UPC · Release
The Rescue
Kathryn Lasky, Pamela Garelick
Last verified:
9781441755407 is the Universal Product Code (UPC barcode) for the release “The Rescue” by Kathryn Lasky, Pamela Garelick, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction / Chapter 1: “Blood Dawn”, Part 1 | — | ||
| 2 | Chapter 1: “Blood Dawn”, Part 2 | — | ||
| 3 | Chapter 1: “Blood Dawn”, Part 3 | — | ||
| 4 | Chapter 1: “Blood Dawn”, Part 4 | — | ||
| 5 | Chapter 2: “Flecks in the Night!”, Part 1 | — | ||
| 6 | Chapter 2: “Flecks in the Night!”, Part 2 | — | ||
| 7 | Chapter 2: “Flecks in the Night!”, Part 3 | — | ||
| 8 | Chapter 2: “Flecks in the Night!”, Part 4 | — | ||
| 9 | Chapter 2: “Flecks in the Night!”, Part 5 | — | ||
| 10 | Chapter 3: “What a Blow!”, Part 1 | — | ||
| 11 | Chapter 3: “What a Blow!”, Part 2 | — | ||
| 12 | Chapter 3: “What a Blow!”, Part 3 | — | ||
| 13 | Chapter 3: “What a Blow!”, Part 4 | — | ||
| 14 | Chapter 4: “The Spirit Woods”, Part 1 | — | ||
| 15 | Chapter 4: “The Spirit Woods”, Part 2 | — | ||
| 16 | Chapter 4: “The Spirit Woods”, Part 3 | — | ||
| 17 | Chapter 4: “The Spirit Woods”, Part 4 | — | ||
| 18 | Chapter 4: “The Spirit Woods”, Part 5 | — | ||
| 19 | Chapter 4: “The Spirit Woods”, Part 6 | — | ||
| 20 | Chapter 4: “The Spirit Woods”, Part 7 | — | ||
| 2-1 | Chapter 5: “Bubo’s Forge”, Part 1 | — | ||
| 2-2 | Chapter 5: “Bubo’s Forge”, Part 2 | — | ||
| 2-3 | Chapter 5: “Bubo’s Forge”, Part 3 | — | ||
| 2-4 | Chapter 5: “Bubo’s Forge”, Part 4 | — | ||
| 2-5 | Chapter 6: “Eglantine’s Dilemma”, Part 1 | — | ||
| 2-6 | Chapter 6: “Eglantine’s Dilemma”, Part 2 | — | ||
| 2-7 | Chapter 6: “Eglantine’s Dilemma”, Part 3 | — | ||
| 2-8 | Chapter 6: “Eglantine’s Dilemma”, Part 4 / Chapter 7: “The Harvest Festival”, Part 1 | — | ||
| 2-9 | Chapter 7: “The Harvest Festival”, Part 2 | — | ||
| 2-10 | Chapter 7: “The Harvest Festival”, Part 3 | — | ||
| 2-11 | Chapter 7: “The Harvest Festival”, Part 4 | — | ||
| 2-12 | Chapter 8: “Into a Night Stained Red”, Part 1 | — | ||
| 2-13 | Chapter 8: “Into a Night Stained Red”, Part 2 | — | ||
| 2-14 | Chapter 8: “Into a Night Stained Red”, Part 3 | — | ||
| 2-15 | Chapter 9: “The Rogue Smith of Silverveil”, Part 1 | — | ||
| 2-16 | Chapter 9: “The Rogue Smith of Silverveil”, Part 2 | — | ||
| 2-17 | Chapter 9: “The Rogue Smith of Silverveil”, Part 3 | — | ||
| 2-18 | Chapter 10: “The Story of the Rogue Smith”, Part 1 | — | ||
| 2-19 | Chapter 10: “The Story of the Rogue Smith”, Part 2 | — | ||
| 2-20 | Chapter 10: “The Story of the Rogue Smith”, Part 3 | — | ||
| 2-21 | Chapter 10: “The Story of the Rogue Smith”, Part 4 | — | ||
| 2-22 | Chapter 10: “The Story of the Rogue Smith”, Part 5 | — | ||
| 2-23 | Chapter 10: “The Story of the Rogue Smith”, Part 6 | — | ||
| 3-1 | Chapter 11: “Flint Mops”, Part 1 | — | ||
| 3-2 | Chapter 11: “Flint Mops”, Part 2 | — | ||
| 3-3 | Chapter 11: “Flint Mops”, Part 3 | — | ||
| 3-4 | Chapter 11: “Flint Mops”, Part 4 | — | ||
| 3-5 | Chapter 11: “Flint Mops”, Part 5 | — | ||
| 3-6 | Chapter 12: “Rusty Claws”, Part 1 | — | ||
| 3-7 | Chapter 12: “Rusty Claws”, Part 2 | — | ||
| 3-8 | Chapter 12: “Rusty Claws”, Part 3 | — | ||
| 3-9 | Chapter 12: “Rusty Claws”, Part 4 | — | ||
| 3-10 | Chapter 12: “Rusty Claws”, Part 5 | — | ||
| 3-11 | Chapter 13: “Octavia Speaks”, Part 1 | — | ||
| 3-12 | Chapter 13: “Octavia Speaks”, Part 2 | — | ||
| 3-13 | Chapter 13: “Octavia Speaks”, Part 3 | — | ||
| 3-14 | Chapter 13: “Octavia Speaks”, Part 4 | — | ||
| 3-15 | Chapter 13: “Octavia Speaks”, Part 5 | — | ||
| 3-16 | Chapter 14: “Eglantine’s Dream”, Part 1 | — | ||
| 3-17 | Chapter 14: “Eglantine’s Dream”, Part 2 | — | ||
| 3-18 | Chapter 14: “Eglantine’s Dream”, Part 3 | — | ||
| 3-19 | Chapter 14: “Eglantine’s Dream”, Part 4 | — | ||
| 3-20 | Chapter 14: “Eglantine’s Dream”, Part 5 | — | ||
| 4-1 | Chapter 15: “The Chaw of Chaws”, Part 1 | — | ||
| 4-2 | Chapter 15: “The Chaw of Chaws”, Part 2 | — | ||
| 4-3 | Chapter 16: “The Empty Shrine”, Part 1 | — | ||
| 4-4 | Chapter 16: “The Empty Shrine”, Part 2 | — | ||
| 4-5 | Chapter 16: “The Empty Shrine”, Part 3 | — | ||
| 4-6 | Chapter 16: “The Empty Shrine”, Part 4 | — | ||
| 4-7 | Chapter 17: “A Muddled Owl”, Part 1 | — | ||
| 4-8 | Chapter 17: “A Muddled Owl”, Part 2 / Chapter 18: “A Nightmare Revisited”, Part 1 | — | ||
| 4-9 | Chapter 18: “A Nightmare Revisited”, Part 2 | — | ||
| 4-10 | Chapter 18: “A Nightmare Revisited”, Part 3 | — | ||
| 4-11 | Chapter 19: “Into the Devil’s Triangle”, Part 1 | — | ||
| 4-12 | Chapter 19: “Into the Devil’s Triangle”, Part 2 | — | ||
| 4-13 | Chapter 19: “Into the Devil’s Triangle”, Part 3 | — | ||
| 4-14 | Chapter 19: “Into the Devil’s Triangle”, Part 4 | — | ||
| 4-15 | Chapter 19: “Into the Devil’s Triangle”, Part 5 | — | ||
| 4-16 | Chapter 20: “Attack!”, Part 1 | — | ||
| 4-17 | Chapter 20: “Attack!”, Part 2 | — | ||
| 4-18 | Chapter 20: “Attack!”, Part 3 | — | ||
| 4-19 | Chapter 20: “Attack!”, Part 4 | — | ||
| 4-20 | Chapter 21: “Good Light”, Part 1 | — | ||
| 4-21 | Chapter 21: “Good Light”, Part 2 / Credits | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 9781441755407?
9781441755407 is a Universal Product Code (UPC) assigned to The Rescue by Kathryn Lasky, Pamela Garelick. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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