UPC · Release
Live and Let Die
Ian Fleming, Rory Kinnear
9781471309274
130 tracksReleased 2012-01-01AudioGo
Last verified:
9781471309274 is the Universal Product Code (UPC barcode) for the release “Live and Let Die” by Ian Fleming, Rory Kinnear, released 2012-01-01 on AudioGo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC.
Format
978GS1 prefix
1471Company prefix
30927Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (130)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: “The Red Carpet”, Part 1 | — | ||
| 2 | Chapter 1: “The Red Carpet”, Part 2 | — | ||
| 3 | Chapter 1: “The Red Carpet”, Part 3 | — | ||
| 4 | Chapter 1: “The Red Carpet”, Part 4 | — | ||
| 5 | Chapter 1: “The Red Carpet”, Part 5 | — | ||
| 6 | Chapter 2: “Interview with M”, Part 1 | — | ||
| 7 | Chapter 2: “Interview with M”, Part 2 | — | ||
| 8 | Chapter 2: “Interview with M”, Part 3 | — | ||
| 9 | Chapter 2: “Interview with M”, Part 4 | — | ||
| 10 | Chapter 3: “A Visiting Card”, Part 1 | — | ||
| 11 | Chapter 3: “A Visiting Card”, Part 2 | — | ||
| 12 | Chapter 3: “A Visiting Card”, Part 3 | — | ||
| 13 | Chapter 3: “A Visiting Card”, Part 4 | — | ||
| 14 | Chapter 3: “A Visiting Card”, Part 5 | — | ||
| 15 | Chapter 3: “A Visiting Card”, Part 6 | — | ||
| 16 | Chapter 3: “A Visiting Card”, Part 7 | — | ||
| 17 | Chapter 4: “The Big Switchboard”, Part 1 | — | ||
| 18 | Chapter 4: “The Big Switchboard”, Part 2 | — | ||
| 19 | Chapter 4: “The Big Switchboard”, Part 3 | — | ||
| 20 | Chapter 4: “The Big Switchboard”, Part 4 | — | ||
| 21 | Chapter 4: “The Big Switchboard”, Part 5 | — | ||
| 2-1 | Chapter 5: “Negro Heaven”, Part 1 | — | ||
| 2-2 | Chapter 5: “Negro Heaven”, Part 2 | — | ||
| 2-3 | Chapter 5: “Negro Heaven”, Part 3 | — | ||
| 2-4 | Chapter 5: “Negro Heaven”, Part 4 | — | ||
| 2-5 | Chapter 5: “Negro Heaven”, Part 5 | — | ||
| 2-6 | Chapter 6: “Table Z”, Part 1 | — | ||
| 2-7 | Chapter 6: “Table Z”, Part 2 | — | ||
| 2-8 | Chapter 6: “Table Z”, Part 3 | — | ||
| 2-9 | Chapter 6: “Table Z”, Part 4 | — | ||
| 2-10 | Chapter 6: “Table Z”, Part 5 | — | ||
| 2-11 | Chapter 7: “Mister Big”, Part 1 | — | ||
| 2-12 | Chapter 7: “Mister Big”, Part 2 | — | ||
| 2-13 | Chapter 7: “Mister Big”, Part 3 | — | ||
| 2-14 | Chapter 7: “Mister Big”, Part 4 | — | ||
| 2-15 | Chapter 7: “Mister Big”, Part 5 | — | ||
| 2-16 | Chapter 8: “No Sensayuma”, Part 1 | — | ||
| 2-17 | Chapter 8: “No Sensayuma”, Part 2 | — | ||
| 2-18 | Chapter 8: “No Sensayuma”, Part 3 | — | ||
| 2-19 | Chapter 8: “No Sensayuma”, Part 4 | — | ||
| 2-20 | Chapter 8: “No Sensayuma”, Part 5 | — | ||
| 2-21 | Chapter 8: “No Sensayuma”, Part 6 | — | ||
| 2-22 | Chapter 8: “No Sensayuma”, Part 7 | — | ||
| 3-1 | Chapter 9: “True or False?”, Part 1 | — | ||
| 3-2 | Chapter 9: “True or False?”, Part 2 | — | ||
| 3-3 | Chapter 9: “True or False?”, Part 3 | — | ||
| 3-4 | Chapter 9: “True or False?”, Part 4 | — | ||
| 3-5 | Chapter 9: “True or False?”, Part 5 | — | ||
| 3-6 | Chapter 10: “The Silver Phantom”, Part 1 | — | ||
| 3-7 | Chapter 10: “The Silver Phantom”, Part 2 | — | ||
| 3-8 | Chapter 10: “The Silver Phantom”, Part 3 | — | ||
| 3-9 | Chapter 10: “The Silver Phantom”, Part 4 | — | ||
| 3-10 | Chapter 10: “The Silver Phantom”, Part 5 | — | ||
| 3-11 | Chapter 10: “The Silver Phantom”, Part 6 | — | ||
| 3-12 | Chapter 11: “Allumeuse”, Part 1 | — | ||
| 3-13 | Chapter 11: “Allumeuse”, Part 2 | — | ||
| 3-14 | Chapter 11: “Allumeuse”, Part 3 | — | ||
| 3-15 | Chapter 11: “Allumeuse”, Part 4 | — | ||
| 3-16 | Chapter 11: “Allumeuse”, Part 5 | — | ||
| 3-17 | Chapter 11: “Allumeuse”, Part 6 | — | ||
| 3-18 | Chapter 12: “The Everglades”, Part 1 | — | ||
| 3-19 | Chapter 12: “The Everglades”, Part 2 | — | ||
| 3-20 | Chapter 12: “The Everglades”, Part 3 | — | ||
| 3-21 | Chapter 12: “The Everglades”, Part 4 | — | ||
| 3-22 | Chapter 12: “The Everglades”, Part 5 | — | ||
| 3-23 | Chapter 12: “The Everglades”, Part 6 | — | ||
| 4-1 | Chapter 13: “Death of a Pelican”, Part 1 | — | ||
| 4-2 | Chapter 13: “Death of a Pelican”, Part 2 | — | ||
| 4-3 | Chapter 13: “Death of a Pelican”, Part 3 | — | ||
| 4-4 | Chapter 13: “Death of a Pelican”, Part 4 | — | ||
| 4-5 | Chapter 13: “Death of a Pelican”, Part 5 | — | ||
| 4-6 | Chapter 13: “Death of a Pelican”, Part 6 | — | ||
| 4-7 | Chapter 13: “Death of a Pelican”, Part 7 | — | ||
| 4-8 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 1 | — | ||
| 4-9 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 2 | — | ||
| 4-10 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 3 | — | ||
| 4-11 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 4 | — | ||
| 4-12 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 5 | — | ||
| 4-13 | Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 6 | — | ||
| 4-14 | Chapter 15: “Midnight Among the Worms”, Part 1 | — | ||
| 4-15 | Chapter 15: “Midnight Among the Worms”, Part 2 | — | ||
| 4-16 | Chapter 15: “Midnight Among the Worms”, Part 3 | — | ||
| 4-17 | Chapter 15: “Midnight Among the Worms”, Part 4 | — | ||
| 4-18 | Chapter 15: “Midnight Among the Worms”, Part 5 | — | ||
| 4-19 | Chapter 15: “Midnight Among the Worms”, Part 6 | — | ||
| 4-20 | Chapter 15: “Midnight Among the Worms”, Part 7 | — | ||
| 4-21 | Chapter 15: “Midnight Among the Worms”, Part 8 | — | ||
| 5-1 | Chapter 16: “The Jamaica Version”, Part 1 | — | ||
| 5-2 | Chapter 16: “The Jamaica Version”, Part 2 | — | ||
| 5-3 | Chapter 16: “The Jamaica Version”, Part 3 | — | ||
| 5-4 | Chapter 16: “The Jamaica Version”, Part 4 | — | ||
| 5-5 | Chapter 16: “The Jamaica Version”, Part 5 | — | ||
| 5-6 | Chapter 16: “The Jamaica Version”, Part 6 | — | ||
| 5-7 | Chapter 16: “The Jamaica Version”, Part 7 | — | ||
| 5-8 | Chapter 17: “The Undertaker’s Wind”, Part 1 | — | ||
| 5-9 | Chapter 17: “The Undertaker’s Wind”, Part 2 | — | ||
| 5-10 | Chapter 17: “The Undertaker’s Wind”, Part 3 | — | ||
| 5-11 | Chapter 17: “The Undertaker’s Wind”, Part 4 | — | ||
| 5-12 | Chapter 17: “The Undertaker’s Wind”, Part 5 | — | ||
| 5-13 | Chapter 17: “The Undertaker’s Wind”, Part 6 | — | ||
| 5-14 | Chapter 18: “Beau Desert”, Part 1 | — | ||
| 5-15 | Chapter 18: “Beau Desert”, Part 2 | — | ||
| 5-16 | Chapter 18: “Beau Desert”, Part 3 | — | ||
| 5-17 | Chapter 18: “Beau Desert”, Part 4 | — | ||
| 5-18 | Chapter 18: “Beau Desert”, Part 5 | — | ||
| 5-19 | Chapter 19: “Valley of Shadows”, Part 1 | — | ||
| 5-20 | Chapter 19: “Valley of Shadows”, Part 2 | — | ||
| 5-21 | Chapter 19: “Valley of Shadows”, Part 3 | — | ||
| 5-22 | Chapter 19: “Valley of Shadows”, Part 4 | — | ||
| 5-23 | Chapter 19: “Valley of Shadows”, Part 5 | — | ||
| 6-1 | Chapter 20: “Bloody Morgan’s Cave”, Part 1 | — | ||
| 6-2 | Chapter 20: “Bloody Morgan’s Cave”, Part 2 | — | ||
| 6-3 | Chapter 20: “Bloody Morgan’s Cave”, Part 3 | — | ||
| 6-4 | Chapter 20: “Bloody Morgan’s Cave”, Part 4 | — | ||
| 6-5 | Chapter 20: “Bloody Morgan’s Cave”, Part 5 | — | ||
| 6-6 | Chapter 21: “‘Good Night to You Both’”, Part 1 | — | ||
| 6-7 | Chapter 21: “‘Good Night to You Both’”, Part 2 | — | ||
| 6-8 | Chapter 21: “‘Good Night to You Both’”, Part 3 | — | ||
| 6-9 | Chapter 21: “‘Good Night to You Both’”, Part 4 | — | ||
| 6-10 | Chapter 21: “‘Good Night to You Both’”, Part 5 | — | ||
| 6-11 | Chapter 22: “Terror by Sea”, Part 1 | — | ||
| 6-12 | Chapter 22: “Terror by Sea”, Part 2 | — | ||
| 6-13 | Chapter 22: “Terror by Sea”, Part 3 | — | ||
| 6-14 | Chapter 22: “Terror by Sea”, Part 4 | — | ||
| 6-15 | Chapter 22: “Terror by Sea”, Part 5 | — | ||
| 6-16 | Chapter 22: “Terror by Sea”, Part 6 | — | ||
| 6-17 | Chapter 23: “Passionate Leave”, Part 1 | — | ||
| 6-18 | Chapter 23: “Passionate Leave”, Part 2 | — | ||
| 6-19 | Chapter 23: “Passionate Leave”, Part 3 | — | ||
| 6-20 | Rory Kinnear talks about Live and Let Die | — |
Chapter 1: “The Red Carpet”, Part 1
—
Chapter 1: “The Red Carpet”, Part 2
—
Chapter 1: “The Red Carpet”, Part 3
—
Chapter 1: “The Red Carpet”, Part 4
—
Chapter 1: “The Red Carpet”, Part 5
—
Chapter 2: “Interview with M”, Part 1
—
Chapter 2: “Interview with M”, Part 2
—
Chapter 2: “Interview with M”, Part 3
—
Chapter 2: “Interview with M”, Part 4
—
Chapter 3: “A Visiting Card”, Part 1
—
Chapter 3: “A Visiting Card”, Part 2
—
Chapter 3: “A Visiting Card”, Part 3
—
Chapter 3: “A Visiting Card”, Part 4
—
Chapter 3: “A Visiting Card”, Part 5
—
Chapter 3: “A Visiting Card”, Part 6
—
Chapter 3: “A Visiting Card”, Part 7
—
Chapter 4: “The Big Switchboard”, Part 1
—
Chapter 4: “The Big Switchboard”, Part 2
—
Chapter 4: “The Big Switchboard”, Part 3
—
Chapter 4: “The Big Switchboard”, Part 4
—
Chapter 4: “The Big Switchboard”, Part 5
—
Chapter 5: “Negro Heaven”, Part 1
—
Chapter 5: “Negro Heaven”, Part 2
—
Chapter 5: “Negro Heaven”, Part 3
—
Chapter 5: “Negro Heaven”, Part 4
—
Chapter 5: “Negro Heaven”, Part 5
—
Chapter 6: “Table Z”, Part 1
—
Chapter 6: “Table Z”, Part 2
—
Chapter 6: “Table Z”, Part 3
—
Chapter 6: “Table Z”, Part 4
—
Chapter 6: “Table Z”, Part 5
—
Chapter 7: “Mister Big”, Part 1
—
Chapter 7: “Mister Big”, Part 2
—
Chapter 7: “Mister Big”, Part 3
—
Chapter 7: “Mister Big”, Part 4
—
Chapter 7: “Mister Big”, Part 5
—
Chapter 8: “No Sensayuma”, Part 1
—
Chapter 8: “No Sensayuma”, Part 2
—
Chapter 8: “No Sensayuma”, Part 3
—
Chapter 8: “No Sensayuma”, Part 4
—
Chapter 8: “No Sensayuma”, Part 5
—
Chapter 8: “No Sensayuma”, Part 6
—
Chapter 8: “No Sensayuma”, Part 7
—
Chapter 9: “True or False?”, Part 1
—
Chapter 9: “True or False?”, Part 2
—
Chapter 9: “True or False?”, Part 3
—
Chapter 9: “True or False?”, Part 4
—
Chapter 9: “True or False?”, Part 5
—
Chapter 10: “The Silver Phantom”, Part 1
—
Chapter 10: “The Silver Phantom”, Part 2
—
Chapter 10: “The Silver Phantom”, Part 3
—
Chapter 10: “The Silver Phantom”, Part 4
—
Chapter 10: “The Silver Phantom”, Part 5
—
Chapter 10: “The Silver Phantom”, Part 6
—
Chapter 11: “Allumeuse”, Part 1
—
Chapter 11: “Allumeuse”, Part 2
—
Chapter 11: “Allumeuse”, Part 3
—
Chapter 11: “Allumeuse”, Part 4
—
Chapter 11: “Allumeuse”, Part 5
—
Chapter 11: “Allumeuse”, Part 6
—
Chapter 12: “The Everglades”, Part 1
—
Chapter 12: “The Everglades”, Part 2
—
Chapter 12: “The Everglades”, Part 3
—
Chapter 12: “The Everglades”, Part 4
—
Chapter 12: “The Everglades”, Part 5
—
Chapter 12: “The Everglades”, Part 6
—
Chapter 13: “Death of a Pelican”, Part 1
—
Chapter 13: “Death of a Pelican”, Part 2
—
Chapter 13: “Death of a Pelican”, Part 3
—
Chapter 13: “Death of a Pelican”, Part 4
—
Chapter 13: “Death of a Pelican”, Part 5
—
Chapter 13: “Death of a Pelican”, Part 6
—
Chapter 13: “Death of a Pelican”, Part 7
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 1
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 2
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 3
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 4
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 5
—
Chapter 14: “‘He Disagreed with Something that Ate Him’”, Part 6
—
Chapter 15: “Midnight Among the Worms”, Part 1
—
Chapter 15: “Midnight Among the Worms”, Part 2
—
Chapter 15: “Midnight Among the Worms”, Part 3
—
Chapter 15: “Midnight Among the Worms”, Part 4
—
Chapter 15: “Midnight Among the Worms”, Part 5
—
Chapter 15: “Midnight Among the Worms”, Part 6
—
Chapter 15: “Midnight Among the Worms”, Part 7
—
Chapter 15: “Midnight Among the Worms”, Part 8
—
Chapter 16: “The Jamaica Version”, Part 1
—
Chapter 16: “The Jamaica Version”, Part 2
—
Chapter 16: “The Jamaica Version”, Part 3
—
Chapter 16: “The Jamaica Version”, Part 4
—
Chapter 16: “The Jamaica Version”, Part 5
—
Chapter 16: “The Jamaica Version”, Part 6
—
Chapter 16: “The Jamaica Version”, Part 7
—
Chapter 17: “The Undertaker’s Wind”, Part 1
—
Chapter 17: “The Undertaker’s Wind”, Part 2
—
Chapter 17: “The Undertaker’s Wind”, Part 3
—
Chapter 17: “The Undertaker’s Wind”, Part 4
—
Chapter 17: “The Undertaker’s Wind”, Part 5
—
Chapter 17: “The Undertaker’s Wind”, Part 6
—
Chapter 18: “Beau Desert”, Part 1
—
Chapter 18: “Beau Desert”, Part 2
—
Chapter 18: “Beau Desert”, Part 3
—
Chapter 18: “Beau Desert”, Part 4
—
Chapter 18: “Beau Desert”, Part 5
—
Chapter 19: “Valley of Shadows”, Part 1
—
Chapter 19: “Valley of Shadows”, Part 2
—
Chapter 19: “Valley of Shadows”, Part 3
—
Chapter 19: “Valley of Shadows”, Part 4
—
Chapter 19: “Valley of Shadows”, Part 5
—
Chapter 20: “Bloody Morgan’s Cave”, Part 1
—
Chapter 20: “Bloody Morgan’s Cave”, Part 2
—
Chapter 20: “Bloody Morgan’s Cave”, Part 3
—
Chapter 20: “Bloody Morgan’s Cave”, Part 4
—
Chapter 20: “Bloody Morgan’s Cave”, Part 5
—
Chapter 21: “‘Good Night to You Both’”, Part 1
—
Chapter 21: “‘Good Night to You Both’”, Part 2
—
Chapter 21: “‘Good Night to You Both’”, Part 3
—
Chapter 21: “‘Good Night to You Both’”, Part 4
—
Chapter 21: “‘Good Night to You Both’”, Part 5
—
Chapter 22: “Terror by Sea”, Part 1
—
Chapter 22: “Terror by Sea”, Part 2
—
Chapter 22: “Terror by Sea”, Part 3
—
Chapter 22: “Terror by Sea”, Part 4
—
Chapter 22: “Terror by Sea”, Part 5
—
Chapter 22: “Terror by Sea”, Part 6
—
Chapter 23: “Passionate Leave”, Part 1
—
Chapter 23: “Passionate Leave”, Part 2
—
Chapter 23: “Passionate Leave”, Part 3
—
Rory Kinnear talks about Live and Let Die
—
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What is UPC 9781471309274?
9781471309274 is a Universal Product Code (UPC) assigned to Live and Let Die by Ian Fleming, Rory Kinnear. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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