UPC · Release
The Spy Who Came in From the Cold
John le Carré, Michael Jayston
9781445875811
141 tracks
Last verified:
9781445875811 is the Universal Product Code (UPC barcode) for the release “The Spy Who Came in From the Cold” by John le Carré, Michael Jayston. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 141 tracks, each with its own ISRC.
Format
978GS1 prefix
1445Company prefix
87581Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (141)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: “Checkpoint”, Part 1 | — | ||
| 2 | Chapter 1: “Checkpoint”, Part 2 | — | ||
| 3 | Chapter 1: “Checkpoint”, Part 3 | — | ||
| 4 | Chapter 1: “Checkpoint”, Part 4 | — | ||
| 5 | Chapter 1: “Checkpoint”, Part 5 | — | ||
| 6 | Chapter 2: “The Circus”, Part 1 | — | ||
| 7 | Chapter 2: “The Circus”, Part 2 | — | ||
| 8 | Chapter 2: “The Circus”, Part 3 | — | ||
| 9 | Chapter 2: “The Circus”, Part 4 | — | ||
| 10 | Chapter 2: “The Circus”, Part 5 | — | ||
| 11 | Chapter 2: “The Circus”, Part 6 | — | ||
| 12 | Chapter 2: “The Circus”, Part 7 | — | ||
| 13 | Chapter 3: “Decline”, Part 1 | — | ||
| 14 | Chapter 3: “Decline”, Part 2 | — | ||
| 15 | Chapter 3: “Decline”, Part 3 | — | ||
| 16 | Chapter 3: “Decline”, Part 4 | — | ||
| 17 | Chapter 4: “Liz”, Part 1 | — | ||
| 18 | Chapter 4: “Liz”, Part 2 | — | ||
| 19 | Chapter 4: “Liz”, Part 3 | — | ||
| 20 | Chapter 4: “Liz”, Part 4 | — | ||
| 21 | Chapter 4: “Liz”, Part 5 | — | ||
| 22 | Chapter 5: “Credit”, Part 1 | — | ||
| 23 | Chapter 5: “Credit”, Part 2 | — | ||
| 24 | Chapter 5: “Credit”, Part 3 | — | ||
| 25 | Chapter 5: “Credit”, Part 4 | — | ||
| 2-1 | Chapter 6: “Contact”, Part 1 | — | ||
| 2-2 | Chapter 6: “Contact”, Part 2 | — | ||
| 2-3 | Chapter 6: “Contact”, Part 3 | — | ||
| 2-4 | Chapter 6: “Contact”, Part 4 | — | ||
| 2-5 | Chapter 6: “Contact”, Part 5 | — | ||
| 2-6 | Chapter 6: “Contact”, Part 6 | — | ||
| 2-7 | Chapter 6: “Contact”, Part 7 | — | ||
| 2-8 | Chapter 7: ”Kiever”, Part 1 | — | ||
| 2-9 | Chapter 7: ”Kiever”, Part 2 | — | ||
| 2-10 | Chapter 7: ”Kiever”, Part 3 | — | ||
| 2-11 | Chapter 7: ”Kiever”, Part 4 | — | ||
| 2-12 | Chapter 7: ”Kiever”, Part 5 | — | ||
| 2-13 | Chapter 7: ”Kiever”, Part 6 | — | ||
| 2-14 | Chapter 7: ”Kiever”, Part 7 | — | ||
| 2-15 | Chapter 7: ”Kiever”, Part 8 / Chapter 8: ”Le Mirage”, Part 1 (at 1:40) | — | ||
| 2-16 | Chapter 8: “Le Mirage”, Part 2 | — | ||
| 2-17 | Chapter 8: “Le Mirage”, Part 3 | — | ||
| 2-18 | Chapter 8: “Le Mirage”, Part 4 | — | ||
| 2-19 | Chapter 8: “Le Mirage”, Part 5 | — | ||
| 2-20 | Chapter 8: “Le Mirage”, Part 6 | — | ||
| 2-21 | Chapter 8: “Le Mirage”, Part 7 | — | ||
| 2-22 | Chapter 8: “Le Mirage”, Part 8 | — | ||
| 2-23 | Chapter 8: “Le Mirage”, Part 9 | — | ||
| 3-1 | Chapter 8: “Le Mirage”, Part 10 | — | ||
| 3-2 | Chapter 8: “Le Mirage”, Part 11 | — | ||
| 3-3 | Chapter 8: “Le Mirage”, Part 12 | — | ||
| 3-5 | Chapter 9: “The Second Day”, Part 1 | — | ||
| 3-6 | Chapter 9: “The Second Day”, Part 2 | — | ||
| 3-7 | Chapter 9: “The Second Day”, Part 3 | — | ||
| 3-8 | Chapter 9: “The Second Day”, Part 4 | — | ||
| 3-9 | Chapter 9: “The Second Day”, Part 5 / Chapter 10: “The Third Day”, Part 1 (at 2:05) | — | ||
| 3-10 | Chapter 10: “The Third Day”, Part 2 | — | ||
| 3-11 | Chapter 10: “The Third Day”, Part 3 | — | ||
| 3-12 | Chapter 10: “The Third Day”, Part 4 | — | ||
| 3-13 | Chapter 11: “Friends of Alec”, Part 5 | — | ||
| 3-14 | Chapter 11: “Friends of Alec”, Part 6 | — | ||
| 3-15 | Chapter 11: “Friends of Alec”, Part 7 | — | ||
| 3-16 | Chapter 11: “Friends of Alec”, Part 8 | — | ||
| 3-17 | Chapter 12: “East”, Part 1 | — | ||
| 3-18 | Chapter 12: “East”, Part 2 | — | ||
| 3-19 | Chapter 12: “East”, Part 3 | — | ||
| 3-20 | Chapter 12: “East”, Part 4 | — | ||
| 3-21 | Chapter 12: “East”, Part 5 | — | ||
| 3-22 | Chapter 12: “East”, Part 6 | — | ||
| 3-23 | Chapter 12: “East”, Part 7 | — | ||
| 3-24 | Chapter 12: “East”, Part 8 | — | ||
| 4-1 | Chapter 12: “East”, Part 9 | — | ||
| 4-2 | Chapter 12: “East”, Part 10 | — | ||
| 4-3 | Chapter 12: “East”, Part 11 | — | ||
| 4-4 | Chapter 12: “East”, Part 12 | — | ||
| 4-5 | Chapter 13: “Pins or Paperclips?”, Part 1 | — | ||
| 4-6 | Chapter 13: “Pins or Paperclips?”, Part 2 | — | ||
| 4-7 | Chapter 13: “Pins or Paperclips?”, Part 3 | — | ||
| 4-8 | Chapter 13: “Pins or Paperclips?”, Part 4 | — | ||
| 4-9 | Chapter 13: “Pins or Paperclips?”, Part 5 | — | ||
| 4-10 | Chapter 14: “Letter to a Client”, Part 1 | — | ||
| 4-11 | Chapter 14: “Letter to a Client”, Part 2 | — | ||
| 4-12 | Chapter 14: “Letter to a Client”, Part 3 | — | ||
| 4-13 | Chapter 14: “Letter to a Client”, Part 4 | — | ||
| 4-14 | Chapter 14: “Letter to a Client”, Part 5 | — | ||
| 4-15 | Chapter 14: “Letter to a Client”, Part 6 | — | ||
| 4-16 | Chapter 15: “Come to the Ball”, Part 7 | — | ||
| 4-17 | Chapter 15: “Come to the Ball”, Part 8 | — | ||
| 4-18 | Chapter 15: “Come to the Ball”, Part 9 | — | ||
| 4-19 | Chapter 16: “Arrest”, Part 1 | — | ||
| 4-20 | Chapter 16: “Arrest”, Part 2 | — | ||
| 4-21 | Chapter 16: “Arrest”, Part 3 | — | ||
| 4-22 | Chapter 16: “Arrest”, Part 4 | — | ||
| 5-1 | Chapter 17: “Mundt”, Part 1 | — | ||
| 5-2 | Chapter 17: “Mundt”, Part 2 | — | ||
| 5-3 | Chapter 17: “Mundt”, Part 3 | — | ||
| 5-4 | Chapter 18: “Fiedler”, Part 1 | — | ||
| 5-5 | Chapter 18: “Fiedler”, Part 2 | — | ||
| 5-6 | Chapter 18: “Fiedler”, Part 3 | — | ||
| 5-7 | Chapter 19: ”Branch Meeting“, Part 1 | — | ||
| 5-8 | Chapter 19: ”Branch Meeting“, Part 2 | — | ||
| 5-9 | Chapter 19: ”Branch Meeting“, Part 3 / Chapter 20: “Tribunal”, Part 1 (at 1:45) | — | ||
| 5-10 | Chapter 20: “Tribunal”, Part 2 | — | ||
| 5-11 | Chapter 20: “Tribunal”, Part 3 | — | ||
| 5-12 | Chapter 20: “Tribunal”, Part 4 | — | ||
| 5-13 | Chapter 20: “Tribunal”, Part 5 | — | ||
| 5-14 | Chapter 20: “Tribunal”, Part 6 | — | ||
| 5-15 | Chapter 20: “Tribunal”, Part 7 | — | ||
| 5-16 | Chapter 20: “Tribunal”, Part 8 | — | ||
| 5-17 | Chapter 20: “Tribunal”, Part 9 | — | ||
| 5-18 | Chapter 20: “Tribunal”, Part 10 | — | ||
| 5-19 | Chapter 20: “Tribunal”, Part 11 | — | ||
| 5-20 | Chapter 21: “The Witness”, Part 1 | — | ||
| 5-21 | Chapter 21: “The Witness”, Part 2 | — | ||
| 5-22 | Chapter 21: “The Witness”, Part 3 | — | ||
| 5-23 | Chapter 21: “The Witness”, Part 4 | — | ||
| 5-24 | Chapter 22: “The President”, Part 1 | — | ||
| 5-25 | Chapter 22: “The President”, Part 2 | — | ||
| 6-1 | Chapter 22: “The President”, Part 3 | — | ||
| 6-2 | Chapter 22: “The President”, Part 4 | — | ||
| 6-3 | Chapter 22: “The President”, Part 5 | — | ||
| 6-4 | Chapter 22: “The President”, Part 6 | — | ||
| 6-5 | Chapter 22: “The President”, Part 7 | — | ||
| 6-6 | Chapter 23: “The Confession”, Part 1 | — | ||
| 6-7 | Chapter 23: “The Confession”, Part 2 | — | ||
| 6-8 | Chapter 23: “The Confession”, Part 3 | — | ||
| 6-9 | Chapter 23: “The Confession”, Part 4 | — | ||
| 6-10 | Chapter 24: “The Commissar”, Part | — | ||
| 6-11 | Chapter 24: “The Commissar”, Part 6 | — | ||
| 6-12 | Chapter 24: “The Commissar”, Part 7 | — | ||
| 6-13 | Chapter 24: “The Commissar”, Part 8 | — | ||
| 6-14 | Chapter 24: “The Commissar”, Part 9 | — | ||
| 6-15 | Chapter 24: “The Commissar”, Part 10 / Chapter 25: “The Wall”, Part 1 (at 1:30) | — | ||
| 6-16 | Chapter 25: “The Wall”, Part 2 | — | ||
| 6-17 | Chapter 25: “The Wall”, Part 3 | — | ||
| 6-18 | Chapter 25: “The Wall”, Part 4 | — | ||
| 6-19 | Chapter 25: “The Wall”, Part 5 | — | ||
| 6-20 | Chapter 25: “The Wall”, Part 6 | — | ||
| 6-21 | Chapter 25: “The Wall”, Part 7 | — | ||
| 6-22 | Chapter 25: “The Wall”, Part 8 / Chapter 26: “In From the Cold”, Part 1 (at 0:15) | — | ||
| 6-23 | Chapter 26: “In From the Cold”, Part 2 | — |
Chapter 1: “Checkpoint”, Part 1
—
Chapter 1: “Checkpoint”, Part 2
—
Chapter 1: “Checkpoint”, Part 3
—
Chapter 1: “Checkpoint”, Part 4
—
Chapter 1: “Checkpoint”, Part 5
—
Chapter 2: “The Circus”, Part 1
—
Chapter 2: “The Circus”, Part 2
—
Chapter 2: “The Circus”, Part 3
—
Chapter 2: “The Circus”, Part 4
—
Chapter 2: “The Circus”, Part 5
—
Chapter 2: “The Circus”, Part 6
—
Chapter 2: “The Circus”, Part 7
—
Chapter 3: “Decline”, Part 1
—
Chapter 3: “Decline”, Part 2
—
Chapter 3: “Decline”, Part 3
—
Chapter 3: “Decline”, Part 4
—
Chapter 4: “Liz”, Part 1
—
Chapter 4: “Liz”, Part 2
—
Chapter 4: “Liz”, Part 3
—
Chapter 4: “Liz”, Part 4
—
Chapter 4: “Liz”, Part 5
—
Chapter 5: “Credit”, Part 1
—
Chapter 5: “Credit”, Part 2
—
Chapter 5: “Credit”, Part 3
—
Chapter 5: “Credit”, Part 4
—
Chapter 6: “Contact”, Part 1
—
Chapter 6: “Contact”, Part 2
—
Chapter 6: “Contact”, Part 3
—
Chapter 6: “Contact”, Part 4
—
Chapter 6: “Contact”, Part 5
—
Chapter 6: “Contact”, Part 6
—
Chapter 6: “Contact”, Part 7
—
Chapter 7: ”Kiever”, Part 1
—
Chapter 7: ”Kiever”, Part 2
—
Chapter 7: ”Kiever”, Part 3
—
Chapter 7: ”Kiever”, Part 4
—
Chapter 7: ”Kiever”, Part 5
—
Chapter 7: ”Kiever”, Part 6
—
Chapter 7: ”Kiever”, Part 7
—
Chapter 7: ”Kiever”, Part 8 / Chapter 8: ”Le Mirage”, Part 1 (at 1:40)
—
Chapter 8: “Le Mirage”, Part 2
—
Chapter 8: “Le Mirage”, Part 3
—
Chapter 8: “Le Mirage”, Part 4
—
Chapter 8: “Le Mirage”, Part 5
—
Chapter 8: “Le Mirage”, Part 6
—
Chapter 8: “Le Mirage”, Part 7
—
Chapter 8: “Le Mirage”, Part 8
—
Chapter 8: “Le Mirage”, Part 9
—
Chapter 8: “Le Mirage”, Part 10
—
Chapter 8: “Le Mirage”, Part 11
—
Chapter 8: “Le Mirage”, Part 12
—
Chapter 9: “The Second Day”, Part 1
—
Chapter 9: “The Second Day”, Part 2
—
Chapter 9: “The Second Day”, Part 3
—
Chapter 9: “The Second Day”, Part 4
—
Chapter 9: “The Second Day”, Part 5 / Chapter 10: “The Third Day”, Part 1 (at 2:05)
—
Chapter 10: “The Third Day”, Part 2
—
Chapter 10: “The Third Day”, Part 3
—
Chapter 10: “The Third Day”, Part 4
—
Chapter 11: “Friends of Alec”, Part 5
—
Chapter 11: “Friends of Alec”, Part 6
—
Chapter 11: “Friends of Alec”, Part 7
—
Chapter 11: “Friends of Alec”, Part 8
—
Chapter 12: “East”, Part 1
—
Chapter 12: “East”, Part 2
—
Chapter 12: “East”, Part 3
—
Chapter 12: “East”, Part 4
—
Chapter 12: “East”, Part 5
—
Chapter 12: “East”, Part 6
—
Chapter 12: “East”, Part 7
—
Chapter 12: “East”, Part 8
—
Chapter 12: “East”, Part 9
—
Chapter 12: “East”, Part 10
—
Chapter 12: “East”, Part 11
—
Chapter 12: “East”, Part 12
—
Chapter 13: “Pins or Paperclips?”, Part 1
—
Chapter 13: “Pins or Paperclips?”, Part 2
—
Chapter 13: “Pins or Paperclips?”, Part 3
—
Chapter 13: “Pins or Paperclips?”, Part 4
—
Chapter 13: “Pins or Paperclips?”, Part 5
—
Chapter 14: “Letter to a Client”, Part 1
—
Chapter 14: “Letter to a Client”, Part 2
—
Chapter 14: “Letter to a Client”, Part 3
—
Chapter 14: “Letter to a Client”, Part 4
—
Chapter 14: “Letter to a Client”, Part 5
—
Chapter 14: “Letter to a Client”, Part 6
—
Chapter 15: “Come to the Ball”, Part 7
—
Chapter 15: “Come to the Ball”, Part 8
—
Chapter 15: “Come to the Ball”, Part 9
—
Chapter 16: “Arrest”, Part 1
—
Chapter 16: “Arrest”, Part 2
—
Chapter 16: “Arrest”, Part 3
—
Chapter 16: “Arrest”, Part 4
—
Chapter 17: “Mundt”, Part 1
—
Chapter 17: “Mundt”, Part 2
—
Chapter 17: “Mundt”, Part 3
—
Chapter 18: “Fiedler”, Part 1
—
Chapter 18: “Fiedler”, Part 2
—
Chapter 18: “Fiedler”, Part 3
—
Chapter 19: ”Branch Meeting“, Part 1
—
Chapter 19: ”Branch Meeting“, Part 2
—
Chapter 19: ”Branch Meeting“, Part 3 / Chapter 20: “Tribunal”, Part 1 (at 1:45)
—
Chapter 20: “Tribunal”, Part 2
—
Chapter 20: “Tribunal”, Part 3
—
Chapter 20: “Tribunal”, Part 4
—
Chapter 20: “Tribunal”, Part 5
—
Chapter 20: “Tribunal”, Part 6
—
Chapter 20: “Tribunal”, Part 7
—
Chapter 20: “Tribunal”, Part 8
—
Chapter 20: “Tribunal”, Part 9
—
Chapter 20: “Tribunal”, Part 10
—
Chapter 20: “Tribunal”, Part 11
—
Chapter 21: “The Witness”, Part 1
—
Chapter 21: “The Witness”, Part 2
—
Chapter 21: “The Witness”, Part 3
—
Chapter 21: “The Witness”, Part 4
—
Chapter 22: “The President”, Part 1
—
Chapter 22: “The President”, Part 2
—
Chapter 22: “The President”, Part 3
—
Chapter 22: “The President”, Part 4
—
Chapter 22: “The President”, Part 5
—
Chapter 22: “The President”, Part 6
—
Chapter 22: “The President”, Part 7
—
Chapter 23: “The Confession”, Part 1
—
Chapter 23: “The Confession”, Part 2
—
Chapter 23: “The Confession”, Part 3
—
Chapter 23: “The Confession”, Part 4
—
Chapter 24: “The Commissar”, Part
—
Chapter 24: “The Commissar”, Part 6
—
Chapter 24: “The Commissar”, Part 7
—
Chapter 24: “The Commissar”, Part 8
—
Chapter 24: “The Commissar”, Part 9
—
Chapter 24: “The Commissar”, Part 10 / Chapter 25: “The Wall”, Part 1 (at 1:30)
—
Chapter 25: “The Wall”, Part 2
—
Chapter 25: “The Wall”, Part 3
—
Chapter 25: “The Wall”, Part 4
—
Chapter 25: “The Wall”, Part 5
—
Chapter 25: “The Wall”, Part 6
—
Chapter 25: “The Wall”, Part 7
—
Chapter 25: “The Wall”, Part 8 / Chapter 26: “In From the Cold”, Part 1 (at 0:15)
—
Chapter 26: “In From the Cold”, Part 2
—
What other identifiers does this connect to?
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What is UPC 9781445875811?
9781445875811 is a Universal Product Code (UPC) assigned to The Spy Who Came in From the Cold by John le Carré, Michael Jayston. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 141 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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