UPC · Release
Morning Star: Book III of the Red Rising Trilogy
Pierce Brown, Tim Gerard Reynolds
9781501904417
67 tracksReleased 2016-02-09
Last verified:
9781501904417 is the Universal Product Code (UPC barcode) for the release “Morning Star: Book III of the Red Rising Trilogy” by Pierce Brown, Tim Gerard Reynolds, released 2016-02-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC.
Format
978GS1 prefix
1501Company prefix
90441Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Opening Credits / Prologue / Part I: Thorns, Epigraph / Part I: Thorns, Chapter 1: Only the Dark | — | ||
| 2 | Part I: Thorns, Chapter 2: Prisoner L17L6363 | — | ||
| 3 | Part I: Thorns, Chapter 3: Snakebite | — | ||
| 4 | Part I: Thorns, Chapter 4: Cell 2187 | — | ||
| 5 | Part I: Thorns, Chapter 5: Plan C | — | ||
| 6 | Part I: Thorns, Chapter 6: Victims | — | ||
| 7 | Part I: Thorns, Chapter 7: Bumblebees | — | ||
| 8 | Part I: Thorns, Chapter 8: Home | — | ||
| 9 | Part I: Thorns, Chapter 9: The City of Ares | — | ||
| 10 | Part I: Thorns, Chapter 10: The War | — | ||
| 11 | Part I: Thorns, Chapter 11: My People | — | ||
| 12 | Part I: Thorns, Chapter 12: The Julii | — | ||
| 13 | Part II: Rage, Epigraph / Part II: Rage, Chapter 13: Howlers | — | ||
| 14 | Part II: Rage, Chapter 14: The Vampire Moon | — | ||
| 15 | Part II: Rage, Chapter 15: The Hunt | — | ||
| 16 | Part II: Rage, Chapter 16: Paramour | — | ||
| 17 | Part II: Rage, Chapter 17: Killing Golds | — | ||
| 18 | Part II: Rage, Chapter 18: Abyss | — | ||
| 19 | Part II: Rage, Chapter 19: Pressure | — | ||
| 20 | Part II: Rage, Chapter 20: Dissent | — | ||
| 21 | Part II: Rage, Chapter 21: Quicksilver | — | ||
| 22 | Part II: Rage, Chapter 22: The Weight of Ares | — | ||
| 23 | Part II: Rage, Chapter 23: The Tide | — | ||
| 24 | Part II: Rage, Chapter 24: Hic sunt leones | — | ||
| 25 | Part II: Rage, Chapter 25: Exodus | — | ||
| 26 | Part II: Rage, Chapter 26: The Ice | — | ||
| 27 | Part II: Rage, Chapter 27: Bay of Laughter | — | ||
| 28 | Part II: Rage, Chapter 28: Feast | — | ||
| 29 | Part II: Rage, Chapter 29: Hunters | — | ||
| 30 | Part II: Rage, Chapter 30: The Quiet | — | ||
| 31 | Part II: Rage, Chapter 31: The Pale Queen | — | ||
| 32 | Part II: Rage, Chapter 32: No Man’s Land | — | ||
| 33 | Part II: Rage, Chapter 33: Gods and Men | — | ||
| 34 | Part II: Rage, Chapter 34: Godkillers | — | ||
| 35 | Part III: Glory, Epigraph / Part III: Glory, Chapter 35: The Light | — | ||
| 36 | Part III: Glory, Chapter 36: Swill | — | ||
| 37 | Part III: Glory, Chapter 37: The Last Eagle | — | ||
| 38 | Part III: Glory, Chapter 38: The Bill | — | ||
| 39 | Part III: Glory, Chapter 39: The Heart | — | ||
| 40 | Part III: Glory, Chapter 40: Yellow Sea | — | ||
| 41 | Part III: Glory, Chapter 41: The Moon Lord | — | ||
| 42 | Part III: Glory, Chapter 42: The Poet | — | ||
| 43 | Part III: Glory, Chapter 43: Here Again | — | ||
| 44 | Part III: Glory, Chapter 44: The Lucky Ones | — | ||
| 45 | Part III: Glory, Chapter 45: The Battle of Ilium | — | ||
| 46 | Part III: Glory, Chapter 46: Helldiver | — | ||
| 47 | Part III: Glory, Chapter 47: Hell | — | ||
| 48 | Part III: Glory, Chapter 48: Imperator | — | ||
| 49 | Part III: Glory, Chapter 49: Colossus | — | ||
| 50 | Part IV: Stars, Epigraph / Part IV: Stars, Chapter 50: Thunder and Lightning | — | ||
| 51 | Part IV: Stars, Chapter 51: Pandora | — | ||
| 52 | Part IV: Stars, Chapter 52: Teeth | — | ||
| 53 | Part IV: Stars, Chapter 53: Silence | — | ||
| 54 | Part IV: Stars, Chapter 54: The Goblin and the Gold | — | ||
| 55 | Part IV: Stars, Chapter 55: The Ignoble House Barca | — | ||
| 56 | Part IV: Stars, Chapter 56: In Time | — | ||
| 57 | Part IV: Stars, Chapter 57: Luna | — | ||
| 58 | Part IV: Stars, Chapter 58: Fading Light | — | ||
| 59 | Part IV: Stars, Chapter 59: The Lion of Mars | — | ||
| 60 | Part IV: Stars, Chapter 60: Dragon’s Maw | — | ||
| 61 | Part IV: Stars, Chapter 61: The Red | — | ||
| 62 | Part IV: Stars, Chapter 62: Omnis vir lupus | — | ||
| 63 | Part IV: Stars, Chapter 63: Silence | — | ||
| 64 | Part IV: Stars, Chapter 64: Hail | — | ||
| 65 | Part IV: Stars, Chapter 65: The Vale | — | ||
| 66 | Epilogue | — | ||
| 67 | End Credits | — |
Opening Credits / Prologue / Part I: Thorns, Epigraph / Part I: Thorns, Chapter 1: Only the Dark
—
Part I: Thorns, Chapter 2: Prisoner L17L6363
—
Part I: Thorns, Chapter 3: Snakebite
—
Part I: Thorns, Chapter 4: Cell 2187
—
Part I: Thorns, Chapter 5: Plan C
—
Part I: Thorns, Chapter 6: Victims
—
Part I: Thorns, Chapter 7: Bumblebees
—
Part I: Thorns, Chapter 8: Home
—
Part I: Thorns, Chapter 9: The City of Ares
—
Part I: Thorns, Chapter 10: The War
—
Part I: Thorns, Chapter 11: My People
—
Part I: Thorns, Chapter 12: The Julii
—
Part II: Rage, Epigraph / Part II: Rage, Chapter 13: Howlers
—
Part II: Rage, Chapter 14: The Vampire Moon
—
Part II: Rage, Chapter 15: The Hunt
—
Part II: Rage, Chapter 16: Paramour
—
Part II: Rage, Chapter 17: Killing Golds
—
Part II: Rage, Chapter 18: Abyss
—
Part II: Rage, Chapter 19: Pressure
—
Part II: Rage, Chapter 20: Dissent
—
Part II: Rage, Chapter 21: Quicksilver
—
Part II: Rage, Chapter 22: The Weight of Ares
—
Part II: Rage, Chapter 23: The Tide
—
Part II: Rage, Chapter 24: Hic sunt leones
—
Part II: Rage, Chapter 25: Exodus
—
Part II: Rage, Chapter 26: The Ice
—
Part II: Rage, Chapter 27: Bay of Laughter
—
Part II: Rage, Chapter 28: Feast
—
Part II: Rage, Chapter 29: Hunters
—
Part II: Rage, Chapter 30: The Quiet
—
Part II: Rage, Chapter 31: The Pale Queen
—
Part II: Rage, Chapter 32: No Man’s Land
—
Part II: Rage, Chapter 33: Gods and Men
—
Part II: Rage, Chapter 34: Godkillers
—
Part III: Glory, Epigraph / Part III: Glory, Chapter 35: The Light
—
Part III: Glory, Chapter 36: Swill
—
Part III: Glory, Chapter 37: The Last Eagle
—
Part III: Glory, Chapter 38: The Bill
—
Part III: Glory, Chapter 39: The Heart
—
Part III: Glory, Chapter 40: Yellow Sea
—
Part III: Glory, Chapter 41: The Moon Lord
—
Part III: Glory, Chapter 42: The Poet
—
Part III: Glory, Chapter 43: Here Again
—
Part III: Glory, Chapter 44: The Lucky Ones
—
Part III: Glory, Chapter 45: The Battle of Ilium
—
Part III: Glory, Chapter 46: Helldiver
—
Part III: Glory, Chapter 47: Hell
—
Part III: Glory, Chapter 48: Imperator
—
Part III: Glory, Chapter 49: Colossus
—
Part IV: Stars, Epigraph / Part IV: Stars, Chapter 50: Thunder and Lightning
—
Part IV: Stars, Chapter 51: Pandora
—
Part IV: Stars, Chapter 52: Teeth
—
Part IV: Stars, Chapter 53: Silence
—
Part IV: Stars, Chapter 54: The Goblin and the Gold
—
Part IV: Stars, Chapter 55: The Ignoble House Barca
—
Part IV: Stars, Chapter 56: In Time
—
Part IV: Stars, Chapter 57: Luna
—
Part IV: Stars, Chapter 58: Fading Light
—
Part IV: Stars, Chapter 59: The Lion of Mars
—
Part IV: Stars, Chapter 60: Dragon’s Maw
—
Part IV: Stars, Chapter 61: The Red
—
Part IV: Stars, Chapter 62: Omnis vir lupus
—
Part IV: Stars, Chapter 63: Silence
—
Part IV: Stars, Chapter 64: Hail
—
Part IV: Stars, Chapter 65: The Vale
—
Epilogue
—
End Credits
—
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What is UPC 9781501904417?
9781501904417 is a Universal Product Code (UPC) assigned to Morning Star: Book III of the Red Rising Trilogy by Pierce Brown, Tim Gerard Reynolds. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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