UPC · Release
The Collected Stories of Philip K. Dick, Volume IV: The Minority Report
Philip K. Dick, Patrick Lawlor, Joyce Bean
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9781455814732 is the Universal Product Code (UPC barcode) for the release “The Collected Stories of Philip K. Dick, Volume IV: The Minority Report” by Philip K. Dick, Patrick Lawlor, Joyce Bean, released 2015-01-01 on Brilliance Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 236 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (236)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | [front matter] | — | ||
| 2 | Introduction: "How Do You Know You're Reading Philip K. Dick?" | — | ||
| 3 | "Autofac", Part 1 | — | ||
| 4 | "Autofac", Part 2 | — | ||
| 5 | "Autofac", Part 3 | — | ||
| 6 | "Autofac", Part 4 | — | ||
| 7 | "Autofac", Part 5 | — | ||
| 8 | "Autofac", Part 6 | — | ||
| 9 | "Autofac", Part 7 | — | ||
| 10 | "Autofac", Part 8 | — | ||
| 11 | "Autofac", Part 9 | — | ||
| 12 | "Autofac", Part 10 | — | ||
| 13 | "Autofac", Part 11 | — | ||
| 14 | "Service Call", Part 1 | — | ||
| 15 | "Service Call", Part 2 | — | ||
| 2-1 | "Service Call", Part 3 | — | ||
| 2-2 | "Service Call", Part 4 | — | ||
| 2-3 | "Service Call", Part 5 | — | ||
| 2-4 | "Service Call", Part 6 | — | ||
| 2-5 | "Service Call", Part 7 | — | ||
| 2-6 | "Service Call", Part 8 | — | ||
| 2-7 | "Service Call", Part 9 | — | ||
| 2-8 | "Service Call", Part 10 | — | ||
| 2-9 | "Service Call", Part 11 | — | ||
| 2-10 | "Captive Market", Part 1 | — | ||
| 2-11 | "Captive Market", Part 2 | — | ||
| 2-12 | "Captive Market", Part 3 | — | ||
| 2-13 | "Captive Market", Part 4 | — | ||
| 2-14 | "Captive Market", Part 5 | — | ||
| 2-15 | "Captive Market", Part 6 | — | ||
| 2-16 | "Captive Market", Part 7 | — | ||
| 3-1 | "Captive Market", Part 8 | — | ||
| 3-2 | "Captive Market", Part 9 | — | ||
| 3-3 | "Captive Market", Part 10 | — | ||
| 3-4 | "Captive Market", Part 11 | — | ||
| 3-5 | "The Mold of Yancy", Part 1 | — | ||
| 3-6 | "The Mold of Yancy", Part 2 | — | ||
| 3-7 | "The Mold of Yancy", Part 3 | — | ||
| 3-8 | "The Mold of Yancy", Part 4 | — | ||
| 3-9 | "The Mold of Yancy", Part 5 | — | ||
| 3-10 | "The Mold of Yancy", Part 6 | — | ||
| 3-11 | "The Mold of Yancy", Part 7 | — | ||
| 3-12 | "The Mold of Yancy", Part 8 | — | ||
| 3-13 | "The Mold of Yancy", Part 9 | — | ||
| 3-14 | "The Minority Report", Part 1 | — | ||
| 3-15 | "The Minority Report", Part 2 | — | ||
| 4-1 | "The Minority Report", Part 3 | — | ||
| 4-2 | "The Minority Report", Part 4 | — | ||
| 4-3 | "The Minority Report", Part 5 | — | ||
| 4-4 | "The Minority Report", Part 6 | — | ||
| 4-5 | "The Minority Report", Part 7 | — | ||
| 4-6 | "The Minority Report", Part 8 | — | ||
| 4-7 | "The Minority Report", Part 9 | — | ||
| 4-8 | "The Minority Report", Part 10 | — | ||
| 4-9 | "The Minority Report", Part 11 | — | ||
| 4-10 | "The Minority Report", Part 12 | — | ||
| 4-11 | "The Minority Report", Part 13 | — | ||
| 4-12 | "The Minority Report", Part 14 | — | ||
| 4-13 | "The Minority Report", Part 15 | — | ||
| 4-14 | "The Minority Report", Part 16 | — | ||
| 4-15 | "The Minority Report", Part 17 | — | ||
| 4-16 | "The Minority Report", Part 18 | — | ||
| 4-17 | "The Minority Report", Part 19 | — | ||
| 5-1 | "The Minority Report", Part 20 | — | ||
| 5-2 | "The Minority Report", Part 21 | — | ||
| 5-3 | "The Minority Report", Part 22 | — | ||
| 5-4 | "The Minority Report", Part 23 | — | ||
| 5-5 | "Recall Mechanism", Part 1 | — | ||
| 5-6 | "Recall Mechanism", Part 2 | — | ||
| 5-7 | "Recall Mechanism", Part 3 | — | ||
| 5-8 | "Recall Mechanism", Part 4 | — | ||
| 5-9 | "Recall Mechanism", Part 5 | — | ||
| 5-10 | "Recall Mechanism", Part 6 | — | ||
| 5-11 | "Recall Mechanism", Part 7 | — | ||
| 5-12 | "The Unreconstructed M", Part 1 | — | ||
| 5-13 | "The Unreconstructed M", Part 2 | — | ||
| 5-14 | "The Unreconstructed M", Part 3 | — | ||
| 6-1 | "The Unreconstructed M", Part 4 | — | ||
| 6-2 | "The Unreconstructed M", Part 5 | — | ||
| 6-3 | "The Unreconstructed M", Part 6 | — | ||
| 6-4 | "The Unreconstructed M", Part 7 | — | ||
| 6-5 | "The Unreconstructed M", Part 8 | — | ||
| 6-6 | "The Unreconstructed M", Part 9 | — | ||
| 6-7 | "The Unreconstructed M", Part 10 | — | ||
| 6-8 | "The Unreconstructed M", Part 11 | — | ||
| 6-9 | "The Unreconstructed M", Part 12 | — | ||
| 6-10 | "The Unreconstructed M", Part 13 | — | ||
| 6-11 | "The Unreconstructed M", Part 14 | — | ||
| 6-12 | "The Unreconstructed M", Part 15 | — | ||
| 6-13 | "The Unreconstructed M", Part 16 | — | ||
| 6-14 | "The Unreconstructed M", Part 17 | — | ||
| 6-15 | "The Unreconstructed M", Part 18 | — | ||
| 7-1 | "The Unreconstructed M", Part 19 | — | ||
| 7-2 | "The Unreconstructed M", Part 20 | — | ||
| 7-3 | "Explorers We", Part 1 | — | ||
| 7-4 | "Explorers We", Part 2 | — | ||
| 7-5 | "Explorers We", Part 3 | — | ||
| 7-6 | "Explorers We", Part 4 | — | ||
| 7-7 | "War Game", Part 1 | — | ||
| 7-8 | "War Game", Part 2 | — | ||
| 7-9 | "War Game", Part 3 | — | ||
| 7-10 | "War Game", Part 4 | — | ||
| 7-11 | "War Game", Part 5 | — | ||
| 7-12 | "War Game", Part 6 | — | ||
| 7-13 | "War Game", Part 7 | — | ||
| 7-14 | "If There Were No Benny Cemoli", Part 1 | — | ||
| 7-15 | "If There Were No Benny Cemoli", Part 2 | — | ||
| 8-1 | "If There Were No Benny Cemoli", Part 3 | — | ||
| 8-2 | "If There Were No Benny Cemoli", Part 4 | — | ||
| 8-3 | "If There Were No Benny Cemoli", Part 5 | — | ||
| 8-4 | "If There Were No Benny Cemoli", Part 6 | — | ||
| 8-5 | "If There Were No Benny Cemoli", Part 7 | — | ||
| 8-6 | "If There Were No Benny Cemoli", Part 8 | — | ||
| 8-7 | "If There Were No Benny Cemoli", Part 9 | — | ||
| 8-8 | "If There Were No Benny Cemoli", Part 10 | — | ||
| 8-9 | "If There Were No Benny Cemoli", Part 11 | — | ||
| 8-10 | "If There Were No Benny Cemoli", Part 12 | — | ||
| 8-11 | "Novelty Act", Part 1 | — | ||
| 8-12 | "Novelty Act", Part 2 | — | ||
| 8-13 | "Novelty Act", Part 3 | — | ||
| 8-14 | "Novelty Act", Part 4 | — | ||
| 8-15 | "Novelty Act", Part 5 | — | ||
| 8-16 | "Novelty Act", Part 6 | — | ||
| 9-1 | "Novelty Act", Part 7 | — | ||
| 9-2 | "Novelty Act", Part 8 | — | ||
| 9-3 | "Novelty Act", Part 9 | — | ||
| 9-4 | "Novelty Act", Part 10 | — | ||
| 9-5 | "Novelty Act", Part 11 | — | ||
| 9-6 | "Novelty Act", Part 12 | — | ||
| 9-7 | "Novelty Act", Part 13 | — | ||
| 9-8 | "Novelty Act", Part 14 | — | ||
| 9-9 | "Novelty Act", Part 15 | — | ||
| 9-10 | "Novelty Act", Part 16 | — | ||
| 9-11 | "Novelty Act", Part 17 | — | ||
| 9-12 | "Novelty Act", Part 18 | — | ||
| 9-13 | "Waterspider", Part 1 | — | ||
| 9-14 | "Waterspider", Part 2 | — | ||
| 9-15 | "Waterspider", Part 3 | — | ||
| 9-16 | "Waterspider", Part 4 | — | ||
| 9-17 | "Waterspider", Part 5 | — | ||
| 10-1 | "Waterspider", Part 6 | — | ||
| 10-2 | "Waterspider", Part 7 | — | ||
| 10-3 | "Waterspider", Part 8 | — | ||
| 10-4 | "Waterspider", Part 9 | — | ||
| 10-5 | "Waterspider", Part 10 | — | ||
| 10-6 | "Waterspider", Part 11 | — | ||
| 10-7 | "Waterspider", Part 12 | — | ||
| 10-8 | "Waterspider", Part 13 | — | ||
| 10-9 | "Waterspider", Part 14 | — | ||
| 10-10 | "Waterspider", Part 15 | — | ||
| 10-11 | "Waterspider", Part 16 | — | ||
| 10-12 | "Waterspider", Part 17 | — | ||
| 10-13 | "What the Dead Men Say", Part 1 | — | ||
| 10-14 | "What the Dead Men Say", Part 2 | — | ||
| 10-15 | "What the Dead Men Say", Part 3 | — | ||
| 11-1 | "What the Dead Men Say", Part 4 | — | ||
| 11-2 | "What the Dead Men Say", Part 5 | — | ||
| 11-3 | "What the Dead Men Say", Part 6 | — | ||
| 11-4 | "What the Dead Men Say", Part 7 | — | ||
| 11-5 | "What the Dead Men Say", Part 8 | — | ||
| 11-6 | "What the Dead Men Say", Part 9 | — | ||
| 11-7 | "What the Dead Men Say", Part 10 | — | ||
| 11-8 | "What the Dead Men Say", Part 11 | — | ||
| 11-9 | "What the Dead Men Say", Part 12 | — | ||
| 11-10 | "What the Dead Men Say", Part 13 | — | ||
| 11-11 | "What the Dead Men Say", Part 14 | — | ||
| 11-12 | "What the Dead Men Say", Part 15 | — | ||
| 11-13 | "What the Dead Men Say", Part 16 | — | ||
| 11-14 | "What the Dead Men Say", Part 17 | — | ||
| 11-15 | "What the Dead Men Say", Part 18 | — | ||
| 12-1 | "What the Dead Men Say", Part 19 | — | ||
| 12-2 | "What the Dead Men Say", Part 20 | — | ||
| 12-3 | "What the Dead Men Say", Part 21 | — | ||
| 12-4 | "What the Dead Men Say", Part 22 | — | ||
| 12-5 | "What the Dead Men Say", Part 23 | — | ||
| 12-6 | "What the Dead Men Say", Part 24 | — | ||
| 12-7 | "What the Dead Men Say", Part 25 | — | ||
| 12-8 | "What the Dead Men Say", Part 26 | — | ||
| 12-9 | "What the Dead Men Say", Part 27 | — | ||
| 12-10 | "What the Dead Men Say", Part 28 | — | ||
| 12-11 | "Orpheus With Clay Feet", Part 1 | — | ||
| 12-12 | "Orpheus With Clay Feet", Part 2 | — | ||
| 12-13 | "Orpheus With Clay Feet", Part 3 | — | ||
| 12-14 | "Orpheus With Clay Feet", Part 4 | — | ||
| 13-1 | "Orpheus With Clay Feet", Part 5 | — | ||
| 13-2 | "Orpheus With Clay Feet", Part 6 | — | ||
| 13-3 | "Orpheus With Clay Feet", Part 7 | — | ||
| 13-4 | "Orpheus With Clay Feet", Part 8 | — | ||
| 13-5 | "Orpheus With Clay Feet", Part 9 | — | ||
| 13-6 | "The Days of Perky Pat", Part 1 | — | ||
| 13-7 | "The Days of Perky Pat", Part 2 | — | ||
| 13-8 | "The Days of Perky Pat", Part 3 | — | ||
| 13-9 | "The Days of Perky Pat", Part 4 | — | ||
| 13-10 | "The Days of Perky Pat", Part 5 | — | ||
| 13-11 | "The Days of Perky Pat", Part 6 | — | ||
| 13-12 | "The Days of Perky Pat", Part 7 | — | ||
| 13-13 | "The Days of Perky Pat", Part 8 | — | ||
| 13-14 | "The Days of Perky Pat", Part 9 | — | ||
| 13-15 | "The Days of Perky Pat", Part 10 | — | ||
| 14-1 | "The Days of Perky Pat", Part 11 | — | ||
| 14-2 | "The Days of Perky Pat", Part 12 | — | ||
| 14-3 | "The Days of Perky Pat", Part 13 | — | ||
| 14-4 | "Stand-by", Part 1 | — | ||
| 14-5 | "Stand-by", Part 2 | — | ||
| 14-6 | "Stand-by", Part 3 | — | ||
| 14-7 | "Stand-by", Part 4 | — | ||
| 14-8 | "Stand-by", Part 5 | — | ||
| 14-9 | "Stand-by", Part 6 | — | ||
| 14-10 | "Stand-by", Part 7 | — | ||
| 14-11 | "Stand-by", Part 8 | — | ||
| 14-12 | "What'll We Do With Ragland Park?", Part 1 | — | ||
| 14-13 | "What'll We Do With Ragland Park?", Part 2 | — | ||
| 14-14 | "What'll We Do With Ragland Park?", Part 3 | — | ||
| 14-15 | "What'll We Do With Ragland Park?", Part 4 | — | ||
| 15-1 | "What'll We Do With Ragland Park?", Part 5 | — | ||
| 15-2 | "What'll We Do With Ragland Park?", Part 6 | — | ||
| 15-3 | "What'll We Do With Ragland Park?", Part 7 | — | ||
| 15-4 | "What'll We Do With Ragland Park?", Part 8 | — | ||
| 15-5 | "What'll We Do With Ragland Park?", Part 9 | — | ||
| 15-6 | "What'll We Do With Ragland Park?", Part 10 | — | ||
| 15-7 | "What'll We Do With Ragland Park?", Part 11 | — | ||
| 15-8 | "Oh, to Be a Blobel!", Part 1 | — | ||
| 15-9 | "Oh, to Be a Blobel!", Part 2 | — | ||
| 16-1 | "Oh, to Be a Blobel!", Part 3 | — | ||
| 16-2 | "Oh, to Be a Blobel!", Part 4 | — | ||
| 16-3 | "Oh, to Be a Blobel!", Part 5 | — | ||
| 16-4 | "Oh, to Be a Blobel!", Part 6 | — | ||
| 16-5 | "Oh, to Be a Blobel!", Part 7 | — | ||
| 16-6 | "Oh, to Be a Blobel!", Part 8 | — | ||
| 16-7 | "Oh, to Be a Blobel!", Part 9 | — | ||
| 16-8 | "Oh, to Be a Blobel!", Part 10 | — | ||
| 16-9 | "Notes", Part 1 | — | ||
| 16-10 | "Notes", Part 2 | — | ||
| 16-11 | "Notes", Part 3 | — | ||
| 16-12 | "Notes", Part 4 | — | ||
| 16-13 | "Notes", Part 5 | — |
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What is UPC 9781455814732?
9781455814732 is a Universal Product Code (UPC) assigned to The Collected Stories of Philip K. Dick, Volume IV: The Minority Report by Philip K. Dick, Patrick Lawlor, Joyce Bean. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 236 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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