UPC · Release
The Shattering
Kathryn Lasky, Pamela Garelick
Last verified:
9781433226069 is the Universal Product Code (UPC barcode) for the release “The Shattering” by Kathryn Lasky, Pamela Garelick, released 2008-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction / Prologue | — | ||
| 2 | Chapter 1: “A Friend in Need?”, Part 1 | — | ||
| 3 | Chapter 1: “A Friend in Need?”, Part 2 | — | ||
| 4 | Chapter 2: “Spronk No More”, Part 1 | — | ||
| 5 | Chapter 2: “Spronk No More”, Part 2 | — | ||
| 6 | Chapter 2: “Spronk No More”, Part 3 | — | ||
| 7 | Chapter 3: “A Grim Tweener”, Part 1 | — | ||
| 8 | Chapter 3: “A Grim Tweener”, Part 2 | — | ||
| 9 | Chapter 3: “A Grim Tweener”, Part 3 | — | ||
| 10 | Chapter 3: “A Grim Tweener”, Part 4 | — | ||
| 11 | Chapter 4: “A Missing Piece”, Part 1 | — | ||
| 12 | Chapter 4: “A Missing Piece”, Part 2 | — | ||
| 13 | Chapter 5: “A Fragment from the Sea”, Part 1 | — | ||
| 14 | Chapter 5: “A Fragment from the Sea”, Part 2 | — | ||
| 15 | Chapter 5: “A Fragment from the Sea”, Part 3 | — | ||
| 16 | Chapter 6: “So Close!”, Part 1 | — | ||
| 17 | Chapter 6: “So Close!”, Part 2 | — | ||
| 18 | Chapter 6: “So Close!”, Part 3 | — | ||
| 19 | Chapter 6: “So Close!”, Part 4 | — | ||
| 20 | Chapter 6: “So Close!”, Part 5 | — | ||
| 21 | Chapter 7: “The Sign of the Centipede”, Part 1 | — | ||
| 22 | Chapter 7: “The Sign of the Centipede”, Part 2 | — | ||
| 2-1 | Chapter 7: “The Sign of the Centipede”, Part 3 | — | ||
| 2-2 | Chapter 7: “The Sign of the Centipede”, Part 4 | — | ||
| 2-3 | Chapter 7: “The Sign of the Centipede”, Part 5 | — | ||
| 2-4 | Chapter 7: “The Sign of the Centipede”, Part 6 | — | ||
| 2-5 | Chapter 7: “The Sign of the Centipede”, Part 7 | — | ||
| 2-6 | Chapter 8: “Mum Waits for Me”, Part 1 | — | ||
| 2-7 | Chapter 8: “Mum Waits for Me”, Part 2 | — | ||
| 2-8 | Chapter 8: “Mum Waits for Me”, Part 3 | — | ||
| 2-9 | Chapter 8: “Mum Waits for Me”, Part 4 | — | ||
| 2-10 | Chapter 9: “The Most Beautiful Mum in the World”, Part 1 | — | ||
| 2-11 | Chapter 9: “The Most Beautiful Mum in the World”, Part 2 | — | ||
| 2-12 | Chapter 9: “The Most Beautiful Mum in the World”, Part 3 | — | ||
| 2-13 | Chapter 10: “Eglantine Researches”, Part 1 | — | ||
| 2-14 | Chapter 10: “Eglantine Researches”, Part 2 | — | ||
| 2-15 | Chapter 10: “Eglantine Researches”, Part 3 | — | ||
| 2-16 | Chapter 11: “Primrose’s Last Thought”, Part 1 | — | ||
| 2-17 | Chapter 11: “Primrose’s Last Thought”, Part 2 | — | ||
| 2-18 | Chapter 12: “A Gizzard Begins to Stir”, Part 1 | — | ||
| 2-19 | Chapter 12: “A Gizzard Begins to Stir”, Part 2 | — | ||
| 2-20 | Chapter 12: “A Gizzard Begins to Stir”, Part 3 | — | ||
| 2-21 | Chapter 12: “A Gizzard Begins to Stir”, Part 4 | — | ||
| 3-1 | Chapter 13: “The Lucky Charm”, Part 1 | — | ||
| 3-2 | Chapter 13: “The Lucky Charm”, Part 2 | — | ||
| 3-3 | Chapter 13: “The Lucky Charm”, Part 3 | — | ||
| 3-4 | Chapter 14: “As a Gizzard Twitches”, Part 1 | — | ||
| 3-5 | Chapter 14: “As a Gizzard Twitches”, Part 2 | — | ||
| 3-6 | Chapter 14: “As a Gizzard Twitches”, Part 3 | — | ||
| 3-7 | Chapter 14: “As a Gizzard Twitches”, Part 4 | — | ||
| 3-8 | Chapter 14: “As a Gizzard Twitches”, Part 5 | — | ||
| 3-9 | Chapter 14: “As a Gizzard Twitches”, Part 6 | — | ||
| 3-10 | Chapter 15: “Piece by Piece”, Part 1 | — | ||
| 3-11 | Chapter 15: “Piece by Piece”, Part 2 | — | ||
| 3-12 | Chapter 15: “Piece by Piece”, Part 3 | — | ||
| 3-13 | Chapter 16: “The Sacred Orb”, Part 1 | — | ||
| 3-14 | Chapter 16: “The Sacred Orb”, Part 2 | — | ||
| 3-15 | Chapter 16: “The Sacred Orb”, Part 3 | — | ||
| 3-16 | Chapter 16: “The Sacred Orb”, Part 4 | — | ||
| 3-17 | Chapter 17: “The Hostage Egg”, Part 1 | — | ||
| 3-18 | Chapter 17: “The Hostage Egg”, Part 2 | — | ||
| 3-19 | Chapter 17: “The Hostage Egg”, Part 3 | — | ||
| 3-20 | Chapter 18: “It Cannot Fail!”, Part 1 | — | ||
| 3-21 | Chapter 18: “It Cannot Fail!”, Part 2 | — | ||
| 4-1 | Chapter 18: “It Cannot Fail!”, Part 3 | — | ||
| 4-2 | Chapter 18: “It Cannot Fail!”, Part 4 | — | ||
| 4-3 | Chapter 18: “It Cannot Fail!”, Part 5 | — | ||
| 4-4 | Chapter 19: “The Peg-Out”, Part 1 | — | ||
| 4-5 | Chapter 19: “The Peg-Out”, Part 2 | — | ||
| 4-6 | Chapter 20: “A Crown of Fire”, Part 1 | — | ||
| 4-7 | Chapter 20: “A Crown of Fire”, Part 2 | — | ||
| 4-8 | Chapter 20: “A Crown of Fire”, Part 3 | — | ||
| 4-9 | Chapter 21: “The Gollymopes”, Part 1 | — | ||
| 4-10 | Chapter 21: “The Gollymopes”, Part 2 | — | ||
| 4-11 | Chapter 21: “The Gollymopes”, Part 3 | — | ||
| 4-12 | Chapter 22: “The Living Dead”, Part 1 | — | ||
| 4-13 | Chapter 22: “The Living Dead”, Part 2 | — | ||
| 4-14 | Chapter 22: “The Living Dead”, Part 3 | — | ||
| 4-15 | Chapter 22: “The Living Dead”, Part 4 | — | ||
| 4-16 | Chapter 23: “The Passing of the Claws”, Part 1 | — | ||
| 4-17 | Chapter 23: “The Passing of the Claws”, Part 2 | — | ||
| 4-18 | Chapter 23: “The Passing of the Claws”, Part 3 | — | ||
| 4-19 | Chapter 23: “The Passing of the Claws”, Part 4 | — | ||
| 4-20 | Owls and Others from Guardians of Ga’Hoole: The Shattering, Part 1 | — | ||
| 4-21 | Owls and Others from Guardians of Ga’Hoole: The Shattering, Part 2 / Credits | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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What is UPC 9781433226069?
9781433226069 is a Universal Product Code (UPC) assigned to The Shattering by Kathryn Lasky, Pamela Garelick. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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