UPC · Release
Dr. No
Ian Fleming, Hugh Quarshie
9781471309403
151 tracksReleased 2012-01-01AudioGo
Last verified:
9781471309403 is the Universal Product Code (UPC barcode) for the release “Dr. No” by Ian Fleming, Hugh Quarshie, released 2012-01-01 on AudioGo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 151 tracks, each with its own ISRC.
Format
978GS1 prefix
1471Company prefix
30940Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (151)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: “Hear You Loud and Clear”, Part 1 | — | ||
| 2 | Chapter 1: “Hear You Loud and Clear”, Part 2 | — | ||
| 3 | Chapter 1: “Hear You Loud and Clear”, Part 3 | — | ||
| 4 | Chapter 1: “Hear You Loud and Clear”, Part 4 | — | ||
| 5 | Chapter 1: “Hear You Loud and Clear”, Part 5 | — | ||
| 6 | Chapter 1: “Hear You Loud and Clear”, Part 6 | — | ||
| 7 | Chapter 2: “Choice of Weapons”, Part 1 | — | ||
| 8 | Chapter 2: “Choice of Weapons”, Part 2 | — | ||
| 9 | Chapter 2: “Choice of Weapons”, Part 3 | — | ||
| 10 | Chapter 2: “Choice of Weapons”, Part 4 | — | ||
| 11 | Chapter 2: “Choice of Weapons”, Part 5 | — | ||
| 12 | Chapter 2: “Choice of Weapons”, Part 6 | — | ||
| 13 | Chapter 2: “Choice of Weapons”, Part 7 | — | ||
| 14 | Chapter 3: “Holiday Task”, Part 1 | — | ||
| 15 | Chapter 3: “Holiday Task”, Part 2 | — | ||
| 16 | Chapter 3: “Holiday Task”, Part 3 | — | ||
| 17 | Chapter 3: “Holiday Task”, Part 4 | — | ||
| 18 | Chapter 3: “Holiday Task”, Part 5 | — | ||
| 19 | Chapter 3: “Holiday Task”, Part 6 | — | ||
| 2-1 | Chapter 4: “Reception Committee”, Part 1 | — | ||
| 2-2 | Chapter 4: “Reception Committee”, Part 2 | — | ||
| 2-3 | Chapter 4: “Reception Committee”, Part 3 | — | ||
| 2-4 | Chapter 4: “Reception Committee”, Part 4 | — | ||
| 2-5 | Chapter 4: “Reception Committee”, Part 5 | — | ||
| 2-6 | Chapter 4: “Reception Committee”, Part 6 | — | ||
| 2-7 | Chapter 4: “Reception Committee”, Part 7 | — | ||
| 2-8 | Chapter 4: “Reception Committee”, Part 8 | — | ||
| 2-9 | Chapter 4: “Reception Committee”, Part 9 | — | ||
| 2-10 | Chapter 5: “Facts and Figures”, Part 1 | — | ||
| 2-11 | Chapter 5: “Facts and Figures”, Part 2 | — | ||
| 2-12 | Chapter 5: “Facts and Figures”, Part 3 | — | ||
| 2-13 | Chapter 5: “Facts and Figures”, Part 4 | — | ||
| 2-14 | Chapter 5: “Facts and Figures”, Part 5 | — | ||
| 2-15 | Chapter 5: “Facts and Figures”, Part 6 | — | ||
| 2-16 | Chapter 5: “Facts and Figures”, Part 7 | — | ||
| 2-17 | Chapter 6: “The Finger on the Trigger”, Part 1 | — | ||
| 2-18 | Chapter 6: “The Finger on the Trigger”, Part 2 | — | ||
| 2-19 | Chapter 6: “The Finger on the Trigger”, Part 3 | — | ||
| 3-1 | Chapter 6: “The Finger on the Trigger”, Part 4 | — | ||
| 3-2 | Chapter 6: “The Finger on the Trigger”, Part 5 | — | ||
| 3-3 | Chapter 6: “The Finger on the Trigger”, Part 6 | — | ||
| 3-4 | Chapter 6: “The Finger on the Trigger”, Part 7 | — | ||
| 3-5 | Chapter 7: “Night Passage”, Part 1 | — | ||
| 3-6 | Chapter 7: “Night Passage”, Part 2 | — | ||
| 3-7 | Chapter 7: “Night Passage”, Part 3 | — | ||
| 3-8 | Chapter 7: “Night Passage”, Part 4 | — | ||
| 3-9 | Chapter 7: “Night Passage”, Part 5 | — | ||
| 3-10 | Chapter 7: “Night Passage”, Part 6 | — | ||
| 3-11 | Chapter 7: “Night Passage”, Part 7 | — | ||
| 3-12 | Chapter 7: “Night Passage”, Part 8 | — | ||
| 3-13 | Chapter 8: “The Elegant Venus”, Part 1 | — | ||
| 3-14 | Chapter 8: “The Elegant Venus”, Part 2 | — | ||
| 3-15 | Chapter 8: “The Elegant Venus”, Part 3 | — | ||
| 3-16 | Chapter 8: “The Elegant Venus”, Part 4 | — | ||
| 3-17 | Chapter 8: “The Elegant Venus”, Part 5 | — | ||
| 3-18 | Chapter 8: “The Elegant Venus”, Part 6 | — | ||
| 3-19 | Chapter 8: “The Elegant Venus”, Part 7 | — | ||
| 4-1 | Chapter 9: “Close Shaves”, Part 1 | — | ||
| 4-2 | Chapter 9: “Close Shaves”, Part 2 | — | ||
| 4-3 | Chapter 9: “Close Shaves”, Part 3 | — | ||
| 4-4 | Chapter 9: “Close Shaves”, Part 4 | — | ||
| 4-5 | Chapter 9: “Close Shaves”, Part 5 | — | ||
| 4-6 | Chapter 9: “Close Shaves”, Part 6 | — | ||
| 4-7 | Chapter 9: “Close Shaves”, Part 7 | — | ||
| 4-8 | Chapter 10: “Dragon's Spore”, Part 1 | — | ||
| 4-9 | Chapter 10: “Dragon's Spore”, Part 2 | — | ||
| 4-10 | Chapter 10: “Dragon's Spore”, Part 3 | — | ||
| 4-11 | Chapter 10: “Dragon's Spore”, Part 4 | — | ||
| 4-12 | Chapter 10: “Dragon's Spore”, Part 5 | — | ||
| 4-13 | Chapter 10: “Dragon's Spore”, Part 6 | — | ||
| 4-14 | Chapter 10: “Dragon's Spore”, Part 7 | — | ||
| 4-15 | Chapter 11: “Amidst the Alien Cane”, Part 1 | — | ||
| 4-16 | Chapter 11: “Amidst the Alien Cane”, Part 2 | — | ||
| 4-17 | Chapter 11: “Amidst the Alien Cane”, Part 3 | — | ||
| 4-18 | Chapter 11: “Amidst the Alien Cane”, Part 4 | — | ||
| 4-19 | Chapter 11: “Amidst the Alien Cane”, Part 5 | — | ||
| 4-20 | Chapter 11: “Amidst the Alien Cane”, Part 6 | — | ||
| 5-1 | Chapter 12: “The Thing”, Part 1 | — | ||
| 5-2 | Chapter 12: “The Thing”, Part 2 | — | ||
| 5-3 | Chapter 12: “The Thing”, Part 3 | — | ||
| 5-4 | Chapter 12: “The Thing”, Part 4 | — | ||
| 5-5 | Chapter 12: “The Thing”, Part 5 | — | ||
| 5-6 | Chapter 12: “The Thing”, Part 6 | — | ||
| 5-7 | Chapter 12: “The Thing”, Part 7 | — | ||
| 5-8 | Chapter 13: “Mink-Lined Prison”, Part 1 | — | ||
| 5-9 | Chapter 13: “Mink-Lined Prison”, Part 2 | — | ||
| 5-10 | Chapter 13: “Mink-Lined Prison”, Part 3 | — | ||
| 5-11 | Chapter 13: “Mink-Lined Prison”, Part 4 | — | ||
| 5-12 | Chapter 13: “Mink-Lined Prison”, Part 5 | — | ||
| 5-13 | Chapter 13: “Mink-Lined Prison”, Part 6 | — | ||
| 5-14 | Chapter 13: “Mink-Lined Prison”, Part 7 | — | ||
| 5-15 | Chapter 13: “Mink-Lined Prison”, Part 8 | — | ||
| 6-1 | Chapter 14: “Come in to my Parlour”, Part 1 | — | ||
| 6-2 | Chapter 14: “Come in to my Parlour”, Part 2 | — | ||
| 6-3 | Chapter 14: “Come in to my Parlour”, Part 3 | — | ||
| 6-4 | Chapter 14: “Come in to my Parlour”, Part 4 | — | ||
| 6-5 | Chapter 14: “Come in to my Parlour”, Part 5 | — | ||
| 6-6 | Chapter 14: “Come in to my Parlour”, Part 6 | — | ||
| 6-7 | Chapter 14: “Come in to my Parlour”, Part 7 | — | ||
| 6-8 | Chapter 14: “Come in to my Parlour”, Part 8 | — | ||
| 6-9 | Chapter 15: “Pandora's Box”, Part 1 | — | ||
| 6-10 | Chapter 15: “Pandora's Box”, Part 2 | — | ||
| 6-11 | Chapter 15: “Pandora's Box”, Part 3 | — | ||
| 6-12 | Chapter 15: “Pandora's Box”, Part 4 | — | ||
| 6-13 | Chapter 15: “Pandora's Box”, Part 5 | — | ||
| 6-14 | Chapter 15: “Pandora's Box”, Part 6 | — | ||
| 6-15 | Chapter 15: “Pandora's Box”, Part 7 | — | ||
| 6-16 | Chapter 15: “Pandora's Box”, Part 8 | — | ||
| 6-17 | Chapter 15: “Pandora's Box”, Part 9 | — | ||
| 7-1 | Chapter 16: “Horizons of Agony”, Part 1 | — | ||
| 7-2 | Chapter 16: “Horizons of Agony”, Part 2 | — | ||
| 7-3 | Chapter 16: “Horizons of Agony”, Part 3 | — | ||
| 7-4 | Chapter 16: “Horizons of Agony”, Part 4 | — | ||
| 7-5 | Chapter 16: “Horizons of Agony”, Part 5 | — | ||
| 7-6 | Chapter 16: “Horizons of Agony”, Part 6 | — | ||
| 7-7 | Chapter 16: “Horizons of Agony”, Part 7 | — | ||
| 7-8 | Chapter 16: “Horizons of Agony”, Part 8 | — | ||
| 7-9 | Chapter 16: “Horizons of Agony”, Part 9 | — | ||
| 7-10 | Chapter 17: “The Long Scream”, Part 1 | — | ||
| 7-11 | Chapter 17: “The Long Scream”, Part 2 | — | ||
| 7-12 | Chapter 17: “The Long Scream”, Part 3 | — | ||
| 7-13 | Chapter 17: “The Long Scream”, Part 4 | — | ||
| 7-14 | Chapter 17: “The Long Scream”, Part 5 | — | ||
| 7-15 | Chapter 17: “The Long Scream”, Part 6 | — | ||
| 7-16 | Chapter 17: “The Long Scream”, Part 7 | — | ||
| 7-17 | Chapter 17: “The Long Scream”, Part 8 | — | ||
| 7-18 | Chapter 17: “The Long Scream”, Part 9 | — | ||
| 8-1 | Chapter 18: “Killing Ground”, Part 1 | — | ||
| 8-2 | Chapter 18: “Killing Ground”, Part 2 | — | ||
| 8-3 | Chapter 18: “Killing Ground”, Part 3 | — | ||
| 8-4 | Chapter 18: “Killing Ground”, Part 4 | — | ||
| 8-5 | Chapter 18: “Killing Ground”, Part 5 | — | ||
| 8-6 | Chapter 18: “Killing Ground”, Part 6 | — | ||
| 8-7 | Chapter 19: “A Shower of Death”, Part 1 | — | ||
| 8-8 | Chapter 19: “A Shower of Death”, Part 2 | — | ||
| 8-9 | Chapter 19: “A Shower of Death”, Part 3 | — | ||
| 8-10 | Chapter 19: “A Shower of Death”, Part 4 | — | ||
| 8-11 | Chapter 19: “A Shower of Death”, Part 5 | — | ||
| 8-12 | Chapter 19: “A Shower of Death”, Part 6 | — | ||
| 8-13 | Chapter 19: “A Shower of Death”, Part 7 | — | ||
| 8-14 | Chapter 19: “A Shower of Death”, Part 8 | — | ||
| 8-15 | Chapter 19: “A Shower of Death”, Part 9 | — | ||
| 8-16 | Chapter 20: “Slave Time”, Part 1 | — | ||
| 8-17 | Chapter 20: “Slave Time”, Part 2 | — | ||
| 8-18 | Chapter 20: “Slave Time”, Part 3 | — | ||
| 8-19 | Chapter 20: “Slave Time”, Part 4 | — | ||
| 8-20 | Chapter 20: “Slave Time”, Part 5 | — | ||
| 8-21 | Chapter 20: “Slave Time”, Part 6 | — | ||
| 8-22 | Chapter 20: “Slave Time”, Part 7 | — | ||
| 8-23 | Chapter 20: “Slave Time”, Part 8 | — | ||
| 8-24 | Hugh Quarshie talks about reading Dr. No | — |
Chapter 1: “Hear You Loud and Clear”, Part 1
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Chapter 1: “Hear You Loud and Clear”, Part 2
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Chapter 1: “Hear You Loud and Clear”, Part 3
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Chapter 1: “Hear You Loud and Clear”, Part 4
—
Chapter 1: “Hear You Loud and Clear”, Part 5
—
Chapter 1: “Hear You Loud and Clear”, Part 6
—
Chapter 2: “Choice of Weapons”, Part 1
—
Chapter 2: “Choice of Weapons”, Part 2
—
Chapter 2: “Choice of Weapons”, Part 3
—
Chapter 2: “Choice of Weapons”, Part 4
—
Chapter 2: “Choice of Weapons”, Part 5
—
Chapter 2: “Choice of Weapons”, Part 6
—
Chapter 2: “Choice of Weapons”, Part 7
—
Chapter 3: “Holiday Task”, Part 1
—
Chapter 3: “Holiday Task”, Part 2
—
Chapter 3: “Holiday Task”, Part 3
—
Chapter 3: “Holiday Task”, Part 4
—
Chapter 3: “Holiday Task”, Part 5
—
Chapter 3: “Holiday Task”, Part 6
—
Chapter 4: “Reception Committee”, Part 1
—
Chapter 4: “Reception Committee”, Part 2
—
Chapter 4: “Reception Committee”, Part 3
—
Chapter 4: “Reception Committee”, Part 4
—
Chapter 4: “Reception Committee”, Part 5
—
Chapter 4: “Reception Committee”, Part 6
—
Chapter 4: “Reception Committee”, Part 7
—
Chapter 4: “Reception Committee”, Part 8
—
Chapter 4: “Reception Committee”, Part 9
—
Chapter 5: “Facts and Figures”, Part 1
—
Chapter 5: “Facts and Figures”, Part 2
—
Chapter 5: “Facts and Figures”, Part 3
—
Chapter 5: “Facts and Figures”, Part 4
—
Chapter 5: “Facts and Figures”, Part 5
—
Chapter 5: “Facts and Figures”, Part 6
—
Chapter 5: “Facts and Figures”, Part 7
—
Chapter 6: “The Finger on the Trigger”, Part 1
—
Chapter 6: “The Finger on the Trigger”, Part 2
—
Chapter 6: “The Finger on the Trigger”, Part 3
—
Chapter 6: “The Finger on the Trigger”, Part 4
—
Chapter 6: “The Finger on the Trigger”, Part 5
—
Chapter 6: “The Finger on the Trigger”, Part 6
—
Chapter 6: “The Finger on the Trigger”, Part 7
—
Chapter 7: “Night Passage”, Part 1
—
Chapter 7: “Night Passage”, Part 2
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Chapter 7: “Night Passage”, Part 3
—
Chapter 7: “Night Passage”, Part 4
—
Chapter 7: “Night Passage”, Part 5
—
Chapter 7: “Night Passage”, Part 6
—
Chapter 7: “Night Passage”, Part 7
—
Chapter 7: “Night Passage”, Part 8
—
Chapter 8: “The Elegant Venus”, Part 1
—
Chapter 8: “The Elegant Venus”, Part 2
—
Chapter 8: “The Elegant Venus”, Part 3
—
Chapter 8: “The Elegant Venus”, Part 4
—
Chapter 8: “The Elegant Venus”, Part 5
—
Chapter 8: “The Elegant Venus”, Part 6
—
Chapter 8: “The Elegant Venus”, Part 7
—
Chapter 9: “Close Shaves”, Part 1
—
Chapter 9: “Close Shaves”, Part 2
—
Chapter 9: “Close Shaves”, Part 3
—
Chapter 9: “Close Shaves”, Part 4
—
Chapter 9: “Close Shaves”, Part 5
—
Chapter 9: “Close Shaves”, Part 6
—
Chapter 9: “Close Shaves”, Part 7
—
Chapter 10: “Dragon's Spore”, Part 1
—
Chapter 10: “Dragon's Spore”, Part 2
—
Chapter 10: “Dragon's Spore”, Part 3
—
Chapter 10: “Dragon's Spore”, Part 4
—
Chapter 10: “Dragon's Spore”, Part 5
—
Chapter 10: “Dragon's Spore”, Part 6
—
Chapter 10: “Dragon's Spore”, Part 7
—
Chapter 11: “Amidst the Alien Cane”, Part 1
—
Chapter 11: “Amidst the Alien Cane”, Part 2
—
Chapter 11: “Amidst the Alien Cane”, Part 3
—
Chapter 11: “Amidst the Alien Cane”, Part 4
—
Chapter 11: “Amidst the Alien Cane”, Part 5
—
Chapter 11: “Amidst the Alien Cane”, Part 6
—
Chapter 12: “The Thing”, Part 1
—
Chapter 12: “The Thing”, Part 2
—
Chapter 12: “The Thing”, Part 3
—
Chapter 12: “The Thing”, Part 4
—
Chapter 12: “The Thing”, Part 5
—
Chapter 12: “The Thing”, Part 6
—
Chapter 12: “The Thing”, Part 7
—
Chapter 13: “Mink-Lined Prison”, Part 1
—
Chapter 13: “Mink-Lined Prison”, Part 2
—
Chapter 13: “Mink-Lined Prison”, Part 3
—
Chapter 13: “Mink-Lined Prison”, Part 4
—
Chapter 13: “Mink-Lined Prison”, Part 5
—
Chapter 13: “Mink-Lined Prison”, Part 6
—
Chapter 13: “Mink-Lined Prison”, Part 7
—
Chapter 13: “Mink-Lined Prison”, Part 8
—
Chapter 14: “Come in to my Parlour”, Part 1
—
Chapter 14: “Come in to my Parlour”, Part 2
—
Chapter 14: “Come in to my Parlour”, Part 3
—
Chapter 14: “Come in to my Parlour”, Part 4
—
Chapter 14: “Come in to my Parlour”, Part 5
—
Chapter 14: “Come in to my Parlour”, Part 6
—
Chapter 14: “Come in to my Parlour”, Part 7
—
Chapter 14: “Come in to my Parlour”, Part 8
—
Chapter 15: “Pandora's Box”, Part 1
—
Chapter 15: “Pandora's Box”, Part 2
—
Chapter 15: “Pandora's Box”, Part 3
—
Chapter 15: “Pandora's Box”, Part 4
—
Chapter 15: “Pandora's Box”, Part 5
—
Chapter 15: “Pandora's Box”, Part 6
—
Chapter 15: “Pandora's Box”, Part 7
—
Chapter 15: “Pandora's Box”, Part 8
—
Chapter 15: “Pandora's Box”, Part 9
—
Chapter 16: “Horizons of Agony”, Part 1
—
Chapter 16: “Horizons of Agony”, Part 2
—
Chapter 16: “Horizons of Agony”, Part 3
—
Chapter 16: “Horizons of Agony”, Part 4
—
Chapter 16: “Horizons of Agony”, Part 5
—
Chapter 16: “Horizons of Agony”, Part 6
—
Chapter 16: “Horizons of Agony”, Part 7
—
Chapter 16: “Horizons of Agony”, Part 8
—
Chapter 16: “Horizons of Agony”, Part 9
—
Chapter 17: “The Long Scream”, Part 1
—
Chapter 17: “The Long Scream”, Part 2
—
Chapter 17: “The Long Scream”, Part 3
—
Chapter 17: “The Long Scream”, Part 4
—
Chapter 17: “The Long Scream”, Part 5
—
Chapter 17: “The Long Scream”, Part 6
—
Chapter 17: “The Long Scream”, Part 7
—
Chapter 17: “The Long Scream”, Part 8
—
Chapter 17: “The Long Scream”, Part 9
—
Chapter 18: “Killing Ground”, Part 1
—
Chapter 18: “Killing Ground”, Part 2
—
Chapter 18: “Killing Ground”, Part 3
—
Chapter 18: “Killing Ground”, Part 4
—
Chapter 18: “Killing Ground”, Part 5
—
Chapter 18: “Killing Ground”, Part 6
—
Chapter 19: “A Shower of Death”, Part 1
—
Chapter 19: “A Shower of Death”, Part 2
—
Chapter 19: “A Shower of Death”, Part 3
—
Chapter 19: “A Shower of Death”, Part 4
—
Chapter 19: “A Shower of Death”, Part 5
—
Chapter 19: “A Shower of Death”, Part 6
—
Chapter 19: “A Shower of Death”, Part 7
—
Chapter 19: “A Shower of Death”, Part 8
—
Chapter 19: “A Shower of Death”, Part 9
—
Chapter 20: “Slave Time”, Part 1
—
Chapter 20: “Slave Time”, Part 2
—
Chapter 20: “Slave Time”, Part 3
—
Chapter 20: “Slave Time”, Part 4
—
Chapter 20: “Slave Time”, Part 5
—
Chapter 20: “Slave Time”, Part 6
—
Chapter 20: “Slave Time”, Part 7
—
Chapter 20: “Slave Time”, Part 8
—
Hugh Quarshie talks about reading Dr. No
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What other identifiers does this connect to?
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What is UPC 9781471309403?
9781471309403 is a Universal Product Code (UPC) assigned to Dr. No by Ian Fleming, Hugh Quarshie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 151 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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