part Two, Chapter 10, Part 1 | — | ||
| 48 | Part Two, Chapter 10, Part 2 | — | ||
| 49 | Part Two, Chapter 10, Part 3 | — | ||
| 50 | Part Two, Chapter 10, Part 4 | — | ||
| 51 | Part Two, Chapter 10, Part 5 | — | ||
| 52 | Part Two, Chapter 10, Part 6 | — | ||
| 53 | Federal Police Diagram: Chalk Drawings Found at the Scene of Lilly Whiting’s Disappearance | — | ||
| 54 | Part Two, Chapter 11, Part 1 | — | ||
| 55 | Part Two, Chapter 11, Part 2 | — | ||
| 56 | Part Two, Chapter 11, Part 3 | — | ||
| 57 | Part Two, Chapter 11, Part 4 | — | ||
| 58 | Part Two, Chapter 11, Part 5 | — | ||
| 59 | Part Two, Chapter 11, Part 6 | — | ||
| 60 | Federal Police Diagram: Chalk Drawings Discovered at the Scene of Herman Libel’s Disappearance | — | ||
| 61 | Part Two, Chapter 12, Part 1 | — | ||
| 62 | Part Two, Chapter 12, Part 2 | — | ||
| 63 | Part Two, Chapter 12, Part 3 | — | ||
| 64 | Part Two, Chapter 12, Part 4 | — | ||
| 65 | Part Two, Chapter 12, Part 5 | — | ||
| 66 | Part Two, Chapter 12, Part 6 | — | ||
| 67 | Rithmatics Diagram: The Jordan Defense | — | ||
| 68 | Part Two, Chapter 13, Part 1 | — | ||
| 69 | Part Two, Chapter 13, Part 2 | — | ||
| 70 | Part Two, Chapter 13, Part 3 | — | ||
| 71 | Part Two, Chapter 13, Part 4 | — | ||
| 72 | Rithmatics Diagram: Lines of Vigor, Part One: Basic Usage | — | ||
| 73 | Part Two, Chapter 14, Part 1 | — | ||
| 74 | Part Two, Chapter 14, Part 2 | — | ||
| 75 | Part Two, Chapter 14, Part 3 | — | ||
| 76 | Part Two, Chapter 14, Part 4 | — | ||
| 77 | Part Three / Rithmatics Diagram: Instructing Chalklings | — | ||
| 78 | Part Three, Chapter 15, Part 1 | — | ||
| 79 | Part Three, Chapter 15, Part 2 | — | ||
| 80 | Part Three, Chapter 15, Part 3 | — | ||
| 81 | Part Three, Chapter 15, Part 4 | — | ||
| 82 | Part Three, Chapter 15, Part 5 | — | ||
| 83 | Part Three, Chapter 15, Part 6 | — | ||
| 84 | Rithmatics Diagram: The Shoaff Defense | — | ||
| 85 | Part Three, Chapter 16, Part 1 | — | ||
| 86 | Part Three, Chapter 16, Part 2 | — | ||
| 87 | Part Three, Chapter 16, Part 3 | — | ||
| 88 | Part Three, Chapter 16, Part 4 | — | ||
| 89 | Part Three, Chapter 16, Part 5 | — | ||
| 90 | Rithmatics Diagram: Nine‐Point Circles | — | ||
| 91 | Part Three, Chapter 17, Part 1 | — | ||
| 92 | Part Three, Chapter 17, Part 2 | — | ||
| 93 | Part Three, Chapter 17, Part 3 | — | ||
| 94 | Part Three, Chapter 17, Part 4 | — | ||
| 95 | Part Three, Chapter 17, Part 5 | — | ||
| 96 | Rithmatics Diagram: Line Strengths | — | ||
| 97 | Part Three, Chapter 18, Part 1 | — | ||
| 98 | Part Three, Chapter 18, Part 2 | — | ||
| 99 | Part Three, Chapter 18, Part 3 | — | ||
| 100 | Part Three, Chapter 18, Part 4 | — | ||
| 101 | Rithmatics Diagram: Types of Chalklings | — | ||
| 102 | Part Three, Chapter 19, Part 1 | — | ||
| 103 | Part Three, Chapter 19, Part 2 | — | ||
| 104 | Part Three, Chapter 19, Part 3 | — | ||
| 105 | Rithmatics Diagram: Binding Chalklings | — | ||
| 106 | Part Three, Chapter 20, Part 1 | — | ||
| 107 | Part Three, Chapter 20, Part 2 | — | ||
| 108 | Part Three, Chapter 20, Part 3 | — | ||
| 109 | Part Three, Chapter 20, Part 4 | — | ||
| 110 | Part Three, Chapter 20, Part 5 | — | ||
| 111 | Rithmatics Diagram: Anchoring Defensive Circles | — | ||
| 112 | Part Three, Chapter 21, Part 1 | — | ||
| 113 | Part Three, Chapter 21, Part 2 | — | ||
| 114 | Part Three, Chapter 21, Part 3 | — | ||
| 115 | Part Three, Chapter 21, Part 4 | — | ||
| 116 | Part Three, Chapter 21, Part 5 | — | ||
| 117 | Rithmatics Diagram: Bouncing Lines of Vigor | — | ||
| 118 | Part Three, Chapter 22, Part 1 | — | ||
| 119 | Part Three, Chapter 22, Part 2 | — | ||
| 120 | Part Three, Chapter 22, Part 3 | — | ||
| 121 | Part Three, Chapter 22, Part 4 | — | ||
| 122 | Rithmatics Diagram: The Taylor Defense | — | ||
| 123 | Part Three, Chapter 23, Part 1 | — | ||
| 124 | Part Three, Chapter 23, Part 2 | — | ||
| 125 | Part Three, Chapter 23, Part 3 | — | ||
| 126 | Part Three, Chapter 23, Part 4 | — | ||
| 127 | Federal Police Diagram: Joel’s Sketch of the Rithmatic Dorms’ Second Floor That Night | — | ||
| 128 | Part Three, Chapter 24, Part 1 | — | ||
| 129 | Part Three, Chapter 24, Part 2 | — | ||
| 130 | Part Three, Chapter 24, Part 3 | — | ||
| 131 | Rithmatics Diagram: Advanced Easton Defense | — | ||
| 132 | Part Three, Chapter 25, Part 1 | — | ||
| 133 | Part Three, Chapter 25, Part 2 | — | ||
| 134 | Part Three, Chapter 25, Part 3 | — | ||
| 135 | Part Three, Chapter 25, Part 4 | — | ||
| 136 | Part Three, Chapter 25, Part 5 | — | ||
| 137 | Part Three, Chapter 25, Part 6 | — | ||
| 138 | End Credits | — |
Opening Credits
—
Rithmatics Diagram: Basic Easton Defense
—
Prologue
—
Part One / Rithmatics Diagram: The Four Rithmatic Lines
—
Part One, Chapter 1, Part 1
—
Part One, Chapter 1, Part 2
—
Part One, Chapter 1, Part 3
—
Part One, Chapter 1, Part 4
—
Part One, Chapter 1, Part 5
—
Part One, Chapter 1, Part 6
—
Rithmatics Diagram: Two‐Point and Four‐Point Circles
—
Part One, Chapter 2, Part 1
—
Part One, Chapter 2, Part 2
—
Rithmatics Diagram: Bind Points and Circles, Advanced Notes
—
Part One, Chapter 3, Part 1
—
Part One, Chapter 3, Part 2
—
Part One, Chapter 3, Part 3
—
Rithmatics Diagram: The Ballintain Defense
—
Part One, Chapter 4, Part 1
—
Part One, Chapter 4, Part 2
—
Part One, Chapter 4, Part 3
—
Part One, Chapter 4, Part 4
—
Rithmatics Diagram: The Six‐Point Circle
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Part One, Chapter 5, Part 1
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Part One, Chapter 5, Part 2
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Part One, Chapter 5, Part 3
—
Rithmatics Diagram: The Matson Defense
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Part One, Chapter 6, Part 1
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Part One, Chapter 6, Part 2
—
Part One, Chapter 6, Part 3
—
Part One, Chapter 6, Part 4
—
Part Two / Rithmatics Diagram: Lines of Forbiddance
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Part Two, Chapter 7, Part 1
—
Part Two, Chapter 7, Part 2
—
Part Two, Chapter 7, Part 3
—
Part Two, Chapter 7, Part 4
—
Rithmatics Diagram: The Sumsion Defense
—
Part Two, Chapter 8, Part 1
—
Part Two, Chapter 8, Part 2
—
Rithmatics Diagram: The Osborn Defense
—
Part Two, Chapter 9, Part 1
—
Part Two, Chapter 9, Part 2
—
Part Two, Chapter 9, Part 3
—
Part Two, Chapter 9, Part 4
—
Part Two, Chapter 9, Part 5
—
Rithmatics Diagram: The Eskridge Defense
—
Part Two, Chapter 10, Part 1
—
Part Two, Chapter 10, Part 2
—
Part Two, Chapter 10, Part 3
—
Part Two, Chapter 10, Part 4
—
Part Two, Chapter 10, Part 5
—
Part Two, Chapter 10, Part 6
—
Federal Police Diagram: Chalk Drawings Found at the Scene of Lilly Whiting’s Disappearance
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Part Two, Chapter 11, Part 1
—
Part Two, Chapter 11, Part 2
—
Part Two, Chapter 11, Part 3
—
Part Two, Chapter 11, Part 4
—
Part Two, Chapter 11, Part 5
—
Part Two, Chapter 11, Part 6
—
Federal Police Diagram: Chalk Drawings Discovered at the Scene of Herman Libel’s Disappearance
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Part Two, Chapter 12, Part 1
—
Part Two, Chapter 12, Part 2
—
Part Two, Chapter 12, Part 3
—
Part Two, Chapter 12, Part 4
—
Part Two, Chapter 12, Part 5
—
Part Two, Chapter 12, Part 6
—
Rithmatics Diagram: The Jordan Defense
—
Part Two, Chapter 13, Part 1
—
Part Two, Chapter 13, Part 2
—
Part Two, Chapter 13, Part 3
—
Part Two, Chapter 13, Part 4
—
Rithmatics Diagram: Lines of Vigor, Part One: Basic Usage
—
Part Two, Chapter 14, Part 1
—
Part Two, Chapter 14, Part 2
—
Part Two, Chapter 14, Part 3
—
Part Two, Chapter 14, Part 4
—
Part Three / Rithmatics Diagram: Instructing Chalklings
—
Part Three, Chapter 15, Part 1
—
Part Three, Chapter 15, Part 2
—
Part Three, Chapter 15, Part 3
—
Part Three, Chapter 15, Part 4
—
Part Three, Chapter 15, Part 5
—
Part Three, Chapter 15, Part 6
—
Rithmatics Diagram: The Shoaff Defense
—
Part Three, Chapter 16, Part 1
—
Part Three, Chapter 16, Part 2
—
Part Three, Chapter 16, Part 3
—
Part Three, Chapter 16, Part 4
—
Part Three, Chapter 16, Part 5
—
Rithmatics Diagram: Nine‐Point Circles
—
Part Three, Chapter 17, Part 1
—
Part Three, Chapter 17, Part 2
—
Part Three, Chapter 17, Part 3
—
Part Three, Chapter 17, Part 4
—
Part Three, Chapter 17, Part 5
—
Rithmatics Diagram: Line Strengths
—
Part Three, Chapter 18, Part 1
—
Part Three, Chapter 18, Part 2
—
Part Three, Chapter 18, Part 3
—
Part Three, Chapter 18, Part 4
—
Rithmatics Diagram: Types of Chalklings
—
Part Three, Chapter 19, Part 1
—
Part Three, Chapter 19, Part 2
—
Part Three, Chapter 19, Part 3
—
Rithmatics Diagram: Binding Chalklings
—
Part Three, Chapter 20, Part 1
—
Part Three, Chapter 20, Part 2
—
Part Three, Chapter 20, Part 3
—
Part Three, Chapter 20, Part 4
—
Part Three, Chapter 20, Part 5
—
Rithmatics Diagram: Anchoring Defensive Circles
—
Part Three, Chapter 21, Part 1
—
Part Three, Chapter 21, Part 2
—
Part Three, Chapter 21, Part 3
—
Part Three, Chapter 21, Part 4
—
Part Three, Chapter 21, Part 5
—
Rithmatics Diagram: Bouncing Lines of Vigor
—
Part Three, Chapter 22, Part 1
—
Part Three, Chapter 22, Part 2
—
Part Three, Chapter 22, Part 3
—
Part Three, Chapter 22, Part 4
—
Rithmatics Diagram: The Taylor Defense
—
Part Three, Chapter 23, Part 1
—
Part Three, Chapter 23, Part 2
—
Part Three, Chapter 23, Part 3
—
Part Three, Chapter 23, Part 4
—
Federal Police Diagram: Joel’s Sketch of the Rithmatic Dorms’ Second Floor That Night
—
Part Three, Chapter 24, Part 1
—
Part Three, Chapter 24, Part 2
—
Part Three, Chapter 24, Part 3
—
Rithmatics Diagram: Advanced Easton Defense
—
Part Three, Chapter 25, Part 1
—
Part Three, Chapter 25, Part 2
—
Part Three, Chapter 25, Part 3
—
Part Three, Chapter 25, Part 4
—
Part Three, Chapter 25, Part 5
—
Part Three, Chapter 25, Part 6
—
End Credits
—
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What is UPC 9781427221148?
9781427221148 is a Universal Product Code (UPC) assigned to The Rithmatist by Brandon Sanderson, Ben McSweeney, Michael Kramer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 138 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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