UPC · Release
End of Watch
Stephen King, Will Patton
Last verified:
9781508211358 is the Universal Product Code (UPC barcode) for the release “End of Watch” by Stephen King, Will Patton, released 2016-01-01 on Simon & Schuster Audioworks. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (117)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | Epigraph | — | ||
| 3 | April 10, 2009: Martine Stover | — | ||
| 4 | Z: January 2016, Chapter 1 | — | ||
| 5 | Z: January 2016, Chapter 2 | — | ||
| 6 | Z: January 2016, Chapter 3 | — | ||
| 7 | Z: January 2016, Chapter 4 | — | ||
| 8 | Z: January 2016, Chapter 5 | — | ||
| 9 | Z: January 2016, Chapter 6 | — | ||
| 10 | Z: January 2016, Chapter 7 | — | ||
| 2-1 | Z: January 2016, Chapter 8 | — | ||
| 2-2 | Z: January 2016, Chapter 9 | — | ||
| 2-3 | Z: January 2016, Chapter 10 | — | ||
| 2-4 | Z: January 2016, Chapter 11 | — | ||
| 2-5 | Z: January 2016, Chapter 12 | — | ||
| 2-6 | Z: January 2016, Chapter 13 | — | ||
| 2-7 | Z: January 2016, Chapter 14 | — | ||
| 2-8 | Z: January 2016, Chapter 15 | — | ||
| 2-9 | Z: January 2016, Chapter 16 | — | ||
| 3-1 | Z: January 2016, Chapter 17 | — | ||
| 3-2 | Z: January 2016, Chapter 18 | — | ||
| 3-3 | Z: January 2016, Chapter 19 | — | ||
| 3-4 | Z: January 2016, Chapter 20 | — | ||
| 3-5 | Z: January 2016, Chapter 21 | — | ||
| 3-6 | Z: January 2016, Chapter 22 | — | ||
| 3-7 | Z: January 2016, Chapter 23 | — | ||
| 3-8 | Brady | — | ||
| 4-1 | Blackish, Chapter 1 | — | ||
| 4-2 | Blackish, Chapter 2 | — | ||
| 4-3 | Blackish, Chapter 3 | — | ||
| 4-4 | Blackish, Chapter 4 | — | ||
| 4-5 | Blackish, Chapter 5 | — | ||
| 4-6 | Blackish, Chapter 5 | — | ||
| 4-7 | Blackish, Chapter 7 | — | ||
| 4-8 | Blackish, Chapter 8 | — | ||
| 4-9 | Blackish, Chapter 9 | — | ||
| 4-10 | Blackish, Chapter 10 | — | ||
| 4-11 | Blackish, Chapter 11 | — | ||
| 4-12 | Blackish, Chapter 12 | — | ||
| 4-13 | Blackish, Chapter 13 | — | ||
| 5-1 | Blackish, Chapter 14 | — | ||
| 5-2 | Blackish, Chapter 15 | — | ||
| 5-3 | Blackish, Chapter 16 | — | ||
| 5-4 | Blackish, Chapter 17 | — | ||
| 5-5 | Blackish, Chapter 18 | — | ||
| 5-6 | Blackish, Chapter 19 | — | ||
| 5-7 | Blackish, Chapter 20 | — | ||
| 5-8 | Blackish, Chapter 21 | — | ||
| 5-9 | Blackish, Chapter 22 | — | ||
| 5-10 | Blackish, Chapter 23 | — | ||
| 5-11 | Blackish, Chapter 24 | — | ||
| 5-12 | Blackish, Chapter 25 | — | ||
| 5-13 | Blackish, Chapter 26 | — | ||
| 5-14 | Blackish, Chapter 27 | — | ||
| 6-1 | Library Al | — | ||
| 6-2 | Badconcert.com, Chapter 1 | — | ||
| 6-3 | Badconcert.com, Chapter 2 | — | ||
| 7-1 | Badconcert.com, Chapter 3 | — | ||
| 7-2 | Badconcert.com, Chapter 4 | — | ||
| 7-3 | Badconcert.com, Chapter 5 | — | ||
| 7-4 | Badconcert.com, Chapter 6 | — | ||
| 7-5 | Badconcert.com, Chapter 7 | — | ||
| 7-6 | Badconcert.com, Chapter 8 | — | ||
| 7-7 | Badconcert.com, Chapter 9 | — | ||
| 7-8 | Badconcert.com, Chapter 10 | — | ||
| 7-9 | Badconcert.com, Chapter 11 | — | ||
| 8-1 | Badconcert.com, Chapter 12 | — | ||
| 8-2 | Badconcert.com, Chapter 13 | — | ||
| 8-3 | Badconcert.com, Chapter 14 | — | ||
| 8-4 | Badconcert.com, Chapter 15 | — | ||
| 8-5 | Badconcert.com, Chapter 16 | — | ||
| 8-6 | Badconcert.com, Chapter 17 | — | ||
| 8-7 | Badconcert.com, Chapter 18 | — | ||
| 9-1 | Badconcert.com, Chapter 19 | — | ||
| 9-2 | Badconcert.com, Chapter 20 | — | ||
| 9-3 | Badconcert.com, Chapter 21 | — | ||
| 9-4 | The Suicide Prince | — | ||
| 10-1 | Heads and Skins, Chapter 1 | — | ||
| 10-2 | Heads and Skins, Chapter 2 | — | ||
| 10-3 | Heads and Skins, Chapter 3 | — | ||
| 10-4 | Heads and Skins, Chapter 4 | — | ||
| 10-5 | Heads and Skins, Chapter 5 | — | ||
| 10-6 | Heads and Skins, Chapter 6 | — | ||
| 10-7 | Heads and Skins, Chapter 7 | — | ||
| 10-8 | Heads and Skins, Chapter 8 | — | ||
| 10-9 | Heads and Skins, Chapter 9 | — | ||
| 10-10 | Heads and Skins, Chapter 10 | — | ||
| 10-11 | Heads and Skins, Chapter 11 | — | ||
| 10-12 | Heads and Skins, Chapter 12 | — | ||
| 10-13 | Heads and Skins, Chapter 13 | — | ||
| 10-14 | Heads and Skins, Chapter 14 | — | ||
| 11-1 | Heads and Skins, Chapter 15 | — | ||
| 11-2 | Heads and Skins, Chapter 16 | — | ||
| 11-3 | Heads and Skins, Chapter 17 | — | ||
| 11-4 | Heads and Skins, Chapter 18 | — | ||
| 11-5 | Heads and Skins, Chapter 19 | — | ||
| 11-6 | Heads and Skins, Chapter 20 | — | ||
| 11-7 | Heads and Skins, Chapter 21 | — | ||
| 11-8 | Heads and Skins, Chapter 22 | — | ||
| 11-9 | Heads and Skins, Chapter 23 | — | ||
| 11-10 | Heads and Skins, Chapter 24 | — | ||
| 11-11 | Heads and Skins, Chapter 25 | — | ||
| 11-12 | Heads and Skins, Chapter 26 | — | ||
| 11-13 | Heads and Skins, Chapter 27 | — | ||
| 11-14 | Heads and Skins, Chapter 28 | — | ||
| 11-15 | Heads and Skins, Chapter 29 | — | ||
| 12-1 | Heads and Skins, Chapter 30 | — | ||
| 12-2 | Heads and Skins, Chapter 31 | — | ||
| 12-3 | Heads and Skins, Chapter 32 | — | ||
| 12-4 | Heads and Skins, Chapter 33 | — | ||
| 12-5 | Heads and Skins, Chapter 34 | — | ||
| 12-6 | Heads and Skins, Chapter 35 | — | ||
| 12-7 | Heads and Skins, Chapter 36 | — | ||
| 12-8 | After, Part 1 | — | ||
| 12-9 | After, Part 2 | — | ||
| 12-10 | Author's Note | — | ||
| 12-11 | Outro | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 9781508211358?
9781508211358 is a Universal Product Code (UPC) assigned to End of Watch by Stephen King, Will Patton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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