UPC · Release
Through the Window: Seventeen Essays and a Short Story
Julian Barnes, Philip Franks
Last verified:
9781491532591 is the Universal Product Code (UPC barcode) for the release “Through the Window: Seventeen Essays and a Short Story” by Julian Barnes, Philip Franks, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Credits / Preface | — | ||
| 2 | The Deceptiveness of Penelope Fitzgerald, part 1 | — | ||
| 3 | The Deceptiveness of Penelope Fitzgerald, part 2 | — | ||
| 4 | The Deceptiveness of Penelope Fitzgerald, part 3 | — | ||
| 5 | The Deceptiveness of Penelope Fitzgerald, part 4 | — | ||
| 6 | The Deceptiveness of Penelope Fitzgerald, part 5 | — | ||
| 7 | The 'Unpoetical' Kough, part 1 | — | ||
| 8 | The 'Unpoetical' Kough, part 2 | — | ||
| 9 | The 'Unpoetical' Kough, part 3 | — | ||
| 10 | George Orwell and the Fucking Elephant, part 1 | — | ||
| 11 | George Orwell and the Fucking Elephant, part 2 | — | ||
| 12 | George Orwell and the Fucking Elephant, part 3 | — | ||
| 13 | George Orwell and the Fucking Elephant, part 4 | — | ||
| 2-1 | George Orwell and the Fucking Elephant, part 5 | — | ||
| 2-2 | George Orwell and the Fucking Elephant, part 6 | — | ||
| 2-3 | Ford's "The Good Soldier", part 1 | — | ||
| 2-4 | Ford's "The Good Soldier", part 2 | — | ||
| 2-5 | Ford's "The Good Soldier", part 3 | — | ||
| 2-6 | Ford and Provence, part 1 | — | ||
| 2-7 | Ford and Provence, part 2 | — | ||
| 2-8 | Ford and Provence, part 3 | — | ||
| 2-9 | Ford and Provence, part 4 | — | ||
| 2-10 | Ford's Anglican Saint, part 1 | — | ||
| 2-11 | Ford's Anglican Saint, part 2 | — | ||
| 2-12 | Ford's Anglican Saint, part 3 | — | ||
| 2-13 | Ford's Anglican Saint, part 4 | — | ||
| 2-14 | Ford's Anglican Saint, part 5 | — | ||
| 3-1 | Ford's Anglican Saint, part 6 | — | ||
| 3-2 | Ford's Anglican Saint, part 7 | — | ||
| 3-3 | Kipling's France, part 1 | — | ||
| 3-4 | Kipling's France, part 2 | — | ||
| 3-5 | Kipling's France, part 3 | — | ||
| 3-6 | Kipling's France, part 4 | — | ||
| 3-7 | France's Kipling, part 1 | — | ||
| 3-8 | France's Kipling, part 2 | — | ||
| 3-9 | France's Kipling, part 3 | — | ||
| 3-10 | The Wisdom of Chamfort, part 1 | — | ||
| 3-11 | The Wisdom of Chamfort, part 2 | — | ||
| 3-12 | The Wisdom of Chamfort, part 3 | — | ||
| 3-13 | The Wisdom of Chamfort, part 4 | — | ||
| 4-1 | The Wisdom of Chamfort, part 5 | — | ||
| 4-2 | The Man Who Saved Old France, part 1 | — | ||
| 4-3 | The Man Who Saved Old France, part 2 | — | ||
| 4-4 | The Man Who Saved Old France, part 3 | — | ||
| 4-5 | The Man Who Saved Old France, part 4 | — | ||
| 4-6 | The Profile of Félix Fénéon, part 1 | — | ||
| 4-7 | The Profile of Félix Fénéon, part 2 | — | ||
| 4-8 | The Profile of Félix Fénéon, part 3 | — | ||
| 4-9 | The Profile of Félix Fénéon, part 4 | — | ||
| 4-10 | Michel Houellebecq and the Sin of Despair, part 1 | — | ||
| 4-11 | Michel Houellebecq and the Sin of Despair, part 2 | — | ||
| 4-12 | Michel Houellebecq and the Sin of Despair, part 3 | — | ||
| 4-13 | Translating "Madame Bovary", part 1 | — | ||
| 4-14 | Translating "Madame Bovary", part 2 | — | ||
| 5-1 | Translating "Madame Bovary", part 3 | — | ||
| 5-2 | Translating "Madame Bovary", part 4 | — | ||
| 5-3 | Translating "Madame Bovary", part 5 | — | ||
| 5-4 | Translating "Madame Bovary", part 6 | — | ||
| 5-5 | Translating "Madame Bovary", part 7 | — | ||
| 5-6 | Translating "Madame Bovary", part 8 | — | ||
| 5-7 | Wharton's "The Reef", part 1 | — | ||
| 5-8 | Wharton's "The Reef", part 2 | — | ||
| 5-9 | Wharton's "The Reef", part 3 | — | ||
| 5-10 | Homage to Hemingway: A Short Story, part 1 | — | ||
| 5-11 | Homage to Hemingway: A Short Story, part 2 | — | ||
| 5-12 | Homage to Hemingway: A Short Story, part 3 | — | ||
| 5-13 | Homage to Hemingway: A Short Story, part 4 | — | ||
| 5-14 | Homage to Hemingway: A Short Story, part 5 | — | ||
| 6-1 | Homage to Hemingway: A Short Story, part 6 | — | ||
| 6-2 | Homage to Hemingway: A Short Story, part 7 | — | ||
| 6-3 | Homage to Hemingway: A Short Story, part 8 | — | ||
| 6-4 | Lorrie Moore Takes Wing, part 1 | — | ||
| 6-5 | Lorrie Moore Takes Wing, part 2 | — | ||
| 6-6 | Remembering Updike, Remembering Rabbit, part 1 | — | ||
| 6-7 | Remembering Updike, Remembering Rabbit, part 2 | — | ||
| 6-8 | Remembering Updike, Remembering Rabbit, part 3 | — | ||
| 6-9 | Remembering Updike, Remembering Rabbit, part 4 | — | ||
| 7-1 | Remembering Updike, Remembering Rabbit, part 5 | — | ||
| 7-2 | Remembering Updike, Remembering Rabbit, part 6 | — | ||
| 7-3 | Remembering Updike, Remembering Rabbit, part 7 | — | ||
| 7-4 | Regulating Sorrow, part 1 | — | ||
| 7-5 | Regulating Sorrow, part 2 | — | ||
| 7-6 | Regulating Sorrow, part 3 | — | ||
| 7-7 | Regulating Sorrow, part 4 | — | ||
| 7-8 | Regulating Sorrow, part 5 / Ending Credits | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Verified on
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People also ask
What is UPC 9781491532591?
9781491532591 is a Universal Product Code (UPC) assigned to Through the Window: Seventeen Essays and a Short Story by Julian Barnes, Philip Franks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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